Press-release_Les-Commandos-Percu
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<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />
<strong>Press</strong> <strong>release</strong><br />
(c) S. Henriques
SILENCE! creation 2017<br />
<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />
« a possessed trance toward an ultimate<br />
point : enjoying the silence »<br />
This is the silence before the storm. Who can explain this obscured<br />
horizon? Someone shouts Silence ! Time is suspended now, all is<br />
frozen. The slow muffled rolling of the drums rises from the depths<br />
becoming a deafening noise. A rain of metal fills the air, sheet<br />
lightning overwhelms the sky.<br />
Silence ! will be made of 2 parts, a procession and a final<br />
on a fixed set.<br />
« How to create when the world collapses around us and there is nothing left ? How can ingenuity be an<br />
answer to coercion? Our challenge is not to turn <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> into the first post-apocalyptic band of<br />
percussion but to go back to our basics : observing, recycling material and the sounds of the world to reinvent<br />
a lively and personified music.<br />
Then comes a reaction to the abundance of technology surrounding us and making us wonder what is the<br />
meaning of performing a live show with flesh and sweat? We always look for answers in fire because it is<br />
deeply linked to human beings history. Until now we had the feeling that our shows were asking “which side<br />
of fire are you on ?”. Today we are asking “where is fire going to?”.<br />
What we are looking for is an exhilarating wildness, a genuine and essential joy. »<br />
Raymond Gabriel - artistic director<br />
CREATION WORKSHOPS :<br />
16 to 27 January 2017 : Big Drum, Toulouse FR<br />
17 to 22 April 2017 : Festival International des<br />
arts de la rue de Chassepierre BE<br />
26 to 29 April 2017 : Le Rio Grande - Scène de<br />
Musiques Actuelles, Montauban FR<br />
To be confirmed ....<br />
Théâtre le Liburnia - Fest’Arts / « L’Abattoir » à Chalon-sur-<br />
Saône - Festival Chalon dans la Rue.<br />
Dressed up with metal, musicians move forward amongst a blinding<br />
din. Coloured bodies and layered pieces of metal form a moving<br />
shape with sharp angles forcing itself into the audience.<br />
Powerful rhythms intersperse with silence creating a tension that<br />
will not fade. Along the path, procession will stop to create collective<br />
sculptures forms which spring lights and sounds before moving<br />
forward again in a relentless move. Nothing will stop this oscillating<br />
human machine, bodies progressing in unison with the rhythms<br />
At the end of the route musicians and pyrotechnicians will reach<br />
a fixed set evoking a mountain of metal. Viewing angle from the<br />
audience is wide, almost circular around the stage. Characters<br />
invade this strange space as one exploring a new territory, covered<br />
with metals and items that endlessly need to be pushed away,<br />
reorganised, transformed. Anything is good for action. The limit<br />
between chaos and music is thin.<br />
What seems to be a countdown, or maybe a clock telling hours,<br />
creates a spiral of tension and surprises.<br />
Objects and fire manipulation, percussion playing on and on,<br />
exploring what appears to be a gigantic musical instruments creating<br />
a possessed trance toward an ultimate point : enjoying the silence.<br />
A dazzling finale <strong>release</strong>s accumulated tensions with an astounding<br />
wave of energy. The mountain became a volcano, a huge bonfire.<br />
Now characters are liberated as well, like miners, cleared out from<br />
their metal constraint, sharing the silence, coming back, as one<br />
comes back to the light.<br />
TECHNICAL SPECIFICATIONS :<br />
> outdoor - night time<br />
> team of 7 artists and 2 technicians<br />
> procession followed by a final on a fixed set<br />
