Great Moments in Pharmacy - American Pharmacists Association

More documents

Recommendations

Info

Great Moments in PharmacyFEATUREproduce a series of color photographs similar to Davis & Geck’shistory of surgery series. However, Bender’s early advisors convincedhim that the use of the medium of photography would notconvey the intended historical message. So, as early as April1947, Bender began searching for an artist by inviting proposalsfrom various commercial art firms. He was dissatisfied with thequality of work and the prices of many early contenders. 7One artist who visited his office did interest him, however, andBender gave him a trial assignment: produce the Christmas coverfor Modern Pharmacy. 8 The artist was Michigan-born and Columbus,Ohio, Institute of Fine Arts graduate Robert A. Thom(1915–1979), 9 who produced a cover that was unusually detailedand well received. When Bender discussed his dream of a series ofpaintings on pharmacy history with Thom, the artist took off onhis own for Chicago, where he produced a caveman painting basedon one of the dioramas at the Field Museum. 7 Titled Before theDawn of History, the painting showed primitive men using naturalmaterials to heal their wounds. Bender thought it was a great start,and Thom was selected as the artist for the series depicting the 40most important events in pharmacy’s history.Bender then proceeded to round out his project team by seekinghistorical guidance from the American Institute of the History ofPharmacy (AIHP) in Madison, Wisc. Bender took Thom’s cavemancanvas to the 1949 APhA Annual Meeting in Jacksonville,Fla. He unveiled the painting and explained his ideas at a privatedinner attended by George Urdang, Glenn Sonnedecker, and ArthurUhl. These three men encouraged Bender to continue the project, 7but it was still 2 years before the first story line and painting wouldappear in Modern Pharmacy.Bender termed his narratives for the paintings “story lines”rather than “histories”; this was a deliberate effort to distinguishbetween the “waffling of scholarship” and the “facts” whose reliabilitywas of greatest importance. So that the paintings wouldaccurately depict the periods in question, Thom and BenderThe Father of American Pharmacy—William Procter Jr. (1817–1874). Community pharmacist, pharmaceutical educator, pharmaceuticalscientist, and association executive are all titles appropriate for William Procter Jr.; he is seen here in his office as editor of the AmericanJournal of Pharmacy. As Gregory Higby describes, “for American Pharmacy, Procter has served as a symbol of identity and pride.”Vol. 42, No. 2 March/April 2002 Journal of the American Pharmaceutical Association 171
FEATUREGreat Moments in PharmacyThe Marshall Apothecary (1729–1825). Irish immigrant Christopher Marshall (1709 1797) established a Philadelphia apothecary shop in 1729.He is depicted here in 1754 demonstrating the use of a pill machine for his two sons, Christopher Jr. (1740–1806) and Charles (1744–1825) who,with the founder’s granddaughter, Elizabeth, continued to operate the pharmacy until 1825.painstakingly researched artifacts, costumes, and colors, frequentlyconsulting museum curators about specific details. 7 Bender subsequentlyexplained, “Thom’s job is to put the breath of life into thelong dead past. This is one of the things that the artist has to portrayas he tells the story on canvas.” 10Going Into PrintThe formal announcement of the program in the November1950 issue of Modern Pharmacy apprised readers that the nextissue would introduce “for the first time a comprehensive seriesof full-color pictures depicting the history of pharmacy.” Benderwrote: “These pictures will be in the form of inserts, two pages insize, suitable for framing.” 11 Before the Dawn of History, Thom’soriginal caveman painting, was hailed in the January 1951 issueof Modern Pharmacy as “a sort of prologue to the series [which]goes back perhaps 400 centuries for pharmacy’s beginnings.” 12The story line described how ancient man learned from instinct toassuage his wounds with water, mud, and various leaves. 13By the time the third painting appeared, Bender explained thatthe title of the series had to be changed from Forty Centuries ofPharmacy to A History of Pharmacy in Pictures because the formertitle had been in use since 1937 by the American ProfessionalPharmacist. 14 The cover of the September 1953 issue of ModernPharmacy linked the central figures of the paintings from theBefore the Dawn of Time to the first painting set in North America,Louis Hébert, Apothecary to New France (Canada). The story linefor the latter painting described how Hébert, a young Parisianapothecary, came to the New World in 1605 to look after thehealth of the pioneers and to experiment with various nativemedicinal plants. 15,16Pharmacists showed much interest in the series as soon as thepaintings began appearing in the Parke-Davis journal. They began172 Journal of the American Pharmaceutical Association March/April 2002 Vol. 42, No. 2
Page 1: FEATUREGreat Moments in Pharmacy:De
Page 5 and 6: FEATUREGreat Moments in PharmacyCra
Page 7 and 8: FEATUREGreat Moments in PharmacyThe
Page 9 and 10: FEATUREGreat Moments in Pharmacydep
Page 11 and 12: FEATUREGreat Moments in PharmacyPha
Page 13: FEATUREGreat Moments in Pharmacy23.

Great Moments in Pharmacy - American Pharmacists Association

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?