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10<br />

LONDON CONCERT CHOIR: ISRAEL<br />

IN EGYPT AT CADOGAN HALL<br />

Handel’s great oratorio, telling the<br />

Biblical story of the Hebrews’ escape<br />

from oppression and slavery in Egypt,<br />

will be performed by <strong>London</strong> Concert<br />

Choir on Wednesday 2 November in<br />

<strong>London</strong>’s Cadogan Hall. The choir will<br />

be joined by the Counterpoint period<br />

instrumental ensemble and a group of<br />

excellent soloists. Conductor is Mark<br />

Forkgen, who this season celebrates 20<br />

years as the choir’s Music Director.<br />

<strong>Is</strong>rael in Egypt was first performed in<br />

1739, three years before Messiah. Like<br />

Messiah, <strong>Is</strong>rael in Egypt has no clear<br />

plot or dramatic characters but focuses<br />

on nations rather than individuals. The<br />

Mark Forkgen in rehearsal.<br />

dominant role played by the choir may<br />

explain why <strong>Is</strong>rael in Egypt has become<br />

one of Handel’s most popular oratorios.<br />

Part One portrays the suffering of the<br />

Hebrew slaves and the plagues that<br />

finally compel the Egyptian Pharaoh to<br />

release them. Handel’s colourful choral<br />

and orchestral writing vividly illustrates<br />

the rivers of blood, hopping frogs, flies<br />

and locusts, the hailstones and the thick<br />

darkness before the death of Egypt’s<br />

first-born sons. At last the Hebrews<br />

make their way on dry land through the<br />

Red Sea, which drowns the pursuing<br />

Egyptian army. Part Two is a song of<br />

praise for the release of Moses and his<br />

people. It contains rather more music for<br />

the soloists and culminates in repeated<br />

shouts of ‘The Lord shall reign for ever<br />

and ever’, before the chorus brings the<br />

oratorio to a triumphant conclusion.<br />

<strong>London</strong> Concert Choir is one of<br />

<strong>London</strong>’s leading amateur choirs,<br />

regularly appearing at the major <strong>London</strong><br />

concert venues and notable for the<br />

conviction and expressiveness of its<br />

performances in an unusually broad<br />

repertoire.<br />

Tickets are available by telephone on<br />

020 7730 4500 or from the website at<br />

www.cadoganhall.com<br />

Nearest tube station is Sloane Square.<br />

ROYAL BALLET NUTCRACKER<br />

RETURNS FOR FESTIVE SEASON<br />

<strong>This</strong> November, Peter Wright’s<br />

enchanting production of The Nutcracker<br />

returns to Covent Garden from<br />

23 November to 12 January and will be<br />

screened live in cinemas on Thursday<br />

8 December, with encore screenings on<br />

Sunday 11 December.<br />

The Nutcracker follows Clara and<br />

Hans-Peter on an enchanting journey to the<br />

glittering Kingdom of Sweets. Complete<br />

with a magical Christmas tree, memorable<br />

character dances and the dazzling pas de<br />

deux of the Sugar Plum Fairy and her<br />

Prince, this classical ballet is a theatrical<br />

treat for audiences of all ages.<br />

Continuing the festive theme, this year<br />

The Royal Ballet's production of The<br />

Nutcracker is the inspiration for the<br />

Christmas windows of Liberty. Director of<br />

The Royal Ballet Kevin O' Hare<br />

commented on the collaboration: ‘I’m very<br />

excited that we are working with Liberty to<br />

celebrate Christmas with The Nutcracker.<br />

The opportunity to bring this seasonal<br />

favourite to life in the windows of Liberty<br />

at Christmas through this new partnership<br />

is fantastic, and a wonderful way to share<br />

our work with many more people.’<br />

Meaghan Grace Hinkis as Clara © ROH Photo: Tristram Kenton.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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