> duration about 40-45 min<br />
> audience : several thousand people<br />
> technical rider being created currently : 2 options will be<br />
offered with an acoustic set or a full sound and light system<br />
> fireworks safety area is located near the rear area of the stage
<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> & Deabru Beltzak<br />
DANBOR TALKA<br />
Clash of Drums<br />
Danbor Talka - Festival Chalon dans la Rue Clash of Drums - Rugby World Cup UK Technical rider (pdf)<br />
After many years spent traveling the world with their amazing drum and firework shows, the Basque company DEABRU BELTZAK<br />
and the French company LES COMMANDOS PERCU combine their talents and know-how with a clear objective: to reclaim the<br />
streets.<br />
Movement, rhythm, fire. These three words indicate the common background of the two companies, each revealing their culture<br />
and their history. Approximation does not eliminate differences; on the contrary : symbolic confrontation becomes shared energy.<br />
Aesthetic of form, the art of surprise, fireworks, proximity in motion: contact with the public is total.<br />
Collision, friction, percussion. There are many ways to make fire: the clash of drums produces sparks, communicative warmth, a wild<br />
whirlwind of colours & aromas.<br />
« The two tribes meet in a cataclysmic collision of<br />
fast and frenzied drumming. »<br />
MILTON KEYNES CITIZEN<br />
This show evokes the clash of cultures, the need to talk, a common song invented. A warm-hearted show of interaction and sharing.<br />
• • • REFERENCES : Rendez-vous étudiants in Aurillac • Luton Arts in Luton (UK) • CAST à Doncaster (UK) • Grande Marée in St Nazaire •<br />
Greenwich & Dockland International Festival in London (UK) • River of Light in Liverpool (UK) • Fest’Arts in Libourne • Festival Bilboko Kalealdia in<br />
Bilbao (ES) • Rugby World Cup in Milton Keynes & Newcastle (UK) • Festival Chalon dans la Rue in Chalon sur Saône • Paléo Festival in Nyon (SZ) • Viva<br />
Cité in Sotteville les Rouen • Festival Toulouse d’Eté in Toulouse • Centre culturel de Warande in Turnhout (BE) • Festival Cour et Jardin in Champigny<br />
• Festival la Sarre à Contes in Sarralbe • Derby Festé in Derby (UK) • Festival des Arts de la Rue Orly in Fête • <strong>Les</strong> Antoniades in Flobecq (BE) • • •<br />
Night-time - outdoor<br />
Duration : 50 min<br />
Audience : several thousand people<br />
(c) www.eventdigital.co.uk<br />
• Parade : 20 min<br />
Out of nowhere, drummers march towards each other pounding<br />
stretched skins. Street to street, their drumsticks twirl, their<br />
colourful faces sizing each other up for a confrontation of rhythm<br />
and light. What will be the outcome of the clash? The sole purpose<br />
of this symbolic confrontation is to turn collision into interaction,<br />
to sublimate fury into language, to light the unifying fire that<br />
brings hearts together.<br />
• Fixed set : 30 min<br />
At the end of this wild parade through crowded streets, the<br />
blazing musicians climb onto the stage for a clash of drums. They<br />
light a huge fire that seems to burst from their instruments, as if<br />
every percussion note sparks an explosion in the starry sky. But<br />
this is just a transition point. The black and yellow devils again<br />
take to the street and disappear just as they came : surrounded<br />
by fire.<br />
DANBOR TALKA / Le Choc des Tambours is a coproduction : Production Big Drum, Dis Dis<br />
Producciones, Mairie de Libourne – Service Festivités et Actions Culturelles et le festival<br />
Fest’Arts, L’Abattoir – Centre National des Arts de la Rue – Ville de Chalon sur Saône,<br />
Lekeitio Festival Internacional de Teatro de Calle, Le Fourneau – Centre National des Arts<br />
de la Rue – Brest.<br />
Funded by : L’Institut Français, la Ville de Toulouse, le Conseil Général de la Haute Garonne<br />
et la Région Midi-Pyrénées.<br />
(c) www.eventdigital.co.uk
Le Concert de Feu<br />
