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Transformation Marathon

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Participants<br />

John Palmesino and Ann-Sofi<br />

Rönnskog established Territorial<br />

Agency, an independent organisation<br />

that combines architecture,<br />

analysis, advocacy and action for<br />

integrated spatialtransformation<br />

of contemporary territories. Recent<br />

projects include the Anthropocene<br />

Observatory—an international<br />

documentary project tracing<br />

the emerging thesis of the new<br />

man-made age, developed with Armin<br />

Linke and Anselm Franke, which<br />

was exhibited at HKW in Berlin<br />

and BAK basis voor actuele kunst,<br />

Utrecht; The Museum of Oil, a<br />

project in collaboration with<br />

Greenpeace and Dare; The Museum<br />

of Infrastructural Unconscious;<br />

North; Unfinishable Markermeer.<br />

They teach at the AA Architectural<br />

Association in London and are<br />

research fellows at the Centre for<br />

Research Architecture, Goldsmiths,<br />

University of London.<br />

Time is Away and somewhere else<br />

every month on NTS Radio. Each<br />

hour-long programme uses music,<br />

alongside snippets of spoken word,<br />

to make something that is partsoundscape,<br />

part-essay for the radio.<br />

Jalal Toufic is a thinker and a mortal<br />

to death. He was born in 1962 in<br />

Beirut or Baghdad and died before<br />

dying in 1989 in Evanston, Illinois.<br />

His books, many of which were<br />

published by Forthcoming Books,<br />

are available for download at his<br />

website (jalaltoufic.com). He<br />

was a participant in the Sharjah<br />

Biennials 6, 10 and 11, the 9th<br />

Shanghai Biennale, and Documenta<br />

13. In 2011, he was a guest of<br />

the Artists-in-Berlin Program<br />

of the DAAD; and in 2013-2014,<br />

he and Anton Vidokle led Ashkal<br />

Alwan’s third edition of the<br />

Home Workspace Program, based<br />

in Beirut.<br />

Dorothea von Hantelmann is<br />

documenta Professor at the Art<br />

Academy/University of Kassel<br />

where she lectures on the history<br />

and meaning of documenta. Her main<br />

fields of research are contemporary<br />

art and theory as well as the history<br />

and theory of exhibitions. She is<br />

currently working on a book that<br />

explores exhibitions as ritual spaces<br />

in which fundamental values and<br />

categories of modern, liberal and<br />

market-based societies historically<br />

have been, and continue to be,<br />

practised and reflected. She is the<br />

author of How to Do Things with<br />

Art, a book on performativity within<br />

contemporary art.<br />

Peter Wächtler (born 1979, Germany)<br />

lives in Brussels. His recent solo<br />

exhibitions include, Help me Buddy!<br />

Reena Spaulings, New York, 2014;<br />

Senator!?, dépendance, Brussels,<br />

2013; Springtime, Kunstverein<br />

Hildesheim, 2013; b.a.c.k, Ludlow 38,<br />

New York, 2013; Salon Of Fear,<br />

Kunsthalle Wien, Vienna, 2013; Das<br />

61

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