Final Print2

A COLLABORATIVE OF CREATIVE WORKS BY
ALLEN CUSTER

APPLICATIONS
3D: Google Sketchup, Autodesk 3DS MAX, Robert
McNeel & Associates-Rhinoceros
Drafting+BIM: Autodesk Autocad, Autodesk Revit
Rendering Engines: Maxwell Render, Mental Ray
Render farm management: Autodesk Backburner Sever,
Autodesk Backburner Manager
Photo Editing: Photomatix Pro, Adobe Photoshop,
Adobe Photoshop Lightroom, Adobe Bridge
Vector Graphics: Adobe Illustrator
Video Editing: Adobe Premiere Pro, Adobe After Effects
Layout Editing: Adobe InDesign
Programing: Processing, Arduino, Ubot Studio, C++,
Java
Web: Wordpress
Other: Microsoft Office
EDUCATION
Catholic University of America; Washington, D.C.
Degree: Architecture - Masters in Architecture with
concentration in Digital Media
Graduated: December, 2015
Curriculum Includes: Design, Theory, with heavy
influence in Computer Graphics and Animation.
Catholic University of America; Washington, D.C.
Degree: Architecture - Bachelor of Science in
Architecture
Graduated: May, 2010
Curriculum Includes: Design, History, Theory, Graphics
and Computer Applications.
EMPLOYMENT HISTORY
CKC Investments, San Diego, CA
Designer, Rehab Analyst: 2014 - Present
Searching for dilapidated properties as well as
determining if it was cost effective to rehab them, then
designing the rehab.
Render Wrangler Investments, San Diego, CA
Search Engine Optimization: 2013 - Present
Responsible for generating internet traffic to
websites.
Graham Downes Architecture, San Diego, CA
Intern Architect, Rendering: Summer 2012
Responsible for design and drafting with an
extensive focus in rendering.
Catholic University of America Washington D.C.
Render Farm Manager: September 2011 - 2013.
Responsible for ensuring the functionality of the
School of Architecture’s Digital Media Render Farm.
Alioscopy USA, Mira Mesa, CA
3D Content Creation Internship: 05/2011 - 08/2011.
Responsible for creating 3D content for autosteroscopic
3D digital signage.
S.C. & Company, Oceanside, CA
Architectural Renderings and Construction:
November 2010-June 2011.
Architectural renderings, design advice and
construction.
MERArchitect, Fallbrook, CA
Freelance Architectural Designer: July 2010-July
2011.
Architectural renderings, and AutoCAD drafting.
Jacobs Engineering, Solana Beach, CA
Internship in Architecture: May 2008-August 2008.
Constructed 3D Models and Families in Revit.
Martinez + Curtri Corporation, San Diego, CA
Internship in Architecture: September 2005-May
2006.
Assisted in model construction and Autocad
drawing.
Allen Custer
Mobile
760-470-9390
E-mail
allencuster@gmail.com
Website
allencuster.com
PUBLICATION
Book: The Mythic
and The Modern; By
Travis Price. Projects:
Kaevala Kehto, James
Hoban Memorial Arbor.
Periodical: Metropolis;
November 2010.
Project: Kalevala
Kehto.
Book: International
Studies 2008; By
CUArch. Project: Urban
vs. Organic.
AWARDS
Benjamin T Rome
Competition Studio-
1st place
AIA Award of Merit,
Project: James Hobhn
Memorial Arbor.
AIA Award of Merit,
Project: Kalevala
Kehto.
STRENGTHS
Creative problem
solver, Innovative designer,
Out of the box
thinker, Enthusiastic
worker.

C
O
NTENTS
01 URBAN ESCAPE
BED AND BREAKFAST IN THE HEART OF D.C.
02 HAINS POINT KNOWLEDGE ARK
STORAGE FOR HUMAN KNOWLEDGE FOR FUTURE GENERATIONS
03 MUSEUM OF EXPLORATION
MUSEUM EXPANSION IN COURTYARD BASED ON IRRATIONAL NUMBERS
04 KALEVALA KEHTO
CRADLE OF THE KALEVALA
05 JAMES HOBAN MEMORIAL
MEMORIAL FOR THE ARCHITECT OF THE WHITE HOUSE
06 RENDERING
EXPLORATION OF RENDERING TECHNIQUES USING 3DS MAX
07 NAVY YARD INFORMATION HUB
TOURIST INFORMATION HUB FOR D.C.’S NAVY YARD
08 WASHINGTON MUSIC COMPLEX
MUSIC VENUE IN THE HEART OF WASHINGTON D.C.
09 URBAN VS. ORGANIC
APARTMENT COMPLEX WHERE THE URBAN FABRIC MEETS THE OCEAN
10 INTERACTION
KINDERGARTEN FOR ARTISTIC CHILDREN
11 PATHS
URBAN HOUSE FOR AN ARTIST
12 LOGARITHMIC SPIRAL
SCULPTURE BASED ON NATURAL MATHMATICS
13 HUMAN FORM BENCH
ERGONOMIC BENCH DESIGNED FOR THE HUMAN BODY

