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Community Branding (continued)<br />

Clockwise from left: The city of Echo's logo includes the image of Echo Koontz, daughter of the town's founder; Gold Hill is<br />

constructing a whitewater rapids park on the Rogue River; Estacada's logo is part of the city's new branding campaign highlighting<br />

the Clackamas River and nearby natural resources.<br />

“They really wanted something that was more tangible. They<br />

felt downtown wasn’t really relatable and felt sort of staid.<br />

They wanted a brand people could connect with more and be<br />

proud of,” Levis said.<br />

With “The Place to Be” as its tagline, Rochester developed<br />

different icons that represent activities people enjoy, including<br />

shopping, dining and entertainment. Levis also helped<br />

the city with marketing plans for four key areas identified as<br />

essential to a sophisticated urban experience.<br />

“They really are still going after the same target audiences,<br />

and those are downtown employees, the after-five crowd,<br />

families and visitors,” she said.<br />

Parker, AICP, co-director of the Community Service Center<br />

and program director at the Community Planning Workshop<br />

at the University of Oregon, said a community’s assets also<br />

include production factors such as workforce, infrastructure<br />

to support businesses, availability of capital, and resources—<br />

natural and human—that create products.<br />

As city leaders consider what makes their community unique,<br />

it’s essential to inventory all assets, he said, adding his department<br />

conducts community readiness assessments to help<br />

municipalities determine economic development strategies.<br />

As an example, Parker worked with the Oregon Wave Energy<br />

Trust to examine Coos County’s readiness for the development<br />

of wave energy in the region. Considerations included<br />

whether the region has shipyards that can service wave energy<br />

equipment on land, divers who can service them in the water<br />

and training programs necessary to support the sector.<br />

“The whole notion of looking at assets can be relative to looking<br />

at what a community wants to accomplish,” he said. “It’s<br />

also important for cities to realize they need to plan at least 10<br />

years into the future because things don’t happen overnight.”<br />

While data can be helpful as city leaders consider matters of<br />

community identity, branding and economic development,<br />

the answers don’t always lie in the data. Parker noted that<br />

conversations with community members often provide a better<br />

indicator and richer information.<br />

“It really boils down to finding out what matters to your community.<br />

One of the things that has changed during my career<br />

is there is so much information available to all of us that it’s<br />

almost overwhelming, so it’s important to ask community<br />

members what matters to them,” he said.<br />

City leaders from throughout Oregon recently shared their<br />

experiences with community identity and branding.<br />

Art, History Inspire Branding Campaign<br />

for Echo<br />

The Oregon Trail and Fort Henrietta were the images that<br />

represented Echo until the Oregon Arts Commission helped<br />

revamp the city’s brand through its Arts Build Communities<br />

program. A representative from the program suggested the<br />

branding campaign center around the image of Echo Koontz,<br />

whose father founded the town.<br />

With a grant from the Arts Build Communities program, the<br />

city hired a Salem consulting company to develop several logo<br />

designs for the city council and selection committee members<br />

to choose from. Today the image can be seen on everything<br />

from official stationary to the town’s bike racks, said City<br />

Manager Diane Berry.<br />

24 LOCAL FOCUS | June 2016 www.orcities.org

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