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10<br />
LONDON CONCERT CHOIR: ISRAEL<br />
IN EGYPT AT CADOGAN HALL<br />
Handel’s great oratorio, telling the<br />
Biblical story of the Hebrews’ escape<br />
from oppression and slavery in Egypt,<br />
will be performed by <strong>London</strong> Concert<br />
Choir on Wednesday 2 November in<br />
<strong>London</strong>’s Cadogan Hall. The choir will<br />
be joined by the Counterpoint period<br />
instrumental ensemble and a group of<br />
excellent soloists. Conductor is Mark<br />
Forkgen, who this season celebrates 20<br />
years as the choir’s Music Director.<br />
<strong>Is</strong>rael in Egypt was first performed in<br />
1739, three years before Messiah. Like<br />
Messiah, <strong>Is</strong>rael in Egypt has no clear<br />
plot or dramatic characters but focuses<br />
on nations rather than individuals. The<br />
Mark Forkgen in rehearsal.<br />
dominant role played by the choir may<br />
explain why <strong>Is</strong>rael in Egypt has become<br />
one of Handel’s most popular oratorios.<br />
Part One portrays the suffering of the<br />
Hebrew slaves and the plagues that<br />
finally compel the Egyptian Pharaoh to<br />
release them. Handel’s colourful choral<br />
and orchestral writing vividly illustrates<br />
the rivers of blood, hopping frogs, flies<br />
and locusts, the hailstones and the thick<br />
darkness before the death of Egypt’s<br />
first-born sons. At last the Hebrews<br />
make their way on dry land through the<br />
Red Sea, which drowns the pursuing<br />
Egyptian army. Part Two is a song of<br />
praise for the release of Moses and his<br />
people. It contains rather more music for<br />
the soloists and culminates in repeated<br />
shouts of ‘The Lord shall reign for ever<br />
and ever’, before the chorus brings the<br />
oratorio to a triumphant conclusion.<br />
<strong>London</strong> Concert Choir is one of<br />
<strong>London</strong>’s leading amateur choirs,<br />
regularly appearing at the major <strong>London</strong><br />
concert venues and notable for the<br />
conviction and expressiveness of its<br />
performances in an unusually broad<br />
repertoire.<br />
Tickets are available by telephone on<br />
020 7730 4500 or from the website at<br />
www.cadoganhall.com<br />
Nearest tube station is Sloane Square.<br />
ROYAL BALLET NUTCRACKER<br />
RETURNS FOR FESTIVE SEASON<br />
<strong>This</strong> November, Peter Wright’s<br />
enchanting production of The Nutcracker<br />
returns to Covent Garden from<br />
23 November to 12 January and will be<br />
screened live in cinemas on Thursday<br />
8 December, with encore screenings on<br />
Sunday 11 December.<br />
The Nutcracker follows Clara and<br />
Hans-Peter on an enchanting journey to the<br />
glittering Kingdom of Sweets. Complete<br />
with a magical Christmas tree, memorable<br />
character dances and the dazzling pas de<br />
deux of the Sugar Plum Fairy and her<br />
Prince, this classical ballet is a theatrical<br />
treat for audiences of all ages.<br />
Continuing the festive theme, this year<br />
The Royal Ballet's production of The<br />
Nutcracker is the inspiration for the<br />
Christmas windows of Liberty. Director of<br />
The Royal Ballet Kevin O' Hare<br />
commented on the collaboration: ‘I’m very<br />
excited that we are working with Liberty to<br />
celebrate Christmas with The Nutcracker.<br />
The opportunity to bring this seasonal<br />
favourite to life in the windows of Liberty<br />
at Christmas through this new partnership<br />
is fantastic, and a wonderful way to share<br />
our work with many more people.’<br />
Meaghan Grace Hinkis as Clara © ROH Photo: Tristram Kenton.<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e