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The Juche Idea - Jim Finn

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THE JUCHE IDEA<br />

<strong>Jim</strong> <strong>Finn</strong>, 62 min, 2008<br />

SYNOPSIS<br />

In the late 1960’s Kim Jong Il guaranteed his<br />

succession as the Dear Leader of North Korea by<br />

adapting his father’s <strong>Juche</strong> (pronounced choo-<br />

CHAY) philosophy to propaganda, film and art.<br />

Translated as self-reliance, <strong>Juche</strong> is a hybrid of<br />

Confucian and authoritarian Stalinist pseudosocialism.<br />

<strong>The</strong> film is about a South Korean<br />

video artist who comes to a North Korean art<br />

residency to help bring <strong>Juche</strong> cinema into the<br />

21st century. Inspired by the real-life story of<br />

the South Korean director kidnapped in the 70’s<br />

to invigorate the North Korean film industry, the film follows Yoon Jung Lee, a young video artist invited to work at a<br />

<strong>Juche</strong> art residency on a North Korean collective farm. <strong>The</strong> story is told through the films she made at the residency as<br />

well as interviews with a Bulgarian filmmaker and even a brief sci-fi movie.<br />

SELECTED PRESS for THE JUCHE IDEA (2008)<br />

VARIETY: “<strong>The</strong> evidence that current filmmaking is brimming with original, standard-breaking<br />

creations has to include the work of <strong>Jim</strong> <strong>Finn</strong>, whose brilliant ‘<strong>The</strong> <strong>Juche</strong> <strong>Idea</strong>’ is the latest in a<br />

growing filmography without precedent or category... ‘<strong>The</strong> <strong>Juche</strong> <strong>Idea</strong>’ effectively completes a<br />

trilogy of ultra-compact features that boldly upturn notions of documentary and fiction,<br />

propaganda thought, reality and restaging, and even what an “experimental film” actually is. To say<br />

that these films open up new possibilities for satire, ideas and language isn’t an overstatement.”<br />

“<br />

INDIEWIRE: “...a hilarious exploration of North Korean perspectives on artistic expression... has the<br />

kind of outsider perspective that avant-garde film lovers will find delectable.”<br />

“<br />

SAN FRANCISCO BAY GUARDIAN “...Both capitalism and socialism are skewered with no mercy and<br />

maximum mirth by <strong>Jim</strong> <strong>Finn</strong>’s <strong>The</strong> <strong>Juche</strong> <strong>Idea</strong>, which takes the published film theories of none other<br />

than Kim Jong-Il as its point of entry…... This world — where shoveling duck dung together makes for<br />

a romantic first date — looks like North Korea, one has to guess, or at least “Dear Leader’s” ideal version.<br />

Still, reviewers who assume capitalism emerges unscathed from the uproarious <strong>Juche</strong> <strong>Idea</strong> are<br />

watching the movie with one eye closed. <strong>Finn</strong> spotlights hilarious propagandistic turns of phrase<br />

such as “the tiny dentures of imperialism.” But with one capitalist land outside the movie screen<br />

saddled with a 700 billion dollar debt, a viewer is left to wonder who’s zooming who when passing<br />

through the film’s multi-faceted looking glass….<br />

ABOUT THE DIRECTOR<br />

“<strong>Jim</strong> <strong>Finn</strong> has made a name for himself...thanks to his feeling for irony and his<br />

capacity to shape something new from propaganda, news and other historic<br />

images. Not to forget his very dry sense of humour.” (Rotterdam International<br />

Film Festival)<br />

<strong>Jim</strong> <strong>Finn</strong> (b. St. Louis, 1968) uses humor and historical fiction to examine ideology,<br />

capitalism and revolutionary art practices. His work has screened at international<br />

festivals like Rotterdam, Sundance and Edinburgh as well as museums and<br />

cinematheques such as the Museo Reina Sofia in Madrid, the Danish Film Institute<br />

and the Harvard Film Archive. His latest work is a trilogy of feature-length films<br />

looking at Marxist ideology. <strong>The</strong> first of these, Interkosmos, was called “a retro<br />

gust of communist utopianism” by the Village Voice and “charming and fantastic,<br />

so full of rare atmospheres” by Canadian filmmaker Guy Maddin. His second feature<br />

La Trinchera Luminosa del Presidente Gonzalo was put on the Village Voice’s<br />

Top 10 Year in Experimental Film. And Variety called <strong>The</strong> <strong>Juche</strong> <strong>Idea</strong> “brilliant”<br />

and said all three films “upturn notions of documentary and fiction, propaganda<br />

thought, reality and restaging, and even what an ‘experimental film’ actually is.”<br />

PRINCIPAL CAST<br />

BEST NARRATIVE FILM<br />

CHICAGO<br />

UNDERGROUND<br />

FILM FESTIVAL<br />

2008<br />

HONORABLE MENTION<br />

ANN ARBOR<br />

FILM FESTIVAL<br />

2008<br />

OFFICIAL SELECTION<br />

AFI<br />

FILM FESTIVAL<br />

2008<br />

BUENOS AIRES<br />

INTERNATIONAL<br />

FESTIVAL OF<br />

INDEPENDENT FILM<br />

2008<br />

CLOSING NIGHT FILM<br />

NEW YORK<br />

UNDERGROUND<br />

FILM FESTIVAL<br />

2008<br />

OFFICIAL SELECTION<br />

EDINBURGH<br />

INTERNATIONAL<br />

FILM FESTIVAL<br />

2008<br />

Jung Yoon Lee Daniela Kostova<br />

Kim Sung Oleg Mavromatti<br />

PRINCIPAL CREW<br />

Writer/Director <strong>Jim</strong> <strong>Finn</strong><br />

Art Directors Jung Yoon Lee<br />

Daniela Kostova<br />

Music Pauline Oliveros<br />

Neung Phak<br />

Sound Design Jesse Stiles<br />

CONTACT<br />

finn.jim@gmail.com www.jimfinn.org

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