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Getty Publications <strong>Spring</strong> 2016<br />

A revised and expanded edition of a key text for<br />

librarians, scholars, and museum professionals<br />

An informative guide to decoding these brief<br />

but revealing ancient texts<br />

Getty Publications New Titles<br />

Introduction to Metadata<br />

Third Edition<br />

Edited by Murtha Baca<br />

Latin Inscriptions<br />

Ancient Scripts<br />

Dirk Booms<br />

Visitors to museums or ancient Roman sites are often confronted with Latin texts inscribed on objects or<br />

buildings from classical antiquity. To the uninitiated such Latin inscriptions can appear daunting — a jumble<br />

of letters seemingly without structure or meaning. However, since they were meant to be understood<br />

by all levels of ancient Roman society, even those who couldn’t read, these ancient inscriptions followed<br />

strict grammatical rules and standardized abbreviations that could be easily decoded.<br />

This book will teach readers — even those with no knowledge of Latin — how to decipher these ancient<br />

messages. Each illustrated inscription is accompanied by a transcription, a transliteration in which all<br />

abbreviations are spelled out, a translation, and finally an interpretation of the text’s meaning and significance.<br />

Even the smallest piece of information in an inscription can aid classicists in reconstructing the daily<br />

lives of Romans, especially those less visible in the archaeological record: the poor, slaves, and women. In<br />

conveying devastation at the death of a loved one, comradery among soldiers, or the key events in individual<br />

lives, inscriptions can reveal much about ancient Roman history and culture.<br />

Metadata provides a means of indexing, accessing, preserving, and discovering digital resources. The volume<br />

of digital information available over electronic networks has created a pressing need for standards<br />

that ensure correct and proper use and interpretation of the data by its owners and users. Well-crafted<br />

metadata is needed more now than ever before and helps users to locate, retrieve, and manage information<br />

in this vast and complex universe.<br />

The third edition of Introduction to Metadata, first published in 1998, provides an overview of metadata,<br />

including its types, roles, and characteristics; a discussion of metadata as it relates to Web resources;<br />

and a description of methods, tools, standards, and protocols for publishing and disseminating digital collections.<br />

This revised edition is an indispensable resource in the field, addressing advances in standards<br />

such as Linked Open Data, changes in intellectual property law, and new computing technologies, and<br />

offering an expanded glossary of essential terms.<br />

Praise for the first edition:<br />

“An excellent starting point for information professionals to gain a basic understanding of fundamental<br />

concepts, then move ahead with a guided path for further research and study.”<br />

—Art Documentation<br />

DIRK BOOMS is curator of Roman archaeology at the British Museum, whose areas of specialty are Roman<br />

architecture, sculpture, glass, and inscriptions.<br />

MURTHA BACA is head of digital art history at the Getty Research Institute. She is the editor of Introduction<br />

to Art Image Access: Issues, Tools, Standards, and Strategies (Getty Publications, 2002) and the<br />

series editor of the Introduction To series from the Getty Research Institute.<br />

Getty Research Institute<br />

Introduction To series<br />

96 pages, 7 x 9½ inches<br />

11 b/w illustrations<br />

ISBN 978-1-60606-479-5, paper<br />

US $30.00 S [UK £20.00]<br />

JUNE<br />

REFERENCE<br />

J. Paul Getty Museum<br />

Ancient Scripts series<br />

112 pages, 5¾ x 8¼ inches<br />

30 line drawings<br />

ISBN 978-1-60606-466-5, paper<br />

US $18.95 X<br />

16 15<br />

JULY<br />

N AO<br />

ANCIENT HISTORY<br />

Marble chest containing<br />

the cremated bones of<br />

Tiberius Claudius Lupercus,<br />

freedman of Acte. The<br />

inscription is set within a<br />

wreath held by two Victories,<br />

an adaptation of imperial<br />

motifs for private use. Marble<br />

lid with a curved pediment,<br />

decorated with a basket<br />

of fruit flanked by two birds<br />

and palmette ornaments at<br />

two corners. British Museum,<br />

London.

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