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Fiction Fix Seventeen

New fiction by Eric Barnes, Elizabeth Genovise, B.P. Greenbaum, Melissa Hammond, Victor Robert Lee, Rory Meagher, Dianne Nelson Oberhansly, Penny Perkins, Carter Schwonke, Ben Shaberman, and Alice Thomsen.

New fiction by Eric Barnes, Elizabeth Genovise, B.P. Greenbaum, Melissa Hammond, Victor Robert Lee, Rory Meagher, Dianne Nelson Oberhansly, Penny Perkins, Carter Schwonke, Ben Shaberman, and Alice Thomsen.

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FICTION FIX<br />

Issue <strong>Seventeen</strong>


fictionfix.net<br />

editor@fictionfix.net<br />

Artwork<br />

Dimelza Broche<br />

Staff<br />

Editorial Advisor<br />

Mark Ari<br />

Editor-in-Chief<br />

April Gray Wilder<br />

Associate Editor<br />

Blair Romain<br />

Managing Editors<br />

Alex Pucher, Kelsi Hasden<br />

Front<br />

Cette Vie<br />

Back<br />

Samsara<br />

assistant editors<br />

Sarah Cotchaleovich, Kristen Pickrell, Lori Sefick, Hurley Winkler<br />

Readers<br />

Cai Doran, Josh Horst, Jason Howard, Angie Johns, Abby<br />

Nehring, Jacqueline Partridge, Shannon Pulusan, Georgie Salzer,<br />

Kelsie Sandage, Rick Sell, Kristina Smith, Joey Tufano<br />

Editors Emeriti<br />

Sarah Cotchaleovich, Melissa Milburn, Alex Pucher, Thelma Young<br />

Copyright © 2016 <strong>Fiction</strong> <strong>Fix</strong>. All rights reserved by this journal and the authors and artists included herein.<br />

ISBN: 978-0-9971139-2-1<br />

Colophon Typset in Futura and Baskerville by April Gray Wilder.


Contents<br />

1<br />

Firefly Night<br />

Elizabeth Genovise<br />

41<br />

Sourceless,<br />

Timeless, Gone<br />

Eric Barnes<br />

15<br />

Your Eternity<br />

Victor Robert Lee<br />

43 Dimelza Broche artwork<br />

23<br />

35<br />

Would You Still Love Me<br />

If I Chewed the Cud?<br />

Melissa Hammond<br />

The Opposite of Blooming<br />

Dianne Nelson Oberhansly


49 Gut Feelings<br />

89 Karen<br />

Penny Perkins<br />

Ben Shaberman<br />

63<br />

In That Heartless Valley<br />

Carter Schwonke<br />

97<br />

Dancing with Daddy<br />

B. P. Greenbaum<br />

75<br />

Sir<br />

Rory Meagher<br />

99<br />

Gypsy Sachet Awards in<br />

Letters & Autobiography<br />

79<br />

The Princess and<br />

the Dragon<br />

Alice Thomsen<br />

101<br />

Contributors


viii<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

Dear Readers,<br />

These stories have me thinking<br />

about what is eternal. Perhaps for<br />

as long as we are merely mortal this<br />

question is beyond our reach. But<br />

then again, any singular sliver of<br />

time in which we live is contained<br />

by eternity. Whether we’re watching<br />

fireflies, eavesdropping, failing<br />

at dating, recovering from surgery,<br />

dancing, or truly seeing another


Contents<br />

ix<br />

human being with the gaze of<br />

our eyes—these moments make<br />

up all that is everlasting. Moments<br />

like now (and now). As for me, if<br />

in this (and this) non-renewable<br />

moment I find myself overtaken<br />

by stories like those contained in<br />

these pages—I consider myself<br />

lucky, my fraction (of a fraction)<br />

of eternity as time well-spent.<br />

Love, April


Firefly<br />

Night<br />

Elizabeth<br />

Genovise<br />

1


It happens only once a year. Millions of fireflies gather<br />

along the Little River in the Smoky Mountains to flash<br />

in perfect synchronization, each little winged body in<br />

search of its mate, each tiny note a part of this grand<br />

opus of affection. If Nature exists in a state of entropy, the<br />

fireflies defy the very structure of the universe, demanding a<br />

reversal of what most of us know to be true. People understand<br />

this on some innate level, and so they come in the thousands<br />

to see it. They want to believe in it. They board shuttle buses<br />

with their blankets and coolers in tow, and they search out a<br />

soft place in the grass where they can peer unhindered into<br />

the glimmering woods. They sit like that, sometimes utterly<br />

still, for hours.<br />

This family of four—Gail and Norwood, and their teenage<br />

son Connor and daughter Hallie—sits on a faded quilt that is<br />

like a banner left over from last year’s parade, its seams split<br />

in several places and the once-scarlet stitched roses now the<br />

color of rust. They are sandwiched between a much larger<br />

2


3<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

family to the right and a lone man to the left.<br />

To Gail, who has become a shameless<br />

voyeur in the presence of other people’s<br />

families, this group on the right looks messy,<br />

haphazardly sewn. By the looks of the children’s<br />

ages, it’s obvious that at least one of the<br />

parents is on marriage number two. And yet<br />

they seem happy, the kids tearing into bags of<br />

fudge-striped cookies and the parents nudging<br />

shoulders. Gail watches them until the<br />

mother notices and returns her stare. Gail<br />

quickly looks away.<br />

The man on their left is probably in his<br />

seventies. He wears a ball cap that says Great<br />

Smoky Mountains National Park and a spotless<br />

white shirt. He sits on what Gail thinks is a<br />

tablecloth. His demeanor is one of absolute<br />

patience, and he seems unbothered by his<br />

aloneness. They are all here early; it will be a<br />

few minutes yet before it is dark enough to see<br />

the fireflies. Gail thinks about offering the old<br />

man a bottle of water, but the impulse drops<br />

away. She has less and less energy these days<br />

for generosity, for these small extensions of<br />

self. There was a time when she would pay for<br />

the stranger behind her at the McDonald’s<br />

drive-through or bring homemade desserts<br />

to her elderly neighbor, Louisa. Then one<br />

day, some day she couldn’t pick out on a calendar<br />

if asked, she felt she didn’t have it in<br />

her anymore.<br />

She and Norwood plan to tell their children<br />

tomorrow morning that they are separating.<br />

“Divorce” is too much, too horrible a word,<br />

not just for the kids but for Gail and Norwood.<br />

They are as shell-shocked by their own<br />

collapse as they would have been if it had<br />

happened three days after their honeymoon.<br />

Neither can discern exactly what went wrong;<br />

they only know that it can’t go on, that<br />

happiness is so far out of reach now as to be<br />

almost celestial, a blazing bright-tailed thing<br />

that comes careening through the skies just<br />

once a year, something they can see only if<br />

they’re on the roof at exactly the right time<br />

in exactly the right weather.<br />

As she has every night for the last six<br />

months, Gail tries to untangle it all in her<br />

mind. There was no affair, no bankruptcy,<br />

no tragedy. No serious problems with the<br />

kids—that was what had destroyed Gail’s<br />

parents’ marriage: her younger brother’s


Firefly Night 4<br />

drug problem. No differences of religion—<br />

that had brought about Gail’s best friend’s<br />

divorce: her husband turning Catholic overnight.<br />

But there were Norwood’s flirtations,<br />

his endless need for validation from every<br />

waitress and receptionist who breathed. And<br />

his way of withholding affection behind a<br />

stone wall of silence when he disliked himself.<br />

There was Gail’s ever-deepening resentment<br />

and ever-hardening pride, each a leviathan,<br />

scaly and terrifying in the depths beneath<br />

the surface of their daily exchanges. Even<br />

now, sitting next to Norwood but not touching<br />

him, Gail has the ageless urge to hold his<br />

hand. But she is bone-weary of making the<br />

first move and exhausted from pretending<br />

that his indifference can’t hurt her.<br />

Norwood is quiet now, staring off into<br />

the slowly-darkening trees across the river.<br />

Connor is sullen as always, leaning back on<br />

his hands, giving his sister one-word answers<br />

when she speaks to him. Hallie, fifteen years<br />

old, is so different—animated, always vocalizing<br />

this dogged fascination with all things,<br />

where Connor is withdrawn, somehow at<br />

seventeen already too bitter to engage with<br />

the world. She suspects he is not at ease with<br />

himself, maybe never has been. This is something<br />

Gail recognizes as having come from<br />

Norwood, and it scares her.<br />

As the sky darkens and a thrill of anticipation<br />

trembles through the growing crowd,<br />

Gail strains hard for her first sighting. When<br />

Norwood suggested bringing the family here,<br />

she was surprised. Now she’s struck by the<br />

audacious thought that he might be doing<br />

this for the same reason she agreed to come:<br />

because the sight of these lights might rekindle<br />

something in them. It seems possible to<br />

Gail. She has never seen the synchronized<br />

fireflies before but already has an idea of<br />

what they might remind her and Norwood<br />

of: the snowstorm they were caught in during<br />

a road trip in their twenties—bright spinning<br />

crystals caught in a violet sky above their<br />

ice-dappled windshield. The stars above<br />

Gregory Bald, where they camped in summer<br />

among newly-bloomed rhododendron and<br />

flame azalea, whose reds and pinks darkened<br />

to velvety violet in the night. Or the day they<br />

made love in the field behind Gail’s childhood<br />

home, stirring up the silver skeins of


5<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

old dandelions and sending them aloft like<br />

tiny flocks of birds.<br />

She clings to this hope as she reaches for<br />

Norwood’s hand. In the near-dark, he is unresponsive,<br />

not taking his hand away but not<br />

returning the pressure. Gail fights the familiar<br />

anger. She is afraid of what is coming.<br />

Living like a woman on the run, staying with<br />

her sister, installing her children in a spare<br />

bedroom. Feeling her heart turn over at the<br />

absence of Norwood’s sounds and smells—<br />

the gentle hum of his desktop computer, the<br />

crinkle of his newspaper pages, the peculiar<br />

scent of his shirts that has not changed since<br />

their twenties, a thing which seems magical to<br />

Gail, since she has used a half-dozen different<br />

detergents on those clothes since they first<br />

moved in together.<br />

Too prideful to say them, too frightened to<br />

pretend them away, Gail holds the words in<br />

her mouth: I don’t care if happiness has gone and<br />

left us a suicide note. I don’t want to do this.<br />

And then drifting from the woods around<br />

the river, silent and elegant as jellyfish, come<br />

the lights.<br />

❧<br />

When the fireflies begin their dance and<br />

everyone falls into their collective hush,<br />

Norwood remembers the lights his younger<br />

sister used to string across her dollhouse<br />

during the holidays—tiny colored bulbs<br />

that blinked on and off in unison. As a boy<br />

he pretended to find it irritating but secretly<br />

loved it, feeling that the energy of those<br />

lights set the room quivering the way he<br />

would quiver just before a baseball game.<br />

He is pleased with the memory. His hope in<br />

bringing his son and daughter here was that<br />

he could give them one final and beautiful<br />

experience while their family was still whole.<br />

He imagined them remembering this years<br />

from now and saying to each other, Dad wanted<br />

to give us that.<br />

He has convinced himself that they will forgive<br />

him for leaving them with their mother.<br />

He will see them on weekends, as often as<br />

he can; he will take them on trips. He has<br />

this speech carefully prepared for tomorrow<br />

morning. But Norwood is a man who understands<br />

the importance of history, and he is<br />

determined to expose them to a phenomenon<br />

they will remember for the rest of their lives.


Firefly Night 6<br />

He has been a professor of European history<br />

at the local university for twelve years,<br />

and he means never to return. This he has not<br />

told Gail or anyone else: that boredom has<br />

been descending on him over the years like<br />

a plague, a heavy dread of the books on his<br />

shelves and the papers he reads, even of the<br />

conferences he used to relish. As a young man<br />

there were always periods of doubt, but there<br />

were also the timeless gambits he employed<br />

to pull himself back out. Bits of history<br />

and art that ignited him from within. The<br />

Impressionists—there was a time when just<br />

opening a book to a Renoir plate was enough<br />

to resuscitate him. The great cathedrals. The<br />

first daguerreotype, the idea of drawing with<br />

pencils of light. But the old gambits haven’t<br />

been working. He feels corpulent in his desk<br />

chair, his feet leaden. He senses that the students<br />

find him ridiculous. He finds himself<br />

desperately flirting with twenty-year-olds with<br />

the conscious need to prove that he is still<br />

desirable and interesting. And at the end of<br />

each academic semester, his thoughts mirror<br />

that of his former fourth-grade self: God, I<br />

hope there’s a fire. Or a flood. Complete institutional<br />

shutdown. The day he knew he had to quit was<br />

the day his students were discussing a recent<br />

campus shooting, and he nearly blurted out,<br />

“Christ, if that happened here we’d at least<br />

get a week off.”<br />

He’ll leave, forget the first two-thirds of his<br />

life and all the ways he’s disappointed himself.<br />

Himself and Gail, who never looks at him the<br />

way she used to, like he was as precious and<br />

rare as a prophet’s robe in a reliquary. He’ll<br />

go to his older brother in South Carolina<br />

and learn the house-flipping business. Use<br />

his hands. Thinking this, he looks down and<br />

is surprised to find Gail’s hand covering his.<br />

It’s almost too dark to see her expression, and<br />

so when he pulls away he isn’t sure if she<br />

notices. Then, in the next flare of light, he<br />

sees her eyes, very green and wet. His throat<br />

tightens. As a kind of apology he reaches into<br />

their cooler with the same hand and fishes<br />

around for an apple, as though this was his<br />

intention. But when he bites into the fruit, his<br />

teeth sink into a sour mush, and he tosses it<br />

away with startled disgust.<br />

“The apples are spoiled,” he says, but Gail<br />

shakes her head.


7<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

“Just watch,” she whispers. “You’re missing it.”<br />

Anger rises in Norwood and is quickly followed<br />

by panic. A colleague and friend said to<br />

him last week, “You can still be friends. You’d<br />

be surprised how many people do it. Live in<br />

the same town, see each other at Food City.”<br />

He’d said it so breezily. He’d never been married.<br />

Norwood can’t imagine this, the road<br />

from married to “still friends.” He thinks of<br />

great warriors returning from battle to find<br />

their cities in ruins. Nobody could live in the<br />

ruins. Nobody camped out among the bones<br />

and pottery shards. There was a reason most<br />

of those ancient cities were left behind in a<br />

jumble of dust and broken walls.<br />

Hallie, from her end of the blanket, says<br />

softly, “You can almost see words. In the<br />

lights.”<br />

Norwood glances at his daughter; she is<br />

enraptured. And then, unbidden, comes a<br />

story he learned all the way back in college,<br />

a story he’d since forgotten. It was something<br />

that happened in London, after a tremendous<br />

fire destroyed the city. They were trying<br />

to rebuild Saint Paul’s Cathedral, and the<br />

architect in charge commanded a laborer to<br />

bring him a stone from the city’s rubble to be<br />

used as a marker. The laborer rushed out and<br />

came back with a shard of a tombstone. It<br />

was chosen at random, perhaps the first piece<br />

of debris he laid eyes on. When the architect<br />

turned it over, he found etched there a single<br />

word, a fragment of someone’s Latin epitaph:<br />

RESURGAM. Reborn.<br />

Resurgam. The architect could have walked<br />

away at any time, taking the stone with him as<br />

a memento of what London had lost. But he<br />

stayed, and the cathedral was reborn, rising<br />

out of the ashes into inviolable glory.<br />

Norwood breathes deeply. He tilts his head<br />

back, trying to see the lights from a new angle.<br />

Searching for a word.<br />

Connor feels hateful, his skin crawling with<br />

it. The muscles of his legs feel tight and coiled<br />

like something waiting to spring, and his nails<br />

have left half-moon marks in his palms from<br />

the reflexive clenching of his fists. It has<br />

been a bad week. He and his girlfriend of<br />

five months are finished; she found out from<br />

somebody at school that Connor had been


Firefly Night 8<br />

taking another girl out on the sly. Instead of<br />

waiting for his girlfriend, Marissa, to hunt<br />

him down, Connor called her to say he was<br />

through with her. But she beat him to it, permitting<br />

him neither the first word nor the<br />

last. He was fuming. In his wounded pride<br />

he forgot completely that he was the one to<br />

cheat; it seemed to him that she was vicious,<br />

critical, judgmental. He used these words over<br />

the phone, kept using them until Marissa’s<br />

voice faltered a little, and he could almost<br />

believe he made her question herself. It was<br />

what he always did when someone pointed<br />

out he was in the wrong—turn it around so<br />

that the other person felt guilty.<br />

He hates himself for doing this, though he<br />

can’t seem to stop. It is the reason his little<br />

sister despises him. (He is sure of it; she is<br />

always trying to placate him, or else she is<br />

sidestepping him, putting him aside with<br />

some flattering remark that in Connor’s mind<br />

always sounds like I’m only saying this because<br />

I know it’s what you want to hear). His parents<br />

do it as well, and it nauseates him even as<br />

he understands why they do it. “Your coldness<br />

is ugly,” his mother once told him after<br />

she’d had wine. “Ugly enough that you make<br />

people believe you’ll just cut them out of your<br />

life with scissors if they dare to criticize you.<br />

What happens to people like that is that no<br />

one ever tells them the truth.”<br />

Connor suspects this to be true with his<br />

family, girlfriends, and friends. But what has<br />

shaken him recently is the belief that he has<br />

a similarly diseased relationship with the natural<br />

world, the place he claims to love and<br />

commune with. A hiker and camper, he has<br />

been abusing the trails of this national park<br />

in the same fashion he abuses the people in<br />

his life. He doesn’t listen to the rivers or drink<br />

in the stars at night. He makes conquests. He<br />

crosses off sections of his map the way his<br />

mother checks off items on her to-do lists<br />

on the refrigerator. Miles in the wilderness<br />

go into his bank, never into his heart. He<br />

brings out his currency and spends it when he<br />

needs an ego boost, something to kindle awe<br />

or admiration in others. In these moments,<br />

even his voice changes, growing deeper, rawer,<br />

feigning a gravity he knows he has not earned.<br />

It is a truth he can’t evade now, sitting<br />

on this blanket under a million tiny lights.


