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MHt<br />

E<br />

lR L<br />

qb<br />

c<br />

z<br />

y I<br />

OT<br />

N<br />

Q<br />

r<br />

x w<br />

J<br />

10<br />

1<br />

1<br />

< > , . / {<br />

G<br />

11<br />

4<br />

7<br />

1<br />

MEMPHIS<br />

a typeface by Rudolph Wolf<br />

k ms<br />

B<br />

9<br />

u<br />

What was going on in the world in 1929?<br />

besides the introduction of the typeface Memphis?<br />

On August 16 of that year Palestine riots broke out<br />

between Palestinians and Jews over the control of<br />

the Western Wall, this resulted in the Jews fleeing Hebron.<br />

In Europe, Fascism was on the rise in Italy and<br />

Vatican City separated into its own sovereign state.<br />

Joseph Stalin rose to power in the Soviet Union. The<br />

stock market crashed this year in the United States,<br />

marking the beginning of the great depression.<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

letters are simular enough that many fit within each other<br />

memphis is iconic for its “[“ like structure created via slab serifs<br />

slab serif typefaces do not have a bracket that creates a sharp transition<br />

the uppercase T is unique due to its square-like terminal<br />

unlike the other sharp letterforms, some letters transition in a smooth curve<br />

the apeture of the lowercase e is ver low<br />

1<br />

Who is Rudolph Wolf?<br />

Born in 1895 in Hechingen Germany, Doctor Rudolph<br />

Wolf was a prominent figure in the typography community<br />

in the 1920s. This is due mostly to his creation<br />

of the Memphis typeface that took the world by storm<br />

at the very end of the decade in 1929.<br />

After undergoing doctoral studies at the University of<br />

Frankfurt, Wolf was responsible for designing type as<br />

an advertising manager at D. Stempel AG in Frankfurt<br />

from 1922 until his death in 1942.<br />

7<br />

8<br />

9<br />

10<br />

11<br />

12<br />

weight shown here is light but the typeface also comes in medium and bold<br />

there is no contrast between stroke thickness<br />

arm and leg angles differ<br />

short central arm, unbracketed, and low contrast<br />

there are no significantly defined terminals on letterforms<br />

serif like crossbars on i and j<br />

3

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