- Page 2 and 3: Bloom’s Modern Critical ViewsAfri
- Page 4 and 5: Bloom’s Modern Critical ViewsWILL
- Page 6 and 7: ContentsEditor’s NoteviiIntroduct
- Page 8 and 9: Editor’s NoteThis volume seeks to
- Page 10: Editor’s NoteixLanham proposes an
- Page 13 and 14: 2Harold Bloomof omission as it is o
- Page 15 and 16: 4Harold Bloomknowledge, and nausea
- Page 17 and 18: 6Harold Blooma potential playwright
- Page 20 and 21: FRANK O’CONNORMasterpiecesWith Ro
- Page 22 and 23: Masterpieces 11Like all actors, Sha
- Page 24 and 25: Masterpieces 13offense is not that
- Page 26 and 27: E. PEARLMANThe Invention of Richard
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- Page 53 and 54: 42Erich Segalepisodes or errors, th
- Page 55 and 56: 44Erich SegalWater isn’t more lik
- Page 57 and 58: 46Erich SegalYet hers is a voice of
- Page 59 and 60: 48Erich SegalShakespeare employs si
- Page 61 and 62: 50Erich SegalBut in the Comedy of E
- Page 63 and 64: 52Erich SegalAnd every one doth cal
- Page 65 and 66: 54Erich SegalTo Plautus’ simple r
- Page 67 and 68: 56Erich Segal2. Harold Bloom, Shake
- Page 69 and 70: 58Erich Segal52. Ibid., 3.2.143.53.
- Page 71 and 72: 60Harold Bloomat the high cost of a
- Page 73 and 74: 62Harold BloomThat stops my way in
- Page 75 and 76: 64Harold BloomTo watch the night in
- Page 78 and 79: THOMAS M. GREENELove’s Labour’s
- Page 80 and 81: Love’s Labour’s Lost: The Grace
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Love’s Labour’s Lost: The Grace
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Love’s Labour’s Lost: The Grace
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Love’s Labour’s Lost: The Grace
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Love’s Labour’s Lost: The Grace
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Love’s Labour’s Lost: The Grace
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Love’s Labour’s Lost: The Grace
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HAROLD C. GODDARDThe Meaning of Sha
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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The Meaning of Shakespeare: Romeo a
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G.K. CHESTERTONA Midsummer Night’
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A Midsummer Night’s Dream 111cann
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A Midsummer Night’s Dream 113pers
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A Midsummer Night’s Dream 115aest
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NORTHROP FRYEThe Bolingbroke Plays(
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The Bolingbroke Plays 119that time
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The Bolingbroke Plays 121nature and
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The Bolingbroke Plays 123that his o
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The Bolingbroke Plays 125successful
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The Bolingbroke Plays 127By being s
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The Bolingbroke Plays 129made so ma
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The Bolingbroke Plays 131Ever since
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134A.C. Bradleyvirtue of two matron
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136A.C. BradleyGo, carry Sir John F
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138A.C. Bradleyfrequented Sir John
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140A.C. Bradleykeeping himself out
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142A.C. Bradleyhe enjoys, no doubt
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144A.C. Bradleyinduce him to tell.
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146A.C. Bradleythem to be as true-b
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148A.C. Bradleyas a ruffian serious
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150A.C. BradleyFalstaff ’s coward
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152Joseph Westlundideal love and th
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154Joseph WestlundTherefore my merc
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156Joseph WestlundThe practical and
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158Joseph Westlundthis contributes
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160Joseph WestlundThan to live stil
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162Joseph Westlundpersecution of Je
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164Joseph Westlundsociety. The note
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166Joseph Westlundjustifications th
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168Barbara Everettplay’s criticis
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170Barbara Everettfamiliar colloqui
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172Barbara Everettmoment I want onl
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174Barbara EverettWe think of Launc
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176Barbara Everettordinary people.