9<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

Because as hard as he tries, Connor can’t feel<br />

anything for the fireflies themselves. He can’t<br />

appreciate their beauty or the matchlessness<br />

of their harmony. He can only see this experience<br />

as something to put on his resume. But<br />

he doesn’t want it to be this way. He glances<br />

at Hallie, whose eyes are enormous, and envy<br />

slices through him like a hot wire. He wants<br />

to see what she sees. But he can’t.<br />

What is wrong with me? He imagines himself<br />

wrenching his father’s arm and shouting the<br />

question. His father has been so adrift, often<br />

staring into space for hours while seated at<br />

his desk in the study. His mother has been<br />

even worse, giving all her attention to Hallie<br />

over the last few months, as though she can’t<br />

spare the energy or the patience for Connor.<br />

He wants to yank on her fluttering sleeve right<br />

now and say, The guidance counselor told me I’m<br />

the perfect type for a business degree. Tell me what the<br />

hell that means. Tell me why it hurt to hear her say it.<br />

Or tell his parents that the Little River Trail,<br />

right here, is one of those places he’s violated.<br />

That story I told you guys, about fording the river and<br />

losing my supplies? I made it up. And I hated the<br />

campsite, way out there. I was scared, and I wished<br />

I’d never gone. He is a little sick now, remembering<br />

the way he came home that Sunday—a<br />

dramatic arrival with his clothes filthy and his<br />

hat askew. He deepened his voice to tell them<br />

what a close call it’d been but how incredible<br />

the night sky was over his campground at the<br />

trail’s terminus, miles and miles from civilization.<br />

All show, all smoke and mirrors.<br />

Panic taps its cold fingers down his spine<br />

and climbs around his ribs. He feels it clutching<br />

him, a cold ghost riding his back. He<br />

shakes himself and vows to experience the<br />

fireflies only for what they are, not as something<br />

he needs, not as insurance against<br />

something. This thought is new—that he<br />

is stocking up for something like an animal<br />

anticipating a bitter winter. Protecting himself<br />

against the way people get crushed by the<br />

world, flattened into paper dolls. He’s seen it<br />

happen. He can see it now in both his parents.<br />

His mother has been dropping weight, and<br />

she looks frail and shadowy. His father holds<br />

himself tightly as though afraid he’ll shatter.<br />

Seeing the two of them makes Connor want<br />

to shellac his spirit with his experiences rather<br />

than let them tap the fragile tissue of soul


Firefly Night 10<br />

beneath. And yet he knows that to do this is<br />

to miss out on something vital.<br />

“And I am not going to miss out.” He says this<br />

under his breath. Only Hallie hears him, and<br />

she shoots him a worried look before returning<br />

her gaze to the woods. Her pity for him is<br />

enraging. The inexplicable hate and something<br />

like hopelessness start to work their way up his<br />

neck like fever. He stares hard into the night<br />

and wills himself to feel something true. He<br />

could be looking at the Northern Lights, the<br />

glow is so fluid and ethereal. And yet he feels<br />

nothing. The universe is a dead-bolted door.<br />

There are keys, he’s sure of it. But God, he<br />

fears, dispenses only a certain number of them,<br />

and he was not selected to receive one.<br />

Hallie has turned back to him, gesturing<br />

at him in the dark. She wants him to open<br />

his hand. Surprised curiosity makes Connor<br />

bend over and hold out his palm. Hallie drops<br />

a firefly into it. It crawls across the lines of<br />

Connor’s skin, its beam pulsing like a minute<br />

fire tower from the ridge that is his lifeline.<br />

He can almost feel its wonderment at being<br />

there. It explores the routes of his bones. It<br />

takes its time.<br />

❧<br />

Hallie takes photographs with her eyes,<br />

letting the images sear into her so that they<br />

will be there forever. Once, when her father<br />

dropped his camera on the back patio, the<br />

film within was exposed, and he let out a cry<br />

that startled her. The pictures, he told her,<br />

were destroyed. Hallie worries about this, the<br />

loss of things, but she trusts her mind. When<br />

she sees something beautiful like the fireflies,<br />

she promises herself that she will paint it later.<br />

Making something from nothing is impossible.<br />

Recreation is the highest art.<br />

Her freshman art teacher is a woman in her<br />

sixties with snowy hair and penetrating blue<br />

eyes. She takes Hallie seriously, something<br />

Hallie has earned with her many hours spent<br />

in the art lab long past three o’clock. Once<br />

she told Hallie that art is a form of resuscitation,<br />

as real and urgent as channeling air into<br />

a drowning man’s lungs on an ocean beach.<br />

Hallie saw herself bent over the prone form<br />

of the boy she has quietly loved since the first<br />

day of high school. He is a baseball player<br />

whose pitching makes her want to protect<br />

him, the way she longs to protect the blue


11<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

heron who lives among the river rocks behind<br />

the school. Both are delicate in their rarity<br />

and unconscious beauty. Standing there in<br />

the art lab, Hallie had the powerful conviction<br />

that she would die to protect either one of<br />

them. She said to her teacher, “Yes, I know,”<br />

but the old woman shook her head.<br />

“No,” she said firmly. “You don’t understand<br />

it, not yet. Art, any form of true art, is<br />

a desperate act.” She was a glassblower, and<br />

she went on, “Inside those glass shells, there’s<br />

heartache and regret and things you can’t<br />

guess at. In a painting, watch the way the<br />

brushstrokes are moving. Where the light is<br />

and where it isn’t. If you look closely enough,<br />

you’ll see what the artist was trying to save.<br />

Or whom.”<br />

Even after the vision of her baseball player<br />

lying on the sand, it was hard for Hallie to<br />

grasp what the woman was saying. Art was<br />

to her still only a matter of transcription.<br />

Taking what she saw and giving it alternative<br />

form. She was trying it all, watercolors<br />

and photography and sculpture, each mode a<br />

knobby handhold on a climbing wall that presented<br />

mere physical challenge. It hadn’t yet<br />

occurred to her what might be at the summit.<br />

But as she watches the fireflies, Hallie<br />

is blindsided by two realizations. The first<br />

is that it will be a year before the fireflies<br />

return. Most of the creatures she is seeing<br />

now, igniting the sky, will have died. The<br />

second is that when this time comes around<br />

again, her brother might be gone. He will be<br />

eighteen. Gone to college or maybe just gone.<br />

He is such an angry person, so impervious to<br />

delight. It is a phrase she’s heard her father<br />

say about Connor. Imagining them sitting<br />

here a year from now without Connor opens<br />

a hollow ache in Hallie that expands as she<br />

studies her brother’s profile. Will he remember<br />

her, ever think of her?<br />

As a child, Hallie had a routine of lying<br />

awake after going to bed and not allowing<br />

herself to fall asleep until she had confronted<br />

any fears or concerns she happened to be<br />

carrying around that day. Anxiety about<br />

an upcoming piano recital. Worry over a<br />

fight she’d had with Connor. Fear of starting<br />

middle school, of high school. Usually<br />

she could talk herself through the problem<br />

and then fall asleep with ease. She would not


Firefly Night 12<br />

actually speak but would mouth words into<br />

the dark, afraid Connor would hear her from<br />

the other side of the wall. But some nights,<br />

the problem wouldn’t be talked out. It gnawed<br />

at the foot of her bed like some goblin and<br />

seemed to promise her that it would never be<br />

finished with her. On nights like this, Hallie<br />

would whisper away away away, and then she<br />

would tell herself it would be okay to ignore<br />

it for one night. She would just get one night’s<br />

sleep, one night’s worth of good dreams, and<br />

deal with the problem later.<br />

Only now, watching her family in the pulsating<br />

light, does it occur to Hallie that not all<br />

problems can be slept away. People can’t just<br />

postpone their sorrows for a day when they<br />

feel strong and refreshed, just as they can’t go<br />

back and take photographs or paint pictures<br />

of what they love once it’s gone. The infinite<br />

leap between having and losing is beyond<br />

Hallie’s comprehension, beyond anything her<br />

physics teacher has tried to explain to her.<br />

And yet she knows that it happens. She has<br />

friends whose parents have divorced. A boy<br />

at her school was killed in a drunk driving<br />

accident after Homecoming, and there was<br />

the vacant seat in her speech class, a space<br />

everyone orbited for months. And like a much<br />

older woman, Hallie knows exactly where<br />

her love for the baseball player is headed:<br />

she’ll keep going to his games and going to<br />

dances in hopes of stealing a few minutes<br />

with him while his beautiful date is in the<br />

restroom, and then one day he’ll leave on a<br />

scholarship, and so will she. And in the history<br />

of her life he’ll be a few lines scrawled in her<br />

yearbook—Thanks for all the help with English<br />

class!—a man oblivious to the fact that she has<br />

given him four years of her love. More time<br />

than she’ll give any man until she meets the<br />

one she’ll marry.<br />

The pinpoints of light burn her eyes<br />

because her eyes are already stinging. She<br />

tries to memorize their patterns as she has<br />

memorized piano notes and the constellations<br />

of stars. She tries to project Connor’s name<br />

into what she sees. I will paint this, she promises<br />

herself. No matter how much it hurts.<br />

She looks again at her brother, who is<br />

still watching the firefly she has given him.<br />

Silently she prays that he will say something<br />

to her before he lets it go. Just one thing she


13<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

can remember for herself when those lonely<br />

nights come.<br />

“There he goes,” Connor says, exhaling as<br />

the firefly wings away. “Back to his family.” It<br />

flickers once and is gone.<br />

The fireflies will continue their dance until<br />

dawn. But it is late, and at some unspoken<br />

signal, the family of four begins gathering<br />

their things. The mother folds the quilt, and<br />

the daughter picks up the cooler. The old man<br />

seated to the left of them stays where he is.<br />

He can’t make out their faces in the intermittent<br />

light, and he hopes they can’t see his. He<br />

worries that his face registers what he feels:<br />

ardent yearning. The wish to go back and be<br />

any one of them, to live again in that time<br />

where every happiness was a light trembling<br />

in the trees, lingering just long enough that<br />

anyone who wanted it could catch it.


Firefly Night 14


Your<br />

Eternity<br />

Victor Robert Lee<br />

15


“So you think you’ve got immortality wired,” said Sasha,<br />

always the skeptic except when she was in bed. “And<br />

you don’t even believe in souls.”<br />

“Not that kind,” said Justin. “I’ve got more practical ideas,<br />

more ambitious. I just wish I’d figured it out sooner, how to<br />

capture me for eternity before now. I mean, my soul will be<br />

missing its first 24 years.”<br />

This wasn’t the first time Justin had sounded grandiose,<br />

thought Sasha, and she let it slide. After four tempestuous<br />

months together, she grudgingly admitted to herself that one<br />

of the attractions of this relationship was Justin’s techno-mysticism;<br />

his detailed plan slightly aroused her.<br />

“The gear’s all there—the temple-mounted Minicams, the<br />

micro audio samplers, the giga storage that’ll fit on my thumbnail,”<br />

said Justin. “And of course you can edit the hell out of<br />

it over beers, and we’ll even shoot that, too, the editing.”<br />

“We? Who is we?”<br />

“I can’t run the cameras only by myself. I mean, like, my<br />

16


17<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

arm’s only so long. So I gotta have a technician,<br />

a handy-grip, otherwise eternity won’t<br />

see me, my face, my expressions, my mannerisms…<br />

my soul. Got it, princess?”<br />

She got it, but her mind was spinning forward.<br />

Sasha didn’t want to share him. She<br />

had developed a mild jealousy on their second<br />

night together, when she’d named him Justin-Time<br />

Justin because of the synchrony of<br />

their lovemaking. “So, maybe you want me<br />

to be your handy-grip.”<br />

“Whoa. What about when we’re locked in<br />

mouth-to-mouth and going for it? There’s<br />

gotta be a third party, otherwise we lose that<br />

vignette privée—that tender piece of my<br />

propagated soul.” Justin grinned.<br />

“You mean you want someone else to tape<br />

us in the sack?” The thought intrigued her.<br />

“Yep, gotta get it all, minute by minute.<br />

That’s the point. For eternity’s sake. But<br />

you and me in bed is such a small part of it.<br />

There’s my thoughts, too. I’ll talk about them<br />

into the mike as I navigate,” said Justin.<br />

Sasha raised her brown caterpillar eyebrows.<br />

“Navigate what?”<br />

“Navigate life—my life. And then outload<br />

it all. It’s gotta be formatted in every digital<br />

standard out there. We might even backtrack<br />

to analog, in case extraterrestrials are still<br />

fudging with that. It’s gotta be fully dispersible,<br />

and the archival’s gotta be durable as<br />

gold. Do you know if there’s anything other<br />

than analog and digital? I’ve gotta cover all<br />

the bases. It’s immortality we’re talking about.<br />

You don’t want to mess it up.”<br />

“But you can’t capture all of it,” said Sasha.<br />

“Come on. The technology’s here! I’ll get<br />

every second. I’m even going to record my<br />

dreams when I wake up in the morning.”<br />

“And who’s going to bother to look at the<br />

minutiae of your life? I mean, it could be<br />

worse than reading an encyclopedia… or a<br />

dictionary… or the yellow pages… or Proust.”<br />

Justin liked Sasha’s piercing comments, but<br />

he generally tried to ignore them.<br />

“I’ve gotta find someone to help with the<br />

editing, too,” he continued. “Then I’ll send<br />

it all out—I mean various edited versions of<br />

it—on commercial multi-spectrum transmitters<br />

to the far reaches of the universe,<br />

maybe beyond. And once those deep-space<br />

radio signals go out, it’s forever, baby; it just


Your Eternit y 18<br />

keeps going. Light years and light years of<br />

immortality. Do you know you can rent satellite<br />

channel time to far space for a pittance<br />

now?”<br />

“For you it’s a pittance, thanks to your<br />

parents.”<br />

“But that’s the natural generational result,<br />

for the far-minded,” said Justin. “Take John<br />

Adams—he dedicated himself to politics and<br />

war so his sons could learn navigation and<br />

commerce, so their sons could dibble-dabble<br />

in poetry and music. He left out the next<br />

phase—the sons who would transmit their<br />

souls to the universe. Daughters, too. And<br />

about your yellow pages complaint: hell, way<br />

out there they’ll be starved for this kind of<br />

stuff. First contact—they’ll lap it up, like those<br />

home confinement shows on TV down here.<br />

But, baby, this is between you and me. If word<br />

gets out, there’ll be a race, and then all the<br />

clutter would…”<br />

“Drown out your immortality?” Sasha’s<br />

expression seemed slightly wicked.<br />

“It’s not like that exactly. There’s space for<br />

everybody. But first carries a premium. Like<br />

Plato—now there’s a guy who knew how to<br />

transmit over time and space. Get the message<br />

recorded, and get it out. And besides,<br />

some souls are more immortal than others.<br />

It’s like those plant species imported to foreign<br />

continents where they have no natural<br />

competitors and take over. That’s why I’ve<br />

gotta send it out in as many formats as possible—you<br />

never know the niche in which your<br />

soul will best propagate. I want pollen, spores,<br />

seeds of me spread everywhere.”<br />

“Well, Plato, if it doesn’t have any big ideas<br />

attached, won’t the at-home series fizzle out<br />

after a while, like all one-shot wonders do?”<br />

She arched her eyebrows. Checkmate.<br />

“I’m ahead of you, my smooch.” Justin<br />

winked. “Here’s the fix: The digital composites<br />

of my soul will have subprograms<br />

attached, like viruses. Call them my gifted<br />

replicons. You’ve seen those programs that<br />

generate poems or plots with a few keystrokes?<br />

The replicons will generate new permutations<br />

based upon my soul data set. As for big new<br />

ideas—that’s just a matter of semi-random<br />

associations subjected to selective pressures.<br />

The viruses will spew their stuff out and some<br />

will stick, with my name and personality


19<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

attached. Haven’t you heard about all the garbage<br />

even the greatest thinkers have pumped<br />

out? Dustbin ideas. Only the precious leftovers<br />

made them great minds in retrospect.<br />

So yeah, a lot of the ether spume fails, but<br />

the good little leftover soul-frags survive and<br />

propagate. Call it soulful universal evolution.”<br />

Justin was pleased with his phraseology, and<br />

it showed.<br />

“Why not just concentrate on Earth, where<br />

at least you know you have listeners? Like in<br />

places without media saturation?”<br />

“Oh gawd, Sasha. I could focus on all those<br />

humans in no-man’s-land with nothing<br />

to watch except a satellite feed and send<br />

my soul data train out to them, which of<br />

course I’d have translated into the native<br />

tongue—that’s a super-trivial software deal<br />

now: Greek in, Pashto out, any combination.<br />

Yeah, I could do all that. The problem, my<br />

little sushi Sasha, is that the earth is not the<br />

future. The future is out there! In Sagittarius<br />

or Scorpio or Orion or… you pick your<br />

favorite patch of sky. My soul is for them! I<br />

live for them, out there!”<br />

“I suppose having children doesn’t get you<br />

your immortality? Earth children?” Sasha was<br />

on firm, unbiased ground here, since she’d<br />

said innumerable times that she had no interest<br />

in having any kids herself.<br />

“Children, nah. Not that kind of seed. I’m<br />

not a control freak. Children fly away, and<br />

they should. Even the genetics argument is<br />

a waste—after two generations, the DNA<br />

mixing dilutes me to nothing. I know where<br />

you’re headed, Sasha.” Justin rocked on the<br />

rear legs of his chair, catching himself as he<br />

almost tumbled backwards. “Of course I’ve<br />

thought about clones. And I’m sure you’ve<br />

seen those stories about identical twins separated<br />

at birth who are shocked when they<br />

reunite at age fifty, and they have the same<br />

beer bellies and are both firemen. The press<br />

selects for those examples; the fact is, even<br />

with the same DNA, my clones would grow<br />

up different from me. For all I know, my<br />

clones would become con artists or chemical<br />

engineers, and where would that leave<br />

my soul? Clones are too dicey. I’d rather bet<br />

on several eager viruses that have my data<br />

strapped on like jetpacks, ready to permute<br />

my posterity.”


Your Eternit y 20<br />

Sasha wouldn’t acknowledge to herself that<br />

she was, in fact, attracted to his pomposity.<br />

But immortality… that she could admit was<br />

alluring, though she had her doubts about<br />

intelligent beings way out there.<br />

“And what happens to the other… factors…<br />

in what gets transmitted?” she asked.<br />

“You mean the people I meet? You mean<br />

you? Yeah, you mean you.” Justin started to<br />

roll his eyes.<br />

“For example,” said Sasha.<br />

“Look, you’re part of me. You’re in there—<br />

in my soul for the ether. And gawd, we spend<br />

a lot of time together.”<br />

“And all that editing you talked about?”<br />

Sasha tried to keep her voice detached and<br />

clinical, but it was beginning to buckle.<br />

“There’ll be zillions of bytes of you in<br />

there. The universe will know me, and so it<br />

will know you. You’re in there. You will be<br />

in there.”<br />

“And the replicons? Will they take me<br />

along…?”<br />

“For the ride? Wow! I hadn’t thought about<br />

that. Huh. Hmm.”<br />

There was a long silence between them.<br />

Justin looked up toward the ceiling. Sasha<br />

examined his face.<br />

“I guess it’s like a will,” he said. “You can<br />

change it up to the end.”<br />

“You mean you’re going to start transmitting<br />

only at the end, when you’re dying?”<br />

“Sasha, you’re ahead of me here, you<br />

wizard. I’m not a control freak, you know.<br />

But I guess, hmm… I guess I’d want revision<br />

rights up to the end.”<br />

“And so we… you… you lose all that lead<br />

time the longer you live. Time for the clutter<br />

to spread across the universe, time for someone<br />

else to be first. You’re young. That’s a lot<br />

of lead time to give up,” said Sasha.<br />

“Um, yeah, the lead time. Tick tock. I’d<br />

better gear up quick and start beaming. You<br />

never know when a bus will flatten me or<br />

some jerk will beat me to the punch. So I…<br />

I suppose your soul is along for the ride, too.”<br />

He kissed her, Sasha kissed him back, and the<br />

two grappled their way to the couch, where<br />

they joined themselves amid tender thoughts<br />

a thousand years in the future, when they<br />

would long be dead, maybe.<br />


21<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

In the morning, Justin groaned and pulled<br />

a pillow over his face to block out the light.<br />

He had a hard-on and groped his hand across<br />

the bed. The other side was empty.<br />

“Sasha. Sasha! Are you in the toilet?”<br />

There was no answer. He lugged himself<br />

out of bed and walked to the living room,<br />

his organ pointing the way. He barely saw<br />

her silhouette against the glaring sunshine<br />

streaming through the unwashed windows.<br />

“What are you doing?” Justin wanted to sound<br />

imperious, but it came out as a whimpering<br />

complaint. He rubbed the night’s mucous<br />

from his eyes and blinked.<br />

Sasha was seated at the foldout table, wearing<br />

a Japanese robe. She was writing in a<br />

leather-bound book.<br />

“Sasha?”<br />

“I’m busy. Why don’t you make us some tea?<br />

Pear and vanilla would be fine.” Her pen kept<br />

moving, and she didn’t look up.<br />

“What are you doing?” Justin tumbled onto<br />

the couch and buried his face between the<br />

cushions.<br />

“Waiting for tea.”<br />

He raised his head and looked over the<br />

arm of the couch. Sasha’s long brown hair<br />

was draped across her cheek and swayed with<br />

the motion of her hand. “All right, all right.”<br />

Justin cracked his knee against the coffee table<br />

on his way to the kitchen but refused to yelp.<br />

As he heated the water, his aggravation rose<br />

in proportion to the retreat of his organ.<br />

“Here’s the tea for thee, my queen. Now<br />

what is that?” The cup clicked against the<br />

table top and spilled a little next to the book.<br />

Sasha snapped it shut and pulled it away from<br />

the puddle.<br />

“It’s my journal. Sort of a diary, sort of not.”<br />

Sasha smiled. Justin thought she looked like<br />

a Cheshire cat as he hovered over her. He<br />

pulled up a chair and sat down.<br />

“And, and, what’s in there?”<br />

“This and that. And whatsits and whosits.”<br />

“I’ve never seen it before,” said Justin.<br />

“No need to wave it in your face.”<br />

“So… do you write in it a lot?”<br />

“Every day.”<br />

“Rain or shine?”<br />

“Rain or shine.”<br />

“How long?”<br />

“Since I was twelve.”


