EMMY AWARDS
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36th ANNUAL<br />
®<br />
NEWS &DOCUMENTARY <strong>EMMY</strong> <strong>AWARDS</strong><br />
die together in the jungles of Vietnam. Brothers in War tells the<br />
visceral story of how violent combat interacted with the young<br />
lives of these Americans, and how their futures were forever<br />
altered by the draft.<br />
Director/Producer: Liz Reph<br />
Executive Producers: Madeleine Carter, Lou Reda, Scott L. Reda<br />
HBO Documentary FilmsHBO<br />
Nixon By Nixon: In His Own Words<br />
From February 1971 through July 1973, President Richard Nixon<br />
secretly taped his private conversations. Some of those tapes were<br />
made public during the Watergate hearings and led to Nixon’s<br />
resignation. But most of them, 2,626 hours in all, were not made<br />
public until the government began to de-classify them from the mid<br />
1990’s until 2013. This documentary explores how the tapes reveal<br />
the many different sides of one of our most complex presidents.<br />
Director / Producer: Peter Kunhardt<br />
Executive Producers: Peter Kunhardt, Dyllan McGee, Sheila<br />
Nevins<br />
Supervising Producer: Jacqueline Glover<br />
Co-Producers: George Kunhardt, Teddy Kunhardt<br />
Independent LensPBS<br />
The Trials of Muhammad Ali<br />
“The Trials of Muhammad Ali” covers Ali’s toughest bout, his<br />
battle to overturn the five-year prison sentence he received for<br />
refusing U.S. military service during the Vietnam War. It is a fight<br />
film tracing a formative period in Ali’s life, one that is remarkably<br />
unknown to many young people today and tragically neglected by<br />
those who remember him as a boxer, but overlook how controversial<br />
he was when he first took center stage.<br />
Director/Producer: Bill Siegel<br />
Executive Producers: Justine Nagan, Leon Gast, Gordon Quinn,<br />
Kat White, Sally Jo Fifer<br />
Producer: Rachel Pikelny<br />
Deputy Executive Producer, Independent Lens: Lois Vossen<br />
MAKERSPBS/AOL<br />
The six-part Makers documentary series tells the stories of trailblazing<br />
women in the traditionally male-dominated industries of<br />
war, comedy, space, business, Hollywood and politics. Makers captures<br />
the experiences of recognizable figures, like Oprah Winfrey,<br />
Hillary Clinton, Sheryl Sandberg, Martha Stewart, Indra Nooyi,<br />
Lena Dunham and Ellen DeGeneres, as well as the stories that<br />
need to be known like Mae Jemison, the first African American<br />
woman in space, and Angela Salinas, the first Hispanic woman to<br />
become a United States Marine Corps general officer.<br />
Executive Producers: Peter Kunhardt, Dyllan McGee<br />
Senior Producers: Michael Epstein, Rachel Dretzin<br />
President of AOL MAKERS: Maureen Sullivan<br />
Producers: Mikaela Beardsley, Michael Epstein, Heidi Ewing,<br />
Linda Goldstein Knowlton, Melissa Gomez, Rachel Grady,<br />
Rory Kennedy, Grace Lee, Leah Williams, Sara Wolitzky<br />
Directors: Michael Epstein, Heidi Ewing, Linda Goldstein<br />
Knowlton, Rachel Grady, Grace Lee, Jamila Wignot<br />
Producers AOL MAKERS: Nancy Armstrong, Samantha<br />
Leibovitz, Caroline Waterlow, Betsy West<br />
Supervising Producer: Deborah Clancy Porfido<br />
Consulting Producers: Mark Bailey, Mark Jonathan Harris,<br />
Christine Whitaker, Jack Youngelson<br />
Co-Producer: Patricia Bischetti<br />
Coordinating Producer: Kristin Lesko<br />
Line Producer: Stef Gordon<br />
Executive Producer For WETA: Dalton Delan<br />
VP, Programming and Development (For PBS): Bill Gardner<br />
Co-Producers (For Kunhardt McGee Productions): George Kunhardt,<br />
Teddy Kunhardt<br />
The Unknown Known History Channel<br />
In The Unknown Known, Academy Award-winning director Errol<br />
Morris offers a haunting portrait of Donald Rumsfeld, George<br />
W. Bush’s secretary of defense and the principal architect of the<br />
wars in Iraq and Afghanistan. Rather than conducting a conventional<br />
interview, Morris has Rumsfeld perform and explain his<br />
“snowflakes” — the enormous archive of memos he wrote across<br />
nearly fifty years in power, from Congress to the White House,<br />
as a CEO and as a two-time Secretary of Defense. The memos,<br />
with their contradictions and obfuscations, provide a window into<br />
