<strong>Adhesive</strong> <strong>Theater</strong> <strong>Project</strong>& Theatreworks presentThe Service RoadBy Erin CourtneyDirected byMeghan FinnSet Designer: Mike RiccioCostume Designer: Tilly GrimesLighting Designer, Production Manager: Sue BrandtSound Designer, Composer, Music Director: Mark BrucknerVideo and Puppet Designer: Cory EinbinberStage Manager: Maria SiderisSpecial <strong>Project</strong>s: Erin GrabeAnimation: Claire Moodey and Erin CourtneyAssistant Video Designer: Natalia de CamposAssociate Costume Designer: Alice TavenerFeaturing:Cory Einbinder*, Kalle MacridesClaire Moodey and Caroline TamasLive Foley: Mark Bruckner and Claire Moodey[* APPEARS COURTESY OF ACTORS EQUITY]
BiographiesSue Brandt (Lighting Designer) views herself as a TheatricalDesigner. She has been on the faculty at New York City College ofTechnology since 2008. She has been designing lights for moderndance since 1990. She has toured with a variety of dance companiesincluding the following: Rudy Perez, Fred Stricker and Friends,Susan Rose and Dancers,and Susan Foster between 1990-2007. Shewas the resident Lighting and Sound Designer for Festival TheatreUSC-USA at the Edinburgh Festival Fringe in 2000, 2001 and2005. She also has created the sound designs for LA women'sShakespeare Festival productions of A Winter's Tale, The Tempest, andMerchant of Venice. Sue was a Stage Manager at Universal StudiosHollywood Theme park; shows included Water World, Animal ActorsShow and Blues Brothers; 1996-1999. Sue completed her MFA inTheatrical Design at the University of Southern California in 2000.Mark Bruckner (Composer, Music Director, Foley Artist, Sound Designer)has received commissions from regional theatres, universities, andproducing organizations across the country to compose, direct music,and create sound designs for classic, contemporary, and new plays.For the past 15 years he has been working within communities tomake theatre which gives expression to the diverse visions andunderrepresented voices within our society. Representative workincludes Krasang Tree (Theatre de la Jeune Lune, Mnpls) a chamberopera based on the writings of poet U Sam Ouer, developed throughintergenerational outreach within the Cambodian refugee communityin Minnesota; God, the Crackhouse and the Devil (LaMama, NYC) byLevy Lee Simon, featuring an original score for hip-hop jazz sextet; aMardi-Gras adaptation of Midsummer Night’s Dream, commissionedby the University of Iowa, Crowns by Regina Taylor (CapitalRepertory, Albany, NY), Sarah Ruhl’s, In the Next Room, or the Vibratorplay, and Stephen Adly Giurgis’s Jesus Hopped the A Train (BrooklynCollege), featuring original music for dubbed piano, jazz, andpercussion ensembles. In NYC, he has worked with such companiesas the The Women’s <strong>Project</strong>, Circle Rep, Circle East, Imua Theatre,LaMama, the New Federal Theatre, and The Workshop Theatre. Herecently won the 2012 Audelco Award for Best Sound Design for hisoriginal music and design for Jeffrey Sweet’s Court Martial at FortDevens, which was produced by the New Federal <strong>Theater</strong> in February2012. His spoken-word musical, Same Train, was featured at the 11 thbiennial National Black Theatre Festival in August 2011. A teachingartist for several NY and NJ arts producing organizations, includingthe Brooklyn Arts Council, BAM, Roundabout Theatre and GeorgeStreet Playhouse, Mr. Bruckner is delighted to have this opportunityto work on this world premiere of Eric Courtney’s The Service Roadwith Ms. Finn and the talented faculty, students, and artists of the<strong>Adhesive</strong> <strong>Theater</strong> <strong>Project</strong> and the New York City Technical College.Erin Courtney's (Playwright, Animation) play, A Map of Virtue,produced by 13P and directed by Ken Rus Schmoll, was awarded anObie and described as "a delicate gem" and "a resonant tale of loss"by the New York Times. Ms. Courtney's other plays include HoneyDrop, Black Cat Lost, Alice the Magnet, Quiver and Twitch, and DemonBaby. Her work has been produced and developed by ClubbedThumb, The Flea, New York Stage and Film,<strong>Adhesive</strong> <strong>Theater</strong> <strong>Project</strong>, Soho Rep, The Vineyard, and ThePublic. She has collaborated with Elizabeth Swados on the operaKaspar Hauser and is starting work on a new musical with Ms.Swados on the life of Isabelle Eberhardt. She has been a resident atthe MacDowell Colony, a recipient of a NYSCA grant and two MAPFund grants from the Rockefeller Foundation. Demon Baby ispublished in two anthologies: New Downtown Now, edited by MacWellman and Young Jean Lee and published by University ofMinnesota Press, and Funny, Strange, Provocative: Seven Plays byClubbed Thumb edited by Maria Striar and Erin Detrick andpublished by Playscripts, Inc. A Map of Virtue and Black Cat Lost arepublished by 53rd State Press. She is an affiliated artist withClubbed Thumb, a member of 13P, and a member of NewDramatists. She teaches in the MFA playwriting program atBrooklyn College and is a co-founder of Brooklyn WritersSpace. MFA, Brooklyn College, 2003. BA, Brown University, 1990.Natalia de Campos (Assistant Video Designer) has designedinteractive video for her collaborative installation-performances APretty Good Future (2012) at chashama 461 gallery andCambio/Exchange (2011) in Jackson Heights. Other video creditsinclude Abreactions(2012) by Christen Clifford at Dixon Place andNatalia;s solo performances at CultureFix Gallery, Clemente SotoVelez (CSV) Center, SCOPE Art (2011) and others. Natalia is aperformance artist and designer, theater director, writer, educator,producer and translator from Sao Paulo, Brazil. She foundedSyncretic Pleasures in 1999 and has produced multidisciplinarytheatre and performances shown in Brazil and in NYC at: HERE,
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