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PROLOGUE<br />

from the Artistic Director<br />

Imagine you’re reading a letter from me that<br />

names a specific politician who is running for President.<br />

Imagine me describing the tactics that person is using to<br />

re-define the American political landscape: tactics such as<br />

inciting terror and hate-mongering and bullying the opposition.<br />

I can’t do that, of course. I work for a not-for-profit organization<br />

that is forbidden, by law, to take political positions.<br />

(Except, of course, in the work we produce and the culture<br />

we create.) As artistic director, I can’t go public with any of<br />

my personal political opinions because it might be interpreted<br />

as the “views of the organization.” Which would be bad. Very bad indeed.<br />

But there’s nothing to stop you from imagining my opinion. After all, you came<br />

to see It Can’t Happen Here, our adaptation of Sinclair Lewis’ famous novel published<br />

in 1935. Lewis, for his part, was a student of history and American political pathology.<br />

He was paying attention to the populist appeal of Huey Long and zealous followers<br />

of Father Coughlin. He studied capitalism, understood its commitment to inequality<br />

and the fundamental disconnect between our economic system and democracy. He<br />

saw the appeal of fascism in Italy and Germany and tried to imagine an American<br />

counterpart. The novel ends up combining real history with melodrama, romance,<br />

and satire to create a story that seems both fantastical and true, impossible to believe<br />

and yet shockingly on point.<br />

The parallels to our own time are quite real. Demagogues, then and now it<br />

seems, have remarkably similar strategies. They wrap themselves in the guise of “authenticity,”<br />

taking on personas as truth tellers whose speech is riddled with vitriolic<br />

sloganeering and furious hectoring to turn their constituents into avenging furies.<br />

But Lewis makes it clear that the personality of the demagogue is not the real issue;<br />

poverty, fear, and ignorance are what make us vulnerable to authoritarianism, and his<br />

larger vision of America is breathtakingly relevant on a host of levels.<br />

And so here we are. Doing a play that feels like something more than a play.<br />

About fictional events that Lewis described over 80 years ago that suddenly feel like<br />

a warning to those of us living today. A warning that we take nothing for granted.<br />

That we learn from our history as we try to embrace the present struggle. And as you<br />

watch, I trust you will form your own opinion on these matters, since our lives and future<br />

are dependent on the outcome of debates that are currently raging in our streets.<br />

As for my own opinion, grab me the next time you see me if you want further<br />

explication. But don’t ask me to predict the future. Hell, I thought George McGovern<br />

was going to beat Richard Nixon in ’72.<br />

Sincerely,<br />

Tony Taccone<br />

2016–17 · ISSUE 1 · THE <strong>BERKELEY</strong> REP MAGAZINE · 5

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