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EMMY AWARDS

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36th ANNUAL<br />

®<br />

NEWS &DOCUMENTARY <strong>EMMY</strong> <strong>AWARDS</strong><br />

die together in the jungles of Vietnam. Brothers in War tells the<br />

visceral story of how violent combat interacted with the young<br />

lives of these Americans, and how their futures were forever<br />

altered by the draft.<br />

Director/Producer: Liz Reph<br />

Executive Producers: Madeleine Carter, Lou Reda, Scott L. Reda<br />

HBO Documentary FilmsHBO<br />

Nixon By Nixon: In His Own Words<br />

From February 1971 through July 1973, President Richard Nixon<br />

secretly taped his private conversations. Some of those tapes were<br />

made public during the Watergate hearings and led to Nixon’s<br />

resignation. But most of them, 2,626 hours in all, were not made<br />

public until the government began to de-classify them from the mid<br />

1990’s until 2013. This documentary explores how the tapes reveal<br />

the many different sides of one of our most complex presidents.<br />

Director / Producer: Peter Kunhardt<br />

Executive Producers: Peter Kunhardt, Dyllan McGee, Sheila<br />

Nevins<br />

Supervising Producer: Jacqueline Glover<br />

Co-Producers: George Kunhardt, Teddy Kunhardt<br />

Independent LensPBS<br />

The Trials of Muhammad Ali<br />

“The Trials of Muhammad Ali” covers Ali’s toughest bout, his<br />

battle to overturn the five-year prison sentence he received for<br />

refusing U.S. military service during the Vietnam War. It is a fight<br />

film tracing a formative period in Ali’s life, one that is remarkably<br />

unknown to many young people today and tragically neglected by<br />

those who remember him as a boxer, but overlook how controversial<br />

he was when he first took center stage.<br />

Director/Producer: Bill Siegel<br />

Executive Producers: Justine Nagan, Leon Gast, Gordon Quinn,<br />

Kat White, Sally Jo Fifer<br />

Producer: Rachel Pikelny<br />

Deputy Executive Producer, Independent Lens: Lois Vossen<br />

MAKERSPBS/AOL<br />

The six-part Makers documentary series tells the stories of trailblazing<br />

women in the traditionally male-dominated industries of<br />

war, comedy, space, business, Hollywood and politics. Makers captures<br />

the experiences of recognizable figures, like Oprah Winfrey,<br />

Hillary Clinton, Sheryl Sandberg, Martha Stewart, Indra Nooyi,<br />

Lena Dunham and Ellen DeGeneres, as well as the stories that<br />

need to be known like Mae Jemison, the first African American<br />

woman in space, and Angela Salinas, the first Hispanic woman to<br />

become a United States Marine Corps general officer.<br />

Executive Producers: Peter Kunhardt, Dyllan McGee<br />

Senior Producers: Michael Epstein, Rachel Dretzin<br />

President of AOL MAKERS: Maureen Sullivan<br />

Producers: Mikaela Beardsley, Michael Epstein, Heidi Ewing,<br />

Linda Goldstein Knowlton, Melissa Gomez, Rachel Grady,<br />

Rory Kennedy, Grace Lee, Leah Williams, Sara Wolitzky<br />

Directors: Michael Epstein, Heidi Ewing, Linda Goldstein<br />

Knowlton, Rachel Grady, Grace Lee, Jamila Wignot<br />

Producers AOL MAKERS: Nancy Armstrong, Samantha<br />

Leibovitz, Caroline Waterlow, Betsy West<br />

Supervising Producer: Deborah Clancy Porfido<br />

Consulting Producers: Mark Bailey, Mark Jonathan Harris,<br />

Christine Whitaker, Jack Youngelson<br />

Co-Producer: Patricia Bischetti<br />

Coordinating Producer: Kristin Lesko<br />

Line Producer: Stef Gordon<br />

Executive Producer For WETA: Dalton Delan<br />

VP, Programming and Development (For PBS): Bill Gardner<br />

Co-Producers (For Kunhardt McGee Productions): George Kunhardt,<br />

Teddy Kunhardt<br />

The Unknown Known History Channel<br />

In The Unknown Known, Academy Award-winning director Errol<br />

Morris offers a haunting portrait of Donald Rumsfeld, George<br />

W. Bush’s secretary of defense and the principal architect of the<br />

wars in Iraq and Afghanistan. Rather than conducting a conventional<br />

interview, Morris has Rumsfeld perform and explain his<br />

“snowflakes” — the enormous archive of memos he wrote across<br />

nearly fifty years in power, from Congress to the White House,<br />

as a CEO and as a two-time Secretary of Defense. The memos,<br />

with their contradictions and obfuscations, provide a window into<br />