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178Barbara Everettsimilarly like to
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180Barbara Everettthat turned on st
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182William Hazlitthow to exercise t
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184William HazlittOf what your reve
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186William HazlittWhat infinite hea
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188William Hazlittas we see in this
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190William Hazlittthe people not on
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192William Hazlittthus given in Sir
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194William Hazlittprayers. For the
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DAVID QUINT“Alexander the Pig”:
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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“Alexander the Pig”: Shakespear
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LAWRENCE DANSONJulius CaesarIn the
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Julius Ceasar 219without the sign /
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Julius Ceasar 221Brutus; and the wo
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Julius Ceasar 223name of the deed b
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Julius Ceasar 225immediately clear.
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Julius Ceasar 227From a slightly di
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Julius Ceasar 229aspects of his med
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232James P. Bednarzthat intensified
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234James P. BednarzTouchstone, and
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236James P. BednarzDoth it not flow
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238James P. Bednarzagainst Jonson.
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240James P. Bednarz[variable and go
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242James P. Bednarzwas a repertory
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244James P. BednarzAUDREYWILLIAMthe
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246James P. BednarzWilliam, after a
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248James P. BednarzIf we accept the
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250James P. BednarzAlthough the Son
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252James P. Bednarzand nature. Sinc
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254James P. Bednarzplaywrights conf
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256James P. Bednarzinnocent younger
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258James P. Bednarzor cormorants th
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260James P. BednarzArdens,” in Sh
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262James P. Bednarz61. “Upon Mast
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264John HollanderThe emblematic cha
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266John HollanderOh, when mine eyes
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268John Hollanderwear not motley in
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270John HollanderBut he continues t
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272John Hollanderthat it is made on
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274John HollanderFor Orsino and Vio
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276John Hollander3. See my own “M
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278Richard A. Lanhamof-the-leading-
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280Richard A. LanhamThen goes he to
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282Richard A. LanhamUpon whose prop
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284Richard A. LanhamIf his chief go
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286Richard A. Lanhamsatisfaction wi
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PATRICIA PARKERDilation and Inflati
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Dilation and Inflation 291“felici
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Dilation and Inflation 293no living
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Dilation and Inflation 295till I ha
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Dilation and Inflation 297After wel
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Dilation and Inflation 299in its ea
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Dilation and Inflation 301Madam, my
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Dilation and Inflation 303putting o
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Dilation and Inflation 305sentence
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Dilation and Inflation 307riddling.
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Dilation and Inflation 309therein w
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Dilation and Inflation 311female fi
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Dilation and Inflation 313riddling
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Dilation and Inflation 315or “inc
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Dilation and Inflation 317All’s W
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Dilation and Inflation 319king. In
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Dilation and Inflation 321entreat b
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Dilation and Inflation 323(although
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Dilation and Inflation 325puts off
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Dilation and Inflation 327Performan
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Dilation and Inflation 32919. See T
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Dilation and Inflation 331service d
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Dilation and Inflation 333York: Rou
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Dilation and Inflation 335Anglo-Ame
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Dilation and Inflation 33755. See,
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Dilation and Inflation 33967. Timot
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Dilation and Inflation 341counting
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RONALD R. MACDONALDMeasure for Meas
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Measure for Measure: The Flesh Made
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Measure for Measure: The Flesh Made
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Measure for Measure: The Flesh Made
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Measure for Measure: The Flesh Made
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Measure for Measure: The Flesh Made
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Measure for Measure: The Flesh Made
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Measure for Measure: The Flesh Made
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GRAHAM BRADSHAWDramatic Intentionsi
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Dramatic Intentions in Othello 361b
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Dramatic Intentions in Othello 363
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Dramatic Intentions in Othello 365r
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Dramatic Intentions in Othello 367I
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Dramatic Intentions in Othello 369c