Neither a firework display nor a concert, Le Concert de Feu places the element of fire at the centre of artistic<br />
expression. <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have travelled the world and discovered that there is a common rhythmical<br />
language through all cultures, a universal music felt in the gut. Driven onward by the drums and the<br />
clamour of the audience it becomes a huge fire.<br />
A wave of sparkles spreads amongst the audience.<br />
Fire sharing is one of the great moments of the show. <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> distribute hundreds of magic<br />
sparklers to the audience, each one becoming a star. Depending on the project, it is also possible to involve people from the community<br />
in this set.<br />
“Let the fire burn, let the bodies dance.”<br />
Dance has always been a core part of <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong>’s work. We often invite professional dancers to take part in special versions<br />
of Le Concert de Feu.<br />
Le Concert de Feu in Heerlen NL<br />
Reportage<br />
Technical rider (pdf)<br />
« Steady and furious percussion ! »<br />
THE STRAIGHT TIMES, SINGAPORE<br />
Night-time - outdoor or indoor<br />
Duration : 45 or 60 min<br />
Duration : several thousand people<br />
• Parade : 15 to 25 mn depending on the final project<br />
Le Concert de Feu is firstly a drum performance : fire enters the<br />
music, sometimes massive and powerful, sometimes delicate<br />
and subtle. <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> come out from amongst the<br />
audience with their big drums, surrounded by pyrotechnics and<br />
lights effects.<br />
• • • REFERENCES : Singapore Arts Festival (SIN) • Toronto<br />
Winter City Festival (CAN) • Festival les Années Joué • Festival les<br />
Accroche-Coeurs d’Anger • Festival les Virevoltés à Vire • Chelmsford<br />
Festival (UK) • Festival Échappée Belle de Blanquefort • Mot Festival<br />
(MK) • Festival <strong>Les</strong> Flambarts à Dreux • Festival <strong>Les</strong> Chromatiques à Fos<br />
sur Mer • Fête des Lumières à Lyon • Festival les Zaccros d’ma Rue à<br />
Nevers • Festival Internacional de Teatro Belo Horizonte (BR) • Salisbury<br />
International Arts Festival (UK) • Festival les Affranchis à La Flèche • • •<br />
(c) K. de Clerck<br />
• Fixed set : 35 min<br />
Coming from amongst the audience, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> take<br />
the stage and begin an exhilarating rhythmical dialogue with fire.<br />
Shouts from the audience accompany the Big Drum rhythm in an<br />
astonishing final volcanic set.<br />
(c) K. de Clerck
B.P.M. Bombs per Minute<br />
Is destruction a creation?<br />
As an answer to the violence of the world, ‘Bombs per Minute’ attempts to drown the audience in noise and rage with the intention<br />
of reaching peace and silence in the end. A delightful show, a great moment of crushing pyrotechnics.<br />
A clock ticks. Bells toll. Fireworks erupt into the night sky in a continuous, hypnotic flow. The tempo quickens and a torrent of light and<br />
sound is unleashed - a furious and beautiful explosion of energy that sets your pulse racing. As well as being a jaw-dropping display of<br />
pyrotechnic skill, this beautiful choreographed show questions the relationship between violence and creation, and asks us where can<br />
we look to find peace in an increasingly angry world.<br />
BPM in Perth Australie<br />
Reportage in Strasbourg<br />
Technical rider (pdf)<br />
Night-time - outdoor<br />
Duration : 35 min<br />
Duration : several thousand people<br />
« The audience electrified by so much energy spread<br />
out asks for more, a truly heroic performance.»<br />
THE GUARDIAN<br />
(c) MIAIvana Batev<br />
• An apocalyptic opening scene :<br />
The first part of the show starts with a visual and sonorous countdown:<br />
the fireworks clock. The audience feels as if the show has always been<br />
