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Viva Lewes Issue #110 November 2015

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this month’s cover artist: sean sims<br />

We’ve broken one<br />

of our own rules this<br />

month, by asking a non-<br />

<strong>Lewes</strong>ian to design our<br />

front cover. But when<br />

we saw Brighton-based<br />

Sean Sims’ illustration<br />

of the town, we thought<br />

it warranted an exception.<br />

The original design<br />

is Sean’s own representation of <strong>Lewes</strong>, in his<br />

signature style of clean shapes and solid colours.<br />

“I did it as an experiment really,” he says, “because<br />

I’d done a few Brighton ones, but I like <strong>Lewes</strong>, I<br />

like the way the buildings are all stacked up.” He’s<br />

used a bit of artistic licence with the composition,<br />

bringing in the castle, the station and, of course,<br />

Harveys. “I’m sure people from <strong>Lewes</strong> will notice<br />

the buildings I’ve missed!” Even though he<br />

doesn’t live here, Sean has always had ‘a soft spot’<br />

for the town, where he chose to get married four<br />

years ago. You might not have spotted the tiny<br />

heart in the window of the Town Hall.<br />

We asked him to design a bonfire version to illustrate<br />

this month’s theme, so he’s shifted the scene<br />

from day to night, with the addition of torches,<br />

the dark night sky and the fireworks. Although<br />

both versions of the print are colourful in themselves,<br />

they each use a slightly more muted palette<br />

than his usual bold, bright designs. “I tried<br />

to pick colours which represented <strong>Lewes</strong> - more<br />

adult colours,” he explains, opting for browns and<br />

neutrals which he’s seen around the town. “If I<br />

used bright colours, it wouldn’t work as well.”<br />

He enjoys simplifying objects right down to their<br />

basic shapes, just using simple geometry where<br />

possible. One of his prints, Electric Dreams, is a<br />

montage of classic 80s technology featuring a<br />

ghetto blaster, a Sinclair computer and an Atari<br />

console. Another uses old sound equipment, like<br />

a 70s hi-fi, a cassette tape and a reel-to-reel recorder.<br />

“Old technology is an illustrator’s dream,”<br />

he says, “because all of the shapes can be broken<br />

down into squares and circles.” Modern technology<br />

doesn’t hold quite the same appeal.<br />

Both the original print and the bonfire edition<br />

will be available to buy in A3-size, exclusively<br />

from Leadbetter and Good, as of the beginning<br />

of <strong>November</strong>. Find them at 33A Cliffe High St.<br />

To see more of Sean’s work, visit yellowhouseartlicensing.com<br />

and newdivision.co.uk.<br />

Interview by Rebecca Cunningham<br />

11

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