Summer 2016 b
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Maureen Nathan: “Chopstinking”<br />
Mark Making with Chopsticks & Ink<br />
Tulips, ink, chopstick and watercolour<br />
Colmers Hill, ink, chopstick and chalk in sketchbook<br />
I’m a painter/printmaker who works<br />
figuratively. Drawing is key to all my<br />
work and I love lines and marks.<br />
About five years ago I felt that my drawings were<br />
tight and stale and it worried me. How was I going to<br />
loosen up and free up my mark making? I tried various<br />
exercises that suggested new ways to engage with<br />
drawing. Nothing really seemed to work for me until<br />
one day I was looking at some chopsticks I’d brought<br />
home from my daughter’s birthday at a Japanese restaurant.<br />
I took one of them and stuck it in a bowl of<br />
Indian ink and started drawing.<br />
The chopstick isn’t made to hold ink so it was a<br />
case of constantly dipping it in the ink and drawing<br />
and holding it sideways or straight on to stop<br />
it from dripping down the paper or into my hand.<br />
No time to think, just get those marks on the paper.<br />
Hold the chopstick sideways to fill in large areas<br />
and using various pressures get thin or thick lines.<br />
Use the ‘wrong’ paper and the lines swell up thickly<br />
– if it looks good, then do it on purpose!<br />
I want to make drawings that capture something of<br />
the sitter or motif and at the same time acknowledge<br />
that it is 2D and show the workings of it, even<br />
the ‘mistakes’. They show my part in it and I think<br />
give an energy and emotion to the image.<br />
I have a diploma in portrait painting from the<br />
Heatherley School of Fine Art but seldom paint<br />
portraits traditionally now, instead I draw them<br />
with ink and chopstick and use pastel, paint or<br />
watercolour in addition to that.<br />
I teach drawing using ink and chopstick with<br />
the aim being to freely make marks, looking<br />
and drawing, and looking again. Participants<br />
loosen up, ‘feel’ their drawings and realise at<br />
the end of the sessions that whether a likeness<br />
of a sitter or replica of the motif is achieved<br />
they have created a pleasing set of marks.<br />
They have also learned a new way of approaching<br />
drawing which they can incorporate into<br />
their own way of working.<br />
As a note to anyone who wants to try this, use a<br />
wooden chopstick. The plastic ones don’t hold<br />
any ink and result in huge frustration!<br />
Maureen Nathan<br />
www.maureennathan.com<br />
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