Your Eternit y 22<br />

“All the details?”<br />

“All the important ones.”<br />

“Since you were twelve?”<br />

“Since I was twelve.”<br />

“You’ve been keeping a journal since you<br />

were a little girl, and you never told me?”<br />

Justin felt completely naked; and he was,<br />

except for the pen, which had rolled strategically<br />

onto his lap when his agitated legs<br />

bumped the table. “And what do you do with<br />

it—or with them? You must have a bookcase<br />

full.”<br />

“I read them. Add a few details now and<br />

then.” Sasha tugged the book toward her as<br />

Justin eyed it. “And edit.”<br />

“Everything that happens to you is in there?”<br />

“Yup. Thoughts, too.”<br />

Justin put the pen back on the table and<br />

slowly rubbed his face. “Am I in there?”<br />

“Maybe. A little bit.”<br />

Justin scratched his thighs and reached for<br />

the shirt he had shed on the floor the night<br />

before. He put it on. “Can I read it?”<br />

“No.” Sasha planted her elbow on the book.<br />

“So who’s read them? Who’s going to read<br />

them?”<br />

“No one. No one but me.”<br />

She resumed her writing and purred. At<br />

least it sounded like a purr to Justin. He kissed<br />

her on the neck. “Please, Sasha. I promise—<br />

yours can ride along.”<br />

“Okay, maybe, sometime. Just a peek.”


Would You<br />

Still Love Me If I<br />

Chewed the Cud?<br />

Melissa Hammond<br />

23


I’m on a diet, Barbara keeps telling me, which means<br />

no fatty foods like hot dogs and chocolate and Snickers<br />

and way too much ketchup on my mashed potatoes.<br />

Some foods are okay sometimes, like bread, which can<br />

be a fruit or a vegetable—no one really knows for sure. Diets<br />

also mean you have to play outside for thirty minutes every<br />

single day, and it’s okay in this neighborhood because it has<br />

big, green yards and not too many cars or rapists.<br />

But today is Sunday, which means Special Breakfast, and I<br />

am allowed to have one piece of bacon. When I lived with my<br />

vagina-mamma, I liked it really drippy and soggy, but Barbara<br />

cooks it crispy because of bacteria. So I like it her way now.<br />

Barbara is the kind of lady who sits up really straight all<br />

the time and carries around a big purse with tiny Kleenex<br />

packets inside. She has hair so short in the back it’s like you’re<br />

petting a puppy. And Travis’s hair is just as short, but I have<br />

not petted it. He’s not that kind of dad.<br />

One food I’m still not allowed to eat on Sunday is communion<br />

24


25<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

bread and grape juice, but that’s not because<br />

I’m too fat for my age. It’s because Barbara<br />

and Travis say I don’t know what it means.<br />

I loud-whisper to Barbara in church, I<br />

know what it means now. We always sit on<br />

the left side, ten rows back. She’s wearing<br />

a hideous flower dress, and I’m wearing an<br />

overall dress with a big pocket on the front.<br />

One of the teenager girls from church used<br />

to wear it, and now it’s mine.<br />

She says, Not this time, Tommi. I’m not<br />

convinced you’re ready.<br />

And I tell her how Simon got to do communion<br />

as soon as he turned seven, and I<br />

have been seven for a whole year and eight<br />

for quite a while, and fair is fair.<br />

But she says that she isn’t Simon’s parents<br />

and that I am not Simon. Good thing I’m<br />

not Simon, too, that Stupid Face Penis Head.<br />

Now, Jesus never said anything about eightyear-olds<br />

not being allowed to do communion,<br />

which I know because I’ve read almost the<br />

whole Bible now (just the second half to go).<br />

But Barbara doesn’t see it that way. So I try<br />

to think of the most convincing words.<br />

I say, I want to eat it to remember how<br />

Jesus washed away all our sins with his blood.<br />

I hope I didn’t mess it up. I always forget if<br />

the blood washed the sins or the sins washed<br />

the blood. It’s hard because blood is the messy<br />

thing, not the cleaning-up thing. Barbara<br />

looks at my eyes real hard like she does when<br />

she asks, Are you sure you don’t miss your<br />

mother or Where did you learn about that?<br />

But finally she says, Okay, if you’re going<br />

to take it seriously.<br />

Then Travis brings the communion plate<br />

to our pew, and Barbara squeezes his hand<br />

with her red-nail fingers. He’s Usher Travis<br />

right now, not Dad Travis, which means no<br />

talking or dilly-dallying. Barbara holds the<br />

big, round, golden plate for me.<br />

The communion breads feel all chalky, and<br />

they bend like stale gum just out of the wrapper.<br />

I pick the two biggest ones.<br />

Just one, Tommi, Barbara says. So I drop<br />

the smaller one back into the pile. But then<br />

she whisper-yells again, Well, now you’ve<br />

touched it! Pick it back up. And Travis is<br />

looking at me with his wrinkly forehead and<br />

his giant, frowning mouth.<br />

So I pick it back up but accidently touch


Would You Still Love Me If I Chewed the Cud? 26<br />

another one on the way, so I pick that one<br />

up, too. The old man on the other side of me<br />

takes the plate.<br />

Then Barbara says, Wait until after the<br />

prayer to eat them.<br />

Prayers are the best part of church services<br />

because everyone closes their eyes, and even<br />

if someone notices that your eyes aren’t closed,<br />

they can’t tattle on you because then everyone<br />

knows that their eyes weren’t closed either. So<br />

this is the perfect opportunity to eat my spare<br />

bacon, which I stored in my front pocket after<br />

breakfast. I fold it five times until it’s communion-bread-sized,<br />

and I squish it between two<br />

communion breads to make a sandwich. I<br />

take a tiny nibble, and it’s so delicious I decide<br />

to ask for it for my next birthday dinner. I<br />

might not make it with Barbara and Travis<br />

till then because I yell at people and hit them<br />

sometimes, and they would probably rather<br />

have a white foster daughter anyway.<br />

Tommi, what in the world? Barbara whisper-yells.<br />

And I know I’m in trouble but not<br />

a million percent sure for what, so I uncross<br />

my legs and put my feet back on the floor<br />

where they belong.<br />

She says, Not your legs, and yanks my<br />

delicious bacon sandwich out of my hands.<br />

Where did you get raw bacon?<br />

Now, this is a tricky question because I<br />

took it out of the pack of bacon Barbara<br />

was cooking that morning, even though I was<br />

only allowed to have one piece. And if I get<br />

in trouble too many times, I will get a new<br />

foster mom and dad, and they might not have<br />

a PlayStation 3 in the basement. And I won’t<br />

get a next birthday dinner. So I do this thing<br />

I do sometimes, where I pretend that I’m a<br />

very stupid person to get out of trouble.<br />

I say, Because Jesus died for our sins? which<br />

makes absolutely no sense.<br />

What are you saying? I can’t understand<br />

you, she says.<br />

That’s right, no talking with your mouth<br />

full, I remember. So I spit out my delicious<br />

bite of bacon sandwich and say, Jesus died for<br />

our sins! in a loud, clear voice, even though<br />

Barbara isn’t so old that her ears have stopped<br />

working. I mean she is old, like maybe a lot<br />

older than my vagina-mamma, but not old<br />

old like one hundred and five.<br />

Barbara shushes me because the prayer is


27<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

still going. Then she takes a penguin Kleenex<br />

out of her purse and scoops the chewed-up<br />

bacon sandwich off of my overall dress.<br />

Because I’m acting like a child, Barbara<br />

makes me go to the children’s story and children’s<br />

church. So I walk up to the steps with<br />

the all the three- and four- and five- and sixand<br />

seven-year-olds, and they all sit together<br />

like tiny clementines in a row. Everyone<br />

except me. I sit up there like a big fat bowling<br />

ball pretending I match all the cute baby<br />

clementines rolling around like good friends,<br />

but no one falls for it. I don’t like sitting up<br />

there for the children’s story because bowling<br />

is the most boring sport, except to old people,<br />

which might be why only old people like me.<br />

They tell me I’m good at talking loud into<br />

their tired ears.<br />

Clementines. I am hungry. The pastor is<br />

talking about caterpillars and cocoons and<br />

Jesus loves you. My stomach is talking back.<br />

Luckily, the pastor never talks for very long<br />

because the three- and four-year-olds will<br />

start wiggling around and talking about<br />

turtles together. They don’t have very much<br />

knowledge yet.<br />

We’re supposed to follow Miss Esther down<br />

the aisle to the Sunday school room. She’s the<br />

most nice person to us kids. Like, sometimes<br />

she’ll even color part of your picture for you<br />

if you’re having trouble.<br />

But today I break the rules. I walk slow,<br />

so everyone goes in front of me, and then I<br />

sneak into the kitchen instead of going down<br />

the Sunday school hallway. I have to go to<br />

the kitchen because Simon pinched my butt<br />

during the children’s story, and if I go to children’s<br />

church I will probably kick him in his<br />

stomach.<br />

The church kitchen is humongous, and<br />

the sink has one of those long shower spray<br />

things, in case you need a shower while you<br />

wash the dishes. There’s also two big ovens,<br />

one on top of the other. Really that’s a waste<br />

of an oven, because you might as well get<br />

one monster oven so you can fit a giant pizza<br />

inside. Did you know that the biggest pizza<br />

in the world is seventeen miles long? I think<br />

you can go see it in Alabama because it was<br />

too big for anyone to finish.


