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SYMPHONY AND CHAMBER ORCHESTRAS - Miz.org

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Symphony and Chamber Orchestras |<br />

costs for the payroll of the orchestras’ artistic staff amount to some € 155 million<br />

each year, or approximately two percent. In 2004, the ARD itself had set the costs<br />

for all radio ensembles at € 0.36 of the monthly radio and TV licence fee.<br />

NEW ORCHESTRAL ACTIVITIES –<br />

INFLUENCING THE WORLD OF MUSIC<br />

It is a well-known fact that concert and theatre orchestras have a wide variety<br />

of ways of influencing the world of music besides giving concerts and performing<br />

operas. In fact, all orchestras have a broad spectrum of chamber-music formations<br />

which either exist or meet on an ad hoc basis to enrich the local and regional con-<br />

cert scene, voluntarily and quite apart from their official duties. The realms of<br />

music schools and amateur, student, and federal and state youth orchestras, not<br />

to mention church congregations, profit in many ways from the involvement of<br />

orchestra members. Professional musicians are frequently active on a volunteer<br />

basis, not just as instrument teachers, but as soloists or expert mentors to these<br />

non-professional orchestras.<br />

There is also a welcome upward trend in the area of orchestra activities for<br />

children, young adults and families. Since 2000, with its ‚Concerts for Children<br />

Initiative‘ (Initiative Konzerte für Kinder), the <strong>org</strong>anisation Jeunesses Musicales<br />

Deutschland (JMD) has developed extensive activities to convey special new tech-<br />

niques for devising concerts for these target groups in a professional manner. Since<br />

then, more and more orchestras have taken up the cause of working with chil-<br />

dren, young people and school groups; this is shown by the figures now regu larly<br />

collected (see above comments on events in music education and Figure 5.4). The<br />

Education Project <strong>org</strong>anised by the Berlin Philharmonic has attracted an unwa-<br />

veringly high level of interest. Since autumn 2002, the project has been carried out<br />

with financial support from the Deutsche Bank, and both in substantive and me-<br />

dia terms it functions somewhat as a role model. Since 2004, numerous other new<br />

activities by orchestras in schools have been developed and documented as part<br />

of the Network of Orchestras and Schools (‘Netzwerk Orchester & Schulen’). Here<br />

schoolteachers, orchestra musicians and their associations work closely together<br />

at all levels, offering opportunities for regular exchanges of experiences and for<br />

participation in continuing education events.<br />

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