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SERIES<br />
Field Trips:<br />
Cinema Science with The Field Museum<br />
Join The Field Museum at the Music Box Theatre for a special series of film screenings dedicated<br />
to diving into the science behind the big screen. In this ongoing series, The Field Museum brings<br />
science professionals and lecturers to the Music Box Theatre to introduce the films and provide<br />
a forum for discussion following the film.<br />
Wednesday, June 1 at 7pm<br />
THE MESSENGER<br />
Tuesday, May 10 at 7pm<br />
Directed by Su Rynard<br />
Su Rynard’s wide-ranging documentary THE MESSENGER explores our deepseated<br />
connection to birds and warns that the uncertain fate of songbirds might<br />
mirror our own. THE MESSENGER brings us face-to-face with the human-made<br />
perils that have devastated thrushes, warblers, orioles and many other airborne<br />
music-makers. On one level, THE MESSENGER is the artful story about the<br />
mass depletion of songbirds, and about those who are working to turn the tide. On another level, THE<br />
MESSENGER is an engaging, visually stunning, emotional journey, with unique glances into the influence<br />
of songbirds on our own expressions of the soul.<br />
Featuring a discussion with Dr. Peter Marra, Director of Smithsonian Migratory Bird Center in Washington<br />
D.C. In his 17 years with the Smithsonian, he has become an international leader in avian conservation<br />
science focusing particularly on the ecology of migratory birds, urban ecosystem ecology,<br />
and disease ecology.<br />
Presented by<br />
Sound Opinions at the Movies<br />
THE HARDER<br />
THEY COME<br />
The latest installment in the Sound<br />
Opinions at the Movies series is the<br />
groundbreaking reggae sensation<br />
THE HARDER THEY COME. Jimmy<br />
Cliff stars as an aspiring young singer<br />
who leaves his rural village for the city of Kingston, hoping to make a<br />
name for himself. Robbed on his first day in town, he finds work with<br />
a bullying preacher and an unscrupulous music mogul. In desperation,<br />
the simple country boy turns outlaw, at war with both the police and<br />
his rivals in the ganja trade. This gritty, groundbreaking film brought<br />
reggae music to the international stage, made Jimmy Cliff a star, and<br />
demonstrated that music and art can change the world. DCP provided<br />
by Xenon Pictures.<br />
Rock critics Jim DeRogatis and Greg Kot, the hosts of Sound Opinions from WBEZ, will be on hand<br />
to introduce the film. Advance tickets are available at SoundOpinions.org.<br />
The National Society<br />
of <strong>Film</strong> Critics Series<br />
The National Society of <strong>Film</strong> Critics is made up of the leading film critics in the United States,<br />
whose purpose is to promote the mutual interests of film criticism and filmmaking.<br />
The Music Box Theatre presents a brand new series along with three members of the National<br />
<strong>Film</strong> Society of <strong>Film</strong> Critics who are living and working in Chicago. Chicago Reader film editor<br />
Jim Jones, Chicago Tribune critic Michael Phillips and Jonathan Rosenbaum will present three<br />
of their favorite films with a post show discussion!<br />
Tuesday, May 31<br />
STRANGER THAN PARADISE<br />
presented by Jonathan Rosenbaum<br />
(1984; dir. Jim Jarmusch; 89 minutes, 35MM)<br />
STRANGER THAN PARADISE is an odd, low-key comedy about a trio<br />
of misfits—an everyday guy, his Hungarian female cousin, and his<br />
geeky best friend—who decide to take a road trip across the United<br />
States on the spur of the moment. Over the course of their voyage, they have both good and bad luck,<br />
meet a number of bizarre and interesting characters, and are frequently bored.<br />
Jonathan Rosenbaum, former film critic for the Chicago Reader (1987-2008), maintains a website archiving<br />
most of his work at jonathanrosenbaum.net<br />
Tuesday June 7<br />
THERE WILL BE BLOOD<br />
presented by Michael Phillips,<br />
Chicago Tribune film critic<br />
(2007; dir. Paul Thomas Anderson, 158 minutes, 35MM)<br />
THERE WILL BE BLOOD won the 2008 Best <strong>Film</strong> award from the<br />
National Society of <strong>Film</strong> Critics. Paul Thomas Anderson’s loose<br />
adaptation of the Upton Sinclair novel “Oil!” is actually about something, or many things—greed, capitalism,<br />
American success stories—while succeeding as one of the great performance showcases in modern cinema.<br />
Michael Phillips is the film critic of the Chicago Tribune. He started his career writing about the movies for<br />
the Twin Cities weekly, City Pages. He’s pleased to be a new member of the National Society of <strong>Film</strong> Critics.<br />
Tuesday June 14<br />
LIFE IS SWEET<br />
presented by Jim Jones, Chicago Reader editor<br />
(1990; dir. Mike Leigh; 103 minutes, 35MM)<br />
LIFE IS SWEET, chosen as best film of 1991, tells the story of a workingclass<br />
family in suburban London whose easygoing patriarch, played<br />
by Jim Broadbent, impulsively buys a snack-vending trailer in hope of making a few extra pounds.<br />
J.R. Jones is film editor for the Chicago Reader and author of “The Lives of Robert Ryan”<br />
[livesofrobertryan.com] (Wesleyan University Press). He was elected to the NSFC in 2015.<br />
28 Music Box Theatre May-June 2016 29