Would You Still Love Me If I Chewed the Cud? 28<br />

Speaking of humongous food, guess what’s<br />

on top of the countertop? Six golden plates<br />

full of leftover communion bread. I reach<br />

my arms up and pull one plate to the edge<br />

of the counter. It feels cold and smooth, so<br />

I’m pretty sure it’s real gold. My old foster<br />

family used to have a big, warty gnome statue<br />

in their living room with real gold buttons<br />

on his jacket. One time I punched him in<br />

the face and knocked it over, but he didn’t<br />

break. A chip just came off of his butt. I hid<br />

it inside one of my foster dad’s plants, and<br />

he never found it, but my hand hurt for like<br />

a whole month.<br />

Anyway, I reach my hand into the gold<br />

plate and swirl it around in the pile of tiny<br />

breads. I grab as many as I can, until they’re<br />

bursting out.<br />

When I hear a giggling noise from the<br />

hallway, I drop my handful all over the floor.<br />

The piece I’m chewing on goes crummy in<br />

my mouth. I scoop up as many of the pieces<br />

as I can like Barrel o’ Monkeys and slide them<br />

into my overalls pocket. Some dusty hairs get<br />

on my hands and on the breads, too, but I<br />

don’t have time to blow them off and follow<br />

the five second rule. Then I look around for a<br />

hiding spot. I yank open some doors, but the<br />

cupboards are full to the brim with dishes and<br />

pots, and there’s no way in a zillion years I<br />

could fit in there. So I pull open the oven door<br />

and peek inside. It is a big oven for big meals.<br />

Like, you could fit a giant turkey in there, or<br />

maybe even five. I mean, not a seventeenmile<br />

pizza, but still. So I squeeze in, just like<br />

a turkey. And by the way — this is a side note<br />

— but I love eating the skin off the turkey. It’s<br />

my favorite part. Like, some of it gets crispy,<br />

but some of it is still squishy and drippy. I<br />

just love that. I might eat Thanksgiving with<br />

Barbara and Travis this year.<br />

I climb in the oven, and the metal rack<br />

pokes into my legs and knees and hands,<br />

but I wrap my hand around the edge of the<br />

door and yank it. I’m smart enough to get<br />

my fingers out of the way before the door<br />

slams shut so hard the whole oven shakes.<br />

The oven rack is digging into my legs, and<br />

my head is pressed up against the ceiling so<br />

I can’t move at all.<br />

The oven window is a little brown and<br />

greasy, but I can still see Mrs. Lorraine


29<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

come in with her long, black braid and her<br />

giant pillow bangs that poof over her entire<br />

forehead. Mrs. Lorraine is in charge of the<br />

kitchen on big meal days, but usually she sings<br />

up in the choir next to Miss Esther. She and<br />

Esther are mother and daughter, I’m pretty<br />

sure. And by that I mean Esther is her vagina-baby.<br />

Anyway, she starts dumping all<br />

the communion bread out of the big round<br />

golden plates into one big plastic bowl. She<br />

eats a couple of them. I try to eat one of the<br />

hairy ones from my pocket, but I don’t have<br />

enough room to move my hands.<br />

Usually Mrs. Lorraine talks in a big, loud,<br />

time-for-dinner voice, but this time she whispers.<br />

She says, Not here. And I wonder who<br />

she’s talking to, but then I see him—Travis.<br />

He walks up behind her and pinches her<br />

butt through her yellow dress. And then he<br />

moves his hands to her shoulders, and he<br />

rubs them like Barbara rubs his shoulders<br />

after he does the dishes. And Mrs. Lorraine<br />

says, Ohhhh, ooooh. And I feel the sharp<br />

lines of the oven rack slicing into my knees<br />

and legs and hands like angry coat hangers.<br />

And something scary in my stomach, not<br />

hungry anymore, but something slippery like<br />

very old lettuce from a hamburger someone<br />

left on the bus.<br />

And then Travis turns Mrs. Lorraine<br />

around, and it’s hard to see because of the<br />

brown, splotchy window. But I do see their<br />

faces move together, and I hear a kiss noise<br />

and a giggle.<br />

I start to get nervous because ovens only<br />

have so much air in them for breathing. And<br />

then Mrs. Lorraine says, I’d better start cooking.<br />

It’s almost time for the big feast.<br />

And Travis says, No way. I want you to<br />

stay here, so I can mwah mwah mwah you<br />

some more.<br />

No, she says, I need to preheat the oven to<br />

one million degrees.<br />

And to my window grease stain I say, No<br />

no no no!<br />

And I feel very afraid, and is the oven<br />

getting hotter and hotter? Sometimes metal<br />

things are so hot they feel cold, like the robot<br />

jungle gym you climb in at the park near<br />

Barbara and Travis’s house. What if this<br />

whole time I thought the rack was cold when<br />

really it is melting and burning my hands


Would You Still Love Me If I Chewed the Cud? 30<br />

into goo? I look down. Are they squishy and<br />

gooey? Not yet.<br />

And Mrs. Lorraine keeps bustling around<br />

left and right, and it’s hard to tell exactly<br />

through the grease, but every time she gets<br />

close, I feel scared that she is coming to fire<br />

up the oven and cook me. I mean, I can stick<br />

my hand in a candle, which is fun because<br />

then you can rub the wax around on your<br />

fingers, but this isn’t the same.<br />

And I keep thinking of how hard it’ll be to<br />

live life with my face melted off. It’s harder<br />

to find a mom and a dad if you are ugly or<br />

have glasses or smash plates when somebody<br />

takes the PlayStation controller away, so how<br />

hard would it be with your nose melted off?<br />

And so I start knocking on the greasy glass<br />

and saying, Let me out! But they go on kissing<br />

kissing squeezing giggling. So I push on the<br />

oven door, and it opens a tiny bit, but then<br />

slams right back shut.<br />

Travis yells, What the! and they turn<br />

around.<br />

What in the world? Mrs. Lorraine says<br />

when she opens up the oven and sees me here.<br />

And Travis starts screaming, What do you<br />

think you’re doing in there? How the hell—<br />

Get out!<br />

And Mrs. Lorraine just says, Oh my god<br />

oh my god.<br />

Travis uses his angry eyes on me and says,<br />

Where are you supposed to be right now?<br />

Children’s church, I say.<br />

What were you doing in the oven?<br />

But I don’t answer because there’s grease<br />

on my arm that I have to taste, and a little bit<br />

of blood is running down my knee to my sock.<br />

Travis takes a wet paper towel and wipes it off,<br />

and Lorraine gets a Band-Aid from a drawer.<br />

Get your ass to children’s church, he says.<br />

And if you ever tell Barbara you went inside<br />

an oven and could have died, she will be so<br />

upset I just don’t know…<br />

You don’t know what? I ask.<br />

I just don’t know if it will be too much<br />

to handle. If you’d be too much to handle<br />

anymore.<br />

I’ve had about infinity families. I think my<br />

first one was with my vagina-mamma, who<br />

was my only family that was black. But then<br />

on the day after she bought me all new clothes<br />

and filled up the fridge with lunch meat and


31<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

bread, the pointy-nose lady came and said,<br />

How many people sleep in this bed? How<br />

often do you eat food? What’s that all over<br />

your face? And then she smelled my brand<br />

new clothes and frowned and took me away.<br />

My vagina-mamma didn’t have a PS3, but<br />

she did have hippopotamus boobs that I could<br />

lay my head in between and feel warm and<br />

comfortable.<br />

So I run out of the kitchen and down the<br />

hall and down the stairs and down the hall<br />

again until I burst into the Sunday school<br />

classroom.<br />

Miss Esther turns and says, Tommi! She is<br />

sitting at the head of the table, and kids are all<br />

around her coloring. She’s coloring, too. Her<br />

legs are way too long to fit under the table, so<br />

she just scrunches them up beside her. She is<br />

not like the other teacher who comes in with a<br />

grown-up chair and looks at his phone all day.<br />

I want to tell her, Your mamma was kissing<br />

Travis—what do we do? But I don’t say that<br />

because it is a spiky secret that I have to keep<br />

inside my rib cage like a cockroach in a jar.<br />

Instead, I just sit down and color.<br />

I rock my too-small chair onto its back legs,<br />

back to all fours, back to two legs and on and<br />

on. Simon Fart-Nose is sitting next to me, but<br />

he doesn’t look at me. He colors with his face<br />

real close to the page and presses so hard he<br />

turns the crayons to stubby fingers. I’m more<br />

of a light colorer myself. One time he told<br />

me that every time your crayon went outside<br />

the line you had to go to hell for one minute<br />

before God let you into heaven, and that’s<br />

probably true. His dad is the pastor.<br />

So I color really careful, even though I’m<br />

far behind everybody else since I came so late.<br />

It’s a Joseph and the Rainbow Coat picture,<br />

which means I have to use every single color.<br />

I dig through the big plastic crayon tub, but<br />

I can’t find green. I say to Simon, Can I use<br />

that green? He has it by his elbow.<br />

And he says, No thank you, Goliath. That’s<br />

one of his names for me because I’m the<br />

tallest and fattest person in the second grade.<br />

And I say, Please?<br />

And he says, I’m using it. Then he picks it<br />

up to color Joseph’s hair green.<br />

What a butt-hole licker, I say quietly to the<br />

table.<br />

And then Rachel, who is sitting on the other


Would You Still Love Me If I Chewed the Cud? 32<br />

side of me says, Awwwwwww, you said a bad<br />

word.<br />

And Esther looks at me and says, Tommi,<br />

don’t say that word. But that’s all the trouble I<br />

get in because Esther is not a mean grown up<br />

lady yet. She doesn’t even wear high heel shoes.<br />

So I color the tree in my picture blue, which<br />

makes no sense, but it’s better than having to<br />

use Simon’s stupid green crayon, which most<br />

likely has salmonella and lice all over it. And<br />

then suddenly I notice a delicious smell. A<br />

little bit like turkey skin and a little bit like fire.<br />

I peek under my left arm and find a big black<br />

sooty splotch from the oven that I missed.<br />

Oven grease tastes like salty potato chips that<br />

only got a tiny bit burnt.<br />

Tommi, what are you doing? Miss Esther<br />

asks.<br />

The other first and second graders stop<br />

coloring to stare my burnt potato chip stain.<br />

They’re most likely jealous.<br />

Miss Esther goes to the supplies cabinet<br />

and gets out a big cylinder of wet wipes. She<br />

pats my arm with one, and it feels like wet,<br />

chilly kisses. She holds my arm at the top by<br />

the shoulder with her long fingers. I wonder<br />

if my fingers will grow that long. Maybe if I<br />

stay on my diet.<br />

Then she looks at my legs and my dress<br />

and my hands, which are also all covered in<br />

sooty grease. She says, What on Earth did<br />

you get into?<br />

And I lie and say, I fell on the floor.<br />

And Esther says, But where did this grease<br />

come from?<br />

And I tell her again that it was from the<br />

floor.<br />

And she purses her lips like Travis about to<br />

kiss Esther’s mom, but Esther does not kiss<br />

me. She is pondering, like a wise owl.<br />

Then Simon interrupts by saying, Miss<br />

Esther, it’s time for choir. He says this in a<br />

loud voice without looking at me, which<br />

means he’s saying it just to rub in the fact<br />

that I was kicked out of children’s choir, and<br />

he was not.<br />

What happened was that he was calling me<br />

Three Nipples Bipples because of that mole I<br />

have that looks like a nipple, and then he was<br />

poking it with his finger, and I knew I was not<br />

supposed to lift my shirt up anymore because<br />

I will have boobies soon. So later that night


33<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

I cut his rattail off with the high school craft<br />

closet’s sharpest pair of scissors. That was the<br />

night Barbara got so mad her hands started<br />

shaking. So anyway, I’m not in choir anymore.<br />

Esther says, Okay let’s put the crayons away.<br />

And we all do and walk back to the sanctuary<br />

together. The other kids go right up to the<br />

stage to sing their songs—don’t ask me which<br />

songs because I’m not going to listen—and<br />

me and Esther head to the bathroom.<br />

You’re all dirty, she tells me.<br />

The bathroom is more of a living room<br />

with two toilets in it than a regular bathroom.<br />

Really! There’s a flowery couch and a chair<br />

with fat, squishy arms, and a fake tree. So<br />

Esther tells me to sit on the couch and then<br />

she comes over with wet paper towels and<br />

rubs them all over my overall dress and my<br />

arms and my face and my hair.<br />

Really, sweetie, what did you get into? she<br />

says.<br />

She doesn’t believe my first lie. So I try to<br />

think of something more interesting.<br />

Toilet, I say, which makes no more sense,<br />

but I am looking at the toilet in the open stall,<br />

and that’s all I can think of.<br />

Tommi, look at me, she says. And I look at<br />

her. Her nose has freckles on it, and it’s very<br />

cute, which I tell her.<br />

But then, when she’s trying to be stern, I<br />

start giggling because someone in the closed<br />

stall wearing black boots is farting and farting<br />

and farting.<br />

Esther says, This is serious. I could get in<br />

trouble.<br />

I say, No way! And I think to myself that I<br />

would be the one to get in trouble for crawling<br />

into the oven and watching Travis and Mrs.<br />

Lorraine kiss.<br />

But Esther says that she will get in trouble<br />

for losing track of me and for me ruining my<br />

overall dress. And I wonder if she will get in<br />

so much trouble that a pointy-nosed lady will<br />

come and take her to a new family. Maybe<br />

she could come live with me and Barbara<br />

and Travis, but then I remember that living<br />

there isn’t for sure anymore.<br />

But before Esther says anything, the farty<br />

lady in the stall comes out, and guess who it<br />

is! Mrs. Lorraine!<br />

Mom, Esther says.<br />

Esther, Mrs. Lorraine says. What are you


Would You Still Love Me If I Chewed the Cud? 34<br />

doing? And then she stares me down with<br />

her angry eyes.<br />

She got into something, Esther said.<br />

Then Lorraine says, Looks like you<br />

crawled under a car. And at first I am confused<br />

because she saw me crawl out of that<br />

greasy oven. But I realize she’s giving me an<br />

excuse that will keep me out of trouble.<br />

Esther says, Did you crawl under a car?<br />

And I say Yes, yes, and I start crying.<br />

Why in the world would you crawl under a<br />

car? Barbara says when Mrs. Lorraine brings<br />

me to her.<br />

And I do that thing where I am stupid again<br />

so she won’t be mad at me. I say, I was looking<br />

for my vagina-mamma, which makes no<br />

sense because why would she be under a car?<br />

And Barbara says, How many times do I<br />

have to tell you to stop calling her that?<br />

And Travis comes out to the couch we’re<br />

sitting on and rubs Barbara’s shoulders.<br />

What happened, honey? he asks Barbara,<br />

and she tells him about the car.<br />

And I say, I think I’m all repented now.<br />

❧<br />

We go home and eat soup with not too<br />

many potatoes or cheese in it because of my<br />

health. But Travis plops one of his potatoes<br />

into my bowl when Barbara is not looking,<br />

and I wonder if he is trying to sabotage my<br />

diet or say he’s sorry for kissing Mrs. Lorraine.<br />

Barbara doesn’t notice because she is scrubbing<br />

my dress in the laundry room.<br />

Do you still love me? I ask, but what I really<br />

want to say is, Please don’t kick me out.<br />

But Barbara says, Of course, of course,<br />

and she gives me a hug.<br />

Barbara, would you still love me if I<br />

chewed the cud? I ask.<br />

If you what? she says.<br />

If I chewed the cud, I say again.<br />

But she has no idea what I’m talking about,<br />

even though it’s in the Bible. Like I said, I’ve<br />

read pretty much the whole thing, so I know<br />

how terrible it is to chew the cud. I bet Simon<br />

chews the cud in his spare time, and I bet<br />

he never even gets in trouble for it. I get in<br />

trouble for everything, but at least I have a<br />

PS3. For a while, anyway.


The Opposite of<br />

Blooming<br />

Dianne Nelson Oberhansly<br />

35


1<br />

She arrived at his front door—a stunning army of<br />

one: long dark hair, hazel eyes, sweet smile that tilted<br />

slightly left. The paper napkin with the map on it he’d<br />

drawn for her still clutched in her hand. It was just a<br />

few minutes after six, and he liked that she didn’t need to be<br />

fashionably late. He had said six o’clock, and so there she was,<br />

confident in real time.<br />

“Hi.” Such a simple greeting, but when she said it, the word<br />

expanded, grew shades of intimacy.<br />

She: Bree Noffsinger.<br />

“Brie, as in the cheese?” he’d asked when they first met<br />

almost two months ago.<br />

She had rolled her eyes. “No. Bree as in Breeze.”<br />

She worked the counter at Joy of Java, where he stopped<br />

every morning for a large Americano on his way to teach<br />

at Saguaro Junior High. His students called him Mr. Mitch,<br />

36


37<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

short for his first name, Mitchell. He taught<br />

band, though at this beginning stage of music,<br />

they formed more of a pubescent pack with<br />

continually dragging tempo.<br />

Truthfully, Mitchell had been afflicted<br />

almost instantly by Bree as he waited daily for<br />

the Americanos. Morning after morning, he<br />

could feel the sticky, honeyed amber of infatuation<br />

spread through him, newly wonderful as<br />

spring and, simultaneously, debilitating as flu.<br />

He felt like an oversized fifth grader secretly<br />

mooning over some girl.<br />

It had taken some time and nerve to get to<br />

this dinner invitation. Sort of like building a<br />

slow bridge with snippets of conversation and<br />

coffee and warm soy milk as the girders. The<br />

small, wiry self-revelations they shared over<br />

the coffee counter seemed odd individually,<br />

but gradually accumulated into wispy, rather<br />

pleasing pictures of each other.<br />

“I’m not gay,” he had told her one morning<br />

while he waited for his order.<br />

She grew up in Indiana, she said. “Weird,<br />

but I always feel like I need to apologize for<br />

that fact.”<br />

He was allergic to eggs.<br />

She was enrolled in Cortiva Massage<br />

School and would begin next quarter.<br />

This was his second year of teaching. Call<br />

him crazy, but he still believed in public<br />

schools.<br />

She was pet sitting her brother’s two<br />

show-winning Corgis for two weeks, and they<br />

were a pain in the butt. She, herself, was a<br />

cat woman.<br />

One morning, after the coffee rush ended<br />

and she came from behind the counter to<br />

wipe tables, they’d had more time to talk. He<br />

watched how lightly she moved, as if shed<br />

of blood and bone and, instead, filled with<br />

packing foam. At one point, he heard himself<br />

ask if she wanted to come to his house for<br />

dinner, and he heard her answer, Yeah, and<br />

by the time he’d located a clean paper napkin,<br />

his hand was shaking slightly as he drew her<br />

a map and wrote out his address, then on<br />

whim, crossed out the of Java so the bottom<br />

of the napkin simply read Joy.<br />

Standing in the threshold of his doorway,<br />

Bree tucked her hair behind an ear. She<br />

inhaled for effect. “Smells great. Somebody<br />

must have shown you around a kitchen or two.”


The Opposite of Blooming 38<br />

Garlic: proof of existence. Olive oil: god<br />

in liquid form. Butter: dense, cream-laden<br />

sunlight. A skillet on Mitchell’s stove low-simmered<br />

with these ingredients, sending the<br />

husky aroma of love throughout his small<br />

house.<br />

Point of fact: he was an expert cook at<br />

only one thing: roasted garlic shrimp on linguine.<br />

Actually, the recipe read Roasted Garlic<br />

Prawns on a Bed of Linguine, but he thought<br />

the bed part was a little over the top. And<br />

prawns were ridiculously expensive, so he’d<br />

wound up with a pound of raw shrimp—big,<br />

meaty, gray-white commas that now rested<br />

in a bowl on his counter, awaiting their final<br />

transformation.<br />

This was his seduction meal, and Mitchell<br />

had found success with it before. If the way<br />

to a man’s heart was directly through his<br />

stomach, then certainly the way to a woman’s<br />

was much more puzzling and circuitous.<br />

It involved her brain, her eyes, the fourth or<br />

fifth chakra of the spine (he couldn’t remember<br />

which); there was the long journey down<br />

2<br />

to her sensitive feet and the ticklish path<br />

around her navel. And yes, the stomach was<br />

an eventual side trip, and if all went well,<br />

her heart was finally arrived at, and if the<br />

gods were still smiling down on them at that<br />

point—Bingo.<br />

But it was all quite a large production. In<br />

addition to an impressive dish, there were<br />

other required elements. Candles, of course,<br />

which he could thank his mother for. She’d<br />

sent a couple of nice pillars to him in last<br />

year’s Christmas box, “to add some cheer,”<br />

her card said, though he’d carefully excised<br />

the Santa Clauses from the front of each<br />

candle with a paring knife for this occasion.<br />

He had decided against a bouquet of flowers,<br />

but cut a long, feathery branch from a<br />

backyard shrub and propped it between the<br />

candles, creating, he thought, a dramatic<br />

statement, somewhere between native and<br />

artsy. And over his left shoulder, he folded<br />

a clean white dish towel, which showed<br />

his seriousness, his work ethic. Not that he<br />

intended to use the towel; it was to be kept<br />

clean and neat, worn like a super-sexy flag<br />

of domesticity.


39<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

Actually, Mitchell was encouraged by how<br />

easy the first fifteen minutes with Bree went.<br />

He poured two glasses of wine, gave her a<br />

short tour of the house. She loved the black<br />

and white photos hanging in his living room.<br />

She was wearing a sleeveless cotton dress,<br />

vintage-looking in faded yellow and green,<br />

its scooped neckline revealing her collarbone,<br />

delicately arced, Mitchell noticed, like the<br />

little handlebars on a tricycle. They sat on<br />

his blanket-covered sofa. She slipped off her<br />

shoes, then pushed them under the coffee<br />

table using her feet—an elegant, dextrous<br />

move. Shortly thereafter, the trouble began.<br />

Don’t, he wanted to whisper to her, Oh don’t.<br />

There was an ancient method and logic<br />

to all of this, a reason why four followed<br />

three. Bree had barely sipped her wine, so<br />

she couldn’t be blotto. Yet with hardly any<br />

ado, she had embraced him, was sucking<br />

the breath right out of him like some hot<br />

meteor. She had skipped all of the operating<br />

3<br />

instructions, including steps 3 through 6,<br />

including linguine, and had fast-forwarded<br />

to a place of electric nerve endings and chaos.<br />

Two or three minutes of it—hell, he couldn’t<br />

tell passing time—and then he backed away<br />

from their entangled nest and pointed to the<br />

kitchen.<br />

He stood, attempted to smile. “Hey you,”<br />

he said, trying to sound playful, not knowing<br />

at all what he meant. “Gotta attend to dinner,<br />

but hold that thought.”<br />

He retreated to the privacy of his kitchen<br />

and stood there, confused. Yes, he had invited<br />

her here hoping for this very kind of encounter,<br />

but there was the whole evening ahead.<br />

Wasn’t there? He glanced at the bowl of<br />

shrimp on the counter, moved to the stove<br />

to settle himself, turned on the right front<br />

burner, set the sautéed garlic to rewarm.<br />

He’d heard nothing behind him, and then<br />

Bree’s pale arms were there, wrapping his<br />

waist. He could feel her face push firmly into<br />

his back like something trying to imprint its<br />

meager outline.<br />

Mitchell reached for the shrimp and<br />

poured them into the hot skillet, the resulting


sizzle big, fragrant, instantaneous. A cloud of<br />

smoke and oil rose, then cleared. He felt the<br />

moist heat on his face, felt it collect on his<br />

scalp and cling to his hair.<br />

In the skillet, the shrimp turned pink, then<br />

darkened to coral, and curled inward until<br />

they were almost closed—the opposite of<br />

blooming. The rich sauce bubbled around<br />

them. Flecks of garlic lit the way.<br />

Bree, behind him still, was nuzzling his<br />

neck, bumping and joyriding.<br />

It was a ridiculous question, but Mitchell,<br />

staring blankly into his creation, had to ask<br />

it anyway. “Hungry?”<br />

The Opposite of Blooming 40


Sourceless,<br />

Timeless, Gone<br />

Eric Barnes<br />

41


Lately, the kids have been breaking<br />

into cockney accents, either of<br />

them entering the kitchen with an<br />

offhand, “’Owdy, guvnuh!”<br />

I find the use of English accents deeply<br />

uncomfortable.<br />

But, of course, I am forced to endure.<br />

It’s hard for me not to fear a disease. Something<br />

unknown and undefined that invades<br />

them and our lives.<br />

The thoughts are fleeting. But I have them.<br />

Visions of a thing beyond my control, a thing<br />

evil and awful and sad.<br />

“’Owdy, guvnah!” they declare. And I laugh,<br />

and I cringe, and I want once more to hold<br />

them closer than I can.<br />

42


Dimelza<br />

Broche<br />

Works<br />

on<br />

paper<br />

Faceless | Ballpoint pen on paper<br />

43


Left: Stare<br />

Top: My soul<br />

44


Pollution<br />

45


Life<br />

46


47<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

Dreamer


The Illusion<br />

Dimelza Broche 48


Gut Feelings<br />

Penny Perkins<br />

49


I<br />

had been feeling the pain, and ignoring it, for months.<br />

Maybe years. I really don’t know. The pain had become a<br />

part of me, tugging on the coattails of my consciousness<br />

for so long that I barely noticed it anymore. It’s hard<br />

to remember how long it had gone on like that. But then<br />

suddenly, without warning, it went from Dull and Chronic to<br />

Sharp and Acute, and then the needle on the dial careened<br />

all the way to Utterly Insufferable. The pain blinded me with<br />

searing aches and sharp stabs; it stood up in the middle of the<br />

room, grabbed me by the shirt, and announced with utmost<br />

authority and power, “I will not be ignored any longer.”<br />

So I went to my doctor and she ordered some tests.<br />

I like my doctor, Dr. Livingston; she’s older than me, maybe<br />

in her early sixties (I’ve always been a bad judge of age), a<br />

transplant from some Celtic island culture that left a pleasing<br />

lilt in her voice. She’s tall and thin and looks good in a white<br />

coat. But more importantly: she’s kind and straight-talking. I<br />

liked that most of all.<br />

50


51<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

A few weeks after the tests, I went back for<br />

the results.<br />

She was flipping through my chart and<br />

shaking her head. “These tests don’t make<br />

any sense.”<br />

That’s not something you want to hear<br />

from your doctor.<br />

“How so?”<br />

She looked up and closed my chart.<br />

“Some are inconclusive and others are<br />

contradictory. And the notes from the lab<br />

technician indicate vellumoid flange loads on<br />

several samples.”<br />

I stared at her blankly.<br />

“What does that mean?”<br />

“It means we’re going to have to do more<br />

tests.”<br />

For several months I went to various<br />

labs and got poked and prodded in sundry<br />

unmentionable places. Barium contrast and<br />

non-contrast CT scan of the abdomen. A<br />

colonoscopy. Blood tests. The results were<br />

seldom within normal ranges, but no one<br />

could explain why.<br />

The reports were nothing but a barrage of<br />

confusion to me:<br />

“We’re seeing significant derivation in your<br />

lexemes and syntactical structures.”<br />

“If we don’t get to the root of your<br />

morpheme issues, we’re going to have significant<br />

risk of toxicity from cacographic<br />

decomposition.”<br />

“Your CBC indicates that someone in<br />

your immediate bloodline may have been<br />

an English major. We’re waiting to get the<br />

culture back to confirm this.”<br />

I had a nagging suspicion of what was<br />

going on, and I thought about saying something.<br />

But I figured that, if I was correct, the<br />

tests would flag it soon enough.<br />

Except they didn’t.<br />

It took another six months to pinpoint the<br />

problem. And by then it was almost too late.<br />

I got the phone call on a Saturday. It was<br />

the on-call doctor from Dr. Livingston’s<br />

practice.<br />

“We have your latest lab results.”<br />

“Yes?”


