Suspense, Mystery, Horror and Thriller Fiction - Suspense Magazine
Suspense, Mystery, Horror and Thriller Fiction - Suspense Magazine
Suspense, Mystery, Horror and Thriller Fiction - Suspense Magazine
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Andrew Peterson<br />
on the Craft,<br />
Career, <strong>and</strong> a new <strong>Thriller</strong><br />
When friend <strong>and</strong> author, Andy Peterson emailed us with exciting news about the<br />
exclusive e-book release of “Option to Kill” by Thomas & Mercer (Amazon imprint),<br />
we didn’t think twice about wanting to share with our fans. But, we didn’t want to<br />
just place a notice somewhere within the pages that may be overlooked, so when Andy <strong>and</strong> Garrett<br />
Valdiva offered to share a recent interview, we jumped at the chance. We hope you enjoy as much as<br />
we did!<br />
Garrett Valdiva (GV): Welcome Andy! Before we begin, I just want to introduce you as an author.<br />
I’ve been very excited to see you experience some recent success, especially your new three-book<br />
deal with Thomas & Mercer, Amazon’s mystery <strong>and</strong> thriller imprint. It seems like every time I talk<br />
to you, another amazing thing is on your plate. How did you get started writing, particularly on the Nathan McBride Series,<br />
<strong>and</strong> what are you facing right now, in your career?<br />
Andrew Peterson (AP): Garrett, thanks for having me <strong>and</strong> I really appreciate your<br />
interest in my career. It’s been quite a roller coaster ride. I began writing about<br />
twenty years ago. I’d been an avid reader <strong>and</strong> thought: why not write a book of<br />
my own? Of course, it’s a lot easier said than done. After writing four complete<br />
books—two horror novels <strong>and</strong> two sci-fi novels—I had a huge stack of rejection<br />
letters from agents. My writing career was going nowhere.<br />
On advice from a friend, I attended my first writing conference in San Diego<br />
where I felt inspired to change genres <strong>and</strong> write thrillers. After all, that’s what<br />
I enjoyed reading the most. Inspired by the folks I met in San Diego, I attended<br />
a second conference in Maui where I met Ridley Pearson. After reading a<br />
sample of my work, he referred me to his freelance editor, Ed Stackler, for<br />
what Ridley called “an honest <strong>and</strong> fair read.” Ed told me I had a good voice<br />
as an author, but my story had fatal structural problems. He suggested that<br />
I either rewrite it or if I had a sequel in mind, he’d work with me on it. So<br />
I shelved my fifth book <strong>and</strong> wrote “First to Kill.” Ed thought it was good<br />
enough for an agent he knew, <strong>and</strong> before I knew it, I was being represented<br />
by Jake Elwell, of Harold Ober Associates.<br />
About a month later, Jake sold “First to Kill” to Dorchester <strong>and</strong> it<br />
launched in August 2008. Several months later, the audio rights were<br />
sold to Audible.com <strong>and</strong> Dick Hill—the voice of Jack Reacher—<br />
narrated the story. In July 2011, the dramatic rights were sold<br />
Interview by Garrett Valdiva<br />
Reposted with permission from www.readersentertainment.com<br />
48 <strong>Suspense</strong> <strong>Magazine</strong> September 2012 / Vol. 038