01 URBAN ESCAPE
The Urban Escape Project was meant to be an escape
from the city within the city; a fine dining restaurant, a
natural retreat, within the confines of Washington D.C.
A place where one could go in the evening to enjoy
a natural intimate setting for a meal, then relax and
recuperate from the stresses of city life and possibly
stay the night.
More info and animations
The design of the interior of the structure emulates
the experience of being in one’s own private natural
dwelling with all the amenities of modern life. Natural
vegetation was utilized on the interior to express
changes throughout the four seasons. The design of
the exterior structure is simple and intriguing because
the design is meant to be experienced from the inside
out. Upon entering the structure you are meant to
forget about city life and enjoy your escape from the
city within the city.
Rendering of sleeping area in spring

Rendering of dining area fall

CONCEPT DEVELOPMENT
Urban escape concept art

CONCEPT DEVELOPMENT/MATERIAL STUDIES

ARCHITECTURAL DRAWINGS
Section 1
Building section
Level two plan
Level one plan
L1
L2
L1
L2
Section 1
L1
L2
Site plan
Unit aggregation diagrams

RENDERINGS
Sleeping area in fall
Wall close up spring
View of dining area in fall
Exterior shot spring
View from entrance during spring

02 HAINS POINT KNOWLEDGE ARK
The concept of the sublime can be defined as “having the quality of
greatness.” This project was an attempt to explore that quality, not only
architecturally, but also on a global scale; demonstrating how the idea
of the sublime relates to the human experience as a whole. The project
began with exploring the idea of the sublime on many simple fronts. Such
as how Thomas Cole depicted the stages of greatness as they occur in an
empire; from the meager beginnings of a civilization “the savage state,”
to the empire at the height of its power “the consummation,” to the end of
that empire “the desolation,” each stage having a sublime quality in its own
right.
From there the project asked the question: How could the sublime be
defined architecturally and experientially? This was examined through
the works of great architects such as Etienne Louis Boullee. He mastered
capturing the experience of the sublime right down to rendering techniques,
mainly through use of grandeur of scale, obscurity of vision, and simplicity
of form. This was displayed in many of his works and was mastered in
projects such as the Cenotaph to Newton and the Temple of Death.
From here the question became, how does the idea of the sublime relate
to human experience as a whole? And how can architecture respond to
it in modern times? To these questions there were two answers: the first
being space exploration and colonization, the second being a complete
and total annihilation of humanity through some sort of global apocalypse.
After understanding this, the architectural response became quite clear; a
center for archiving human knowledge in the event of a global apocalypse
was needed. This would allow survivors (or leave record of our existence
if there were no survivors) of such an event to jump start their future
civilization as well as understand everything that brought the downfall of
the previous civilization; therefore not repeating the same mistakes..
This led to the creation of the architectural language of the structure which
was to be an abstraction of the most basic element of the human mind
(neural network) in an attempt to emphasize the idea that all knowledge
comes from and is stored in the mind, thus the Haines Point Knowledge Ark
was born.

More info and animations
Main Structure Before Collapse

Inside Main Axon

View From Top Of Visitors Center

CONCEPT DEVELOPMENT
Single Neuron
Neural Network
Neural Network on Site
Simplified Neural Network
Main Grid/Sub Grid
Simplified Neural Network
Sub Grid
Simplified Circulation
Network
Simplified Circulation
Network
Destination Nodes
Simplified Neural Network
Main Grid/Sub Grid

CONCEPT PROGRESSION
Rendering of Complex
Final Conceptual Master Plan
Final Site Plan

DIRECTIONAL MAP AND CIRCULATION
Early Circulation Diagram
Early Circulation Diagram
Directional Map to Arks Throughout the World
Final Circulation Diagram
Final Circulation Diagram
Final Circulation Diagram
Directional Map to Arks Throughout the World

