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Maureen Nathan: “Chopstinking”<br />

Mark Making with Chopsticks & Ink<br />

Tulips, ink, chopstick and watercolour<br />

Colmers Hill, ink, chopstick and chalk in sketchbook<br />

I’m a painter/printmaker who works<br />

figuratively. Drawing is key to all my<br />

work and I love lines and marks.<br />

About five years ago I felt that my drawings were<br />

tight and stale and it worried me. How was I going to<br />

loosen up and free up my mark making? I tried various<br />

exercises that suggested new ways to engage with<br />

drawing. Nothing really seemed to work for me until<br />

one day I was looking at some chopsticks I’d brought<br />

home from my daughter’s birthday at a Japanese restaurant.<br />

I took one of them and stuck it in a bowl of<br />

Indian ink and started drawing.<br />

The chopstick isn’t made to hold ink so it was a<br />

case of constantly dipping it in the ink and drawing<br />

and holding it sideways or straight on to stop<br />

it from dripping down the paper or into my hand.<br />

No time to think, just get those marks on the paper.<br />

Hold the chopstick sideways to fill in large areas<br />

and using various pressures get thin or thick lines.<br />

Use the ‘wrong’ paper and the lines swell up thickly<br />

– if it looks good, then do it on purpose!<br />

I want to make drawings that capture something of<br />

the sitter or motif and at the same time acknowledge<br />

that it is 2D and show the workings of it, even<br />

the ‘mistakes’. They show my part in it and I think<br />

give an energy and emotion to the image.<br />

I have a diploma in portrait painting from the<br />

Heatherley School of Fine Art but seldom paint<br />

portraits traditionally now, instead I draw them<br />

with ink and chopstick and use pastel, paint or<br />

watercolour in addition to that.<br />

I teach drawing using ink and chopstick with<br />

the aim being to freely make marks, looking<br />

and drawing, and looking again. Participants<br />

loosen up, ‘feel’ their drawings and realise at<br />

the end of the sessions that whether a likeness<br />

of a sitter or replica of the motif is achieved<br />

they have created a pleasing set of marks.<br />

They have also learned a new way of approaching<br />

drawing which they can incorporate into<br />

their own way of working.<br />

As a note to anyone who wants to try this, use a<br />

wooden chopstick. The plastic ones don’t hold<br />

any ink and result in huge frustration!<br />

Maureen Nathan<br />

www.maureennathan.com<br />

19 20

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