Gut Feelings 52<br />

“You need to get to the hospital.”<br />

“What do you mean? When? After the<br />

weekend? On Tuesday?”<br />

It was Memorial Day weekend. I couldn’t<br />

imagine there would be much doctoring<br />

going on during a major holiday. Plus, I<br />

had plans. Plans that involved picnics and<br />

coleslaw. You don’t just throw coleslaw plans<br />

to the wind at the first sign of a little health<br />

issue.<br />

“If I were you, I’d pack a thesaurus and get<br />

to the ER as soon as possible.”<br />

“No disrespect, doctor, but I’ve been<br />

undergoing tests for six months, with no real<br />

urgency. What’s the big rush all of a sudden?”<br />

“I can’t speak to what’s happened before,<br />

but the results that I have in my hand right<br />

now indicate multiple complications—including<br />

impending collapse of the kidneys and<br />

maladaptive swelling of the adipose tissues—<br />

due to systemic toxic shock syndrome with<br />

indicators of Streptococcus epistolary.” Pause.<br />

“Time is of the essence.”<br />

I tossed the coleslaw and packed an overnight<br />

bag.<br />

❧<br />

In hindsight, I should have told Dr. Livingston<br />

my suspicions right from the start.<br />

But the fact was: I was ashamed. I was paralyzed<br />

by the thought that I might be wrong.<br />

Oh, sure, lots of people were certain there<br />

was a book inside of them and went running<br />

to the hospital at the first sign of a paper<br />

cut. They’d spend thousands of dollars on<br />

expensive, exploratory surgery, only to come<br />

up empty-handed—or worse, with just a few<br />

pages of a poetry chapbook.<br />

The doctors would declare, “We’ve looked<br />

everywhere, but I’m sorry to inform you,<br />

there’s no book inside of you. The pain must<br />

be caused by something else. A piece of flash<br />

fiction perhaps? A blog entry?”<br />

Some people refused to believe it. They’d<br />

sue their doctors for theft and plagiarism,<br />

claiming that there had been a book inside<br />

of them, but that the material had been purloined<br />

by the surgical staff; then the insurance<br />

companies would, in turn, sue the patients for<br />

linguistic or lexiconal hoax. It was all a big<br />

medico-literary mess.<br />

I didn’t want to be a part of all that. Better<br />

to leave a possible book inside of me to rot


53<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

away than to disgrace myself (and my HMO)<br />

with a fruitless search for a pregnant pause<br />

that turned out to be hysterical in nature and<br />

reported with mocking hilarity in the trades.<br />

Sadly, however, I had not chosen the prudent<br />

path. And now my shame of not wanting<br />

to tell the doctors what I suspected had possibly<br />

put my life in danger. I had learned a<br />

valuable life lesson to speak up—now if only<br />

the doctors could extend my life so that I<br />

would have more days ahead of me to put<br />

that lesson into practice.<br />

Preparing for surgery is nerve-wracking.<br />

But being in surgery is even more<br />

nerve-wracking.<br />

Literally.<br />

I took each of my nerves and put them<br />

on the rack. And then I turned the wheel<br />

and made them squeal until they told the<br />

truth about believing in Mythological Creatures<br />

Who Lived in The Sky and made the<br />

heavens go “Boom!” Then we (my racked<br />

nerves and I) had a good long talk about the<br />

tendency to believe in Supreme Beings when<br />

the possibility of demise is in the air. We discussed<br />

Richard Dawkins and flying spaghetti<br />

monsters, Egyptian gods and Middle Eastern<br />

goddesses, that badass original Goth girl Lilith<br />

(there’s always a first wife no one wants to talk<br />

about), and Pandora of the box fame. Poor<br />

entrepreneurial Pandora. She (sadly) didn’t<br />

go to Harvard Business School so didn’t get<br />

praised for all she let outside of the box.<br />

Ouch! Where was that pain coming from?<br />

Wasn’t I supposed to be under?<br />

By the way, sorry about the stream of consciousness<br />

ramblings; it must be the aesthetic.<br />

I mean the amnesia. I mean the anesthetic.<br />

Is this real life? No, but it’s a gas.<br />

“My mind is racing,” I said out loud. “I can<br />

see the checkered flag.”<br />

The anesthesiologist just looked at me, staring<br />

at me with the dead eyes of a bored shark.<br />

“Just keep counting backwards.”<br />

So I did: 37, 38—whoops—36, 35, 34, 32...<br />

And then...<br />

And then a plank in reason broke, and the<br />

bottom dropped out of Bottom’s dream, and<br />

I slipped into some place that was no place at<br />

all… except that it looked like a steel-framed,


Gut Feelings 54<br />

U-Haul pay-in-advance-by-the-month storage<br />

locker that housed nothing but the dank<br />

blankness of the inside of the belly of the<br />

whale. So, like Jonah before me, I lit a match<br />

to brighten my way. As my eyes grew accustomed<br />

to the glooming, I saw that I was<br />

standing on a dry, concrete floor, which held<br />

wooden pallets stacked with moldy cardboard<br />

boxes towering to the ceiling, which in turn<br />

held broken memories of days gone by. I held<br />

my match up to the side of one of the boxes; it<br />

was labeled “THIS END UP” and then next<br />

to it “YOUR UNCONSCIOUS.” Then the<br />

flame singed my finger, I dropped my match,<br />

and that was the last thing I remember before<br />

going completely under.<br />

I woke up in the middle of surgery.<br />

It was a vague waking up, more like a<br />

slight bobbing to the surface of consciousness.<br />

My eyelids were unbearably heavy—nearly<br />

impossible to open—but I could clearly hear<br />

the clinks and clanks of the procedure, as well<br />

as the murmurings of the surgeons and staff<br />

huddled around my draped body.<br />

“There’s another piece wrapped around<br />

the duodenum.”<br />

“I’m working on it.”<br />

“Just tug it.”<br />

“And risk more diffuse vascular leakage?”<br />

“Watch out. You’ve got systemic Ang-1 and<br />

Ang-2 dysregulation.”<br />

“Great. Now we have widespread endothelial<br />

activation.”<br />

“You’re tearing the celiac ganglia.”<br />

“I have to—to get to this frontispiece.”<br />

“Don’t worry about the frontispiece—that’s<br />

tertiary.”<br />

“Ancillary.”<br />

“Arbitrary.”<br />

Self-congratulatory laughter here at their<br />

own cleverness.<br />

“Cooper. What are you doing?”<br />

“I was just trying to make out what it says<br />

here on the…”<br />

At this point, my curiosity overcame being<br />

held hostage by my intractable eyelids. I managed<br />

to crack open a slit in one eye to get a<br />

peek.<br />

Between the pointed ends of his shiny<br />

instrument, Dr. Cooper was holding up a


55<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

moist and rotting fragment—part parchment,<br />

part papyrus—dripping with enzymes and<br />

soy-based ink.<br />

Another doctor, Dr. Lybrand, I believe,<br />

grabbed it with his gloved hand and threw it<br />

in the medical collection bin.<br />

“Just extract it, Cooper. Don’t review it.”<br />

More savvy doctor laughter.<br />

Then I felt what seemed like a 30-inch<br />

needle piercing my stomach; my eyes shot<br />

wide open, and I screamed for all I was worth.<br />

Behind his mask, I saw the lead surgeon,<br />

Dr. Price, staring at me in shock.<br />

“Why is she awake?!” he barked at the<br />

anesthesiologist.<br />

This seemed like a reasonable question,<br />

and I repeated it like a panic-stricken parrot,<br />

“Why am I awake?!”<br />

The dead shark eyes of the anesthesiologist<br />

sprang to life, and she gritted through<br />

her teeth, “I’ve already given her enough to<br />

knock out a horse!”<br />

“Give her more!” ordered the surgeon.<br />

“Give me more!” I squawked.<br />

The last thing I remembered was the<br />

maniacal look of the anesthesiologist as she<br />

cranked up the dial on my drip. If it had<br />

been a cartoon, her motion would have been<br />

accompanied by a slider-sloop sound effect.<br />

Hours later, I awoke in the recovery room<br />

on the same gurney that I had been on during<br />

surgery. At first, I didn’t realize where I was<br />

or how I had gotten there.<br />

As I was sorting things out, a nurse ambled<br />

over and asked how I was feeling.<br />

“Okay,” I lied.<br />

Truth was, I was in a full-blown panic. I<br />

was sweating and shaking.<br />

She didn’t seem to notice.<br />

“Would you like a sandwich? We have egg<br />

salad or tuna salad.”<br />

Neither had ever sounded less appetizing.<br />

I looked around, trying to understand why<br />

a rising wave of anxiety threatened to capsize<br />

me. Intellectually, I knew the surgery was over<br />

and that I had come out alive, if not perfectly<br />

fine. But emotionally, it was as if I was still<br />

waiting to go into surgery—and I was drowning<br />

in uncontrollable anxiety.<br />

“Actually,” I said, “I’m feeling a little spooky.


Gut Feelings 56<br />

Can I get some Valium or something?”<br />

The nurse just smiled as she walked away.<br />

“Sorry, sweetie. We only hand that out<br />

before the procedure. Post-operative sedatives<br />

are not covered in your plan.”<br />

I felt the fear rise in my throat like a bad<br />

review.<br />

I learned later that the doctors had to<br />

save what was left of my book by ripping<br />

out the bulk of it from my intestinal lining.<br />

The good news is that they were able to stitch<br />

the perforations, so I will not have to wear<br />

this colostomy bag the rest of my life—just<br />

until I finish healing from the surgery. There<br />

was a preface under the diaphragm that they<br />

weren’t able to save, but at least they were<br />

able to remove it. (Apparently, it had been<br />

the cause of the fiendish heartburn and reflux<br />

I’d been suffering from.) Sadly, they couldn’t<br />

even find the epilogue—some of the surgical<br />

team thought it had long ago been absorbed<br />

into the reproductive system and flushed out<br />

through menses. And, in cases such as mine—<br />

where the book had festered inside too long<br />

and started to wither and decompose—they<br />

didn’t even bother looking for a table of<br />

contents (which was probably the section I<br />

needed the most, since so much of what was<br />

retrieved was fragmentary and deteriorated).<br />

After extracting what was left of my book<br />

from my torso, the doctors then packed the<br />

resulting intestinal cavity with emergency<br />

supplies of stem-cell-created regenerative<br />

membranes, which were wrapped in a long,<br />

dissolvable cotton coil. They left the end of<br />

this cotton wick sticking out of a slit in my<br />

anterior abdominal wall and gave me instructions<br />

to pull out an inch of it every day. That<br />

is, as the internal cavity healed and filled itself<br />

up, I would pull out the cotton coil to give the<br />

membrane room to heal further.<br />

This was disgusting to me—the very<br />

thought of pulling something out from my<br />

body reminded me of a bad sci-fi horror<br />

movie and made me almost faint. And it was<br />

also very painful. I finally discovered, while<br />

taking a shower, that getting the area around<br />

the wound very wet helped to diminish considerably<br />

the pain of pulling out the cord—that<br />

way I wasn’t breaking the scab-like crust that


57<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

had formed overnight. I thought that this was<br />

a simple pain management technique that the<br />

hospital could have told me about and not left<br />

me to my own devices to discover. It made<br />

me wonder if they had been as careless with<br />

my manuscript extraction surgery as they had<br />

been with my post-op instructions.<br />

In fact, I’d like to formerly go on the record<br />

to note that my post-op instructions were<br />

completely underwhelming. For all the big<br />

urgency and supposed life-threatening conditions<br />

I was under, there wasn’t much advice<br />

dispensed in terms of how to accelerate my<br />

recovery or, more importantly, how to prevent<br />

a relapse. Going forward, what should I do<br />

to keep another book from getting trapped<br />

inside of me? Where was my ounce of prevention?<br />

No one even pretended to give me<br />

answers about this.<br />

Actually, now that I’ve broached the<br />

subject, part of me feared that the whole<br />

“we-got-your-book-out-and-its-removal-lefta-big-cavity-in-you-so-pull-this-cord-out-ofyour-body-while-it-heals”<br />

routine was just<br />

an elaborate cover up against the truth that<br />

they had not found a book inside me at all.<br />

If that were the case, putting a cotton coil<br />

inside of me was literally just “dressing the<br />

wound”—a wound allegedly left by festering<br />

pages of Jabberwocky reduced to a slushy pile<br />

of post-meaning (and which might never be<br />

deciphered).<br />

But why would they lie about such a thing?<br />

Well, the doctors would have to justify the<br />

procedure to the adjusters. They would want<br />

to get paid for their efforts. Everyone knew—<br />

especially the hospital’s accountants—that I<br />

couldn’t afford such an expensive procedure<br />

as an elective. The doctors might have found<br />

only a few scraps—or maybe they retrieved<br />

just notes for a book instead of a book itself—<br />

and then decided to stage an elaborate ruse<br />

for the sake of getting paid by insurance. And,<br />

hey, who can blame them? Everybody has a<br />

mortgage to pay, right?<br />

I kept trying to push aside this nightmare<br />

thought, trying to rid myself of it until my<br />

first post-operative appointment with Dr.<br />

Livingston. That’s when I would finally see<br />

my book with my own eyes and hold it in<br />

my hands.<br />


Gut Feelings 58<br />

Two weeks later, I was waiting for my<br />

doctor in examining room number three.<br />

Since the battery on my smart phone was<br />

dead, I passed the time by reading a poster<br />

on the wall about the ingredients of this year’s<br />

flu vaccine (it had been engineered especially<br />

to help prevent against a virulent strain of<br />

Codex Dresdensis); I also read a flyer about how<br />

a diet heavy in hydrogenated detective novels<br />

and polyunsaturated murder mysteries could<br />

lead to serial diabetes.<br />

When she finally came in, Dr. Livingston<br />

examined my stitches without any small talk.<br />

“These look good,” she said. “Healing nicely.”<br />

I was scheduled to get my manuscript, but I<br />

didn’t know what the protocol was for asking<br />

for it.<br />

She sat down and nodded toward a cardboard<br />

box on the counter by the sink.<br />

There it was—my book. I felt a rush of<br />

excitement. But before I could say anything,<br />

she broke the news.<br />

“You’re going to have to work with a medical<br />

editor.”<br />

“I don’t understand,” I said.<br />

“The pages that were extracted are…<br />

mostly... deficient in quality.”<br />

This was difficult to hear. My stitches<br />

throbbed.<br />

“The physical condition of the pages… or<br />

the writing on them?”<br />

“Well, that’s not my expertise. I just collate<br />

them. I don’t appraise them.” Pause. “But<br />

from what I’ve seen over the years, I suspect<br />

both.”<br />

This was devastating. I’d had the ache for<br />

years. I’d had an extensive and painful surgery<br />

and was currently undergoing a significant<br />

post-operative healing period, and now there<br />

was—still!—an apparently long road ahead<br />

of me with a medical editor to get it all into<br />

shape. I couldn’t believe I had been naive<br />

enough to think that this was the end of the<br />

process... not the beginning!<br />

Dr. Livingston knew what I was thinking.<br />

She’d probably seen it a thousand times.<br />

“Don’t be surprised or get down on yourself.<br />

Very rarely do they come out fully formed, in<br />

perfect shape for the marketplace.”<br />

I couldn’t bring myself to answer. I was<br />

afraid I would start crying.<br />

But she was a highly-trained professional


59<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

and continued without waiting for me to<br />

respond. “Look, most people don’t even have<br />

a book inside of them, and even for those<br />

who do, most of them never get it out. You’re<br />

one of the lucky ones. You had a book in you,<br />

and we got it out—at least, what was left of it.<br />

Granted, it’s fragmentary and full of palimpsest,<br />

not to mention being caked with purple<br />

adhesions due to its prolonged, impacted state.<br />

But at least you have something to work with.<br />

Some folks wait even longer than you did and<br />

still have to go through the pain of the surgery,<br />

just to extract a jarful of viscous pulp. Not a<br />

legible word to be found.”<br />

She paused to let it sink in.<br />

“The need for a medical editor is a good<br />

sign. Really.”<br />

At that point, I did start to cry.<br />

Without missing a beat, she handed me a<br />

box of tissues.<br />

“You could have died from decompositional<br />

toxic shock syndrome or even No. 2 lead poisoning.<br />

The good news is, you’re going to<br />

be fine.”<br />

I wiped my eyes and looked at her. “But<br />

what about my book?”<br />

She was already writing on her pad. “As<br />

I said, I’m referring you to a very talented<br />

medical editor. She specializes in impacted<br />

cases like yours.”<br />

I managed to take the prescription slip and<br />

thank her. I started to leave. She stopped me.<br />

“Don’t forget your manuscript.”<br />

She handed me the corrugated box that<br />

contained what was left of the book. It felt<br />

much lighter than I expected—and suddenly<br />

I had the terrifying thought that it might be<br />

a novella, the maligned homunculus of the<br />

literary world. And then (worse yet!) I noticed<br />

the box had a terrible odor. My book stank.<br />

Dejected, I walked down the hall to settle<br />

my co-pay. Would my insurance cover a medical<br />

editor, and if so, could I afford the 20%<br />

of fees not covered? And if not, how would I<br />

ever get this foul-smelling offal into shape? If I<br />

couldn’t get authorization for a medial editor,<br />

would I be able to revise the manuscript on<br />

my own? Was that even legal? Should I even<br />

try, or would that simply relegate me to the<br />

slippery slope of vanity publishing?<br />

I paid the receptionist, and she handed me<br />

the receipt. As I started to walk away, she


Gut Feelings 60<br />

said, “Oh, don’t forget this,” and handed me<br />

my manuscript. I felt embarrassed that I had<br />

almost left it. Again.<br />

Walking to my car, I wondered if I would<br />

be able to wait until I got home to take a<br />

look at it—but as soon as I slid in behind<br />

the wheel, I knew that I could not. I would<br />

not be able to stand the ride home with the<br />

mysterious box unopened beside me. At the<br />

same time, I didn’t feel exactly right opening<br />

it here in the medical center parking lot.<br />

The location felt too inauspicious for such a<br />

momentous occasion. And besides, what if<br />

somebody saw me? How embarrassing to be<br />

that rookie author so excited about the book<br />

extracted from her gut that she couldn’t even<br />

wait to get home to read it.<br />

As I stared at the brown manuscript box, I<br />

suddenly imagined myself as Pandora. Was<br />

this how she felt? Trying to summon her<br />

courage for a life-changing event? Or did<br />

she harbor no trepidation, casting aside the<br />

box top with bravura and abandon?<br />

As I sat there, spellbound, the hot summer<br />

heat bounced off the asphalt of the parking<br />

lot and poured in through my windows,<br />

drenching me in sweat and making the smell<br />

in the box even worse.<br />

And then it hit me: an epiphany which was<br />

the first and only moment of clarity I ever<br />

had.<br />

I realized that I could choose not to open<br />

the book here outside the doctor’s office, and<br />

I could choose not to open it at home, either.<br />

I could not open it anywhere.<br />

I knew that whatever was inside—fragmented,<br />

foul, and underwhelming in<br />

heft—would never fully satisfy me. Even with<br />

help, trying to resuscitate a book that had<br />

already asphyxiated inside me—well, it would<br />

just never be gratifying. No matter how hard<br />

I tried to mend it, I would always pine for<br />

the passages that had been lost, ascribing to<br />

them some power and perfection that I would<br />

never be able to attain or resurrect in reality.<br />

Whatever was inside this box—be it strips<br />

and scraps of fragments, be it notes or bullets<br />

points of something never materialized, be<br />

it an on-the-nose autobiographical account<br />

of family troubles—it was bound to always<br />

disappoint me. Never perfect enough. The<br />

Frankenstein-cobbled book ripped from my


61<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

intestines would never match the book in my<br />

head that I imagined the book in my gut to be.<br />

That’s when the insight hit me, pulverized<br />

me, and rearranged me into the person I<br />

needed to be: the person who got out of her<br />

car and marched the manuscript box over<br />

to the huge biohazard dumpster behind the<br />

medical center. With a newfound conviction<br />

of my literary destiny, I threw my box, and<br />

whatever book or pale shadow of a book it<br />

may or may not have contained, into the<br />

irretrievable guts of the steel trash receptacle.<br />

If there was ever going to be a book assembled<br />

from the fiber of my being, it was going<br />

to start, and end, on the outside of me where<br />

it belonged.


Gut Feelings 62


In That<br />

Heartless<br />

Valley<br />

Carter Schwonke<br />

63


The clatter of a vending machine operator’s keys<br />

and a custodian dragging trash bags down the hall<br />

made it impossible for Bill to overhear executives<br />

scheming in the conference room. His better plan<br />

was to go through Silicon World, department by department,<br />

and systematically scour for layoff clues. The critical factor<br />

though, the thing to remember, was to watch out for Sylvia<br />

in Human Resources. Danger! Sylvia held lives in her hands.<br />

Finance always heard about layoffs first, so Bill started there.<br />

Time passed pleasantly enough, and he shared an early lunch,<br />

but he had no luck. So he pushed Sylvia purposefully to the<br />

back of his mind and moved along to Hardware Engineering<br />

where he ate birthday cake and got less than nothing, a pattern<br />

that repeated until four-thirty, when he finally conceded. Only<br />

Sylvia had the layoff information he needed.<br />

First, he smoothed his hair in the men’s room, centered his<br />

glasses, and washed his hands several times. He couldn’t do<br />

it. One month she’d negotiate a hiring bonus for a guy, the<br />

64


65<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

next month she’d show him the door. No, he<br />

couldn’t hear the truth from Sylvia, because<br />

after two layoffs in six months, his resume<br />

sucked. Besides, if he felt nervous and weak,<br />

he risked falling into Sylvia’s celestial eyes.<br />

Better wait until morning. Yeah, he’d feel<br />

fresher in the morning.<br />

Sylvia, Sylvia, Sylvia, will morning ever come? Bill<br />

tossed and scolded himself for delaying when<br />

he knew damn well he’d never sleep with so<br />

much on his mind. He sat up, scrunched his<br />

pillow repeatedly, and stared at the clock. Not<br />

even his mother knew how he struggled at<br />

night. In half-dream-states he used to prance<br />

around his parent’s house wearing a cape and<br />

old funky medals on his PJs. Why couldn’t<br />

people see? Bill was a hero.<br />

He tangled himself in sweaty sheets and<br />

tried to forget Sylvia: the HR lady, the hatchet<br />

wielder, the girl with silver blue eyes. No surprise<br />

that by morning, he’d talked himself out<br />

of visiting her. But encouraging glimpses of<br />

sky along his bike route reminded him of the<br />

magic, push-pull of her eyes. So he switched<br />

gears, ate a power breakfast at the vending<br />

machines, and proceeded to her office,<br />

pumped and ready.<br />

As he walked, bright lighting turned walls<br />

a nauseating, swirling green. He concentrated<br />

on the sounds his flip-flops made and<br />

reviewed data he’d collected for weeks. With<br />

a mix of intrigue and dread, he’d stared at<br />

her oval face in the lunchroom and analyzed<br />

her conduct in company meetings. If Bill’s<br />

assessment was correct, they were both short<br />

on small talk, so communicating would be<br />

easy. He’d simply fire questions at Sylvia and<br />

stare until she poured out the truth.<br />

When he entered the Human Resources<br />

Department, he waved at Sylvia’s staff. What<br />

were their names? They were both married,<br />

so he didn’t know.<br />

“Is Sylvia here?”<br />

“You have an appointment?”<br />

Bill pretended not to hear. He felt drymouthed<br />

and intimidated, even though he<br />

had no respect for their intellects. Who could<br />

tell with these human resources types—were<br />

they even human? They said they were all<br />

about happy people, yet they planned layoffs<br />

every day.<br />

“Hi, Sylvia,” he said with one jaunty arm


In That Hear tless Valley 66<br />

placed high on her doorframe. “Are we having<br />

layoffs?”<br />

When Bill’s head popped in, she slammed<br />

her bottom drawer. No doubt, she was cute,<br />

people liked her, but that wasn’t the point.<br />

She had information Bill needed.<br />

“You know I can’t talk about layoffs,” she<br />

said.<br />

Even in Bill’s wildest fantasies, Sylvia was<br />

too small to wield an actual hatchet. The guys<br />

upstairs made firing decisions; her part in the<br />

process was to prepare the list. Then she called<br />

each person to her office, crushed their lives,<br />

and handed over a check for two weeks of pay.<br />

“Sylvia, look, I gotta know. Pull out your<br />

list and give me a heads up. How can it hurt?”<br />

“Bill, I have work to do. Talk to your boss.”<br />

“Larry’s in a meeting with the shades<br />

down, Sylvia. I’m not blind.”<br />

Indeed, Bill had all of his senses, and something<br />

in Sylvia’s office put them on high alert.<br />

Not her uncharacteristically messy hair or her<br />

trashed desk; it was a smell.<br />

She sighed. “If you’re at risk, shouldn’t<br />

you be working?” She tapped the face of<br />

her watch. “I heard your project is behind<br />

schedule again.”<br />

In Sylvia’s left iris, he saw trouble. In fact,<br />

both eyes were working hard to hide a truth, a<br />

truth he hadn’t prepared for. And though Bill<br />

wasn’t a guy for nuance, he saw her glance<br />

furtively at her bottom drawer. Sylvia had a<br />

bottle in there! He could smell it.<br />

She continued: “Remember the training<br />

session I did? Highly ranked performers are<br />

unlikely to be downsized, while continued<br />

employment is harder to justify for poorer<br />

performers.”<br />

“What?” Not only had he entirely lost his<br />

focus, but he was incensed she’d used that<br />

line of bullshit on him.<br />

“Well, do you remember the meeting, Bill?”<br />

Bill turned abruptly to see if anyone was<br />

around. He couldn’t believe what he’d walked<br />

into. Obviously, he’d keep pretending he<br />

didn’t notice the smell, though his preference<br />

was to notice absolutely everything about her.<br />

Even if circumstances weren’t exactly ideal,<br />

he’d never be alone with her again.<br />

“You stayed long enough to eat four sandwiches,”<br />

she said. “You must have heard<br />

something I said.”