SKIN CREATION
Biological Neural Network
Biological Neural Network
Simplified Neural Network
Final Skin Members
Final Skin Member Diagram
Final Skin Panels
Visitors Center Showing Glass and Concrete Panels
Main Axon Structural Members Main Axon Panels Main Axon Shaded and Open Space

CENTRAL CORE AND MAIN MEMBER CREATION
Ovoid for Strength in Compressive Force Ovoid Structural Member Extraction
Double Member
Structural Member Spread Around Site
Single Member

LOCK DOWN DIAGRAMS
Lock down Mechanical Diagram
Stage 1
Stage 4 in Plan
Stage 2
Single Lock down Slide
Stage 3
Stage 4
Diagram of Building Lock down
Diagram of Members When not locked down

INFORMATION STORAGE CONCEPT DEVELOPMENT
Information Storage Diagram
Voyager 1 Spacecraft
Rosetta Stone
The next important step was to create
a storage system for information that
could be accessed efficiently and
quickly. To accomplish this it became
necessary to investigate methods of
storage used in the past to transfer
information for millenniums; or etching
it into a solid surface as cavemen did.
Examples of this would be The Rosetta
Stone and the Voyager Spacecraft.
The Rosetta Stone allowed us to
translate two languages; the Voyager
Spacecraft contained information
etched into gold which could be
understood by a species that did
not speak any earthly language.
Therefore, it was determined that all
information stored in the ark would be
etched in the walls in a diagrammatic
and universal form. Thus, allowing
the information to be understood by
intelligent life that would not speak
any language known to present day
humans.
Literature storage
Golden Record on Voyager 1
Ancient Cave Drawings
Digital Storage
Etched Golden Record on Voyager 1
Spatial Arrangement Diagram

PLANS
Level -2 Level -1 Level 0 Level 1
Admin
Underground dwelling
Exhibition
Public library
Above ground dwelling
Classroom
Rest room
Dynamic Space
Literature Archive
Digital Archive
Etched Archive
Level 2 Level 3 Level 4

RENDERINGS
Latitudinal Section
View inside main neural axon
Longitudinal Section

RENDERINGS
View From Underground Dwelling Unit Courtyard
View Inside Main Axon

RENDERINGS
Main Entrance to Complex
Knowledge Ark Central Courtyard
Side Entrance to Complex

RENDERINGS
View of central core from main courtyard
Inside Educational Facility
Central Core After Lock down
Above Ground Dwelling Unit Transitional Space

03 MUSEUM OF EXPLORATION
During the era of the Renaissance exploration was
viewed as something more than just a physical
undertaking, it was also thought of as a mental
endeavor. The optimal way for one to express and
prove that exploration is also a mental undertaking
(especially during time of Amerigo Vespucci) is
through mathematics. This project explores the
mathematical principals behind rational and irrational
numbers; demonstrating how a form can transform
from something simple, orthogonal, and rational to a
much more complex and irrational form.
This is accomplished by starting with an orthogonal
form which can be created through a finite number of
points and ending up as a perfect oval created by conic
sections. Conic sections can only be created from an
infinite number of points because a curve does not
really exist; what truly exists is an infinite amount of
points which we perceive as a curve. The symbol on the
skin of the building is a sacred geometric figure known
as Metatron’s cube; the formula for this cube was
discovered slightly before the Renaissance and was
the perfect 2-diminsional representation of everything
this project explores.

More info

CONCEPT DEVELOPMENT AND CIRCULATION DIAGRAMS
Parti Stage 1 - Rational Numbers
Circulation Level 1
Parti Stage 2 - Rational Numbers
Parti Stage 4 - Irrational Numbers
Circulation Level 2
Parti Stage 3 - Rational Numbers
Skin Creation Phase 1 Skin Creation Phase 2
Parti Stage 4 - Rational Numbers
Skin Creation Phase 3 Skin Creation Phase 4
Circulation Level 4

PLANS
Level 2 - Visiting Scholar Dwelling Units
Level 3 - Cafe
Level 4 - Roof Cafe
Site Plan

RENDERINGS
Indoor Cafe
View From Roof Cafe
Visiting Scholar Dwelling Unit

RENDERINGS
Circulation Space
View of Bookstore and Entrance

04 KALEVALA KEHTO
This is a design build project completed
for Spirit of Place/Spirit of Design in
conjunction with Travis Price Architects.
It is located in Helsinki, Finland on
Seurasaari Island. This was supposedly
the place where Vainamoinen, the
main character of the Finish Legend of
the Kalevala, left this world on a boat.
(Gandalf’s character from Lord of the
Rings is based on Vainamoinen). The
concept of Vainamoinen leaving the
world from this site is the basis for
designing a ship for this project.
The Sampo, represented with the
stainless steel roof in this project, was
described as a very shiny and fiery object
which everyone in the Legend of the
Kalevala sought. Although the structure
resembles a ship it is not intended
to be used as one. Rather this space
is to be used as a peaceful place for
reflecting, meditating or small meetings.
Kalevalakehto, which we named this
project, literally means cradle of the
Kalevala.

