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Marino Marini 1901 Pistoia, 1980 Viareggio After having finished his studies at the Academy of Fine Arts in Florence, Marino Marini, sculptor, painter and etcher, but also Dean of the faculty of sculpture at the Academy of Turin and Chair of sculpture at the Academy of Brera, arrived to Paris in 1929 and there he encountered the highest representatives of the artistic tendencies of the time, such as Kandinsky, Picasso and Braque. Horses and knights, Pomone and portraits were the subjects with which Marino Marini reinterpreted and described existence in every possible type of declension. Heroism and fright, the currents which agitate the human soul, courage and intellect, the rhythms of nature, the present and history, the human mystery, the fear of the future, love and the unmasculine find again, in an essential stylistic declension, the intensity of language which only a more ample alphabet is able to put forward through an erudite and accurate choice of style, of materials, colours and of line. As he would have said after all: “It is not what is represented that is important but how you represent it”.
IDEA OF THE MIRACLE 1970 Acquaforte on Magnani paper, 700mm x 500mm, signed and numbered 29/60, editor and printer Luigi De Tullio, Milan 1972, from the portfolio “Marino Marini Works” (Table XVI) Bibliography: Giorgio and Guido Guastalla, “Marino Marini, catalogue raisonne of his works 1919-1980”, Graphis Arte, Livorno 1990 (n.A 117, Pg 82/R, card index pg.212) AVANT-GARDE ART MARINO MARINI
Page 1 and 2: Fine Art Gallery - Catalogue 2016
Page 3 and 4: Max Bill Marc Chagall Mario Comenso
Page 5 and 6: GEOMETRICAL COMPOSITION 1971 Serigr
Page 7 and 8: SOLD AVANT-GARDE ART MARC CHAGALL
Page 9 and 10: that same year, Carlo Levi invited
Page 11 and 12: AVANT-GARDE ART MARIO COMENSOLI SOL
Page 13 and 14: PORTRAIT mm x 650mm, er part on the
Page 15 and 16: NN 1962 n, 900mm x nd dated on the
Page 17 and 18: 90 , m io e li, Zurich AVANT-GARDE
Page 19 and 20: Space, therefore, and its existenti
Page 21 and 22: 101), 1957 mm, on numbered ght, Par
Page 23 and 24: SOLD AVANT-GARDE ART RENATO GUTTUSO
Page 25 and 26: Dadaist collage, investigates tacti
Page 27 and 28: AVANT-GARDE ART HANS HARTUNG
Page 29: AVANT-GARDE ART MAX HUBER SOLD SOLD
Page 33 and 34: 73 ta in colour on 700mm, signed s
Page 35 and 36: AVANT-GARDE ART HENRY MATISSE SOLD
Page 37 and 38: AVANT-GARDE ART JOAN MIRÓ
Page 39 and 40: AVANT-GARDE ART PABLO PICASSO
Page 41 and 42: COMPOSITON WITH PURPLE BACK- GROUND
Page 43 and 44: AVANT-GARDE ART MARIO RADICE
Page 45 and 46: AVANT-GARDE ART MIMMO ROTELLA THE B
Page 47 and 48: AVANT-GARDE ART MIMMO ROTELLA CRAZY
Page 49 and 50: PIAZZA BLUES 2004 Lithograph, 950mm
Page 51 and 52: Francis Bacon Enrico Baj Javacheff
Page 53 and 54: SOLD CONTEMPORARY ART FRANCIS BACON
Page 55 and 56: SOLD CONTEMPORARY ART ENRICO BAJ
Page 57 and 58: CONTEMPORARY ART JAVACHEFF CHRISTO
Page 59 and 60: CONTEMPORARY ART PIERO DORAZIO
Page 61 and 62: SOLD CONTEMPORARY ART CHARLES FAZZI
Page 63 and 64: CONTEMPORARY ART SALVATORE GARAU SO
Page 65 and 66: CONTEMPORARY ART SALVATORE GARAU UN
Page 67 and 68: SOLD SOLD CONTEMPORARY ART KEITH HA
Page 69 and 70: Oil on canvas, 980mm x 1300mm, sign
Page 71 and 72: Watercolour, 750mm x 550mm, signed
Page 73 and 74: SOLD CONTEMPORARY ART SELIM ABDULLA
Page 75 and 76: CONTEMPORARY ART ANDY WAHROL
Page 77 and 78: LONDON TRANSPORT BUS (ROUTEMASTER),
Page 79 and 80: Aldo Patocchi Nag Arnoldi Gianni Me
Page 81 and 82:
SUMMER Varies xylographs, various s
Page 83 and 84:
Gianni Metalli 1930 Lugano Gianni M
Page 85 and 86:
Ivo Soldini 1951 Lugano Ivo Soldini
Page 87 and 88:
Massimo Cavalli 1930 Locarno Massim
Page 89 and 90:
Emilio Rissone 1933 Lugano Born in
Page 91:
LOCAL ARTISTS JEAN MARC BUEHLER NO
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Fafa Fine Art Gallery

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