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American magazine, July 2016

In this issue explore DC street art, run away with the Street Light Circus, meet AU’s Olympic hopefuls, reminisce about commencements past, hop on the Metro to the Smithsonian, and get to know some of AU’s 1,875 Boston transplants. Also in the July issue: 3 minutes on the national parks, 88 years of yearbooks, and a beer quiz.

In this issue explore DC street art, run away with the Street Light Circus, meet AU’s Olympic hopefuls, reminisce about commencements past, hop on the Metro to the Smithsonian, and get to know some of AU’s 1,875 Boston transplants. Also in the July issue: 3 minutes on the national parks, 88 years of yearbooks, and a beer quiz.

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in the community<br />

SLIGO CREEK STOMPERS,<br />

The Fuss, Medications, and Caz and<br />

the Day Laborers.<br />

Local music fans who listen to<br />

WAMU 88.5 may hear a slew of songs<br />

they recognize this summer. The<br />

station’s Capital Soundtrack project<br />

is overhauling the music it plays<br />

during news breaks and programs like<br />

Morning Edition with Matt McCleskey,<br />

the Diane Rehm Show, and the Kojo<br />

Nnamdi Show and dedicating all of its<br />

interlude music to DC-area artists.<br />

DC sound<br />

Andi McDaniel, WAMU’s director<br />

of content, and Ally Schweitzer,<br />

the station’s music reporter, are<br />

the brains—and ears—behind the<br />

project. The two strive to craft a<br />

“WAMU sound” that’s fresh and<br />

distinctly DC. “We want the music we<br />

play on air to tell a story about our<br />

region’s culture,” says Schweitzer,<br />

who runs the station’s music website,<br />

bandwidth.wamu.org.<br />

Right now, WAMU is relying on staff<br />

suggestions, but “going forward,<br />

we’re going to be incorporating more<br />

listener submissions,” she says.<br />

Thus far, WAMU’s showcased<br />

songs from acts like jazz vocalist<br />

and DC native Akua Allrich and<br />

electronica artist Andrew Grossman,<br />

whose “Death to Rockville Pike” no<br />

doubt resonated with WAMU listeners<br />

sitting in traffic on the bustling<br />

Maryland road.<br />

“We have no preference for genre<br />

or style; we just need the music to<br />

be instrumental and suitable for the<br />

news and talk shows during which we<br />

play it,” Schweitzer says. “Interstitial<br />

music is special. Its mood needs to<br />

match the tone of what we’re putting<br />

on the air.”<br />

“This is Us”<br />

SPEEDWELL<br />

Start to Finish<br />

“Naiad”<br />

AERIALIST<br />

Moon Patrol<br />

“Furniture”<br />

OTIS INFRASTRUCTURE<br />

The Red, Red Robin<br />

“What’s Happening Brother”<br />

MARVIN GAYE<br />

What’s Going On<br />

“Afrocentric”<br />

“October”<br />

SAM PHILLIPS<br />

Stay the Night<br />

“Pray for Snow”<br />

THE SEA LIFE<br />

In Basements<br />

“Dit Floss”<br />

PROTECT-U<br />

Free USA<br />

“Colleen’s Wedding”<br />

LANDS & PEOPLES<br />

Pop Guilt<br />

“You’re a Liar”<br />

14 AMERICAN MAGAZINE JULY <strong>2016</strong>

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