67<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

Sylvia counted my sandwiches? Of course he<br />

remembered her training meeting. He didn’t<br />

know how to cook, and those avocado sandwiches<br />

were the healthiest food he’d had in<br />

days.<br />

“I heard you,” he said, remembering something<br />

else about that meeting day. During the<br />

Q & A, Sylvia took off her suit jacket. She’d<br />

never shown him her arms before or her<br />

shoulders or… Anyway, he was impressed.<br />

Suddenly, Sylvia stood up, and Bill felt pressured<br />

to leave. It was as though she’d risen<br />

from her chair on purpose to threaten him<br />

with her skirt, loose hair, and bottom-drawer-secret.<br />

He’d known ahead of time she’d<br />

make him feel shy, inadequate, and withered,<br />

like an unworthy cog in a wheel, a brain on<br />

a stick, a man in cargo shorts longing to be<br />

human but unsure of the tradeoffs. He was<br />

immune to all that. But he couldn’t dismiss<br />

her bottom-drawer situation so easily.<br />

Sylvia seemed to drift as Bill decided<br />

whether he was there to rescue her or<br />

protect his own paycheck. Her surprising<br />

persona, more human than corporate, had<br />

temporarily thrown him off balance. Then<br />

Bill remembered their roles. He was (Salary<br />

Level 12) Sr. Developer extraordinaire, and<br />

she was (Salary Level 9) Human Resources<br />

Manager. In the valley, what else was there<br />

to say? He was the real player with real rights<br />

to job security.<br />

In an attempt to stall, he squeezed the<br />

doorframe with his right hand. If he could<br />

extend their meeting, she’d eventually cave.<br />

Invite me in, he thought, ask me to sit, let’s<br />

talk about layoffs or your drawer or the light<br />

fading in your eyes. In fact, his need to sit<br />

and examine an unexpected darkness in her<br />

left eye burned.<br />

Instead, Sylvia shifted her weight. “Bill,<br />

we hired you because you’re the one person<br />

in the valley who can do what you do, so go<br />

do it.”<br />

She was right; when Bill unlocked a magic<br />

solution, it was deceptively simple and elegant,<br />

so why wasn’t she impressed? Because<br />

his heroic designs were always late.<br />

Anyway, mastering a delicate, interpersonal<br />

situation with Sylvia was a futile<br />

exercise. Despite companies up and down<br />

the valley closing, despite rumors, pulled


In That Hear tless Valley 68<br />

shades, and revenue numbers probably in<br />

the tank, there’d be no sharing of resources,<br />

no shortcuts, no helping hand from Sylvia.<br />

Valley people play their cards close to the vest.<br />

They are heartless.<br />

“Have a great day,” Sylvia told him.<br />

In four years, Bill still hadn’t adjusted to<br />

California speak, fierce sun, an ocean too blue<br />

or fields burned out by May. The youngest<br />

of three boys, he got out of Pottsville, where<br />

nobody said phony stuff like, “Have a great<br />

day.”<br />

As Bill tried to leave her office, the depth<br />

of his concern slowed him. This was business,<br />

so why did he feel an overpowering need to<br />

stay? He tried to go, but his flip-flops stuck<br />

to the floor. She needed his help—so he’d<br />

circle back later.<br />

As he retreated, he ran into his cube partner<br />

in the hall. “Stopping to see Sylvia,”<br />

Danny told him.<br />

Danny was a second rate programmer;<br />

even Danny knew it, of course he knew. This<br />

had to be a fatality. Danny was Sylvia’s first<br />

hatchet job. Would she actually fire him under<br />

the influence of alcohol?<br />

Bill stepped back to watch through Sylvia’s<br />

glass door. He saw heads nod, no hatchet,<br />

and she went way past the HR time limit.<br />

He assumed her lapse was a symptom of<br />

inebriation because from Bill’s previous<br />

experiences, he knew HR ladies delivered<br />

good-bye speeches in less than three minutes.<br />

Short firings helped to avoid crying and rage;<br />

best to lower the hatchet, bring in the next<br />

victim, and defer panic and wrist slitting for<br />

the parking lot.<br />

Bill waited ten minutes with a monster<br />

headache. It hurt to ignore Sylvia’s bottom<br />

drawer secret when she was so damned<br />

cute. Danny kept smiling, though, and they<br />

both looked pretty okay. It must have been<br />

an innocent dental plan discussion or 401k<br />

beneficiary form change. Whatever it was,<br />

they were getting flirty.<br />

“What’re you doing in the hall, Bill?” It<br />

was Rita from accounting.<br />

Bill spun around. “Hey. You here to see<br />

Sylvia too?”<br />

“Briefly.”<br />

Bill found this disturbing. While his<br />

smarts could make or break a company,


69<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

administrators possessed no intellectual<br />

property value; their layoff risk was high.<br />

On the other hand, it was a good bet Rita<br />

had been summoned to start calculating<br />

final paychecks. As she took her turn in the<br />

chair, Danny exited via the back hall, and<br />

Bill walked to his cube. He’d have to conduct<br />

interviews with Danny and Rita later. Interesting,<br />

he thought. Tomorrow is Wednesday<br />

and layoffs are on Fridays. HR ladies lived<br />

in fear of people showing up “the day after”<br />

to argue their cases, so weekends gave axed<br />

employees a few days to cool off—should have<br />

remembered.<br />

On Wednesday, when Danny and Rita were<br />

at their desks looking normal, Bill decided to<br />

worry less. He’d play computer games until<br />

lunch, skateboard behind the building, and<br />

forget that he was responsible for prodigious<br />

knowledge and undoable delivery dates.<br />

Then, casually, he’d circle back to Sylvia.<br />

Skateboarding began as usual. Bill carved<br />

lines, marveled at the play and trickery of<br />

the sky, and roared into space in search of<br />

black holes, but the line between freedom<br />

and loneliness seemed blurred. He tried to<br />

imagine Sylvia’s corporate hair messed up<br />

on his pillow. Sweet. He dropped his board<br />

again, lifted his heels, and wondered if his<br />

interest in Sylvia was real or desperate. Corporate<br />

or human?<br />

Easy to wonder. The pool of girls in his<br />

college engineering classes was zero. Just as<br />

well because maintaining a 4.0 grade point<br />

average was his only priority. He figured later,<br />

at work, there’d be girls galore, but work pools<br />

were zero too. Really, it got down to HR and<br />

the cafeteria lady. How do you even meet girls<br />

in California?<br />

Skateboarding often did that, zeroed in<br />

and mirrored life. Space is empty, and life is<br />

empty, but a date with Sylvia? No way, not<br />

only was she out of his league, but she had<br />

issues. And who could ignore that other small<br />

detail—sleeping with the enemy?<br />

On Thursday, no drama, but on Friday at<br />

10:00 a.m., executives met in the main conference<br />

room with the shades pulled again. Not<br />

good. At noon, when they hadn’t emerged<br />

for a bio break, he panicked. It was time to<br />

interview Rita before checking on Sylvia.<br />

Rita spoke with a Spanish accent. She was


In That Hear tless Valley 70<br />

thirtyish with bushy, blonde hair and black<br />

roots. Bill walked to her cube. It would be<br />

hard to talk without alarming rows of bean<br />

counters.<br />

“Bill? What’s up? You got your expense<br />

report?”<br />

Bill shook his head. He was too preoccupied.<br />

“Any big news?” he whispered. “Did we<br />

take another loss this month?”<br />

“The numbers aren’t out yet, Bill.” She<br />

didn’t bother to whisper.<br />

“How was your meeting with Sylvia?”<br />

Rita took off her glasses and gave him<br />

a concerned stare. She sat inches from his<br />

face next to her computer. A company mug<br />

rimmed with lipstick and several family photos<br />

cluttered the small space between them.<br />

“You look pale,” she said.<br />

Without glasses, Rita’s eyes were black and<br />

deep set. He flushed and cleared his throat as<br />

his basic, normal, delayed, and differed need<br />

for a girl overwhelmed him, once again. “Layoffs,<br />

Rita? Are you crunching our run rate?<br />

Cutting salaries to cover operating costs?”<br />

“My meeting with Sylvia was about the<br />

company picnic. Okay? Quit being such a<br />

head case, Bill.” She rolled her eyes. “Why<br />

are you genius types so crazy?”<br />

Poor Rita, (Salary Level 4) Accounting Administrator.<br />

“Crazy?” Bill asked between clenched<br />

teeth. Did he really need to remind her how<br />

truly brilliant he was? Well, she’d left him no<br />

choice. It was time for his famous prick-routine;<br />

it stopped people every time.<br />

“Hello, Rita, I was nineteen when I graduated<br />

from college.”<br />

“Have a great day,” she said.<br />

His recent, infantile handling of two female<br />

encounters and a sense of impending doom<br />

left Bill shaken. Why, suddenly, is it so critical to<br />

pretend it’s a great day? He should take her good<br />

news and move on. Failing companies don’t<br />

plan picnics; they cancel them. Besides, the<br />

dark lipstick on Rita’s cup had ceased to stir<br />

his blood. So he said her hair looked good<br />

and left to find Danny.<br />

He ran into Danny in the stockroom, a<br />

place Bill visited frequently when the crew<br />

was gone. He liked to think and recharge<br />

behind supply shelves.<br />

“Hey, Bill. What’re you doing back here?”<br />

Danny’s arms, face, and legs were covered


71<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

with freckles. His cargo shorts hit below the<br />

knee. As far as Bill could tell, Danny’s wardrobe<br />

was much like his own: a winter pair of<br />

shorts and a summer pair.<br />

“I was looking for you,” Bill said.<br />

Danny gave Bill a big brother’s pat on the<br />

shoulder. “I need an extension cord. Hey,<br />

you look thin, bro, you okay? I was noticing<br />

yesterday.”<br />

“Just working too hard.”<br />

“I heard your design is delayed again.”<br />

Danny coiled the cord into a loop around<br />

his elbow and thumb.<br />

“Only a month late.”<br />

“I can’t do my part until yours is done.<br />

Come on, share the wealth.”<br />

Bill sensed Danny’s ego wrestling for space.<br />

Jealous, prying eyes, like Danny’s (Salary<br />

Level 7) Programmer eyes were a constant<br />

problem. It was a fact, not Bill’s paranoia.<br />

Valley people expected to cash in big on<br />

somebody else’s patentable innovation. So<br />

the very idea of sharing, caring, or coming<br />

to someone’s rescue—ha!<br />

“I saw you with Sylvia,” Bill said.<br />

“No big deal. Personal.”<br />

“Personal?” Bill flailed his arms. “Talk to<br />

me.”<br />

Danny had never held out before, but rather<br />

than fire up his prick routine, Bill drew on<br />

skills previous HR ladies had forced on him.<br />

From courses like: Join the Team and Avoid<br />

Self-Sabotage. There were others too, dozens<br />

of time management seminars, oh, and total<br />

time-sucks like: Quick Confidence and Face<br />

Your Fears Today. But this was personal, and<br />

corporate bull wasn’t going to work.<br />

Bill should have been pleased Danny was<br />

safe. Instead, he raged with jealousy. Danny<br />

had something going with Sylvia, trumping<br />

his fear of layoffs. God, if Bill was jealous of<br />

Danny, he was desperate. Desperate for what?<br />

He wondered. Job security or the girl? I’m not<br />

even worthy of the girl; forget the girl. She’s trouble.<br />

Danny made lame excuses, but Bill couldn’t<br />

hear. His head hammered with the thought<br />

of interviewing and networking while Danny<br />

made time with the ladies. Suddenly he was<br />

alone in the stockroom. He was thinking out<br />

loud, not able to stop himself from projecting<br />

inside out as he recalculated the cost of<br />

supporting his mother and two dead-beat


In That Hear tless Valley 72<br />

brothers back in Pottsville.<br />

Mom, where do your prescription drugs rank?<br />

Randy, where does a paint job for your truck rank?<br />

Hey, I wanna help my family, but I’m deep in college<br />

loans. Do I look like a money machine? Bill had<br />

learned that in life, as in skateboarding, it<br />

was a good idea to analyze one’s motives and<br />

intentions, but not then, not in the middle of<br />

another freaking layoff.<br />

He heard time passing, the stockroom<br />

breathing, and his life crashing under the<br />

pressures of deadlines and debt. How could<br />

he have forgotten his expense report when<br />

every penny counted? Then he heard a door,<br />

footsteps, and the rustle of her suit. She was<br />

coming after him with her hatchet. It seemed<br />

decisions were made, and empty space was<br />

just empty space.<br />

“Danny said you were back here.” Sylvia<br />

studied him. “Why are you sitting on that<br />

box?”<br />

When he smelled her, he knew this was<br />

not a fantastic nightmare. She was there,<br />

she’d been drinking, and he couldn’t pretend<br />

otherwise. She wasn’t the ruthless, callous,<br />

detached person he’d imagined her to be, nor<br />

a conniver born with a hunger to control people’s<br />

lives. She was a girl who needed help.<br />

As she squatted awkwardly, to be closer,<br />

a strange look of understanding came over<br />

her, and he wondered if this was a corporate<br />

intervention or a personal one. Would she let<br />

the hatchet fall or not? Was she intervening<br />

in Bill’s pathetic life, or was he intervening<br />

in hers?<br />

“Bill, we can work this out. You don’t need<br />

to interview people or spy at conference room<br />

doors. Let me help.”<br />

“Help?” He thought he shouted. But<br />

beyond that, Bill was speechless. He wondered<br />

if she knew how much her hand, resting on<br />

his wide hairy knee had helped already. He lit<br />

up. He felt an unfamiliar throb in his gut, not<br />

like he was jealous of Danny, more like he was<br />

suddenly human, and he was reminded how<br />

interacting with people affects a guy. Was he<br />

glimpsing the heart of a Hatchet Lady, or was<br />

she just doing her job? Did she possess normal,<br />

delayed, and deterred feelings too? Did each<br />

layoff leave purple marks on her arms, hidden<br />

like bruises under corporate suit jackets? Had<br />

constant layoffs driven her to drink?


73<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

As words poured from Sylvia’s sweet lips,<br />

she became brilliant to Bill, like the California<br />

sun. Then laughter in the hallway—5:00<br />

p.m.—he’d avoided the hatchet another<br />

Friday. But should she fear the hatchet?<br />

If he walked to his desk, ground out code<br />

until Sunday, and slept on the floor, he might<br />

meet his deadlines. Though he was exhausted,<br />

pale, thin, and paranoid, software heroics<br />

might save his job. Bill’s other choice was to<br />

rescue the girl with silver eyes.<br />

His glasses fogged as he weighed his<br />

options, but he could still see all the way back<br />

to Pottsville Elementary School, where he’d<br />

learned to separate his head from his heart.<br />

With no help, only his cape and medals, he’d<br />

accomplished superhuman things. So with<br />

his Pottsville revenge bubbling, his isolationist<br />

angst and layoff fever storming, Bill decided to<br />

run away and hide. Yes, then from behind the<br />

scenes, he’d find an algorithm, some elegant<br />

solution to save them both.<br />

“Don’t tell anyone what you saw in my desk<br />

drawer,” she whispered. “Promise me.”<br />

“What?” He was shaking. “Will that help?”<br />

“For now.” She scanned his face as if her<br />

wonderful eyes had never seen him before.<br />

“Thanks,” she said.<br />

Overwhelmed, Bill released a breath he’d<br />

held for hours. Sylvia was a drunk, he was<br />

a punk, and they were alone in the storage<br />

room, where he’d bumbled into something<br />

only his heart understood: a once-in-a-lifetime<br />

chance to ask for the light in Sylvia’s<br />

eyes to shine only on him.<br />

“Wait,” he said with a sweaty palm on her<br />

shoulder. “I won’t breathe a word, but I have<br />

a condition.”<br />

“I’m listening.”<br />

Her plight gave him power. His spirits rose;<br />

insecurities no longer broke his stride. Screw<br />

his heart! Bill’s head was back, and he teed<br />

up his prick attitude to demand job security.<br />

She had to comply.<br />

“I… I’m pretty smart,” he said, unable to<br />

summon his defenses. “I want to help.”<br />

“Thanks, Bill.” She sighed. “But I’m not<br />

ready.”<br />

“I know about solving…” he cleared his<br />

throat, “problems.”<br />

“Yeah, but I’ll just find another problem.”<br />

“We talked about this. I’m the best problem


solver in the valley; that’s my final offer.”<br />

When she smiled, her faint acceptance<br />

of his terms made his arm hairs tingle. And<br />

unlike dozens of other extraordinary (Salary<br />

Level 12), Sr. Developers up and down that<br />

heartless valley, looking over their shoulders,<br />

sizing up the competition, arrogantly refusing<br />

to help or share resources with anyone at any<br />

time, only Bill was an actual hero.<br />

In That Hear tless Valley 74


Sir<br />

Rory Meagher<br />

75


—They do not like cages, sir. They do not like walls.<br />

Give them windows.<br />

—I have tried that, sir. It’s better at first, but they gradually<br />

learn that these are only walls that trick you. Walls that show<br />

you what you can’t have.<br />

This is futile.<br />

—Perhaps we could use mirrors, sir.<br />

No. They hate mirrors.<br />

—Really? Why is that?<br />

I suppose I can’t take them with me if they refuse to depart from their<br />

environment. If they refuse to be caged.<br />

—The cages make them crazy, sir. They were killing themselves…<br />

killing each other…<br />

Such a foolish breed. They scare too easily, and they take great shame<br />

in their fear. It turns them violent.<br />

—They can be quite clever, sir. You made them smart. I<br />

found the strangest thing today. After I couldn’t cage them, I<br />

set them free again, and there was a pair that stuck together<br />

76


77<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

through the whole process. Afterwards they<br />

retreated together. And then they… Well,<br />

they were mating, but… but they found a<br />

way to avoid the fertilization of an egg. They<br />

had no intentions of reproducing, sir. It was<br />

purely for pleasure.<br />

I have seen it before.<br />

—I didn’t know that. Is it documented?<br />

No, I—I’m sorry—I don’t take notes as diligently<br />

as I used to. I don’t… I just don’t like this anymore.<br />

—Sir?<br />

Did you document it?<br />

—I did, sir. I thought it showed great cunning.<br />

They’ve learned to manipulate nature.<br />

They use their intelligence for all the wrong reasons.<br />

—But, sir. Why do you want to take them<br />

with you?<br />

I can’t take them with me.<br />

—But why did you want to?<br />

It’s not important why.<br />

—Of course it is. That’s the first thing<br />

you told me, sir. Always ask why, always ask<br />

questions, always—<br />

Shut up! Shut up!<br />

—Sir. I don’t understand…<br />

You want to know why? You want to know why I<br />

wanted to take them with me? I was going to exterminate<br />

them.<br />

—What? No—sir, how could you?<br />

Ugly creatures that do ugly things. I’ll rid us both<br />

of them and wash my hands. I’m going to start over<br />

somewhere else—start from scratch—better results,<br />

better behavior.<br />

—Sir, I won’t let you hurt them. Why… why<br />

would you ever want to do that?<br />

They make the same mistakes every day—I’m tired<br />

of watching. I’m tired of waiting. That puzzle was<br />

the last straw. I spent all my strength on that puzzle,<br />

devising something that I hoped would inspire their<br />

mental faculties. I couldn’t wait to watch them work<br />

on it. And it was beautiful! I gave them something<br />

beautiful, and what did they do with it? They… they<br />

tore it to pieces.<br />

—Sir, they didn’t understand what it was.<br />

That puzzle was difficult.<br />

It was perfect! You can’t tell me that it was anything<br />

other than perfect.<br />

—I know. It was. It was perfect, sir, but…<br />

but perfection is a hard thing to look at. It’s<br />

like a blinding light to them.<br />

They are blind to everything. They can only see<br />

their immediate needs and desires.


