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DIFFERENT CLASS<br />

MUSIC<br />

THE SOUND ORGANISATION IS<br />

THE EXCLUSIVE US DISTRIBUTOR OF<br />

Arcam • Chord Company • DALI • Melco •<br />

ProAc • Quadraspire • Rega • Wilson Benesch<br />

www.soundorg.com<br />

facebook.com/TheSoundOrganisation<br />

972-234-0182<br />

info@soundorg.com<br />

Santana<br />

T<br />

Santana<br />

Santana<br />

Mobile Fidelity, 180g 45RPM 2LP set<br />

here are more than 100 different pressings of <strong>the</strong><br />

self-titled Santana album. As former Rolling Stone<br />

scribe Ben Fong-Torres likes to say: “Crazy.” While<br />

<strong>the</strong> number pales in comparison to <strong>the</strong> 300-plus<br />

different versions of Dark Side of <strong>the</strong> Moon, it<br />

makes it tough to evaluate Santana. Shaking <strong>the</strong><br />

pot seeds out of <strong>the</strong> Columbia original brings back<br />

great memories, yet spinning <strong>the</strong> record reveals why<br />

we needed trendy chemical amusement aids in <strong>the</strong><br />

first place: The original is a lousy-sounding record.<br />

Mobile Fidelity issued a<br />

single 33RPM LP and SACD<br />

of Santana’s debut back in<br />

2007 and <strong>the</strong>y are excellent,<br />

light years ahead of <strong>the</strong> original<br />

in every way. Comparing<br />

this new, dual-disc version<br />

with <strong>the</strong> prior edition proves<br />

enlightening. The older MoFi<br />

pressing offers a smidge<br />

more high-frequency extension<br />

(and we are really splitting<br />

hairs here), no doubt<br />

due to <strong>the</strong> fur<strong>the</strong>r degradation<br />

of a tape going on<br />

40-plus years old, but this<br />

version is all about dynamics<br />

and separation. Splitting<br />

this 37-minute-and-change<br />

album across four sides,<br />

MoFi engineers still ran <strong>the</strong><br />

tracks to <strong>the</strong> center of <strong>the</strong><br />

record—benefitting both <strong>the</strong><br />

vocals as well as <strong>the</strong> percussive<br />

nuances.<br />

The newfound dynamics<br />

on <strong>the</strong> 45RPM pressing<br />

transform <strong>the</strong> presentation,<br />

making it more lively, engaging,<br />

and three-dimensional<br />

whereas <strong>the</strong> original Columbia<br />

pressing renders<br />

<strong>the</strong> performance along a<br />

single, ruler-flat plain. MoFi’s<br />

33RPM release adds more<br />

dimension but <strong>the</strong> 45RPM<br />

version stuns, with Santana’s<br />

signature lead guitar<br />

locked in place like a planet<br />

and <strong>the</strong> rest of <strong>the</strong> instruments<br />

orbiting near and far.<br />

And yes, <strong>the</strong>re is plenty of<br />

cowbell.<br />

November 2015 125

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