More info

PLANS SECTIONS ELEVATIONS
Elevation
Building elevation
Longitudinal Section
Elevation
Plan of Structural Member Connections

PHYSICAL MODEL PHOTOS

SITE PLAN AND PHOTOS
Site Plan
View of structure interior

PHOTOS
View of structure front
vainamoinen fighting demons
View of structure roof
View of structure interior
View of entire structure

05 JAMES HOBAN MEMORIAL
More info
This Spirit of Place design build project was completed
in conjunction with Travis Price Architects. The project
was constructed near the town of Callan, Ireland. The
concept of the design represents the struggles and
triumphs of James Hoban (architect of the U.S. White
House) from his birth near Callan until he relocated to
the United States. The question we asked; How does
one translate the ideas of struggle and triumph to
architecture; this we accomplished in two ways. The
first very subtle method of representing struggle to
triumph is demonstrated with the stone wall at the back
of the project. This wall begins as a very rough stone
and ends as a white polished marble, as if to signify
rough beginnings to fine endings. The second much
more obvious and literal representation of struggle
and triumph is demonstrated with words written on
the scattered glass panes that one must walk through,
like a maze, to reach the end of the memorial (which
in a way also represents struggle to triumph). On each
of these panes the word struggle is written in many
different languages and as one progresses through
the maze the words slowly become more triumphant.
This project received the 2008 AIA Award of Merit.

PHOTOS

PHOTOS

06 RENDERING
Rather than a design project, this assignment was to model a
house or building in 3d studio max and produce renderings.
The house I chose is known as “the Cape Schanck House”
which is located in Victoria, Australia. The project included
modeling the house as well as creating custom materials in
order to create a realistic appearance.

More info and animations

Rendering of Pool Deck

Rendering of Main Entrance

Rendering from Parking Area

RENDERINGS
Rendering of Front of House
Rendering of Pool
Rendering of Back of House
Rendering of Entrance

07 NAVY YARD INFORMATION HUB
This was a group project for studio 402, “Comprehensive
Building Design Studio.” We were to design an information
hub for one of three areas of Southeast Washington D.C.
The area we chose was “the Navy Yard.” The Navy Yard is
an area of D.C. previously dedicated to the construction
of navy ships. Considering the previous use of the site we
decided to investigate the construction of a ship and utilize
the ships main structural element (the ribs) to inspire our
design. We realized that a more compelling design would
be a sculptural representation of a ship’s ribs rather than a
replica of the entire ship. The design of the site utilized four
types of space: the main hub on the upper right corner of
the site, an activity space on the upper left, a shade garden
in the lower left and a sun garden in the lower right. The
majority of the information would be received just outside
the hub on touchscreen panels. The interior of the hub
would consist of a bar dedicated to receiving specialty
information, as well as a rest room.
More info and animations
Exterior of the hub

Interior of the hub

CONCEPT DEVELOPMENT
Concept Sketch
Concept Sketch
Concept Sketch

STRUCTURAL PROGRESSION
Exploded Axon
Wall Section

STRUCTURAL PROGRESSION
Exploded Axon
Exploded Axon
Wall Section

STRUCTURAL PROGRESSION
HVAC Diagram
Plumbing Diagram
Wall Section

STRUCTURAL PROGRESSION
Interior Structure Exploded Axon

ARCHITECTURAL DRAWINGS
Rendered Site Plan
Master Plan
Plan

ARCHITECTURAL DRAWINGS AND MODEL
Physical Model of Stage with Hub in the Background
Physical Mode of the Hub
Site Section

RENDERINGS

08 WASHINGTON MUSIC COMPLEX
The assignment for this project was to design a music complex
for Washington, D.C. The complex was to include all
of the following: indoor and outdoor concert venues, music
education areas, clubs, and commercial space. To develop
this concept I chose to break music down into its two
most basic elements, rhythm and melody. It then became
necessary to translate the musical elements of rhythm and
melody into architecture. How to do this became apparent
after exploring what function both rhythm and melody
play in music. Rhythm is the strong element that holds the
music together and melody is the softer element that holds
our attention and links one piece to another. Therefore,
when translated to architecture, rhythm is represented with
solid walls and ridged form while melody is represented
with flowing forms that guide us between the ridged forms.
This project won the Benjamin T. Rome competition studio
award.

