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Night of<br />

the Physicists<br />

Operation Epsilon: Heisenberg, Hahn,<br />

Weizsäcker and the German Bomb<br />

Richard von Schirach<br />

Translated by Simon Pare<br />

£14.99 | HISTORY<br />

AUGUST 2015<br />

PBK, TRADE<br />

p: 978-1-908323-85-9<br />

e: 978-1-908323-86-6<br />

280pp | ILLUSTRATED<br />

WORLD ENGLISH<br />

A Night in the<br />

Emperor’s Garden<br />

A True Story of Hope<br />

and Resilience in Afghanistan<br />

Qais Akbar Omar and<br />

Stephen Landrigan<br />

£14.99 | MEMOIR<br />

HBK, TRADE<br />

OCTOBER 2014<br />

p: 978-1-910376-12-6<br />

e: 978-1-910376-20-1<br />

330pp | ILLUSTRATED<br />

WORLD<br />

In the spring of 1945 the Allies arrested the physicists they believed had worked on the<br />

German nuclear programme during the war. Interned in an English country house, their<br />

conversations were secretly recorded. MI6’s Operation Epsilon sought to determine how<br />

close Nazi Germany had come to building an atomic bomb. It was in this remote setting<br />

– Farm Hall, near Cambridge – that the German physicists first heard of the bombing of<br />

Hiroshima.<br />

August 6 1945 was a night that changed the course of history. <strong>The</strong> terrible weapon<br />

unleashed on Japan caused unprecedented destruction and loss of life. That the Allies<br />

had such a weapon at their disposal came as a great shock to the German scientists who<br />

had worked under the assumption that the Allies knew nothing of nuclear fission. This is<br />

the story of the wartime race to develop an atomic bomb, and the genius, guilt, complicity<br />

and hubris of Nobel Prize-winning scientists working to create a weapon that would<br />

undoubtedly have won the war for the Germans.<br />

Richard von Schirach is a journalist, historian and the author of <strong>The</strong> Shadow of My Father<br />

(2005).<br />

In 2005, a group of Afghan actors searched for new opportunities to perform after years of<br />

war and Taliban rule. One was a police detective and a widow determined to create images<br />

of strong women. Another had trained at Kabul University before he fled to Pakistan as<br />

a refugee. A third was a street beggar who had broken hearts around the world in the title<br />

role of the award-winning film Osama, yet she barely knew how to read or write. <strong>The</strong>n<br />

there was the middle-aged housewife whose life-long dreams of being an actress came at<br />

an unspeakable price.<br />

<strong>The</strong>se actors, joined by a half-dozen others, enlisted a French actress visiting Kabul<br />

as their director. For the next five months they worked tirelessly. <strong>The</strong>y extended their<br />

Afghan passion for poetry to encompass one of Shakespeare’s most lyrical plays, Love’s<br />

Labour’s Lost, in their own Dari language. For the first time in thirty years, men and<br />

women would appear on stage together. This is their story.<br />

Qais Akbar Omar is the author of the internationally acclaimed memoir A Fort of Nine<br />

Towers and is currently a Scholars at Risk Fellow at Harvard. Stephen Landrigan is a<br />

playwright and former journalist for <strong>The</strong> Washington Post and BBC Radio.<br />

12 RECENTLY PUBLISHED<br />

RECENTLY PUBLISHED<br />

13

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