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Discover the path toYour Future - Imani Winds Chamber Music Festival

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I was recently honored to be asked to participate on a panel<br />

at <strong>the</strong> annual Astral Artists auditions, during which I listened<br />

to a substantial number of pianists and wind players. While all<br />

were on a ra<strong>the</strong>r high level, I was struck by <strong>the</strong> relatively small<br />

number who grabbed my attention right from <strong>the</strong> start of <strong>the</strong><br />

audition and sustained it all <strong>the</strong> way through. It got me thinking<br />

about a three letter word, not often mentioned, that for me<br />

constitutes an essential ingredient of successful performance,<br />

whe<strong>the</strong>r on stage or in <strong>the</strong> workplace: JOY. While it is indisputable<br />

that beloved artists such as Itzhak Perlman and Yo-Yo Ma have<br />

earned <strong>the</strong>ir place as musical legends first and foremost by virtue<br />

of <strong>the</strong>ir extraordinary artistry, I am convinced that <strong>the</strong>ir joy in<br />

music making has been an essential ingredient in making <strong>the</strong>m<br />

household names. It is palpable from <strong>the</strong> very first notes that<br />

<strong>the</strong>y play. I believe that this element of performance is rarely<br />

addressed in <strong>the</strong> practice room, where <strong>the</strong> majority of attention<br />

may be focused on <strong>the</strong> mechanics of playing. Can joy be taught?<br />

Probably not, but I do think that all teachers can encourage <strong>the</strong>ir<br />

students to identify and perform repertoire that brings out <strong>the</strong><br />

best in <strong>the</strong>m and in which <strong>the</strong>y feel <strong>the</strong>y have something special<br />

to say. For works that are relatively unfamiliar, <strong>the</strong> artist should<br />

be encouraged to share with <strong>the</strong>ir audience some spoken comments<br />

regarding why <strong>the</strong>y chose to program <strong>the</strong> work, <strong>the</strong>reby<br />

increasing <strong>the</strong> potential receptivity to it from <strong>the</strong>ir listeners. Joy<br />

in performance may result from confidence that a program has<br />

been well prepared, and from <strong>the</strong> artist’s belief that it offers<br />

works or interpretations that might be new to an audience or<br />

juxtaposed in an interesting way. The artist might pause, almost<br />

imperceptibly, before a phrase that <strong>the</strong>y find particularly special,<br />

just as a storyteller would do, <strong>the</strong>reby sharing that moment<br />

more meaningfully with <strong>the</strong> audience. It seems to me that our<br />

most treasured artists are those who give us <strong>the</strong> impression that<br />

<strong>the</strong>re is nothing <strong>the</strong>y would ra<strong>the</strong>r be doing than performing for<br />

us. While a healthy schedule of performances is essential to a<br />

successful career, a concert should never be a means to advance<br />

to <strong>the</strong> next rung on <strong>the</strong> career ladder. It is a special moment in<br />

time, and <strong>the</strong> opportunity to communicate with a live audience<br />

should be savored.<br />

And what about <strong>the</strong> workplace? In my twenty-three years as<br />

Managing Director of IMG Artists, I interviewed many job<br />

applicants and often made a positive decision after <strong>the</strong> first few<br />

minutes. A good number of people that I hired still work at IMG<br />

after ten years or more, and <strong>the</strong>y have all advanced through <strong>the</strong><br />

ranks to higher levels of responsibility and more distinguished<br />

titles. Their excitement about working at a dynamic and distinguished<br />

international agency was visible to me from <strong>the</strong> start,<br />

and it quickly became apparent that <strong>the</strong> pleasure <strong>the</strong>y took in<br />

<strong>the</strong>ir work overshadowed any eagerness <strong>the</strong>y may have felt to<br />

advance in <strong>the</strong>ir career. The promotions came naturally because<br />

<strong>the</strong>y were great team players, galvanizing everyone around <strong>the</strong>m<br />

20 IMANI WINDS CHAMBER MUSIC FESTIVAL<br />

The Secret Ingredient for Success<br />

by edna landau<br />

published on January 26, 2012 on www.musicalamerica.com<br />

with <strong>the</strong>ir enthusiasm and joy in having a job that allowed <strong>the</strong>m<br />

to be surrounded by great performers and inspiring colleagues.<br />

This created a family atmosphere throughout <strong>the</strong> years, despite<br />

substantial growth in <strong>the</strong> size of <strong>the</strong> artist roster and number of<br />

employees, which I think was a key element in <strong>the</strong> company’s success.<br />

Beethoven’s Ninth Symphony may be <strong>the</strong> most beloved work in<br />

<strong>the</strong> classical music literature, uplifting all who hear it with <strong>the</strong> final<br />

movement’s magnificent setting of Friedrich Schiller’s Ode to<br />

Joy. Our lives will undoubtedly be richer and more meaningful if<br />

we can compose, and actually live, our own personal ode to joy.<br />

Edna Landau is <strong>the</strong> author of <strong>Music</strong>al America’s<br />

popular “Ask Edna” blog. To Ask Edna, write<br />

to askedna@musicalamerica.com<br />

(Edna will not reveal your actual name unless you give permission<br />

to do so. And please don’t worry about whe<strong>the</strong>r your question<br />

has already been asked. She will surely put a new spin on it.)<br />

Schirmer <strong>Chamber</strong> Sampler<br />

digital.schirmer.com/chamber<br />

= audio samples<br />

= score samples<br />

= catalogues<br />

part of ScoresOnDemand<br />

A library online.<br />

No charge.<br />

digital.schirmer.com<br />

part of The <strong>Music</strong> Sales Group<br />

musicsalesclassical.com<br />

Study MuSic<br />

At MANNES cOLLEGE<br />

iN NEW yORK city<br />

<strong>Music</strong> is your passion. Prepare to make it your life.<br />

Part of The New School, Mannes is <strong>the</strong><br />

only New York City conservatory that offers <strong>the</strong><br />

resources of a leading university.<br />

www.newschool.edu/mannes2<br />

An Affirmative Action/Equal Opportunity Institution.<br />

Photo: Mat<strong>the</strong>w Sussman.<br />

IMANI WINDS CHAMBER MUSIC FESTIVAL 21

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