Sir 78<br />

—Sir, that’s not true. Why are you saying<br />

these things?<br />

I can’t keep on with this anymore. Every aspect,<br />

every little piece of this life, seems to shine with less<br />

light than it used to. I simply must leave. I simply<br />

must leave.<br />

—But… But… Why do you intend on leaving<br />

without me, sir?<br />

I don’t understand.<br />

—I’ve been with you since the beginning, sir.<br />

Since your beginning.<br />

—But, sir…<br />

You must stay here and start over. You must not<br />

inherit my mistakes.<br />

—But, sir…<br />

We cannot both leave.<br />

—But, sir…<br />

I am going to exterminate them, and then I am<br />

going to leave.<br />

—May I keep them, sir? Please. It would<br />

be my honor to inherit your work.<br />

You shouldn’t. They are utterly flawed.<br />

—Yes, but I can learn from them. Watching<br />

them enlightens me. And I’ve seen them<br />

do noble things, protecting each other, dying<br />

for each other—they are capable of so much<br />

more. I’ve never told you this, sir, but I often<br />

dream about them. I can’t explain it… I just<br />

feel attached.<br />

I suppose… I was once like you… If you so desire,<br />

you may keep them. Perhaps you can correct them. Perhaps<br />

you will be much better for them than I ever was.<br />

—Thank you, sir. Thank you so much. I<br />

won’t let you down.<br />

I wish you well, but I must leave now. I cannot<br />

be here any longer.<br />

—Please, wait, sir. I have more questions.<br />

And you always will. It’s the nature of the job.<br />

—Wait. Just one more question, sir. Please.<br />

All right. One last question. And then I’ll go.<br />

—You didn’t answer me before. Why do<br />

they hate the mirrors, sir?<br />

It’s... because they don’t know what they look like.<br />

They don’t know what they look like, so they create<br />

their own vision in their mind, a beautiful vision, a<br />

beautiful deception. You see, they lie to themselves.<br />

And why wouldn’t they? Hope, after all, is a survival<br />

instinct. And so, they presume to be beautiful, elegant<br />

creatures. They begin to think they’re angels. And<br />

then they look in the mirror, and then they see what<br />

they really are.


The Princess and<br />

the Dragon<br />

Alice Thomsen<br />

79


So here we are. It’s dusk, and over the ledge, down the<br />

hill, a train calls out like a dog missing its pack. He<br />

peels back the cellophane, taps out a cigarette, offers<br />

me one, but I shake my head. I’m not trying to quit<br />

anymore, but sometimes I pretend. The way we still tell our<br />

Others I love you after all these nights.<br />

I am sitting on the low brick wall where he rests his elbows<br />

and takes a long drag. He pinches his lips and exhales the<br />

smoke like a cherub fountain.<br />

“I’m a dragon,” he says, and I laugh a little.<br />

“I’m the princess.”<br />

It was spring when we met. The ground smelled wet—earth<br />

thawing, bulbs splitting open and thrusting free—and I left<br />

my car behind when I headed downtown so I could show my<br />

body that the cold was gone and it was safe to leave the house<br />

with bare skin and everything would be okay.<br />

“I’m sorry,” he said when he opened the door. “You’re<br />

Lauren’s friend, right? I forgot your name.”<br />

80


81<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

“Emily,” I said. “And you’re …?” Mark, I<br />

remembered, but I didn’t want him to feel<br />

bad for having forgotten.<br />

“Marcus,” he said. “Lauren should be back<br />

soon. Come in.”<br />

Lauren: my best friend from high school,<br />

back from New York with an art history degree,<br />

a jackpot of student debt, and a fiancé.<br />

He’s an anthropology major, she’d told me in<br />

an email. He likes authentic Cantonese food and<br />

tolerates Fuzzy Wuzzy.<br />

Something’s wrong with him, I replied. Nobody<br />

should tolerate Fuzzy Wuzzy.<br />

Fuzzy Wuzzy: a Mexican red leg tarantula<br />

with a lifespan up to three-and-a-half times<br />

that of the average marriage.<br />

The terrarium sat on a shelf by the couch,<br />

one of the few things not still boxed up from<br />

the move.<br />

“I missed Lauren,” I said anyway, “but I<br />

didn’t miss that thing.” The truth of it was,<br />

although every email closed with, I miss you!,<br />

I stopped missing her after a while. It’s how<br />

going away works.<br />

Marcus shrugged. “Wuzzy’s not so bad,<br />

once you get used to her.”<br />

“And then you realize one day that you’re<br />

used to a giant spider, which is just as bad.”<br />

Lauren arrived, pleased we were getting<br />

along. “Emily can be kind of prickly sometimes,”<br />

she told Marcus, “but she can play<br />

nice, too.”<br />

We all did. Lauren, Marcus, Rick, and I<br />

would meet for dinner sometimes, maybe<br />

watch a game or movie we could all find some<br />

investment in. This, I remember thinking as<br />

Rick asserted his masculinity by picking up<br />

the check, must be what it’s like to have couple<br />

friends: awkward, a little forced, because none<br />

of us is certain why we’re there. Are we good<br />

company, or are we just tagging along? If not<br />

for me, would Lauren and Rick ever talk?<br />

What does it mean that they wouldn’t?<br />

Rick: a vet tech who specializes in the pets<br />

his coworkers don’t want to deal with, the<br />

ones with CAUTION: BITES and HANDLE<br />

WITH CARE warnings in their files. It would<br />

be a nice story if that’s how we’d met—if he’d<br />

been patient while my foul-tempered cat got<br />

her rabies booster. But I don’t have a cat, just<br />

a cat allergy, and we met in the waiting room<br />

of the walk-in clinic, preparing for flu season.


The Princess and the Dragon 82<br />

I was fumbling for my insurance card, head<br />

gone foggy because I’ve never been good with<br />

needles; he was stuck in line behind me, and<br />

when I spilled my wallet, he helped me gather<br />

the bills and receipts and frequency cards.<br />

“You’re at Central,” he said when he<br />

returned my student ID. “I graduated two<br />

years ago. What are you studying?”<br />

“I don’t know,” I said, because I was<br />

between majors, having abandoned biology<br />

for philosophy but not yet found sociology, but<br />

it sounded like the answer someone would<br />

give dazed.<br />

“Are you okay?” he asked. “You’re really<br />

pale.”<br />

“Fine,” I said. “Yeah. Just don’t like shots.”<br />

“Flu shot, eh?” When I nodded, he said,<br />

“Yeah, me too. There’s a Wendy’s down the<br />

block. Maybe you should eat something.”<br />

It was just self-induced wooziness from the<br />

needle, but when I told Lauren—this when<br />

I was still telling Lauren things—she said,<br />

“Yeah, right. You were swooning, weren’t you?”<br />

Even now, I don’t know if Rick lived up<br />

to whatever expectations she had in her<br />

mind. The only reaction she gave came in<br />

a whispered aside when he and Marcus had<br />

fallen into conversation about Fuzzy Wuzzy:<br />

“I always imagined he’d have glasses.”<br />

Her sister was the maid of honor at their<br />

end-of-summer wedding. The next month,<br />

Rick invited me to join him for a round of<br />

flu shots, except when we got to the clinic<br />

he said, “Hold on,” and went to one knee.<br />

Women talk about a surprise proposal like it<br />

isn’t terrifying. It is magic, but not the good<br />

type. It is dark, dangerous magic, the sort that<br />

makes your marrow go rancid.<br />

In my head, I said, Oh fuck. Please let some<br />

car crash into that fire hydrant and save me. Oh fuck.<br />

Out loud, I said, “Yes.”<br />

And that’s how it started. I asked Lauren<br />

why she chose the Hilton banquet hall for<br />

the reception. She said, “Ask Mark.” So I did,<br />

and then asked him more.<br />

“It’s okay,” he said. “I think everyone’s supposed<br />

to be scared.”<br />

“Lauren wasn’t,” I said.<br />

He lifted his shoulders, flagged down the<br />

waitress for another round. “Lauren’s not<br />

scared of a lot. I don’t know if that’s always<br />

a good thing.”


83<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

I’ve always been a scared person. I used to<br />

envy Lauren for her fearlessness; sometimes I<br />

still do, although for different reasons. I once<br />

wanted to be like her, ready to bite into the<br />

Big Bad Apple. Now I wish I had her courage<br />

to leave our hometown.<br />

Maybe the difference between the two is in<br />

my head. Maybe bravery is a mythic tapestry<br />

I’ve constructed for myself and we’re all<br />

cowards, just sometimes better at hiding it,<br />

weaving in a few gold threads to distract from<br />

the faded beiges that all blur together into<br />

a monochromatic depiction of knights who<br />

stay in playing checkers and steeds put out to<br />

pasture and an evil queen who minds her own<br />

business. Everything is pleasant; everything<br />

makes a plain sort of sense.<br />

“I’m scared of a lot. More than I should be.”<br />

“Fear”—Marcus nodded thanks when the<br />

waitress replaced our drinks—“seems important.<br />

Like pain. We do everything we can to<br />

avoid paper cuts and bruised shins, but then<br />

you look at the people who are born without<br />

the ability to feel pain, biting off their own<br />

tongues without even realizing it. Pain’s a<br />

survival mechanism. So is fear. It’s the thing<br />

that tells you not to jump off a cliff just to see<br />

what happens.”<br />

I got too drunk that night, didn’t realize<br />

it until I stood to look for the restroom and<br />

the world went liquid around me. I laughed<br />

and rested a hand faux-casually on the high<br />

table, and Marcus tilted his head to the side<br />

and raised an eyebrow, and I laughed harder<br />

and said, “Sorry. I’ll be back in a sec.”<br />

The ladies’ room in Sly Dog Brewery has<br />

a mirror that’s angled a few degrees forward,<br />

just enough to rekindle the flare of vertigo I’d<br />

had as I plotted a course through the clotted<br />

tables and stools and patrons cackling and<br />

chittering like the inmates of an aviary. I<br />

turned on the faucet, got distracted staring<br />

myself down, trying to decide if blinking<br />

would make me the contest’s winner or loser,<br />

realized only after I cheated by winking each<br />

eye independently that the water was too hot.<br />

“I think I’m drunk,” I told Marcus when I<br />

returned to the table.<br />

“Me, too,” he said. “Feel like a walk to work<br />

through some of this beer?”<br />

And so it went, like when Jack fell down<br />

and Jill went tumbling after.


The Princess and the Dragon 84<br />

I kissed him first, two weeks later. Rick was<br />

visiting his brother a day’s drive away. Lauren<br />

and Marcus were coming at seven for pizza<br />

and a movie of their choosing, but she sent<br />

me a message at six: Ugh migraine. Im spending<br />

the night with my face buried in ice sorry. Marks still<br />

good for the pizza though.<br />

He took the opportunity to replace the<br />

standard half-cheese-half-mushroom with a<br />

Meat Lover’s Special, and after I stashed the<br />

uneaten wedges in the fridge and returned<br />

to the couch, I said, “Hey,” and he looked at<br />

me and I touched his forearm and said, “I<br />

kind of want to kiss you,” even though kind<br />

of didn’t belong.<br />

He said, “Okay.”<br />

And if Rick’s Will you marry me? felt like<br />

being too drunk to walk straight, Marcus’s<br />

mouth against mine felt like a running jump<br />

off a cliff to see what would happen.<br />

“I’m sorry,” I said.<br />

“Really?” he asked, and I stared.<br />

“I don’t know.” On TV, Godzilla reared his<br />

scaly head. “No. Not really, I guess.”<br />

“Me either,” he said.<br />

“Okay.”<br />

Okay seemed like a stupid thing to end with,<br />

but I couldn’t find anything wiser, so instead I<br />

kissed him more deeply, and when he brushed<br />

my hair back from my face, his fingertips<br />

traced over my cheekbone and around the<br />

crest of my ear, back along my jaw, down<br />

my throat, settling over my heart as it beat<br />

like a crazed woman on the padded walls<br />

surrounding her.<br />

Which should have been a sign—which was<br />

a sign, and in my fantasies of the Big Day, he<br />

didn’t hold his peace even though I was too<br />

scared to not hold mine. Fantasy is fantasy,<br />

though, and at man and wife, Rick kissed me,<br />

and I cried and tried to believe it was for the<br />

right reasons.<br />

“I’m sorry,” I whispered, and Rick smiled,<br />

and his eyes were so soft that moment that I<br />

thought about going to sleep forever.<br />

“It’s okay,” he said, and he touched the<br />

unnatural curls in my hair, and I wanted to<br />

say, No, you don’t understand, but I closed my<br />

eyes and nodded and held my peace.<br />

Two-and-a-half years later, when he said<br />

divorce, I was the one who wanted to start<br />

counseling. I wanted to clear my conscience


85<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

by pretending I tried. I hate that he agreed.<br />

I hate that we found a good therapist. I hate<br />

that she saved our marriage, to whatever<br />

extent it can be called saved. Saved in the<br />

manner of a clergyman gone astray, maybe,<br />

or a woman with a tumor and three months<br />

to live whose airbag works exactly as intended<br />

when she’s T-boned by a drunk at a four-way<br />

stop.<br />

Well-meaning people on internet forums<br />

will tell you that this sort of situation—Lauren<br />

and Marcus and Rick and me with our signals<br />

crossed and our roles confused as if we’re<br />

Shakespearean actors who’ve accidentally<br />

shown up for Cats—is unsustainable, unfair,<br />

unwise, unethical, and perhaps—if you ask<br />

the more cynical—unavoidable.<br />

K80GR80 says, Communication! Talk to your<br />

spouse about your needs. They won’t know what<br />

you’re missing if you don’t tell them.<br />

I thought about this, decided to make a list<br />

in the small but expensive notebook Rick’s<br />

mother had sent me for Christmas. I delayed<br />

the writing by searching for an instrument<br />

worthy of the leather-bound book, finally<br />

plucking a black pen with a bold tip out of<br />

the cup on the desk. Then I sat, opened to the<br />

first page, stared, flipped to one in the middle.<br />

I’m never sure what goes on the first page of a<br />

new notebook, but this seemed inappropriate,<br />

something that ought to be tucked away.<br />

NEEDS, I wrote at the top of the page.<br />

I drew a bullet point.<br />

Made it bigger.<br />

And bigger.<br />

Turned it into a black hole doodle that consumed<br />

the title, then kept going until the page<br />

was filled and scored with concentric circles.<br />

The question—what needs aren’t being met?—<br />

felt as answerable as What does ultraviolet light<br />

look like? or How has the capital of the Maldives<br />

changed since 1972? A question that hinged on<br />

information I didn’t have, a sensation I had<br />

never experienced. The nightmarish test for<br />

which one is not prepared.<br />

“What do you need from me?” I asked<br />

Marcus two nights later when we were walking<br />

along the tracks downtown.<br />

He glanced at me, hands tucked in his<br />

pockets against the leeching chill. “What do<br />

I need?”<br />

“That you don’t get from Lauren, I mean.”


The Princess and the Dragon 86<br />

Angling his gaze toward the point where<br />

the steel lines fused into oblivion, he exhaled,<br />

breath hanging in the air. I mirrored him,<br />

more to watch the condensation like smoke<br />

than out of exasperation, but he said, “Sorry.<br />

It’s a tough question, that’s all. I’m not sure.”<br />

“There must be something,” I said. “Otherwise<br />

why would you be doing this? Why<br />

would we?”<br />

“Why do you think?” Actual curiosity, not<br />

sarcasm.<br />

This was the rebound I had hoped to dodge.<br />

I said again, “There must be something.”<br />

“There must be something.” He let out<br />

another puff of pseudo-smoke. “Yeah.”<br />

Now here we are. It is dusk. Marcus tells<br />

me he’s the dragon, and I don’t know what<br />

this means for me. How many roles can I<br />

really play? The prince who finds the right<br />

angle to plunge his sword through the dragon’s<br />

layered scales, I think not; the queen who<br />

loses her daughter to the creature, no; the<br />

peasants or the jesters or the magician. I am<br />

none of these things.<br />

“I’m the princess,” I say.<br />

He frowns a little, sighs cigarette smoke,<br />

and stares at the distant lights of the train.<br />

He says, “I don’t know what to do<br />

sometimes.”<br />

I lift my shoulders a little and let them drop<br />

like sandbags. “I changed my mind,” I say. “I<br />

want one,” and for a beat, Marcus is confused,<br />

but then he hands me the cigarette he’s been<br />

working on.<br />

“I’m supposed to be quitting anyway.”<br />

I draw a bit of smoke in, let it out again.<br />

“Me too.”<br />

I read once that the moon drifts 1.6 inches<br />

farther from us every year. Eventually I guess<br />

it will fly away entirely; all the Earth’s gravity<br />

won’t be able to pull it back. Sometimes I am<br />

like that, inching away without meaning to.<br />

Sometimes gravity fails. Sometimes, though,<br />

everything in the sky feels aligned with this,<br />

and I can see the moon, rising behind me,<br />

light reflected in his pupils so that there is<br />

something just a little eerie in his gaze.<br />

The billboards say, Kissing a smoker is like<br />

licking an ashtray, only I am realizing now that<br />

it’s not true—or else maybe it is, and I just<br />

don’t notice because his mouth tastes like<br />

mine, because we breathe the same smoke,


87<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

because we’re supposed to be quitting but<br />

there’s no patch for this, no gum to make the<br />

tremors go away. So we steal evenings like<br />

shoplifting teenagers. Snag moments where<br />

we can. Grope in the dark for those wispy,<br />

elusive needs. Search desperately, as fast as<br />

we can, because you just never know when<br />

someone will come looking to save you.


