Bridge For Design November Issue
Inside the November issue we have the latest from the world of interior design. We look around the Candy Brothers’ luxury penthouse in Monte Carlo. We explore the colourful home of Liza Bruce and Nicholas Alvis Vega in India. We hear about the culture shock when Anne-Marie Midy and Jorge Almada moved from Mexico to Belgium. Design projects by Axis Mundi in New York, Phillip Silver in San Francisco and Coffinier Ku Design in Soho. Other designers included in our November issue; Laura Hammett, Robert Angell, Michael Wolk, Fiona Kelly, Sera Hersham-Loftus, Roger Oates and more. Also included is the brand new Love & Light catalogue, a company well known for their beautifully designed, hand painted and handcrafted lamps and shades.
Inside the November issue we have the latest from the world of interior design. We look around the Candy Brothers’ luxury penthouse in Monte Carlo. We explore the colourful home of Liza Bruce and Nicholas Alvis Vega in India. We hear about the culture shock when Anne-Marie Midy and Jorge Almada moved from Mexico to Belgium. Design projects by Axis Mundi in New York, Phillip Silver in San Francisco and Coffinier Ku Design in Soho. Other designers included in our November issue; Laura Hammett, Robert Angell, Michael Wolk, Fiona Kelly, Sera Hersham-Loftus, Roger Oates and more. Also included is the brand new Love & Light catalogue, a company well known for their beautifully designed, hand painted and handcrafted lamps and shades.
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sit together,” he explains. “The art in the room is totally eclectic-black-andwhites,<br />
big and small, French and American.”<br />
With 1,100 square feet to work with, the designer deftly created cohesion.<br />
Sumptuous Beacon Hill velvets were employed for the drapes, ottomans,<br />
chaises, and Swedish antique chairs. An oval motif was repeated throughout;<br />
in the cutouts on the Phillip Silver <strong>Design</strong> armless chairs and the Tsar silk<br />
rugs, for example.<br />
Silver’s composition also took advantage of a series of windows that<br />
overlooked a lush garden. “No one is seated with their backs to the view,”<br />
he says, adding “This room was full of light during the day, making it an<br />
incredibly happy space. As the evening progressed, the lighting changed<br />
and the room became more evocative, sexy, and glamorous, a room that not<br />
many wanted to leave.”<br />
Phillip Silver<br />
www.phillipsilverdesign.com<br />
76 <strong>Bridge</strong> for <strong>Design</strong> <strong>November</strong> 2015
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