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EAT AT JOE’S MIDNIGHT RUN<br />

By Sloane Burwell<br />

Sometimes I think that if people knew how difficult it is to start a restaurant,<br />

they probably never would. After a cool half million spent on a decent<br />

commercial kitchen and bar, you’d better hope there aren’t any demolition and<br />

build-out issues. Even then, you have to be lucky to escape the food & beverage<br />

industry truism that over half of all new restaurants fail in the first six months.<br />

Does your wallet hurt yet?<br />

Somehow, first-time restaurateur Rick Cordova doesn’t appear to be fazed. Joe’s<br />

Midnight Run is a gorgeous renovation of an erstwhile drive-through liquor store<br />

named after a fictitious character (the original owner thought Joe was an easy<br />

name to remember), and it’s situated so close to Otro Café, they could practically<br />

share a wood pile for their wood-burning kitchens. Today, the character of the<br />

place bridges the mid-century lines of the space with an impressive menu and<br />

seriously tasty cocktails.<br />

“I would love to say it was a lifelong dream, but I would be lying,” says Cordova,<br />

in describing how this place came to be. “It was more of a timing thing for<br />

me. I was looking to expand into another business and bought the property.<br />

After seeing what was happening on 7th Street, I realized that there was an<br />

opportunity here.” With multiple new dining concepts in the area and a real buzz<br />

developing, his timing was impeccable.<br />

Unfortunately, in Phoenix, most developers would rather raze a place than<br />

remodel, which is why the work here is all the more inspiring. “Some buildings<br />

are too far gone or have no business being saved. But there are some cool<br />

buildings that have history. If you find something like that, you have to at least<br />

explore the possibility of keeping it. Our concept is better off because we<br />

restored the building,” says Cordova.<br />

And he is right. They kept every piece of the former space that they could and<br />

enhanced what was left. Joe’s is a long rectangle, with a tempting patio in<br />

front. The bar is situated in the back, and it takes a minute to grasp that the<br />

only bottles on display are house 40 oz. The bar stocks liquor on tap. Beverage<br />

director Jessica Fleming’s great drink program features $8 cocktails, like the<br />

Crazy, Sexy Coconut, which sounds like a riff on the TLC song and features fiveyear<br />

Plantation rum rounded out by vanilla, so the coconut isn’t so cloying.<br />

Metal barstools surround the eat-in bar, which makes the Argentinian-inspired<br />

open-flame cooktop more like performance art. Lyrics to Cordova’s favorite jams<br />

line both exterior and interior walls, and the anteroom near the bathrooms<br />

sports wallpaper that mimics ’70s speaker cabinets. Clearly, Cordova likes<br />

music, which of course at his restaurant is heavily curated, as well.<br />

The menu itself pays tribute to hip-hop artists, with Notorious B.I.G. making an<br />

appearance in likeness and the Notorious B.I.G. Burger ($14), an eight-inch-tall<br />

monstrosity loaded with a chuck/brisket burger mix, red wine braised pork, freshly<br />

fried chicharones, coleslaw and cheese. This mega burger requires disassembly to<br />

eat (unless you’re Shrek), and is easily shared by three people, not that you’ll want<br />

to. The tasty fries come with curry ketchup that is so good I’d buy it by the bottle.<br />

Such a funky, fun vibe makes the grown-up menu an enjoyable surprise. Chef<br />

Michael Goldsmith spent time at Lon’s at the Hermosa Inn, which shows up<br />

in dishes like Bone Marrow ($14), a split bone roasted until the marrow is the<br />

consistency and taste of meat butter. I loved it smeared on the grilled bread served<br />

alongside, or on some wayward roasted fingerling potatoes from the Roasted<br />

Veggies ($7). The wood-fired oven does its magic on these veggies, and you can<br />

taste the almond wood that they are cooked over. The romesco (a chunky tomatobased<br />

sauce made thick by bread) served alongside is no slouch, and to be honest,<br />

we gorged on veggies and ate the romesco by the forkful.<br />

Succulent scallops ($14) top an enormous portion of kale and hunks of pancetta.<br />

Honestly, this is more entree than appetizer (known here as “shorties”). The trio<br />

of perfectly cooked scallops isn’t so easy to share when you are with me (get your<br />

own!). I quite enjoyed the Ahi Tuna Plate ($18) on the biggie menu (that would be<br />

the entree section), which retains some of the woody-smokiness and literally melts<br />

in your mouth. A smattering of very good finishing salt was mopped up along with<br />

the grilled pineapple tidbits and drizzles of coconut cream. The Fresno chiles kick up<br />

the heat a notch, and remain flavorful and not palate blasting.<br />

I especially enjoyed the Tart Tartine ($8), a classic French dessert of sliced apples in<br />

pastry cooked in a cast iron skillet in its own caramel, until it’s turned upside down<br />

and served with a scoop of vanilla ice cream. Pro tip: it’s hot, as in nuclear hot. Give<br />

the ice cream a second to melt into the tart until it is sweet, gooey perfection.<br />

Rick Cordova has made opening Joe’s Midnight Run look easy. The space is a stunner,<br />

the kitchen is impressive, and the staff all appear very happy to be there, which makes<br />

every diner glad to be there. Somehow the crazy nature of the food business hasn’t<br />

scared him away. Honestly, though, if I had his deft hand first time out of the gate in<br />

a place this interesting and well done, I’d be smiling all day, too.<br />

Joe’s Midnight Run<br />

6101 N. 7th St.<br />

(480) 459-4467<br />

www.joesmidnightrun.com<br />

Monday – Friday, 11 am to 2 am; Saturday – Sunday, 9:30 am – 2 am<br />

Happy Hour: Monday – Friday, 3 – 6 pm<br />

Reverse Happy Hour: Sunday – Thursday, 11 pm – 2 am<br />

#jomies<br />

JAVA<br />

MAGAZINE<br />

21

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