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The Home Barista's Guide to Espresso - Coffee Prince in Surat

The Home Barista's Guide to Espresso - Coffee Prince in Surat

The Home Barista's Guide to Espresso - Coffee Prince in Surat

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Based on what you've read, you are look<strong>in</strong>g for a two ounce double espresso <strong>in</strong> 27 seconds. If the gr<strong>in</strong>dis <strong>to</strong>o coarse, you get the two ounces <strong>in</strong> about 15 seconds. If you s<strong>to</strong>p there, the cup will tasteunderextracted. If you go for 27 seconds, you'll get an overflow of overextracted bilge. But if you s<strong>to</strong>pthe shot at the right color, you'll have a 20 second, 3 ounce lungo (long shot)—not what you wanted,but quite dr<strong>in</strong>kable. Now suppose your gr<strong>in</strong>d is way <strong>to</strong>o f<strong>in</strong>e. If you don't know the rule, you'll have a ½ounce of <strong>in</strong>tensely sour stuff at 27 seconds, or 2 ounces of <strong>in</strong>tensely bitter stuff after a m<strong>in</strong>ute. If you doknow the rule, you'll have a 1 ounce ristret<strong>to</strong> (short shot) after 35 seconds—aga<strong>in</strong>, not what youwanted, but enjoyable nevertheless. After you tried the shot, you can correct the gr<strong>in</strong>d, or even staywith the "mistake" if you decide you liked it more. In any case, you'll have a range of shot possibilitiesyou can explore.As can be seen on the extraction chart, it takes a longer time for the flow <strong>to</strong> go blond on a restrictedvolume shot than on a long volume shot. This relation between shot blond<strong>in</strong>g and the volume and lengthof extraction is known among espresso enthusiasts as Al's Rule, named after Al Critzer of Cimballi.Tak<strong>in</strong>g Advantage of the 'Rule of Thirds'Sometimes it is not the gr<strong>in</strong>d, but the temperature, pressure, or even the blend itself that are off.Ideally, you would fix this by correct<strong>in</strong>g the problem directly (see next section), but <strong>in</strong> many cases ittakes more time that you have before rush<strong>in</strong>g off <strong>to</strong> work, runn<strong>in</strong>g errands, and so on. Another aspect ofthe extraction allows for a quicker fix. <strong>The</strong> early part of the extraction conta<strong>in</strong>s a predom<strong>in</strong>ance of theacids and the portion derived from f<strong>in</strong>es. <strong>The</strong> central part of the extraction conta<strong>in</strong>s a predom<strong>in</strong>ance ofthe sugars and caramels. <strong>The</strong> f<strong>in</strong>al part of the extraction tends <strong>to</strong>wards bitterness, but will also be fairlyweak, sometimes almost tasteless. Among enthusiasts, this is known as the rule of thirds.So, if the espresso is <strong>to</strong>o sour, or worse, has the citrus peel acridity from high grown f<strong>in</strong>es (a brightl<strong>in</strong>ger<strong>in</strong>g bitterness ma<strong>in</strong>ly on the roof of the mouth), let the first second or two of the flow go <strong>in</strong><strong>to</strong> thedrip tray. This is an old Italian barista trick for deal<strong>in</strong>g with rioy Brasils, but it can also be used ongourmet blends conta<strong>in</strong><strong>in</strong>g a lot of acidy high grown coffees.On the other hand, if the espresso tastes flat or bitter-dull, s<strong>to</strong>p the extraction at a darker color <strong>to</strong>reduce the proportion of weak bitterish coffee, and <strong>in</strong>crease the proportion of the <strong>in</strong>tense flavors fromearly <strong>in</strong> the shot.If the espresso is not sweet enough, you can do both by captur<strong>in</strong>g the flow after a few seconds andend<strong>in</strong>g while the flow is still darker. This "center-cut" shot will favor the sugars and caramels <strong>in</strong> theextraction.Barista Technique:Better Extraction, Better <strong>Espresso</strong><strong>The</strong> basic shot mak<strong>in</strong>g techniques get you decent espresso, but not necessarily the best espresso. Forthat, you want <strong>to</strong> f<strong>in</strong>d which comb<strong>in</strong>ation of pressure, temperature, gr<strong>in</strong>d, and f<strong>in</strong>ish<strong>in</strong>g color works bestwith the blend. Also, th<strong>in</strong>gs do go wrong—temperatures and pressures can drift, burrs get dull, mach<strong>in</strong>escan build up coffee oils faster than usual and require an unscheduled clean<strong>in</strong>g. Each of these mars the

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