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Writ 2010 - Ohio Northern University Pettit College of Law

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FEATURED SPEAKERS<br />

CARHART LECTURE<br />

Patry Speaks on Copyright <strong>Law</strong><br />

As part <strong>of</strong> the Fred L.<br />

Carhart Memorial Program<br />

in Legal Ethics, copyright<br />

expert William Patry spoke at<br />

the <strong>Pettit</strong> <strong>College</strong> <strong>of</strong> <strong>Law</strong> on<br />

Oct. 6, <strong>2010</strong>. Patry’s lecture<br />

titled “What Will it Take to<br />

Fix Copyright <strong>Law</strong>?”, addressed the flaws <strong>of</strong><br />

modern copyright laws in the United States.<br />

Patry is senior copyright counsel for Google Inc.<br />

and author <strong>of</strong> five treatises on copyright law<br />

including his most recent book, Moral Panics and<br />

the Copyright Wars, which was published in 2009.<br />

Patry’s lecture focused on the inherent problems<br />

<strong>of</strong> U.S. copyright laws that arise from the moral<br />

motivations behind these laws.<br />

“There are perpetual problems with copyright<br />

law that no one can agree upon because they<br />

have different perspectives for different reasons,”<br />

Patry said. “Those problems are business problems.<br />

They are never conflicts caused by the<br />

alleged show <strong>of</strong> moral shortcomings <strong>of</strong> others.<br />

We use moral claims in debates about economic<br />

issues.”<br />

Using the music industry as an example, Patry<br />

demonstrated that business solutions were the<br />

best answer to current problems with copyright<br />

law. In 1998, the U.S. extended the copyright on<br />

music by 20 years, so that an artist’s music was<br />

protected for 70 years after his or her death. The<br />

law was created in the hope that this added protection<br />

would stimulate more new works and<br />

allow artists to make more money from their previously-released<br />

music. However, Patry argued<br />

that no empirical data has been collected to prove<br />

that this extension <strong>of</strong> copyright has achieved the<br />

intended effects.<br />

“If we want effective laws, we can’t have that<br />

if it’s based upon an alleged moral case,” Patry<br />

argued. “For politicians or lawmakers to act in an<br />

effective way, they have to act like economists.<br />

You have to investigate the real world consequences<br />

<strong>of</strong> what you’re doing and decide whether<br />

those laws, if enacted, do the things you want<br />

them to do.”<br />

Pointing to economist Andrew Gower’s 2006<br />

report on the impact <strong>of</strong> existing copyright law in<br />

the UK, Patry said, “Data show that [music<br />

copyright laws] don’t actually help the people<br />

they are intended to help; but [lawmakers] are<br />

� MARK<br />

YOUR<br />

CALENDAR<br />

actually doing it<br />

because there is a<br />

moral case at the heart<br />

<strong>of</strong> copyright law.”<br />

According to Patry,<br />

Gower concluded that<br />

many artists sell a<br />

majority <strong>of</strong> their<br />

records in the first ten<br />

years after their release.<br />

So, extending the<br />

copyrights on music<br />

does little to help the<br />

artist and actually<br />

hurts the public by<br />

limiting access to the<br />

music.<br />

CARHART SYMPOSIUM<br />

ON LEGAL ETHICS<br />

in conjunction with <strong>Ohio</strong> <strong>Northern</strong><br />

<strong>University</strong> <strong>Law</strong> Review<br />

March 30, 2011<br />

“Crisis in the Legal Pr<strong>of</strong>ession”<br />

©<br />

“If we want effective laws, we can’t have that if<br />

it’s based upon an alleged moral case,” Patry<br />

argued. “For politicians or lawmakers to act in an<br />

effective way, they have to act like economists.<br />

You have to investigate the real world consequences <strong>of</strong> what<br />

you’re doing and decide whether those laws, if enacted, do the<br />

things you want them to do.”<br />

“In the music world, the joke is that people<br />

aren’t composing, they’re decomposing,” said<br />

Patry.<br />

Patry concluded that business solutions are<br />

the best way to curb copyright infringement. He<br />

28 OHIO NORTHERN UNIVERSITY COLLEGE OF LAW | <strong>Writ</strong> WINTER <strong>2010</strong><br />

explained that online venues like iTunes, which<br />

provide people with a legitimate way to buy<br />

music, are far more effective than extended copyright<br />

laws.<br />

ABOUT THE CARHART PROGRAM…<br />

The Fred L. Carhart Memorial Program in Legal Ethics, which was<br />

established in 2007, brings eminent scholars, jurists, and lawyers to<br />

<strong>Ohio</strong> <strong>Northern</strong> to actively engage in lectures, seminars and panel<br />

discussions for the benefit <strong>of</strong> ONU <strong>Law</strong> students, the college and<br />

university communities and the public. The endowment to fund the<br />

program came from the estate <strong>of</strong> Dw ight L . C arh art, JD ’47, in<br />

memory <strong>of</strong> his father, Fred L . C a r h a r t, BS 1902.

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