17.02.2016 Views

Architectural Record 2015-08

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

12<br />

ARCHITECTURAL RECORD AUGUST <strong>2015</strong><br />

editor’s letter<br />

All in a Day’s Work<br />

Office design: a constantly changing<br />

landscape for architects.<br />

the workplace is an ever-evolving design challenge. With continuous<br />

upgrades in technology, advances in telecommunications and rising<br />

costs of commercial real estate, space for individual employees keeps<br />

shrinking—whether for assistants or executives. The average allotment<br />

per office worker fell from 225 square feet in 2010 to 176 square feet in<br />

2012, and these days can go as low as 60 square feet. High-walled individual<br />

cubicles have given way to smaller, open cubes, and to benching<br />

and the temporary, flexible desk space known as hoteling.<br />

But these trends don’t necessarily mean that more people only work<br />

remotely—collaboration is the buzzword across many industries—and<br />

that means face time, as architects of offices know. For brainstorming<br />

or serendipitous encounters, they have been designing more conference<br />

rooms, breakout spaces, huddle areas, kitchens and snack bars, lounge<br />

seating, and stadium-style stairs.<br />

Silicon Valley has been an influential leader in the recent move<br />

toward open-plan offices that foster collaboration. And tech companies<br />

were pioneers in creating all the amenities (free meals! on-premises dry<br />

cleaners!) that keep employees at the office nearly 24/7. In this issue,<br />

we’re bringing you an up-close look at the gigantic new Facebook headquarters<br />

in Menlo Park, California, designed by Frank Gehry—a<br />

1,500-foot-long, 433,000-square-foot structure with a huge roof garden<br />

and vast open-plan office space (page 86).<br />

When Facebook founder and CEO Mark Zuckerberg visited Gehry’s<br />

office early in the design process, the architect asked what kind of<br />

space he was looking for. Zuckerberg threw his hands in the air and<br />

said, “I want this!” Gehry’s simple open office with lofty ceilings, in a<br />

converted warehouse near Los Angeles, inspired the Facebook design—<br />

though the tech company’s enormous size, of course, meant the space<br />

had to be cleverly broken up, so it wouldn’t “feel like an automobile<br />

factory,” as project designer Craig Webb put it.<br />

Architects have long thrived in open-plan offices, often adapting<br />

space in structures originally built for other purposes. We take a look<br />

at some extraordinary conversions for architectural offices, including a<br />

former warehouse for repairing naval gunboats in Copenhagen and a<br />

deconsecrated 16th-century church in Milan (page 74).<br />

The next frontier for architects designing open office space today is<br />

dealing with ambient noise. Acousticians have tended to treat this<br />

problem in the past by masking it with white noise or, more recently,<br />

pink noise.<br />

The current understanding is that what is especially distracting for<br />

workers is being able to clearly hear others’ conversations. (For those<br />

speaking, the problem is lack of privacy. In a recent New York Times<br />

article about open-plan offices, an architect complained that everyone<br />

who sat near him had learned he was having a colonoscopy.)<br />

The newest acoustical technology includes advanced systems of<br />

microphones and speakers that pick up a conversation but scramble the<br />

sound, so that someone a few feet away cannot “hear” it when it is<br />

emitted through speakers embedded in the space. According to Todd<br />

DeGarmo, CEO of STUDIOS Architecture, such systems mean that a<br />

group could hold a video teleconference in an open space without<br />

disturbing someone 8 to 10 feet away. This could reduce the need for all<br />

those enclosed conference rooms, yet such systems are so sensitive they<br />

could affect architecture in other ways, too. For example, a curtain<br />

wall would have to be designed to almost completely block street noise.<br />

Meanwhile, architectural record is moving to new office space<br />

soon, so the editors will be able to test some of these ideas. On July 1,<br />

the magazine and its sister publications, Engineering News <strong>Record</strong> and<br />

SNAP, were acquired by BNP Media, a family-owned company founded<br />

in 1926, with headquarters in Troy, Michigan. The editorial staffs<br />

will still be based here in New York City. We plan on bringing you the<br />

best in architectural projects, trends, and news, through our print<br />

and digital platforms, as we always have, under the stewardship of<br />

record’s new owners. ■<br />

Cathleen McGuigan, Editor in Chief<br />

PHOTOGRAPHY: © MICHEL ARNAUD

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!