The County Grammar School Magazine 1970

SCHOOL PLAY - 1970" ONE FOR THE GRAVE "THE CASTI have thrown away the roots of will and conscience,Now I must look fo •r both (L . MacN .) ..THE TELEVISION PEOPLEEVERYMAN . . . . . . . . . GRAHAM SEAMANTHE DIRECTOR . . . . . . . . . MICHAEL HILLTHE FLOOR MANAGER . . . . . . CHRISTOPHER CHANDLERCAMERA ONE . . . . . . . . . PAUL DURRANTCAMERA Two . . . . . . . . . RUSSELL HILL .DIRECTOR'S SECRETARY . . . SHELAGH BAILEYTHE DESIGNER . . . . . . . . . ADRIAN KEELERMAKE-UP . . . . . . . . . LESLEY ATTRILL and SARAH RANGERWARDROBE . . . . . . . . . PATSY REEVE and JANICE APPLEBYSOUND . . . . . . . . . . . . ANTHONY DREW and JOHN GODDARDLIGHTING . . . . . . . . . PAUL FENTON and MICHAEL DANIELSSINGERS . . . . . . . . . CATHERINE TRATTLES, NICHOLAS HARDY andDAVID COPSEYSTAGE HANDS . . . . . . . . . CHRISTINE HEMMING, SHARON SHELLEY, JEANWESTERN, STEPHEN ELLIOTT-HUNTER, RICHARDHARDEN, PHILLIP HILLIER, ADRIAN KEELERLife for human beings has always death at its elbow (L . MacN .) .• * *THE WORLD OF EVERYMANMAGGIE (a wife) . . . . . . . . . . . . . . . . . . JULIE WESTROPELEANOR (another wife) . . . . . . . . . . . . . . . ANN HARBOURHER LOVER . . . . . . . . . . . . . . . . . . . . . MICHAEL SPICERCAREER . . . . . . . . . . . . . . . . . . . . STEPHEN REYNOLDSCADDY . . . . . . . . . . . . . . . . . . . . . . . . SHELAGH BAILEYCONSCIENCE . . . . . . . . . . . . . . . . . . . . . PENNY TURNERFILTHY LUCRE . . . . . . . . . . . . . . . . . . GEORGE STONECOMMON SENSE . . . . . . . . . . . . . . . . . . JULIE WESTROPEVERYMAN'S SON . . . . . . . . . . . . . . . . . . DAVID COPSEYEVERYMAN'S DAUGHTER . . . . . . . . . . . . . . . GILLIAN CLAXTONDOREEN . . . . . . . . . . . . . . . . . . . . . SHELAGH BAILEYMARY . . . . . . . . . . . . . . . . . . . . . . . . LINDA SPICERFORGETFULNESS . . . . . . . . . . . . . . . . . . ANN HARBOURMOTHER . . . . . . . . . . . . . . . . . . . . . PENNY TURNERSACRIFICE . . . . . . . . . . . . . . . . . . . . . GILLIAN CLAXTONPATRIA . . . . . . . . . . . . . . . . . . . . . . . . LINDA SPICERFREEWILL . . . . . . . . . . . . . . . . . . . . . MICHAEL SPICERTHE ANALYST . . . . . . . . . . . . . . . . . . . . . PAUL COGHLANTHE MARXIST . . . . . . . . . . . . . . . . . . . . . STEPHEN REYNOLDSTHE SCIENTIST . . . . . . . . . . . . . . . . . . NICHOLAS HARDYTHE GRAVEDIGGER . . . . . . . . . . . . . . . . . . GEORGE STONEDOCTOR OF MEDICINE . . . . . . . . . . . . . . . DAVID COPSEYDOCTOR OF DIVINITY . . . . . .•. . . . . . . . .* *. . . NICHOLAS HARDYTHE ENQUIRY OFFICETHE OFFICIAL . . . . . . . . . . . . . . . . . . . . . ANTHONY BRADSTREETTHE CLIENT . . . . . . . . . . . . . . . . . . . . . PAUL COGHLAN