history — not as it actually happened, but as Rumsfeld wants us<br />
to see it. The Unknown Known captures history from the inside<br />
out, showing us how the ideas, the fears and the certainties of one<br />
man transformed America, changed the course of history, and led<br />
to unending war.<br />
Director/Producer: Errol Morris<br />
Executive Producers: Josh Braun, Julian P. Hobbs, Dirk Hoogstra,<br />
Jason Janego, Tom Quinn, Julia Sheehan, Jeff Skoll, Celia<br />
Taylor, Molly Thompson, Angus Wall, Diane Weyermann<br />
Producers: Amanda Branson Gill, Robert Fernandez<br />
Outstanding Editing: Documentary and<br />
Long Form<br />
HBO Documentary FilmsHBO<br />
Nixon By Nixon: In His Own Words<br />
From February 1971 through July 1973, President Richard Nixon<br />
secretly taped his private conversations. Some of those tapes were<br />
made public during the Watergate hearings and led to Nixon’s<br />
resignation. But most of them were not made public until the<br />
government began to de-classify them from the mid 1990’s until<br />
2013. This documentary explores how the tapes reveal the many<br />
different sides of one of our most complex presidents. The challenge<br />
of the editing was to sort through an enormous amount of<br />
material — there were 3,700 hours of White House tapes alone,<br />
not to mention all of the news footage and media reports the filmmakers<br />
needed to find and digest — in order to find the story for<br />
the film. In studying the 37th president through his own recorded<br />
conversations they discovered a man whose ambition could trump<br />
policy with sometimes disastrous human consequences, and whose<br />
paranoia-driven desire to control and manipulate his image was<br />
all-consuming and ultimately led to his downfall.<br />
Editor: Phillip Schopper<br />
Independent LensPBS<br />
The Trials of Muhammad Ali<br />
Muhammad Ali was a man who refused to be divided. He was<br />
the pawn of the all-white Louisville sports commission and<br />
the confidant of the political ideologue Minister Farrakhan.<br />
Ali was praised in Reverend Martin Luther King’s and Elijah<br />
Muhammad’s sermons, and served as a bridge between organizations,<br />
religions, and races that are divided by historical rhetoric.<br />
Similarly, editor Aaron Wickenden unites sports footage, entertainment<br />
news, religious speeches, and political activism into<br />
a comprehensive and complex image of Ali’s tumultuous ride<br />
through the sixties and seventies.<br />
Editor: Aaron Wickenden<br />
Mission BlueNetflix<br />
The creators of Mission Blue were faced with a unique challenge:<br />
how best to capture the passion and commitment of Dr. Sylvia<br />
Earle, a true legend of Ocean conservation. In balancing both her<br />
personal life and her unbending drive to make a difference, the<br />
editing process needed to reveal the sweet spot that makes Sylvia’s<br />
story so timely and critically important: her ambitious effort to<br />
create marine ‘hope spots’ around the globe, in hopes of saving the<br />
Ocean from further degradation.<br />
Editor: Peter R. Livingston Jr.<br />
PBS Arts Fall FestivalPBS<br />
Kehinde Wiley: An Economy of Grace<br />
Famous for reinterpreting classical portraits to feature African-<br />
American men, painter Kehinde Wiley has turned the practice<br />
of portraiture on its head, taking the art world by storm. Kehinde<br />
Wiley: An Economy of Grace follows the artist as he steps out of his<br />
comfort zone to create a series of paintings that feature women<br />
for the first time. The film traces the artist’s process from concept<br />
to canvas, exposing a delicate tension between Wiley’s artistic<br />
choices and how these choices may be interpreted differently<br />
by viewers. Following the style of Wiley’s painting, the editorial<br />
approach combines seductive, bold imagery with a narrative that<br />
questions the mechanisms of representation.<br />
Editor: Ana Veselic<br />
POVPBS<br />
American Promise<br />
“American Promise” is an unprecedented, groundbreaking<br />
coming-of-age film culminating in 13 years of footage featuring<br />
the intimate stages of life. African-American parents film their<br />
son and his friend as they attend Dalton School, one of the most<br />