history — not as it actually happened, but as Rumsfeld wants us<br />

to see it. The Unknown Known captures history from the inside<br />

out, showing us how the ideas, the fears and the certainties of one<br />

man transformed America, changed the course of history, and led<br />

to unending war.<br />

Director/Producer: Errol Morris<br />

Executive Producers: Josh Braun, Julian P. Hobbs, Dirk Hoogstra,<br />

Jason Janego, Tom Quinn, Julia Sheehan, Jeff Skoll, Celia<br />

Taylor, Molly Thompson, Angus Wall, Diane Weyermann<br />

Producers: Amanda Branson Gill, Robert Fernandez<br />

Outstanding Editing: Documentary and<br />

Long Form<br />

HBO Documentary FilmsHBO<br />

Nixon By Nixon: In His Own Words<br />

From February 1971 through July 1973, President Richard Nixon<br />

secretly taped his private conversations. Some of those tapes were<br />

made public during the Watergate hearings and led to Nixon’s<br />

resignation. But most of them were not made public until the<br />

government began to de-classify them from the mid 1990’s until<br />

2013. This documentary explores how the tapes reveal the many<br />

different sides of one of our most complex presidents. The challenge<br />

of the editing was to sort through an enormous amount of<br />

material — there were 3,700 hours of White House tapes alone,<br />

not to mention all of the news footage and media reports the filmmakers<br />

needed to find and digest — in order to find the story for<br />

the film. In studying the 37th president through his own recorded<br />

conversations they discovered a man whose ambition could trump<br />

policy with sometimes disastrous human consequences, and whose<br />

paranoia-driven desire to control and manipulate his image was<br />

all-consuming and ultimately led to his downfall.<br />

Editor: Phillip Schopper<br />

Independent LensPBS<br />

The Trials of Muhammad Ali<br />

Muhammad Ali was a man who refused to be divided. He was<br />

the pawn of the all-white Louisville sports commission and<br />

the confidant of the political ideologue Minister Farrakhan.<br />

Ali was praised in Reverend Martin Luther King’s and Elijah<br />

Muhammad’s sermons, and served as a bridge between organizations,<br />

religions, and races that are divided by historical rhetoric.<br />

Similarly, editor Aaron Wickenden unites sports footage, entertainment<br />

news, religious speeches, and political activism into<br />

a comprehensive and complex image of Ali’s tumultuous ride<br />

through the sixties and seventies.<br />

Editor: Aaron Wickenden<br />

Mission BlueNetflix<br />

The creators of Mission Blue were faced with a unique challenge:<br />

how best to capture the passion and commitment of Dr. Sylvia<br />

Earle, a true legend of Ocean conservation. In balancing both her<br />

personal life and her unbending drive to make a difference, the<br />

editing process needed to reveal the sweet spot that makes Sylvia’s<br />

story so timely and critically important: her ambitious effort to<br />

create marine ‘hope spots’ around the globe, in hopes of saving the<br />

Ocean from further degradation.<br />

Editor: Peter R. Livingston Jr.<br />

PBS Arts Fall FestivalPBS<br />

Kehinde Wiley: An Economy of Grace<br />

Famous for reinterpreting classical portraits to feature African-<br />

American men, painter Kehinde Wiley has turned the practice<br />

of portraiture on its head, taking the art world by storm. Kehinde<br />

Wiley: An Economy of Grace follows the artist as he steps out of his<br />

comfort zone to create a series of paintings that feature women<br />

for the first time. The film traces the artist’s process from concept<br />

to canvas, exposing a delicate tension between Wiley’s artistic<br />

choices and how these choices may be interpreted differently<br />

by viewers. Following the style of Wiley’s painting, the editorial<br />

approach combines seductive, bold imagery with a narrative that<br />

questions the mechanisms of representation.<br />

Editor: Ana Veselic<br />

POVPBS<br />

American Promise<br />

“American Promise” is an unprecedented, groundbreaking<br />

coming-of-age film culminating in 13 years of footage featuring<br />

the intimate stages of life. African-American parents film their<br />

son and his friend as they attend Dalton School, one of the most<br />

