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ARTS<br />
DAMIAN GOMES<br />
Vacancy at Treeo<br />
By Jenna Duncan<br />
When embarking on the pursuit of a life’s passion,<br />
such as fine art, young people often turn to the<br />
masters and perform small feats of imitation, which<br />
may take many forms. It may be in technique or subject<br />
matter. It may also be in style, process or attitude.<br />
For Damian Gomes (pronounced like gnomes, and not<br />
like Gomez, as one might assume), approaching the<br />
canvas and borrowing from the masters might be part<br />
of the process, but it seems much of his attraction to<br />
painting comes from mastering oil as a medium, and<br />
not simply pumping out product. “I tried acrylic, but<br />
just couldn’t get the results I was looking for,” Gomes<br />
says about his new works in oil, now on view at<br />
Treeo Gallery on 6th Street near Roosevelt.<br />
Though he’s been embracing sketching and drawing<br />
for years, Gomes is new to painting, he says.<br />
He worked for almost a decade as a hair stylist,<br />
migrating around different Phoenix salons including<br />
Swank and R Salon. “I worked at Snapdragon for<br />
six years. I just quit doing hair a few months ago,”<br />
he says. There is something about painting that just<br />
drew him in. He moved to a bigger space and made<br />
his former home into a studio. His works range from<br />
moderate portrait-sized (around 24” by 36”) to larger<br />
works on canvas often exceeding six feet per side.<br />
He says that while part of his process is learning<br />
the best technique for moving colors around his<br />
canvas, part of the process is to develop a palette,<br />
too. Current works are rich in earth tones, mostly<br />
figurative in nature, and sometimes evocative of,<br />
yes, many of the masters in oil, abstract and classic<br />
(Francis Bacon and Fritz Scholder come to mind).<br />
One large, smudged oil image (“Bully”) resembles<br />
a fierce, aggressive, one-horned bull. A romantic<br />
soft-focus pink nude evokes the sentimental feelings<br />
of Valentine’s Day. Another figure sits at rest with a<br />
beer can.<br />
Gomes says he works with a product called oil bar,<br />
smudging thick black marks like coal across some<br />
images and smooth, creamy whites across others.<br />
The process can be messy, he says, and it takes time<br />
to tidy up before a studio visit. “Half the time I’m just<br />
painting with my fingers and these crazy brushes I<br />
buy at Home Depot,” he says.<br />
Styling hair is a very kinesthetic exercise, and certain<br />
similarities between Gomes’ previous work and his<br />
painting are notable. Hair styling keeps the stylist<br />
on his feet for hours at a time, and a transition to<br />
painting isn’t too strange in that regard. Painters,<br />
especially those who work large scale, often have<br />
to strain and stretch, or sit in one pose for hours.<br />
Both jobs can be taxing on the body over time. And<br />
Gomes says he’s always had ideas come to him when<br />
he’s working with his hands, whether his hands are<br />
immersed in water and shampoo or turpentine and<br />
oil paint.<br />
Damian Gomes: Vacancy<br />
Through April 11<br />
Treeo<br />
906 N. 6th St., Phoenix<br />
www.treeohouse.com<br />
Facebook (Damian Gomes)<br />
Instagram (@damian_gomes).<br />
16 JAVA<br />
MAGAZINE