prestigious private schools in the country — and historically<br />
white — on Manhattan’s Upper East Side. Chronicling the boys’<br />
divergent paths from kindergarten through high school graduation,<br />
“American Promise” is a provocative documentary presenting<br />
the complicated truths about America’s struggle to come of age<br />
on issues of race, class and opportunity. The editors had to shape<br />
not just one child’s journey to young adulthood, but two. They<br />
had to reveal each boy’s temperament, challenges and evolution,<br />
and his relationship to the parents, siblings, teachers and friends<br />
that influenced him.<br />
Editors: Erin Casper, Mary Manhardt, Andrew Siwoff<br />
Additional Editor: Michelle Chang<br />
The Hunt with John WalshCNN<br />
Trafficking in Death<br />
In October 2002, an inspector looking through grain-carrying<br />
rail cars in Denison, Iowa, made a horrifying discovery: eleven<br />
skeletonized corpses piled at the bottom of one of the hopper<br />
chambers. The identities of the victims in the car remained<br />
a mystery until a Guatemalan-American in New York State<br />
phoned investigators wondering if his brother was one of the<br />
dead. Investigators were able to identify the team of coyotes who<br />
brought him north from Central America, and their ringleader in<br />
Mexico City: Guillermo “Don Memo” Ballesteros. The journeys<br />
north from Honduras and Guatemala had to be edited with<br />
energy and precision to capture the nearly endless set of terrifying<br />
steps each migrant must take. The journey in the doomed rail car,<br />
by contrast, was dreamy and menacing, colored by night, by heat,<br />
and by shared despair among strangers cast together to hope, and<br />
die. The investigators’ story was more mechanical: methodical and<br />
painstaking, characterized by dogged determination and a righteous<br />
anger that drove them to find the perpetrators.<br />
Editor: Bobby Zeleny<br />
VICE News<br />
vice Media<br />
Last Chance High<br />
On Chicago’s West Side, there is a school for the city’s most atrisk<br />
youth — the Moses Montefiore Academy. Most of the<br />
students at Montefiore have been kicked out of other schools<br />
for aggressive behavior and many have been diagnosed with<br />
emotional disorders. “Last Chance High” takes viewers inside<br />
Montefiore’s classrooms and into the homes of students who are<br />
one mistake away from being locked up or committed to a mental<br />
hospital.<br />
Editors: Brent Renaud, Craig Renaud<br />
Outstanding Cinematography:<br />
Documentary and Long Form<br />
Independent LensPBS<br />
Happiness<br />
Pyangke is a young and dreamy eight year old Buddhist monk<br />
living with his mother in a remote village in Bhutan, five days<br />
walk from the nearest city. The village has neither running water,<br />
nor electricity, nor roads. But the road will soon arrive and with it<br />
will come electricity, and a 46 channel TV network. In anticipation<br />
of this event, Pyangke’s uncle has decided to go to the city<br />
and buy a television set, and has asked the little boy to come with<br />
him. Because the film focuses on our relationship with images,<br />
cinematography plays an essential role in the storytelling, showing<br />
contrasting images. On the one hand, sequences of Bhutanese<br />
village life in the Himalayan landscape, where the scarce images<br />
come from tradition and sacred Buddhist books. On the other,<br />
manufactured images of modernity, the city, and the whirl of the<br />
world brought to Pyangke by the TV set.<br />
Cinematographer: Thomas Balmes<br />
Director of Photography: Thomas Balmes, Nina Bernfield<br />
Mission BlueNetflix<br />
Mission Blue follows the legendary explorer, Dr. Sylvia Earle, in<br />
her life long quest to preserve our planet. The filmmakers traveled<br />
the world for four years showcasing the importance of our oceans<br />
as well as the devastating challenges we face protecting it today.<br />
The film merges unique archival footage with both beautiful and<br />
disturbing images from the underwater world in its current state.<br />
Directors of Photography: Axel Baumann, Damien Drake<br />
Underwater Director of Photography: Bryce Groark<br />
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 45