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free pdf right here - The Crime Factory

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CRIME FACTORYISSUE FOURTEENFord lives up to his titular designation, he has a tougher go of theliving legend life than genuine article James in the last third ofthe film. He performs a stage show recounting that fateful day todecidedly mixed reviews because after all, our celebrities were somuch more interesting before they were hounded by TMZ and puttingall their thoughts and lunches up on twitter. Jesse James knew(perhaps just instinctually) that legends don’t grow in constantdirect sunlight<strong>The</strong> interplay between the embracing and the disgracing ofgenre tropes is what makes both films sort of wonky but also, moreimportantly, tantalizing and re-watchable. As I wrap up this articleI am only just now realizing that without the mythic moments thesemovies would be one note, they’d be graduate theses instead of lastingart. Both these stories could have been filmed in a very flat andstyle-<strong>free</strong> way that would hammer home their anti-noir/anti-westernconcerns but then you could only view them once. You’d get what was16

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