The Princess and the Dragon 88


Karen<br />

Ben Shaberman<br />

89


Jerry felt like an amateur psychotherapist. Within<br />

ten minutes of meeting Karen Quinlan, he had<br />

heard about her sexual harassment lawsuit with her<br />

former employer, the complications with her father’s<br />

colostomy, and her beloved mutt Roger. Jerry tried to keep<br />

the conversation on Roger because the dog appeared to have<br />

no gastrointestinal issues or sexual deviancies. Regardless of<br />

Jerry’s questions—How old is Roger? Where did you get him?<br />

Does he know good tricks?—Karen kept replying, “He’s a<br />

mix, you know. He’s a little bit of everything.”<br />

Jerry was amused by the fact that this woman sitting next<br />

to him at the vegetarian meet-up dinner, Karen Quinlan, had<br />

almost the same name as the woman from the well-known<br />

1970s right-to-die case, Karen Ann Quinlan. There was Karen<br />

Quinlan the vegetarian and Karen Ann Quinlan the vegetable.<br />

He tried to remember what happened to Karen Ann.<br />

Did they ever pull the plug? Was there a plug to vegetarian<br />

Karen’s mouth that could be yanked?<br />

90


91<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

Vegetarian Karen wore thick-framed<br />

glasses way too big for her face. Her medium-length<br />

brown hair was matted down,<br />

and her bangs were unevenly cut as if an<br />

untrained relative had commandeered the<br />

shears—perhaps her gastrointestinally challenged<br />

father.<br />

Despite all of vegetarian Karen’s shortcomings,<br />

her petite figure was punctuated by<br />

large, well-formed breasts, which were made<br />

very apparent by her low-cut, button-down<br />

blouse. Jerry thought if he got close enough at<br />

the correct angle, he’d get a nice peek at her<br />

curvy tits. It had been more than two years<br />

since he’d been intimate with a woman, so it<br />

wasn’t taking much to get him going. At the<br />

moment, he wanted nothing else from the<br />

woman—just a glimpse of her bosom.<br />

But vegetarian Karen had bad breath, so<br />

every time Jerry moved closer to get a better<br />

look at her cleavage, she blasted him in the<br />

face with a warm, putrid burst of air, which<br />

made him quickly back away. And though<br />

Jerry was persistent and kept moving toward<br />

her, he couldn’t hold the position for long<br />

because of her malodorous wind. He was<br />

like Muhammad Ali, who during his “ropea-dope”<br />

years, achieved victory by backing<br />

away from his opponents’ punches at just<br />

the right moment. Eventually, the opponent<br />

would tire, and Ali would go in for the kill.<br />

But Jerry was the one who tired in this sparring<br />

of the vegetarians; he decided to go to<br />

the bathroom to break up the conversation.<br />

Maybe Karen would engage the socially awkward<br />

guy named Willie across from them who<br />

did nothing but nod yes, continually bobbing<br />

his head up and down. He reminded Jerry of<br />

a toy from his childhood—an upright wooden<br />

bird that, based on some quirk of physics,<br />

would keep bending forward, seemingly in<br />

perpetuity, to stick its beak in a glass of water.<br />

As Jerry guided a steady stream of pee<br />

into the urinal, he stared blankly into the<br />

automatic flushing sensor directly in front<br />

of him, lamenting the fact that he was at yet<br />

another vegetarian meet-up dinner, and the<br />

prospects for meeting a reasonably normal<br />

and attractive woman were slim. The ratios<br />

at these events were always good; women consistently<br />

outnumbered men by at least two to<br />

one. There had to be another woman, who


Karen 92<br />

like him, had strong compassion for animals,<br />

but otherwise, had relatively normal habits<br />

and interests. Invariably, though, the women<br />

were either too young, harbored small colonies<br />

of animals which he was allergic to, or<br />

were into weird, new-age stuff like crystals<br />

and chakras. Couldn’t there be someone who<br />

just wanted to go to a movie and dinner and<br />

have a little romance?<br />

A few months earlier, things had been looking<br />

up for Jerry when he met a stunningly<br />

attractive vegan nurse named Beth while<br />

perusing an online dating site. Jerry considered<br />

her out of his league, even before they<br />

met. But he gave it a shot—after all, pickings<br />

for vegan men were awfully slim—and sent<br />

her a message. As luck would have it, she<br />

took a liking to him. On their third date, she<br />

invited him back to her place after dinner.<br />

While they walked back to the car from the<br />

restaurant, they held hands, which instantly<br />

aroused Jerry—an arousal stronger than he’d<br />

felt in several months and which lasted all<br />

the way back to her apartment. Finally, I am<br />

going to get some action, he had thought to<br />

himself.<br />

Inside her apartment, while they sat comfortably<br />

on her couch, chatting and nibbling<br />

on chewy, homemade vegan chocolate-chip<br />

cookies—she could bake, too!—three enormous,<br />

long-haired cats strolled into the room.<br />

Jerry had never seen cats so big and with so<br />

much fur; they looked like feline versions of<br />

Sasquatch. He wondered if they were on<br />

the same steroid regimen as Barry Bonds.<br />

Or were they genetically engineered to torture<br />

and kill people like him, the allergically<br />

challenged?<br />

“You never told me about your cats,” he<br />

said with a hesitant smile.<br />

“Oh, yes, they’re Maine Coons. Aren’t they<br />

beautiful?” she replied.<br />

Beautiful like a Nazi death camp, Jerry<br />

thought. But he was feeling rather lucky—and<br />

rather horny—so he decided to try and stick<br />

it out as long as he could. Maybe his allergies<br />

would hold off for a couple hours.<br />

But after just twenty minutes of making out<br />

with Beth—as the three seemingly mutant<br />

creatures looked on ambivalently from various<br />

perches in the living room—Jerry began<br />

to sneeze. His eyes swelled. Then came the


93<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

wheezing. At that point, there was no point<br />

in hiding the allergic truth. His mucous production<br />

and gasps for air were starting to take<br />

the fun out of the evening. He had no choice<br />

but to evacuate and make a break for the<br />

emergency inhaler stashed in the glove box<br />

of his car. He quickly found the device, but it<br />

was not the same familiar navy-blue inhaler<br />

like the one in his medicine cabinet. It was<br />

orange, which meant it was circa two or three<br />

years ago. Clearly, he hadn’t used it in quite<br />

a long time. Would it be clogged? Surely, it<br />

had aged beyond its expiration date. But he<br />

didn’t even bother checking exactly how old<br />

it was. He just shook it a few times, put the<br />

mouthpiece up to his lips, and pushed on the<br />

canister. But not a hint of therapeutic mist<br />

was emitted. He repeated the process twice,<br />

but nothing came out. The inhaler was dead.<br />

“Fuck!” he shouted to himself in the car. Next<br />

stop: the ER.<br />

Jerry figured it would be advantageous to<br />

have Beth, a bona fide health care professional,<br />

accompany him to the ER, but all<br />

she did was complain about the nurse and<br />

assistants: “She should have gotten more of<br />

your medical history.” But Jerry was thankful<br />

they had put him on a nebulizer so quickly;<br />

he was beginning to breathe normally again.<br />

Beth continued to bitch about the ER<br />

staff and at one point asked the nurse why<br />

they hadn’t given Jerry a chest x-ray or taken<br />

blood. Before the nurse could respond, Jerry<br />

pulled off the nebulizer mask and told her to<br />

lay off, that it was just asthma, and he was<br />

doing much better. He thanked the nurse and<br />

put the mask back on without saying a word<br />

to Beth. He came to the realization that Beth<br />

was probably more detrimental to his health<br />

than the Maine Coons. It was time to move<br />

on once again.<br />

Dinner was being served as Jerry returned<br />

from his bathroom break, and Karen and the<br />

rest of the guests quieted down, devouring the<br />

vegan feast from the newest neighborhood<br />

Thai restaurant. Even Willie the Yes Man<br />

had stopped nodding.<br />

The food was wonderfully flavorful and<br />

included spring rolls, lemon grass soup, Pad<br />

Thai, green curry, and a dish pronounced<br />

something like “gang bang.” The motley<br />

group of twenty munched away until after ten


Karen 94<br />

o’clock because there were so many courses.<br />

After finishing dessert and saying his goodbyes,<br />

Jerry headed out into the parking lot<br />

to discover that his car was missing. As he<br />

walked closer to the spot where he had left<br />

his beloved white 1989 Volvo 240GL with<br />

243,000 heroic miles, he saw that it had<br />

been parked in a place reserved for a different<br />

restaurant in the same shopping center.<br />

“Violators Will Be Towed,” the sign read.<br />

“Fuck,” Jerry muttered to himself, stamping<br />

a foot on the ground. “Fuck, fuck, fuck.”<br />

Karen noticed him looking helplessly at<br />

the towing company’s sign on the wall. As<br />

she walked toward him, Jerry turned to her<br />

and groaned. “I can’t believe they fucking<br />

towed me.”<br />

She told him not to worry, that she would<br />

take care of him. “I won’t leave you stranded.<br />

Everything will be just fine.”<br />

Back at Karen’s place, Jerry rode her from<br />

behind as if she was a broken rocking horse<br />

that wouldn’t rock. This must be what necrophilia<br />

is like, he imagined. She zonked out<br />

because he had spent the previous half hour<br />

pleasuring her with his fingers, rubbing her<br />

bulging clitoris, sending her into wild, pulsating<br />

orgasms. He gave special attention to her<br />

prized breasts, caressing and licking them,<br />

twisting her nipples hard, but not too hard.<br />

No man had ever sexually pleased Karen<br />

Quinlan like Jerry. The few men she had had<br />

were real losers—overweight, lumpy, selfish,<br />

and most discouragingly, premature ejaculators.<br />

So Jerry was a real treat. He seemed to<br />

know what he was doing.<br />

Jerry’s M.O. was always to make sure a<br />

woman was satiated with pleasure. It was<br />

what turned him on more than anything. No<br />

matter who he was shtooping, he felt it was his<br />

obligation as a man. But more often than not,<br />

his partners were sapped by the time he was<br />

ready for intercourse; they had nothing left<br />

to give him except their nearly lifeless bodies<br />

and tuckered out vaginas.<br />

On this particular late night, Jerry had very<br />

little energy left himself. With every hump,<br />

the possibility of climaxing seemed more and<br />

more remote. And to make matters worse, he<br />

was distracted by Roger’s whimpering on the


95<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

other side of the bedroom door. That poor<br />

mutt. And he was a mutt. He looked liked<br />

a hasty attempt at a quilt, with patches of<br />

brown, beige, white, and black. He probably<br />

had some collie in him, but his face and nose<br />

were round, and his tail was long. Not exactly<br />

a short-haired dog, he wasn’t long-haired like<br />

a collie, either. And he had been remarkably<br />

obedient, not jumping as Karen had commanded,<br />

when they entered her apartment.<br />

But while the humans were screwing, the dog<br />

was lonely and wanted to be part of the fun.<br />

Though Roger’s crying and snorting were<br />

distracting to Jerry, making it even harder for<br />

him to orgasm, he considered the fact that he<br />

hadn’t had an allergic outbreak to be a major<br />

victory. Once every so often, Jerry got lucky<br />

and didn’t react to somebody’s animal. There<br />

was no rhyme or reason. When Karen invited<br />

him back to her place, he decided to take the<br />

risk. He had replaced the outdated inhaler,<br />

and finding a pet-free vegan woman was like<br />

going to the library and finding the Catholic’s<br />

Guide to Sodomy, third edition. And Jerry<br />

knew that Karen wanted him, given the way<br />

she came to his rescue in the parking lot. After<br />

he figured out that the towing lot was closed,<br />

she immediately invited him back to her place.<br />

“You can meet Roger; we’ll have some wine.<br />

It’ll be great!” Clearly, this woman wanted<br />

some nookie, and Jerry just couldn’t pass up<br />

the chance to be with a real living, breathing<br />

woman, even if she wasn’t exactly his type.<br />

Jerry continued to go at it as his mind wandered<br />

from Willie the Yes Man to his Volvo on<br />

the back of a tow truck and then to Beth. He<br />

fantasized about Beth’s tight little ass and big<br />

blue eyes. The image gave him a resurgence<br />

of excitement. How badly he had wanted her,<br />

and how badly it had turned out. But at the<br />

moment, his imagination was working remarkably<br />

well, and he felt a new wave of stimulation<br />

move into the head of his cock as he thought<br />

about her in her nurse’s uniform, pulling her<br />

pants and underwear down to her knees, offering<br />

him her luscious behind. How tight and<br />

moist it would feel inside of her. Maybe, just<br />

maybe, the fantasy could carry him to climax.<br />

But then Karen turned around, looked<br />

back, and asked, “Are you almost done?”<br />

Jerry stopped, let out a big sigh of exasperation,<br />

and said, “I am now. Yep. I am now.”


Karen 96


Dancing with<br />

Daddy<br />

B. P. Greenbaum<br />

97


I<br />

stand barefoot on his toes, the top of my head not<br />

reaching his hip, his black shoes laced and slick, as<br />

spit-polished as he wanted our lives, his hands holding<br />

mine so I can fall back and around, my body weightless<br />

and weaving to the sounds of the big band, the trumpets<br />

blowing as if ready to knock down all the walls, someone<br />

named Benny Goodman wailing, my father’s barrel-shaped<br />

body hoisting me around the floor to the rhythm of a waltz<br />

that plays only in his head while the jazz rolls through us, the<br />

bass beats my chest, the clarinets lick my ears, and I giggle<br />

when he throws me up to the ceiling and catches me on the<br />

way down, the sandpaper skin scraping my cheeks, the smell<br />

of his Old Spice stirred with martini, his whoop so loud I<br />

press my ear to his, I put my arms around his neck and hold<br />

on for dear life, because I know, somewhere in my little frame,<br />

that this will be the only dance we’ll get.<br />

98


Gypsy Sachet<br />

Awards in Letters<br />

& Autobiography<br />

Recognizing creative cover letters & bios<br />

99


Corey Farrenkopf<br />

I am a graduate of UMASS Amherst M.Ed<br />

program. I also received my B.A. in English<br />

from the same school with a concentration<br />

in creative writing. I have worked as a<br />

groundskeeper in cemeteries, as a teacher in<br />

mental hospitals, as a janitor for the public<br />

bathrooms at the beaches along Cape Cod’s<br />

shore. Currently I am a stove technician<br />

who writes during the evenings… so if you<br />

don’t like my story, maybe I can interest<br />

you in a quality gas stove in its place? Let<br />

me know.<br />

Jim Finney<br />

Raised in California, lives in NYC, and<br />

always believed a fortune cookie that said<br />

“All your hard work will soon pay off.”<br />

Mathew Serback can moonwalk on ice.<br />

That’s a story to tell all your children. You<br />

can find his work in On the Rusk, Scissors<br />

& Spackle, Timber Journal, and Repurposed<br />

Magazine. He wants you to know you are<br />

from the future and you are good.<br />

Alice Thomsen has B.A.s in creative writing<br />

and psychology, a weakness for black<br />

cats, and a crush on Carl Sagan. With the<br />

exception of a Michigan winter spent on<br />

sonnets about serial killers, she writes fiction,<br />

with a particular interest in the ways that<br />

people go wrong.<br />

Karen Loeb<br />

My story for you— “A Gift of Swallows”<br />

old cake, a wind-up toy,<br />

grave stones,<br />

Japan referenced<br />

and the Hale-Bopp comet.<br />

A father appears—<br />

he’s been there before<br />

in “The Walk to Makino”<br />

and “Cantaloupe”<br />

both in Japan.<br />

Google me while you can.<br />

100


Contributors<br />

Eric Barnes is author of the novels Something<br />

Pretty, Something Beautiful and Shimmer, plus short<br />

stories in publications including The Literary<br />

Review, Prairie Schooner, and Best American<br />

Mystery Stories. By day, he is publisher of three<br />

newspapers covering business and politics in<br />

Memphis and Nashville.<br />

Dimelza Broche is a 25-year-old<br />

Jacksonville-based Cuban artist. She attended<br />

the Leopoldo Romanach Academy of Art<br />

in Santa Clara, Cuba. She studied for two<br />

years at Florida State College of Jacksonville<br />

before transferring to the University of<br />

North Florida, where she graduated with a<br />

Bachelor of Fine Arts in painting, drawing,<br />

and printmaking. Dimelza has exhibited her<br />

work at R. Roberts Gallery, the Women’s<br />

Center of Jacksonville, the Wilson Center<br />

Gallery, The Cummer Museum of Arts &<br />

Gardens, and at the S. Dillon Ripley Center,<br />

in Washington, DC. Four years ago, she was<br />

the Grand Prize recipient of Momentum:<br />

a National Juried Exhibition for emerging<br />

artists with disabilities.<br />

Elizabeth Genovise is a graduate of the<br />

M.F.A. program at McNeese State University.<br />

Her stories have been published in The<br />

Southern Review, Cimarron Review, Southern<br />

Indiana Review, Pembroke Magazine, and many<br />

other journals. Her first collection of short<br />

stories, A Different Harbor, was published in<br />

2014, and her second, Where There Are Two<br />

or More, in 2015.<br />

Barbara P. Greenbaum is a fiction writer<br />

and creative writing teacher at a magnet arts<br />

high school in Willimantic, Connecticut. She<br />

has a B.A. in English from the University of<br />

Hartford, an M.A. in secondary education<br />

from St. Joseph College, and an M.F.A.<br />

from the University of Southern Maine.<br />

She has studied with Michael White,<br />

101


Suzanne Strempek Shea, Brad Barkley,<br />

and Jack Driscoll. In addition to teaching,<br />

she is also involved in land conservation. In<br />

2012, the Surdna Foundation awarded her a<br />

teaching artist fellowship. She lives in eastern<br />

Connecticut with her husband, three dogs<br />

and often returning children.<br />

Her poetry and short stories have been<br />

published or are forthcoming in Eclectica,<br />

Hawaii Pacific Review, The Alembic, Forge, Hog<br />

River Review, Inscape, Verdad, Pearl, Willow<br />

Review, Underwood Review, The Dos Passos<br />

Review, Prick of the Spindle, MacGuffin, Noctua<br />

Review, Penmen Review, Massachusetts Review and<br />

Louisville Review.<br />

Currently working on her first novel, she<br />

writes using the pen name B.P. Greenbaum.<br />

Melissa Hammond lives in Madison,<br />

Wisconsin, where she writes about the<br />

software surgeons use when they cut out<br />

your appendix or amputate your leg. She likes<br />

strawberry jam on her pizza and doesn’t know<br />

how to whistle. If you like her story, you can<br />

read more of her short fiction in New South<br />

and Crack the Spine.<br />

Victor Robert Lee has lived and traveled<br />

extensively in East Asia, South America, and<br />

the former Soviet states—territories that serve<br />

as settings for his fiction. His current reporting<br />

from the Asia-Pacific region can be found in<br />

The Diplomat and elsewhere. He is the author<br />

of the literary espionage novel Performance<br />

Anomalies, described by The Japan Times as<br />

“a thoroughly original work of fiction.”<br />

Rory Meagher earned his B.A. in Creative<br />

Writing at Susquehanna University, class of<br />

2012. He has also studied writing at The<br />

Second City in Chicago and The Peoples<br />

Improv Theater in Manhattan. His short stories<br />

have appeared in Cigale Literary, Oatmeal<br />

Magazine, and The Blue Route. He currently<br />

lives in Pittsburgh, PA, where he works in the<br />

culinary arts and spends his free time writing,<br />

reading, and dreaming.<br />

Dianne Nelson Oberhansly’s book of<br />

short stories, A Brief History of Male Nudes in<br />

America, won the Flannery O’Connor Award<br />

and her co-written novel, Downwinders: An<br />

Atomic Tale, was chosen as a Utah Book of<br />

102


103<br />

<strong>Fiction</strong> <strong>Fix</strong><br />

the Year. Her fiction has appeared widely<br />

in journals, including the Iowa Review,<br />

Ploughshares, New England Review, The Quarterly,<br />

Sundog, and in a number of anthologies. Her<br />

poems have been published in Paper Nautilus,<br />

Canary, Eclectica, and Third Wednesday, among<br />

others. She lives in Boulder, Utah where she<br />

is a hiker, slow food enthusiast, and an Arts<br />

supporter/educator.<br />

Penny Perkins holds an M.F.A. in creative<br />

writing from the Institute of American Indian<br />

Arts in Santa Fe, NM. Her short story “Car<br />

Ride Through Corn Fields (1975)” was<br />

chosen by Manuel Muñoz as the winner of<br />

Beecher’s Magazine 2014 <strong>Fiction</strong> Contest.<br />

Her short story “Gut Feelings” was a finalist<br />

for the Reynolds Price Prize in <strong>Fiction</strong> as<br />

a part of the 2015 International Literary<br />

Awards sponsored by the Center for Women<br />

Writers; it was also a semi-finalist in the SLS-<br />

Disquiet Literary Contest for 2015. Recent<br />

fiction, poetry, and creative non-fiction have<br />

appeared or are forthcoming in Waxwing,<br />

Rocky Mountain Revival, On the Veranda, Perversion<br />

Magazine, The Pine Hills Review, The New Verse<br />

News, Entropy/Enclave, Beecher’s, and HOAX,<br />

as well as Memoirs of the Feminine Divine. She<br />

currently lives in northeast Florida and<br />

teaches writing at the University of North<br />

Florida in Jacksonville.<br />

Carter Schwonke’s stories have appeared<br />

in Blueline, Pif Magazine, Snake Nation, Stirring,<br />

Calliope, the Underground Voices 2013 print<br />

anthology, Bird’s Thumb, Evening Street Review,<br />

and Potluck. She is a graduate of Syracuse<br />

University and University College London.<br />

She worked in Silicon Valley for many years.<br />

Ben Shaberman’s first book, The Vegan<br />

Monologues, is a collection of humorous and<br />

reflective essays and commentaries that<br />

were carried by a variety of prominent<br />

media including: The Washington Post,<br />

Chicago Tribune, VegNews, Vegetarian<br />

Times, and NPR. The book was published<br />

in 2009 by Apprentice House at Loyola<br />

University of Maryland. Ben’s essays have<br />

also been published in several literary journals<br />

including: Split Infinitive, Opium, Clean Sheets<br />

Erotica Magazine, and Crunchable. “Karen” is


Contributors 104<br />

from Jerry’s Vegan Women, a fun, poignant, and<br />

occasionally steamy collection of short stories<br />

that follows the adventures of everyman Jerry<br />

Zuckerman as he makes his way through the<br />

shelters, sanctuaries, and bedrooms of an<br />

eclectic assortment of vegan women.<br />

By day, Ben is a science writer for the<br />

Foundation Fighting Blindness, reporting<br />

on research for inherited retinal diseases. He<br />

has a master of arts in writing from Johns<br />

Hopkins University.<br />

Visit www.benshaberman.com to learn<br />

more about Ben’s writing.<br />

Alice Thomsen’s bio received our Gypsy<br />

Sachet Award and can be read on page 100.


Contributors<br />

Eric Barnes<br />

Elizabeth Genovise<br />

B.P. Greenbaum<br />

Melissa Hammond<br />

Victor Robert Lee<br />

Rory Meagher<br />

Dianne Nelson<br />

Oberhansly<br />

Penny Perkins<br />

Carter Schwonke<br />

Ben Shaberman<br />

Alice Thomsen

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