there. With a ticking rhythm, the pyrotechnic effects rise into the sky in<br />
a continuous and hypnotic flow. Hypnotic bells build the pressure. The<br />
tempo goes up minute by minute and leads to an apocalyptic opening<br />
scene.<br />
• The music pulsates a communicative heat :<br />
The second part of the show consists of a series of short but effective<br />
scenes in which the four percussionists turn fire into rhythm and vice<br />
versa. They answer to the crackers (the soloist fire), they make bursting<br />
bangs with the rhythm of sticks, a wha wha pedal of fire plays with<br />
crackling sparks, cymbals explode in the musicians/vulcanologists’ faces.<br />
Violence is only an appearance. The music beats an infectious heat.<br />
The final part confirms that all the fury is a cathartic moment full of<br />
exultation. All this is just a game, the cry of children making fun of an<br />
angry game. After the breaking of sounds and blinding lights, a strange<br />
calm befalls.<br />
• • • REFERENCES : Perth International Arts Festival (AUS)<br />
• Festival Chalon dans la Rue in Chalon sur Saône (FR) • Fest’Arts in<br />
Libourne (FR) • Stockton International Riverside Festival (UK) • Exposition<br />
Internationale Zaragoza (ES) • Ansan Street Arts Festival à Ansansi (KS) •<br />
Festival Internacional de las Artes de Salamanca (ES) • Festival Z’ArtsUp in<br />
Béthune (FR) • Festival des Arts dans la Rue in Strasbourg (FR) • <strong>Les</strong> Contre-<br />
Plongées de l’Eté in Clermont Ferrand (FR) • Festival de rue de Ramonville<br />
(FR) • Sorties de Bain in Granville (FR) • • •<br />
(c) M. Le Fournier
<strong>Les</strong> Interventions Mobiles - Annonay France - (c) QuelquespArts<br />
• • • REFERENCES : Goyang Lake-park Arts<br />
Festival (KS) • Lightpool in Blackpool (UK) • Inauguration du<br />
Musée d’Ethnographie in Genève (CH) • Parc Préhistorique<br />
de Tarascon (FR) • Kervénanec : faites le quartier! in Lorient<br />
(FR) • Temps fort de l’APSOAR in Annonay (FR) • Château<br />
de Saint Priest (FR) • Olympiade des métiers de Clermont-<br />
Ferrand (FR) • Le Mans fait son Cirque (FR) • Bodega de<br />
Saint Alban (FR) • Ouverture de saison à La Tranche sur Mer<br />
(FR)• <strong>Les</strong> Givrés de la Rue à Orcière (FR) • Boules de Notes<br />
aux Ménuires (FR) • Carnaval de Tonneins (FR) • • •<br />
LES INTERVENTIONS MOBILES<br />
ACOUSTIC SHOW<br />
They play everywhere.<br />
The choice is clear: they will go closer to their audience, abolish the stage or, more precisely, use the whole space as a space of<br />
creation.<br />
<strong>Les</strong> Interventions Mobiles laid the foundation for the company’s history: being an interventionist band, able to surround the public<br />
area no matter what its shape. The choice is clear: they will go closer to their audience, abolish the stage or, more precisely, use the<br />
whole space as a space of creation.<br />
(c) QuelquespArts<br />
(c) X. Boymond<br />
Technical rider (pdf)<br />
Night-time - outdoor or indoor<br />
Duration : up to 50 min<br />
Duration : several thousand people<br />
EXTREME INTERVENTIONS MOBILES<br />
• Illuminated water at the Parc de la préhistoire in Tarascon (FR)<br />
• Official opening of Albi Theater (indoor-outdoor) (FR)<br />
• «Human rafts » at the Perth International Arts Festival (AUS)<br />
• Rappel down in Madrid (SP)<br />
• Show on snow in the French Alps<br />
• Official opening of an industrial site in Trento (IT)<br />
(c) <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />
• Parade : from 25 to 45 min depending on the project<br />
From direct contact with the public to big parades in the city, the huge sound box drives across the city. This human<br />
machine shows off its rhythm and drags the audience along a path punctuated with pyro surprises.<br />
Shouts, drums, sparkles : an exhilarating spiral!<br />
• Fixed set (optional) : 25 min<br />
Absolutely unique, rhythms and pyrotechnics arise with incredible strength blowing the audience away.