More info and animations

CONCEPT DEVELOPMENT
Site Parti
Circulation Parti
Site Parti
Massing Parti
Rhythm Vs. Melody Concept Art
Final Rendered Parti

SPATIAL DIAGRAMS
Retail Space
Outdoor Concert Hall
Cafe
Storage
Retail Space
Park Destination Space
Light Control
Level 1 Plan Diagram
Level 2 Plan Diagram
LEVEL 1
Concert Hall
Clubs
Chorus Room
Band Room
LEVEL 2
Rock Venue
Lesson Rooms
East Elevation

Main Structure Rendering

RENDERINGS
Outdoor Music Venue
Site Overview Rendering
Atrium of Main Structure
Site Plan rendering
View From Balcony of Main Structure

09 URBAN vs. ORGANIC
The goal of this project was to design an apartment complex
located in the town of Stabia, Italy. The concept drew heavily on
the location of the project: where the town (ridged and urban)
meets the sea (natural and organic). Thus the idea for the project
arose, “urban versus organic.” The seaside of the building would
take on an organic form, while the urban side of the building would
reflect this organic form and at the same time keep the urban
fabric of the city. The design utilized four different unit types,
three of which utilized the skip-stop unit aggregation method.
This allowed the units to easily fit into the form as well as created
room for communal balconies. The fourth unit design was used
only on the first level. The design of the building was complete
with a public roof garden overlooking the sea.

More info

Urban Side of Structure

Organic Side of Structure

CONCEPT DEVELOPMENT
Urban VS. Organic Concept Art

CONCEPT PROGRESSION
Digital Parti 1 Digital Parti 1
Digital Parti 2 Digital Parti 3
Concept On Site
Digital Parti 3 Digital Parti 3

UNIT PLANS AND AGGREGATION
One Bedroom Unit
Two Bedroom Unit

UNIT PLANS AND AGGREGATION
Aggregation Diagram
Studio Unit
Circulation Diagram

ARCHITECTURAL DRAWINGS
Level 2
Level 1

ARCHITECTURAL DRAWINGS
Level 4
Level 3

ARCHITECTURAL DRAWINGS

ARCHITECTURAL DRAWINGS

SITE PLAN

RENDERINGS
View of Public Roof Garden
View of Public Roof Garden
View of The Organic

10 INTERACTION
In this project I designed a kindergarten for artistic
children. The main concept behind this design was the
concept of interaction, which arose from two ideas. The
first idea exemplifies the importance of interaction to the
development of a child’s mind. The second is the idea that
interaction is extremely important to the creative process
and the production of works of art. Thus, the driving force
behind this project became interaction. While designing
the building the idea developed that the school should
be constructed as something the children could play on,
and interact with, in order to stimulate their minds and
imagination. Therefore,I created a design for a kindergarten
(essentially built underground) consisting of structural
glass and hills which the children could play both on and
under.

More info

CONCEPT DEVELOPMENT
Interaction Concept Art

SITE PLAN

ARCHITECTURAL DRAWINGS
Level 1 Level 2
Longitudinal Section

RENDERINGS

11 URBAN HOUSE FOR AN ARTIST
More info
For this project I chose an artist and based on that artist’s work
designed a house for the artist. This made for quite a challenge,
because it is difficult to turn a two dimensional work of art into a
three dimensional building design. The concept for this project
was based on the work of Piet Mondrian. There are three unifying
elements recognized in the work of Piet Mondrian. The black
lines, seem to guide us across the paintings like paths; the light
areas which appear to be open space;and the colored areas which
appear to be closed space. When translated into architecture it
became obvious that the design of this building should focus
heavily on paths and open space leaving only few closed spaces
throughout the house.

