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this month’s cover artist: sean sims<br />
We’ve broken one<br />
of our own rules this<br />
month, by asking a non-<br />
<strong>Lewes</strong>ian to design our<br />
front cover. But when<br />
we saw Brighton-based<br />
Sean Sims’ illustration<br />
of the town, we thought<br />
it warranted an exception.<br />
The original design<br />
is Sean’s own representation of <strong>Lewes</strong>, in his<br />
signature style of clean shapes and solid colours.<br />
“I did it as an experiment really,” he says, “because<br />
I’d done a few Brighton ones, but I like <strong>Lewes</strong>, I<br />
like the way the buildings are all stacked up.” He’s<br />
used a bit of artistic licence with the composition,<br />
bringing in the castle, the station and, of course,<br />
Harveys. “I’m sure people from <strong>Lewes</strong> will notice<br />
the buildings I’ve missed!” Even though he<br />
doesn’t live here, Sean has always had ‘a soft spot’<br />
for the town, where he chose to get married four<br />
years ago. You might not have spotted the tiny<br />
heart in the window of the Town Hall.<br />
We asked him to design a bonfire version to illustrate<br />
this month’s theme, so he’s shifted the scene<br />
from day to night, with the addition of torches,<br />
the dark night sky and the fireworks. Although<br />
both versions of the print are colourful in themselves,<br />
they each use a slightly more muted palette<br />
than his usual bold, bright designs. “I tried<br />
to pick colours which represented <strong>Lewes</strong> - more<br />
adult colours,” he explains, opting for browns and<br />
neutrals which he’s seen around the town. “If I<br />
used bright colours, it wouldn’t work as well.”<br />
He enjoys simplifying objects right down to their<br />
basic shapes, just using simple geometry where<br />
possible. One of his prints, Electric Dreams, is a<br />
montage of classic 80s technology featuring a<br />
ghetto blaster, a Sinclair computer and an Atari<br />
console. Another uses old sound equipment, like<br />
a 70s hi-fi, a cassette tape and a reel-to-reel recorder.<br />
“Old technology is an illustrator’s dream,”<br />
he says, “because all of the shapes can be broken<br />
down into squares and circles.” Modern technology<br />
doesn’t hold quite the same appeal.<br />
Both the original print and the bonfire edition<br />
will be available to buy in A3-size, exclusively<br />
from Leadbetter and Good, as of the beginning<br />
of <strong>November</strong>. Find them at 33A Cliffe High St.<br />
To see more of Sean’s work, visit yellowhouseartlicensing.com<br />
and newdivision.co.uk.<br />
Interview by Rebecca Cunningham<br />
11