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ARTS<br />

DAMIAN GOMES<br />

Vacancy at Treeo<br />

By Jenna Duncan<br />

When embarking on the pursuit of a life’s passion,<br />

such as fine art, young people often turn to the<br />

masters and perform small feats of imitation, which<br />

may take many forms. It may be in technique or subject<br />

matter. It may also be in style, process or attitude.<br />

For Damian Gomes (pronounced like gnomes, and not<br />

like Gomez, as one might assume), approaching the<br />

canvas and borrowing from the masters might be part<br />

of the process, but it seems much of his attraction to<br />

painting comes from mastering oil as a medium, and<br />

not simply pumping out product. “I tried acrylic, but<br />

just couldn’t get the results I was looking for,” Gomes<br />

says about his new works in oil, now on view at<br />

Treeo Gallery on 6th Street near Roosevelt.<br />

Though he’s been embracing sketching and drawing<br />

for years, Gomes is new to painting, he says.<br />

He worked for almost a decade as a hair stylist,<br />

migrating around different Phoenix salons including<br />

Swank and R Salon. “I worked at Snapdragon for<br />

six years. I just quit doing hair a few months ago,”<br />

he says. There is something about painting that just<br />

drew him in. He moved to a bigger space and made<br />

his former home into a studio. His works range from<br />

moderate portrait-sized (around 24” by 36”) to larger<br />

works on canvas often exceeding six feet per side.<br />

He says that while part of his process is learning<br />

the best technique for moving colors around his<br />

canvas, part of the process is to develop a palette,<br />

too. Current works are rich in earth tones, mostly<br />

figurative in nature, and sometimes evocative of,<br />

yes, many of the masters in oil, abstract and classic<br />

(Francis Bacon and Fritz Scholder come to mind).<br />

One large, smudged oil image (“Bully”) resembles<br />

a fierce, aggressive, one-horned bull. A romantic<br />

soft-focus pink nude evokes the sentimental feelings<br />

of Valentine’s Day. Another figure sits at rest with a<br />

beer can.<br />

Gomes says he works with a product called oil bar,<br />

smudging thick black marks like coal across some<br />

images and smooth, creamy whites across others.<br />

The process can be messy, he says, and it takes time<br />

to tidy up before a studio visit. “Half the time I’m just<br />

painting with my fingers and these crazy brushes I<br />

buy at Home Depot,” he says.<br />

Styling hair is a very kinesthetic exercise, and certain<br />

similarities between Gomes’ previous work and his<br />

painting are notable. Hair styling keeps the stylist<br />

on his feet for hours at a time, and a transition to<br />

painting isn’t too strange in that regard. Painters,<br />

especially those who work large scale, often have<br />

to strain and stretch, or sit in one pose for hours.<br />

Both jobs can be taxing on the body over time. And<br />

Gomes says he’s always had ideas come to him when<br />

he’s working with his hands, whether his hands are<br />

immersed in water and shampoo or turpentine and<br />

oil paint.<br />

Damian Gomes: Vacancy<br />

Through April 11<br />

Treeo<br />

906 N. 6th St., Phoenix<br />

www.treeohouse.com<br />

Facebook (Damian Gomes)<br />

Instagram (@damian_gomes).<br />

16 JAVA<br />

MAGAZINE

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