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Dramatic Intentions in Othello 371b
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Dramatic Intentions in Othello 373M
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Dramatic Intentions in Othello 375w
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Dramatic Intentions in Othello 377p
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Dramatic Intentions in Othello 379T
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Dramatic Intentions in Othello 381M
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Dramatic Intentions in Othello 383D
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Dramatic Intentions in Othello 385r
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Dramatic Intentions in Othello 387c
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Dramatic Intentions in Othello 389t
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Dramatic Intentions in Othello 391u
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Dramatic Intentions in Othello 393
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Dramatic Intentions in Othello 395c
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Dramatic Intentions in Othello 397a
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Dramatic Intentions in Othello 399G
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Dramatic Intentions in Othello 401f
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Dramatic Intentions in Othello 403C
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Dramatic Intentions in Othello 405t
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Dramatic Intentions in Othello 407w
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Dramatic Intentions in Othello 409a
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412William Empsonwhich would put th
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414William EmpsonMacbeth is that he
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416William Empsonfound a royal line
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418William Empsononce. I hope I do
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420William Empsonintended to be as
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422William Empson“episodic intens
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424William EmpsonWilson, that Macbe
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426William Empsonincessantly from i
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428William EmpsonK. Chambers for sa
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430Janet Adelmanchoice will determi
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432Janet AdelmanAntony’s words as
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434Janet AdelmanAntony and Cleopatr
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436Janet Adelmanwhich is supplied b
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438Janet Adelmanhuman limitation: t
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440Janet AdelmanWhen Octavius hears
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442Janet AdelmanP OETIC P ROCESS AS
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444Janet Adelmanto be a child of th
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446Janet Adelmana human vice; in Eg
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448Janet AdelmanBoth Cleopatra and
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450Janet AdelmanAgrippa knows “Sh
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452Janet Adelmanpromise, but it no
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454Janet AdelmanCleo. If it be love
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456Janet Adelmanexplicable; but wha
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458Janet Adelmanbounds. Virtually a
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460Janet AdelmanIn this watery worl
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462Janet AdelmanIn their deaths, th
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464Janet Adelman... The very dice o
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466Janet AdelmanT HE S TRUCTURE OF
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468Janet Adelmanin love. When this
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470Janet AdelmanCleopatra, like the
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472Janet AdelmanLear expresses the
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474Janet Adelmanaltogether. Proser
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476Janet Adelmandistinct from that
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478Janet Adelmanclearly not a portr
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480Janet AdelmanAbbot, A briefe des
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482Janet AdelmanThat Venus of the f
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484Janet AdelmanMacbeth.” This pe
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STEPHEN ORGELThe Poetics of Incompr
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The Poetics of Incomprehensibility:
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The Poetics of Incomprehensibility:
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The Poetics of Incomprehensibility:
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The Poetics of Incomprehensibility:
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498A.D. NuttallShakespeare. Sylvest
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500A.D. Nuttallapprehension through
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502A.D. NuttallProspero and Miranda
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504A.D. NuttallSometimes a thousand
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506A.D. NuttallPlato; for example,
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508A.D. Nuttalladdressed to Ferdina
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510A.D. Nuttalltranscendentalist me
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512A.D. Nuttallis associated with t
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514A.D. Nuttallgiven to the ambiguo
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516A.D. Nuttallconceived as a super
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Chronology1564 William Shakespeare
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ContributorsHAROLD BLOOM is Sterlin
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Contributors 523Comparative Literat
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BibliographyAdelman, Janet. The Com
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Bibliography 527———. Shakespe
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Bibliography 529Uphaus, Robert W. B
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532Acknowledgments“A Midsummer Ni
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IndexAdelman, Janeton the bed trick
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Index 537on “mocking reveller,”
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Index 539Colie, Rosalie, 252Comedy
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Index 541abandoning Juliet, 106arri
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Index 543Jaggard, William, 250Jaque
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Index 545the need for prudence, 162
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Index 547Popeon linguistics in The
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Index 549Songs of Innocence, (Blake