prestigious private schools in the country — and historically<br />

white — on Manhattan’s Upper East Side. Chronicling the boys’<br />

divergent paths from kindergarten through high school graduation,<br />

“American Promise” is a provocative documentary presenting<br />

the complicated truths about America’s struggle to come of age<br />

on issues of race, class and opportunity. The editors had to shape<br />

not just one child’s journey to young adulthood, but two. They<br />

had to reveal each boy’s temperament, challenges and evolution,<br />

and his relationship to the parents, siblings, teachers and friends<br />

that influenced him.<br />

Editors: Erin Casper, Mary Manhardt, Andrew Siwoff<br />

Additional Editor: Michelle Chang<br />

The Hunt with John WalshCNN<br />

Trafficking in Death<br />

In October 2002, an inspector looking through grain-carrying<br />

rail cars in Denison, Iowa, made a horrifying discovery: eleven<br />

skeletonized corpses piled at the bottom of one of the hopper<br />

chambers. The identities of the victims in the car remained<br />

a mystery until a Guatemalan-American in New York State<br />

phoned investigators wondering if his brother was one of the<br />

dead. Investigators were able to identify the team of coyotes who<br />

brought him north from Central America, and their ringleader in<br />

Mexico City: Guillermo “Don Memo” Ballesteros. The journeys<br />

north from Honduras and Guatemala had to be edited with<br />

energy and precision to capture the nearly endless set of terrifying<br />

steps each migrant must take. The journey in the doomed rail car,<br />

by contrast, was dreamy and menacing, colored by night, by heat,<br />

and by shared despair among strangers cast together to hope, and<br />

die. The investigators’ story was more mechanical: methodical and<br />

painstaking, characterized by dogged determination and a righteous<br />

anger that drove them to find the perpetrators.<br />

Editor: Bobby Zeleny<br />

VICE News<br />

vice Media<br />

Last Chance High<br />

On Chicago’s West Side, there is a school for the city’s most atrisk<br />

youth — the Moses Montefiore Academy. Most of the<br />

students at Montefiore have been kicked out of other schools<br />

for aggressive behavior and many have been diagnosed with<br />

emotional disorders. “Last Chance High” takes viewers inside<br />

Montefiore’s classrooms and into the homes of students who are<br />

one mistake away from being locked up or committed to a mental<br />

hospital.<br />

Editors: Brent Renaud, Craig Renaud<br />

Outstanding Cinematography:<br />

Documentary and Long Form<br />

Independent LensPBS<br />

Happiness<br />

Pyangke is a young and dreamy eight year old Buddhist monk<br />

living with his mother in a remote village in Bhutan, five days<br />

walk from the nearest city. The village has neither running water,<br />

nor electricity, nor roads. But the road will soon arrive and with it<br />

will come electricity, and a 46 channel TV network. In anticipation<br />

of this event, Pyangke’s uncle has decided to go to the city<br />

and buy a television set, and has asked the little boy to come with<br />

him. Because the film focuses on our relationship with images,<br />

cinematography plays an essential role in the storytelling, showing<br />

contrasting images. On the one hand, sequences of Bhutanese<br />

village life in the Himalayan landscape, where the scarce images<br />

come from tradition and sacred Buddhist books. On the other,<br />

manufactured images of modernity, the city, and the whirl of the<br />

world brought to Pyangke by the TV set.<br />

Cinematographer: Thomas Balmes<br />

Director of Photography: Thomas Balmes, Nina Bernfield<br />

Mission BlueNetflix<br />

Mission Blue follows the legendary explorer, Dr. Sylvia Earle, in<br />

her life long quest to preserve our planet. The filmmakers traveled<br />

the world for four years showcasing the importance of our oceans<br />

as well as the devastating challenges we face protecting it today.<br />

The film merges unique archival footage with both beautiful and<br />

disturbing images from the underwater world in its current state.<br />

Directors of Photography: Axel Baumann, Damien Drake<br />

Underwater Director of Photography: Bryce Groark<br />

THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 45

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