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FILM GUIDE

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THE LAST METRO (35MM PRINT!)<br />

THURSDAY, AUGUST 4 AT 7:30PM<br />

Catherine Deneuve and Gerard Depardieu star in one of Francois<br />

Truffaut’s most commercially successful films, a romantic and<br />

suspenseful drama focusing on a Parisian theatre troupe during<br />

the German occupation. The greatest domestic success of Truffaut’s<br />

career, The Last Metro was the director’s highest-grossing film at<br />

the French box office, won ten Cesar Awards (including Best Film,<br />

Director, Actor and Actress), and in 1990 was selected as the best<br />

film of the decade by the Cesar voting body of 2,500 French film<br />

professionals. (Dir. by Francois Truffaut, 1980, France, in French with<br />

subtitles, 131 mins.. Rated PG)<br />

REPULSION (35MM PRINT!)<br />

THURSDAY, AUGUST 11 AT 7:30PM<br />

Roman Polanski’s follow up to his international breakthrough<br />

Knife in the Water (and his first film shot in English) was this<br />

chilling psychological suspense thriller starring Catherine Deneuve<br />

as a young woman spiraling into madness. Thanks to Polanski’s<br />

unmatched skill at building escalating paranoia (later seen on full<br />

display in Rosemary’s Baby) and turning claustrophobic space into an<br />

emotional minefield, Repulsion, which also features one of Deneuve’s<br />

most frighteningly intense performances, is a surreal, mind-bending<br />

odyssey into personal horror that still retains an astonishing wallop,<br />

ranking as one of cinema’s most shocking and haunting tales of<br />

terror. (Dir. by Roman Polanski, 1965, UK, 105 mins., Not Rated)<br />

BELLE DE JOUR (35MM PRINT!)<br />

THURSDAY, AUGUST 18 AT 7:30PM<br />

In this boundary-pushing classic from legendary filmmaker Luis Buñuel,<br />

Catherine Deneuve’s porcelain perfection hides a cracked interior, in one<br />

of the actress’s most iconic roles. Provocateur-for-the-ages Luis Buñuel’s<br />

surreal and erotic late-sixties daydream is a stunning examination of<br />

desire and fetishistic pleasures, as well as a gently absurdist take on<br />

contemporary mores and class divisions. The film also explores one of<br />

Buñuel’s favorite themes – the explosive collision between depravity<br />

and elegance. Fantasy and reality freely commingle in this kinky burst<br />

of cinematic transgression, driven by Deneuve’s nimbly cool, detached<br />

performance. (Dir. by Luis Buñuel, 1967, France/Italy, in French/Spanish/<br />

Mongolian with subtitles, 101 mins., Not Rated)<br />

THE UMBRELLAS OF CHERBOURG<br />

THURSDAY, AUGUST 25 AT 7:30PM<br />

An angelic young Catherine Deneuve was launched to stardom by this<br />

dazzling, one-of-a-kind musical heart-tugger from French New Wave<br />

director Jacques Demy. Exquisitely designed in a kaleidoscope of<br />

vibrant colors, and told entirely through the lilting songs of the great<br />

composer Michel Legrand, this unique film opera may be a musical,<br />

but it’s no fantasy, as Demy uses a highly stylized and entirely artificial<br />

aesthetic (patterned after classic Hollywood musicals) to underscore a<br />

complex, realistic and unsentimental love story that uses style to exalt<br />

the ordinary. One of the most revered and unorthodox movie musicals<br />

of all time, The Umbrellas of Cherbourg is an unforgettable cinematic<br />

experience. (Dir. by Jacques Demy, 1964, France, in French with subtitles,<br />

91 mins., Not Rated)

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