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them are most famous for writing Gumboots. After hearing a recording of the instrumental, Paul Simon wrote lyrics<br />
the song, asked them to play on his version, and it became part of the legendary Graceland album.<br />
<strong>Come</strong> <strong>Back</strong>, <strong>Africa</strong> also featured music performed on the inside of vibrant Sophiatown life. While kwela was played<br />
in the streets, marabi was another genre altogether, synthesized from many other musical forms including vocal and<br />
instrumental music, religious and secular music, and music from <strong>Africa</strong>, Europe, and America. Characterized by<br />
sections of <strong>Africa</strong>n polyphony, a Western I-IV-V chord progression, and repetitive sections of traditional part<br />
singing and harmonies, marabi was a hybrid of western and <strong>Africa</strong>n music played under the radar at secret,<br />
boisterous shebeens.<br />
Genres of music in Sophiatown widely meshed together to form a more general genre called mbaqanga, a mix of<br />
marabi, kwela, and Western jazz. But over time, this genre—much like South <strong>Africa</strong> itself—was manipulated,<br />
controlled, and taken advantage of. White-owned recording industries and studios hired musicians cheaply to play<br />
duplicates of other labels’ successes, and the genre developed in this direction under specifications from these<br />
recording studios. But authenticity and brilliance remained in the townships themselves, and in the recordings<br />
produced by the black community—especially as demonstrated by Miriam Makeba and her presence in <strong>Come</strong> <strong>Back</strong>,<br />
<strong>Africa</strong>.<br />
An American in Sophiatown<br />
Conceived and Produced by ........................ Michael Ariel Rogosin<br />
Written by ................................................... Michael Rogosin and Lloyd Ross<br />
Directed and edited by ................................ Lloyd Ross<br />
Co-produced by ........................................... Daniel Rogosin, Davide Andriole & Michael Caine<br />
Produced in South <strong>Africa</strong> by ....................... Reedwaan Vally<br />
Bloke Modisane’s words read by ................ Shunna Pillay<br />
Music by...................................................... Jeff Gardner<br />
With: Lewis Nkosi, Emil Knebel, Lorenza Mazzetti, Jonas Mekas, Myrtle Berman, Elinor Hart Rogosin, Isabel<br />
Balseiro, Ntongela Masilela.<br />
2007. Running time: 52 minutes. B&W and Color. South <strong>Africa</strong>, USA, Italy and France.<br />
Michael Rogosin is a painter/artist who lives with his wife and two children in France. He has directed four<br />
acclaimed documentaries about his father Lionel’s films, and is presently completing a feature about the Rogosin<br />
family. He is the president of Rogosin Heritage, and has helped preserve his father’s films.<br />
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