CONCEPT DEVELOPMENT
Paths Concept Art
Piet Mondrian 1
Piet Mondrian 2
Piet Mondrian 3
Piet Mondrian 4
Piet Mondrian 5

CONCEPT PROGRESSION
Spatial Parti 1
Spatial Parti 2
Final Spatial Parti
Spatial Parti 2
Final Spatial Parti

ARCHITECTURAL DRAWINGS

ARCHITECTURAL DRAWINGS

HAND DRAWN STRUCTURAL EXPLODED AXON

RENDERINGS AND MODEL
Rendering of Path
Model
Rendering from Gallery Space
Rendering from Above
Model

12 HUMAN FORM BENCH
The human form is often ignored when designing furniture in
modern times; this bench seeks to change that. The idea was
to create a bench out of a seemingly uncomfortable material
(wood) and make it comfortable, for sitting and lying down,
through the sole use of ergonomics. The form was derived
from the motion one takes to go from a sitting position to a
laying position; once that form was derived it was then slightly
modified to create a comfortable bench for both siting and
laying. The bench was designed using Rhinoceros and then
fabricated using a CNC mill.

More info

CONCEPT AND DRAWING
Nested Individual Members
Concept Art
Line Drawing - Side
Line Drawing - Front
3D Model from Rhino
Line Drawing - Top
3D Model from Rhino

PROTOTYPE PHOTOS

13 LOGARITHMIC SPIRAL SCULPTURE
The logarithmic spiral is one of the most intriguing mathematical
formulas. It was developed before the human mind could truly grasp
the idea of mathematics. It is one of the formulas that nature uses
to derive the form of many of its elements. One of the better known
elements that is derived from the logarithmic spiral is the Nautilus shell.
After researching the logarithmic spiral formula however,I discovered
its influence on the human psyche. For instance it has been argued that
the logarithmic spiral is the sole formula behind beauty (theoretically
if one creates an object with this formula it will automatically be
perceived as beautiful). The photo bellow depicts just how much
nature is influenced by this formula. It is a photo of the bottom of the
sculpture which curiously looks like a flower, this was an accidental
achievement and came about simply because of the way I arrayed
each scaled version of the spiral. Another important thing to note is
it also follows the Fibonacci Sequence and is the formula in which
flowers array their petals. Created using Rhinoceros and a 3-D printer.
3D Model

3D Print
More info

CONCEPT DEVELOPMENT
Phase 1
Phase 2 Phase 3
Phase 4 Phase 5

3D PRINT PHOTOS

KRUSTY
PHOTOGRAPHY
Location: Fallbrook, CA
Camera: Olympus E-VOLT E510
Aperture: f/5
Exposure Time: 1/60 SEC
Speed: ISO-100
Focal Length: 14 MM

SMOKING
PHOTOGRAPHY
Location: Richmond, VA
Camera: Olympus E-VOLT E510
Aperture: f/3.5
Exposure Time: 1/200 SEC
Speed: ISO-100
Focal Length: 14 MM

NEEDLE
PHOTOGRAPHY
Location: Oceanside, CA
Camera: Olympus E-VOLT E510
Aperture: f/3.5
Exposure Time: 60.0 SEC
ISO Speed: ISO-100
Focal Length: 14 MM

WATER
PHOTOGRAPHY
Location: Mono Lake, CA
Camera: Olympus E-VOLT E510
Aperture: f/22
Exposure Time: 1/40 SEC
ISO Speed: ISO-200
Focal Length: 14 MM

NO WATER
PHOTOGRAPHY
Location: Red Mountain, CA
Camera: Olympus E-VOLT E510
Aperture: f/3.5
Exposure Time: 1/500 SEC
ISO Speed: ISO-100
Focal Length: 14 MM

BOOK
PHOTOGRAPHY
Location: Oceanside CA
Camera: Olympus E-VOLT E510
Aperture: f/6.3
Exposure Time: 8.0 SEC
ISO Speed: ISO-100
Focal Length: 27 MM

SUB
PHOTOGRAPHY
Location: Honolulu, HI
Camera: Olympus E-VOLT E510
Aperture: f/5.6
Exposure Time: 1/400 SEC
ISO Speed: ISO-100
Focal Length: 18 MM

PEEK
PHOTOGRAPHY
Location: Honolulu, HI
Camera: Olympus E-VOLT E510
Aperture: f/5.6
Exposure Time: 1/800 SEC
ISO Speed: ISO-100
Focal Length: 42 MM

CLIMB
PHOTOGRAPHY
Location: Half Dome Cables
Camera: Olympus E-VOLT E510
Aperture: f/22
Exposure Time: 1/50 SEC
ISO Speed: ISO-200
Focal Length: 14 MM

CLIMB 2
PHOTOGRAPHY
Location: Half Dome Cables
Camera: Olympus E-VOLT E510
Aperture: f/5.6
Exposure Time: 1/200 SEC
ISO Speed: ISO-200
Focal Length: 150 MM