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With the company’s wide spectrum of<br />
products, it’s natural to witness hundreds of<br />
diverse waste materials – from locks, furniture<br />
to aerospace – amounting to a vast material<br />
laboratory. The designers of Godrej & Boyce<br />
look at these wastes as raw materials for their<br />
design ideation. They explore their possibilities<br />
– strength, versatility, textures and behaviours<br />
– to incubate new ideas, and prototype those to<br />
put them to the best use, which in turn leads to<br />
zero wastage. One of their recent projects,<br />
sculptures made out of typewriter parts, The<br />
Lotus and the Mandalas displayed at Godrej & Boyce, stands<br />
testimony to their commitment and vigour indesigning of the product.<br />
expected to be ambitious and invent incredible<br />
things. We want them to broaden their<br />
perspective as possibilities are absolutely<br />
endless,” he said on an encouraging note.<br />
Product designing is indeed a niche field that has<br />
engraved a significant mark in the design field.<br />
Basically called industrial designing, the field<br />
covers a broad spectrum in a world where<br />
everything around us is ‘designed’! This<br />
Summerlight Furniture<br />
initiative, thus, is an attempt to raise the<br />
awareness of good design in the world and<br />
further offer the designers a chance to establish themselves in this<br />
niche field.<br />
Jha emphasises that with such vast resources available under one<br />
shelter, “if the young designers are given an opportunity to explore<br />
their horizon, it would open up their mind; broaden their thinking; and<br />
most importantly, it would communicate to them that anything is<br />
possible!”<br />
Product designing sounds fancy and one assumes that it’s created to<br />
the whims and fancies of a designer. But, in reality, the designer goes<br />
through an excruciatingly painful process right from designing,<br />
procuring of materials to prototyping the ideas, in tandem with one<br />
another, before its mass production. So unarguably, there seems to be<br />
a slight hitch in projecting out the creativities to the masses. “If one<br />
has to mass produce a product, it is essential to have knowledge of<br />
materials and their availability, the process of mass production and<br />
availability of machines. The lack of exposure to the designers, in<br />
India mostly, makes it difficult to prototype their ideas to life,” he<br />
expressed.<br />
The initiative of Godrej <strong>Design</strong> Lab involves a vigorous mentoring of<br />
the selected young product designers and meticulous review of their<br />
prototype – concept, material usability, technology adaptation and<br />
uniqueness, to name a few. But more importantly, “The designers are<br />
With this I can only anticipate an increase in the product designers in<br />
the community and look forward to spectacular things to shape up our<br />
world!<br />
<br />
Hemmant Jha, Chief <strong>Design</strong> Officer at Godrej &<br />
Boyce, has more than 18 years of experience in<br />
architecture and design. He has a Master of<br />
Architecture degree from Yale University and an<br />
undergraduate degree from the School of<br />
Planning and Architecture, New Delhi.<br />
Hemmant is the Founder and Executive Director<br />
of Wheelwell, a non-profit organisation<br />
dedicated to the creation of products and<br />
technologies for physically disabled people.<br />
Before joining Godrej <strong>Design</strong> Center, he was the <strong>Design</strong> Director at IA<br />
Collaborative and was responsible for conceptualising, designing and<br />
developing products and building environments for IA's global clients.<br />
He has also worked with Sony Electronics <strong>Design</strong> Center across Los Angeles<br />
and Tokyo, and with Harman International Advanced Research Group in Los<br />
Angeles.<br />
Al Crochet<br />
Architecture Update February 2016 23