The Juche Idea - Jim Finn
The Juche Idea - Jim Finn
The Juche Idea - Jim Finn
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THE JUCHE IDEA<br />
<strong>Jim</strong> <strong>Finn</strong>, 62 min, 2008<br />
SYNOPSIS<br />
In the late 1960’s Kim Jong Il guaranteed his<br />
succession as the Dear Leader of North Korea by<br />
adapting his father’s <strong>Juche</strong> (pronounced choo-<br />
CHAY) philosophy to propaganda, film and art.<br />
Translated as self-reliance, <strong>Juche</strong> is a hybrid of<br />
Confucian and authoritarian Stalinist pseudosocialism.<br />
<strong>The</strong> film is about a South Korean<br />
video artist who comes to a North Korean art<br />
residency to help bring <strong>Juche</strong> cinema into the<br />
21st century. Inspired by the real-life story of<br />
the South Korean director kidnapped in the 70’s<br />
to invigorate the North Korean film industry, the film follows Yoon Jung Lee, a young video artist invited to work at a<br />
<strong>Juche</strong> art residency on a North Korean collective farm. <strong>The</strong> story is told through the films she made at the residency as<br />
well as interviews with a Bulgarian filmmaker and even a brief sci-fi movie.<br />
SELECTED PRESS for THE JUCHE IDEA (2008)<br />
VARIETY: “<strong>The</strong> evidence that current filmmaking is brimming with original, standard-breaking<br />
creations has to include the work of <strong>Jim</strong> <strong>Finn</strong>, whose brilliant ‘<strong>The</strong> <strong>Juche</strong> <strong>Idea</strong>’ is the latest in a<br />
growing filmography without precedent or category... ‘<strong>The</strong> <strong>Juche</strong> <strong>Idea</strong>’ effectively completes a<br />
trilogy of ultra-compact features that boldly upturn notions of documentary and fiction,<br />
propaganda thought, reality and restaging, and even what an “experimental film” actually is. To say<br />
that these films open up new possibilities for satire, ideas and language isn’t an overstatement.”<br />
“<br />
INDIEWIRE: “...a hilarious exploration of North Korean perspectives on artistic expression... has the<br />
kind of outsider perspective that avant-garde film lovers will find delectable.”<br />
“<br />
SAN FRANCISCO BAY GUARDIAN “...Both capitalism and socialism are skewered with no mercy and<br />
maximum mirth by <strong>Jim</strong> <strong>Finn</strong>’s <strong>The</strong> <strong>Juche</strong> <strong>Idea</strong>, which takes the published film theories of none other<br />
than Kim Jong-Il as its point of entry…... This world — where shoveling duck dung together makes for<br />
a romantic first date — looks like North Korea, one has to guess, or at least “Dear Leader’s” ideal version.<br />
Still, reviewers who assume capitalism emerges unscathed from the uproarious <strong>Juche</strong> <strong>Idea</strong> are<br />
watching the movie with one eye closed. <strong>Finn</strong> spotlights hilarious propagandistic turns of phrase<br />
such as “the tiny dentures of imperialism.” But with one capitalist land outside the movie screen<br />
saddled with a 700 billion dollar debt, a viewer is left to wonder who’s zooming who when passing<br />
through the film’s multi-faceted looking glass….<br />
ABOUT THE DIRECTOR<br />
“<strong>Jim</strong> <strong>Finn</strong> has made a name for himself...thanks to his feeling for irony and his<br />
capacity to shape something new from propaganda, news and other historic<br />
images. Not to forget his very dry sense of humour.” (Rotterdam International<br />
Film Festival)<br />
<strong>Jim</strong> <strong>Finn</strong> (b. St. Louis, 1968) uses humor and historical fiction to examine ideology,<br />
capitalism and revolutionary art practices. His work has screened at international<br />
festivals like Rotterdam, Sundance and Edinburgh as well as museums and<br />
cinematheques such as the Museo Reina Sofia in Madrid, the Danish Film Institute<br />
and the Harvard Film Archive. His latest work is a trilogy of feature-length films<br />
looking at Marxist ideology. <strong>The</strong> first of these, Interkosmos, was called “a retro<br />
gust of communist utopianism” by the Village Voice and “charming and fantastic,<br />
so full of rare atmospheres” by Canadian filmmaker Guy Maddin. His second feature<br />
La Trinchera Luminosa del Presidente Gonzalo was put on the Village Voice’s<br />
Top 10 Year in Experimental Film. And Variety called <strong>The</strong> <strong>Juche</strong> <strong>Idea</strong> “brilliant”<br />
and said all three films “upturn notions of documentary and fiction, propaganda<br />
thought, reality and restaging, and even what an ‘experimental film’ actually is.”<br />
PRINCIPAL CAST<br />
BEST NARRATIVE FILM<br />
CHICAGO<br />
UNDERGROUND<br />
FILM FESTIVAL<br />
2008<br />
HONORABLE MENTION<br />
ANN ARBOR<br />
FILM FESTIVAL<br />
2008<br />
OFFICIAL SELECTION<br />
AFI<br />
FILM FESTIVAL<br />
2008<br />
BUENOS AIRES<br />
INTERNATIONAL<br />
FESTIVAL OF<br />
INDEPENDENT FILM<br />
2008<br />
CLOSING NIGHT FILM<br />
NEW YORK<br />
UNDERGROUND<br />
FILM FESTIVAL<br />
2008<br />
OFFICIAL SELECTION<br />
EDINBURGH<br />
INTERNATIONAL<br />
FILM FESTIVAL<br />
2008<br />
Jung Yoon Lee Daniela Kostova<br />
Kim Sung Oleg Mavromatti<br />
PRINCIPAL CREW<br />
Writer/Director <strong>Jim</strong> <strong>Finn</strong><br />
Art Directors Jung Yoon Lee<br />
Daniela Kostova<br />
Music Pauline Oliveros<br />
Neung Phak<br />
Sound Design Jesse Stiles<br />
CONTACT<br />
finn.jim@gmail.com www.jimfinn.org