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AMS Newsletter--February 2010 - American Musicological Society

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<strong>AMS</strong> Awards and Prizes<br />

Awards, Honors, Prizes<br />

The Otto Kinkeldey Award for a book of exceptional<br />

merit by a scholar beyond the early<br />

stages of her or his career was presented to<br />

Michael Long (University at Buffalo, SUNY)<br />

for Beautiful Monsters: Imagining the Classic in<br />

Musical Media (California).<br />

The Lewis Lockwood Award for a book of exceptional<br />

merit by a scholar in the early stages<br />

of her or his career was presented to Vanessa<br />

Agnew (University of Michigan) for Enlightenment<br />

Orpheus: The Power of Music in Other<br />

Worlds (Oxford).<br />

The H. Colin Slim Award for an article of<br />

exceptional merit by a scholar beyond the<br />

early stages of her or his career was presented<br />

to Rose Rosengard Subotnik (Brown University)<br />

for “Shoddy Equipment for Living?<br />

Deconstructing the Tin Pan Alley Song,” in<br />

<strong>Musicological</strong> Identities: Essays in Honor of Susan<br />

McClary (Ashgate).<br />

The Alfred Einstein Award for an article of<br />

exceptional merit by a scholar in the early<br />

stages of her or his career was given to David<br />

Trippett (Cambridge University) for “Après<br />

une lecture de Liszt: Virtuosity and Werktreue<br />

in the ‘Dante’ Sonata,” 19th-Century Music.<br />

The Claude V. Palisca Award for an outstanding<br />

edition or translation was given to Margaret<br />

Bent (University of Oxford) for Bologna<br />

Q15: The Making and Remaking of a Musical<br />

Manuscript (LIM Editrice).<br />

The Ruth A. Solie Award for a collection of<br />

essays of exceptional merit was presented to<br />

Tom Beghin (McGill University) and Sander<br />

M. Goldberg (University of California, Los<br />

Angeles) for Haydn and the Performance of<br />

Rhetoric (Chicago).<br />

Michael Long<br />

Kinkeldey Award winner<br />

continued from page 7<br />

Vanessa Agnew<br />

Lockwood Award winner<br />

The Robert M. Stevenson Award for outstanding<br />

scholarship in Iberian music, including<br />

music created or descended from musical<br />

cultures of Spain, Portugal, and all Latin<br />

<strong>American</strong> areas, was presented to Lorenzo<br />

Candelaria (University of Texas, Austin) for<br />

The Rosary Cantoral: Ritual and Social Design<br />

in a Chantbook from Early Renaissance Toledo<br />

(Boydell & Brewer / Rochester).<br />

The Music in <strong>American</strong> Culture Award for<br />

a book of exceptional merit that both illuminates<br />

some important aspect of the music of<br />

Margaret Bent<br />

Palisca Award winner<br />

George Lewis<br />

Music in <strong>American</strong> Culture Award winner<br />

the United States and places that music in a<br />

rich cultural context was presented to George<br />

E. Lewis (Columbia University) for A Power<br />

Stronger Than Itself: The AACM and <strong>American</strong><br />

Experimental Music (Chicago).<br />

The Noah Greenberg Award for outstanding<br />

contributions to historical performing practices<br />

was presented to Liber: Ensemble for<br />

Early Music for a commercial recording of<br />

previously unrecorded works of the Trecento<br />

repertoire based on texts by identifiable poets.<br />

The Paul A. Pisk Prize for an outstanding<br />

paper presented by a graduate student at the<br />

Annual Meeting was awarded to Rebekah<br />

Ahrendt (University of California, Berkeley)<br />

for “‘Allons en paix, rebatir nos maisons’: Staging<br />

the Réfugié Experience.”<br />

The inaugural Jan LaRue Travel Grant was<br />

awarded to Sarah Williams (University of<br />

South Carolina) to conduct research in London<br />

on “Representations of Early Modern<br />

Lorenzo Candelaria<br />

Stevenson Award winner<br />

8 <strong>AMS</strong> <strong>Newsletter</strong>

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