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Tafelmusik Baroque ORCHESTRA<br />

About Opera Atelier<br />

Opera Atelier holds a unique place in the North American theatre community,<br />

specializing in opera, ballet and drama from the 17 th , 18 th and 19 th centuries. These<br />

productions draw upon the aesthetics and ideals of the period, featuring soloists<br />

of international acclaim, period ballet, original instruments, elaborate stage decor,<br />

exquisite costumes and an imaginative energy that sets Opera Atelier apart.<br />

Opera Atelier is not in the business of “reconstruction,” rather, each production is a<br />

new creative effort and takes its own place in history. Opera Atelier strives to create<br />

productions that would have been recognized and respected in their own time while<br />

providing a thrilling theatrical experience for modern audiences.<br />

Under the direction of founders Marshall Pynkoski and Jeannette Lajeunesse<br />

Zingg, Opera Atelier has been acclaimed throughout Canada, Houston, Cleveland,<br />

Columbus, New York, Stuttgart, Halle, Bremen, London (BBC Proms), Paris, Versailles,<br />

Montreux, Citta di Castello, Singapore, Japan and Seoul, Korea. Opera Atelier has<br />

collaborated with some of early music’s most distinguished artists including Andrew<br />

Parrott, Trevor Pinnock, Hervé Niquet, Marc Minkowski and many others.<br />

18<br />

Cast Members of Lully’s Persée in the Hall of<br />

Mirrors, Versailles. Photo by Bruce Zinger.<br />

Tafelmusik<br />

Baroque Orchestra<br />

& Chamber Choir<br />

Hailed as “one of the world’s top baroque orchestras”<br />

by Gramophone Magazine, Tafelmusik was<br />

founded in 1979 by Kenneth Solway and Susan<br />

Graves. At the heart of this Toronto-based ensemble<br />

is a group of talented and dynamic permanent<br />

members, each of whom is a specialist in historical<br />

performance practice.<br />

The Tafelmusik Chamber Choir, specializing in<br />

baroque and classical performance practice and<br />

vocal technique, was formed in 1981 as a complement<br />

to the Tafelmusik Orchestra. Under the direction<br />

of Ivars Taurins, the choir has been described<br />

as “the best period-performance choir anywhere in<br />

the world” by The Globe and Mail.<br />

Delighting audiences worldwide for more than three<br />

decades, Tafelmusik reaches millions of people<br />

through its touring, critically-acclaimed recordings,<br />

broadcasts, new media, and artistic/community<br />

partnerships. The vitality of Tafelmusik’s vision<br />

clearly resonates with its audiences in Toronto,<br />

where the orchestra performs more than 50 concerts<br />

every year. For 35 years Canada’s most active<br />

touring orchestra has maintained a strong presence<br />

on the world stage, performing in over 350<br />

cities in 32 countries.<br />

Tafelmusik has released over 80 CDs and has been<br />

awarded numerous international recording prizes,<br />

including nine JUNO Awards. Tafelmusik has created<br />

its own label, Tafelmusik Media, and has<br />

released a number of new and past recordings.<br />

Tafelmusik’s <strong>2015</strong>/2016 season highlights include<br />

Bach Christmas Oratorio (Dec 3<strong>–</strong>6), Beethoven 9th<br />

Symphony with Bruno Weil at Koerner Hall (Feb<br />

4<strong>–</strong>7), Bach’s Goldberg Variations with Benjamin<br />

Alard (Mar <strong>31</strong><strong>–</strong>Apr 3, 5), Zelenka and Bach with<br />

German soprano Dorothee Mields (Apr 28<strong>–</strong>May<br />

1), and a new multi-media creation from Alison<br />

Mackay, Tales of Two Cities: The Leipzig-Damascus<br />

Coffee House (May 19, 20, <strong>22</strong> and 24). And of<br />

course, don’t forget the Messiah at Koerner Hall<br />

(Dec 16<strong>–</strong>19) and the Sing-Along Messiah (Dec 20)!<br />

The Tafelmusik Baroque Orchestra and Chamber<br />

Choir have enjoyed collaborating with Opera<br />

Atelier since its very first production in 1985.<br />

Visit www.tafelmusik.org<br />

for more concert information.<br />

Jeanne Lamon,<br />

Chief Artistic<br />

Advisor<br />

Music Director of Tafelmusik<br />

from 1981 to 2014, Jeanne<br />

Lamon has been praised<br />

by critics in Europe and North America for her<br />

strong musical leadership. She has won numerous<br />

awards, including honorary doctorates from York<br />

University, Mount Saint Vincent University, and<br />

University of Toronto, and the prestigious Molson<br />

Prize from the Canada Council for the Arts. Jeanne<br />

Lamon was appointed a Member of the Order of<br />

Canada in 2000, and a Member of the Order of<br />

Ontario in 2014. She is in demand as guest director<br />

of symphony orchestras in North America<br />

and abroad. She is passionate about teaching<br />

young professionals, which she does as Adjunct<br />

Professor at the University of Toronto and through<br />

Tafelmusik’s artist training programmes. Jeanne<br />

Lamon stepped down as full-time Music Director of<br />

Tafelmusik in 2014. She is currently serving as Chief<br />

Artistic Advisor, and will direct various Tafelmusik<br />

season programmes and tours until her successor<br />

is appointed.<br />

Ivars Taurins,<br />

Director,<br />

Tafelmusik<br />

Chamber Choir<br />

Equally at home conducting<br />

symphonic and choral repertoire,<br />

Ivars Taurins is the founding director of the<br />

Tafelmusik Chamber Choir, and was also violist<br />

of the Tafelmusik Orchestra for its first 23 years.<br />

Under his direction, the choir has been praised for<br />

its clarity, nuance, and brilliance. He appears as<br />

guest director with orchestras and choirs across<br />

Canada, from Victoria to Halifax, and works regularly<br />

with the Calgary Philharmonic Orchestra, with<br />

whom he was Principal Baroque Conductor from<br />

2001<strong>–</strong>2011. A sought-after lecturer and teacher,<br />

Ivars Taurins teaches orchestral conducting and<br />

directs the Collegium Musicum at the University<br />

of Toronto, and teaches at the Glenn Gould School,<br />

where this year he will be directing Handel’s Alcina.<br />

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