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Kitty Rosser<br />

<strong>Copyright</strong> update:<br />

Revocation of<br />

s.52 CDPA 1988<br />

COPYRIGHT PROTECTION<br />

Kitty Rosser, Birketts LLP, provides a brief recap of the effect<br />

of section 52 of the CDPA, and the proposed updates that<br />

could make the law more effective for copyright owners,<br />

consumers, and artistic creators.<br />

Section 52 of the CDPA limits the term of<br />

copyright protection for industrially exploited<br />

artistic works to 25 years, running from the end<br />

of the calendar year in which works are first marketed.<br />

This has the effect of bringing the term of copyright<br />

protection (for works falling within the scope of section<br />

52) in line with the maximum term of registered design<br />

protection afforded to the same works. Thus, representing<br />

a significant limitation by comparison to the standard<br />

protection period of the life of the creator plus 70 years<br />

enjoyed by other artistic works.<br />

Under The <strong>Copyright</strong> (Industrial Process and Excluded<br />

Articles) (No.2) Order 1989 (the Order) an artistic work<br />

is deemed to have been industrially exploited (and therefore<br />

to fall within the section 52 limitation) if more than<br />

50 articles are produced. The Order specifically excludes<br />

“works of sculpture, other than casts or models used, or<br />

intended to be used, as models or patterns to be multiplied<br />

by any industrial process” from the scope of section 52.<br />

Certain traditional uses of fine art, such as book jackets<br />

and postcards, are also excluded. Whilst it is a relatively<br />

simple matter to determine whether or not a work has<br />

been industrially exploited, identifying an “artistic work”<br />

for the purposes of section 52 is less clear cut. In practice,<br />

the works caught by section 52 are most commonly<br />

those described by section 4(1)(c) CDPA as “works of<br />

artistic craftsmanship”; a term which remains largely<br />

undefined by the UK courts (see box for further<br />

commentary).<br />

Résumé<br />

Kitty Rosser<br />

Kitty is an Associate at Birketts LLP. She advises a wide range of clients<br />

on the identification, protection and exploitation of both registered and<br />

unregistered intellectual property rights as well as advising on data protection<br />

and IT matters.<br />

What are “works of artistic<br />

craftsmanship”?<br />

In its response to the consultation, the Law Society<br />

called for further guidance on the meaning of “works<br />

of artistic craftsmanship” stating;<br />

“The meaning of “a work of artistic craftsmanship”<br />

is, in our view, unclear to the point of rendering the<br />

law dysfunctional”.<br />

The Law Society highlights the fact that only one<br />

case concerning a work of artistic craftsmanship has<br />

ever reached the Lords, and that each of the five Law<br />

Lords came to a different conclusion as to the meaning<br />

of the term. The IPO has also expressed concerns,<br />

stating;<br />

“[T]here is little clarity which items would be<br />

protected by copyright once the changes in law take<br />

effect, and it is impossible to predict how and when<br />

case law will develop on which specific items will have<br />

copyright protection.”<br />

Whilst the Government has indicated that it will<br />

provide guidance to assist in identifying works of<br />

artistic craftsmanship, it is unclear how far such<br />

guidance will go and it will, in any event, not carry<br />

any statutory force. As the Law Society points out, the<br />

leading case on the meaning of the term is a House of<br />

Lords decision, and it is therefore unlikely that any<br />

clear statement will be given until a case is litigated<br />

to the Supreme Court. It is likely to be many years<br />

before there is any genuine clarity as to the meaning<br />

of “works of artistic craftsmanship”.<br />

Reasons for repeal – the Flos case<br />

Whilst the repeal is implemented by section 74 of the<br />

Enterprise and Regulatory Reform Act 2013 (“ERRA”) it<br />

is necessary to look to Europe in order to identify the<br />

underlying reason for the statutory change. In 2011 the<br />

CTC Legal Media<br />

THE COPYRIGHT LAWYER<br />

21

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