WORKSHOPS AND SPECIAL CREATIONS.<br />
The point of doing workshops is to create a large scale performance. The volunteers are trained by <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> to develop<br />
a project from its composition to its concrete fulfillment.<br />
Special creations, original scenographies and specific circumstances are as many parameters that become creative challenges.<br />
• • • REFERENCES • • •<br />
• RUGBY WORLD CUP, Milton Keynes UK, October 2015.<br />
<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have been joined by a team of eight UK and Milton Keynes based pyrotechnic artists. With the help of Festive Road,<br />
they have been trained to perform in the Clash of Drums, otherwise known as Danbor Talka.<br />
• COAL CHILDREN, Forbach France, 2013, 2014 & 2015.<br />
Gueules Noires : le peuple fier > This performance is an exceptional journey through the life of coal miners and their families in the French area of<br />
Moselle. Former miners participate in this unique show. Artistic direction : Laurent-Guillaume Dehlinger (cie Deracinemoa).<br />
• LA FÊTE DE LA SAINT PAUL, Sarreguemines France, June 2014.<br />
(c) Ville de Noisy le Grand<br />
(c) eventdigital.co.uk<br />
(c) eventdigital.co.uk<br />
Writing with amateurs is an adventurous creation. Through the sharing of expertise and ideas, fire workshops<br />
become an imaginative laboratory. The meeting between artists and the professionals supervising the project<br />
creates an environment in which the sharing of experiences is a priority.<br />
>> FULL INFORMATION PACK TO DOWNLOAD
LES COMMANDOS PERCU<br />
International Street Arts Company<br />
By creating our own instruments, we’re building a proper identity.<br />
After their first performances about 20 years ago with no actual musical instruments, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> wanted to keep<br />
their mobility and to create a musical repertory that would not borrow other cultures rhythms. Creating their own folklore,<br />
rituals, a language, as if they came from another land.<br />
It’s been more than 10 years now that <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have been working with Claude Walter from Rythmes & Sons –<br />
Strasbourg through a permanent partnership, a sound laboratory, in order to develop unique and original musical instruments.<br />
The show “On the Night Shift” was a commission for the London 2012 Festival. It presented an original musical composition<br />
played on drums specially drawn and created for this show: the “Satellidrum”.<br />
Energy in motion.<br />
RHYTHM - FIRE - MOTION<br />
Music that speaks to the guts. For more than 20 years, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have been creating a new and ancestral language,<br />
that speaks through cultures and genres. They traveled the world with their innovative percussion work and specialized<br />
knowledge of fireworks.<br />
The essential sparkle to the fusion between music and fireworks is movement: street to street, amongst the public, the pyromusicians<br />
enlighten the sky with their rhythms.<br />
«Tchernobyl - an hymn to life made of screams, drums, sparkles and explosions.<br />
Tchernobyl - turning the memory of an absurd disaster into a hymn of life made of screams, drums, sparkles and explosions.<br />
It was a day in April 1986, I had created a nice rhythm by shaking a box of matches when suddenly the disaster was announced on<br />
TV. The next day, this innocent rhythm produced by a box of matches became a massive sound of drums accelerating, culminating<br />
in a final explosion. I wanted to describe a fine and complex molecule of life, when accelerating it became overheated, it turned<br />
into an absurd and destructive smash, then it became deathly quiet. Tchernobyl became a part of <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong>’s<br />
repertoire.<br />
Curiously, the outcome is cheerful, lively and pressurized by a tuneful tempo;<br />
almost a love spasm… Besides, in the version of « Le Concert de feu », it is a<br />
great moment of fireworks where we have deployed many strategies to create<br />
“astronomical scenes”, plenty of circles, spirals and trajectories, like a painting<br />
of the starlit sky.<br />
I even believe that we could play this partition… in reverse order! Then, it would<br />
suggest a kind of Big Bang in which the elementary base gets organized round a<br />
pulsation, to end in this fine molecule of life.»<br />
Raymond Gabriel is LCP’s artistic director<br />
Drummer, composer, pyrotechnician, he created the company in 1994.<br />
8 route de Saint Loup<br />
31180 St Geniès Bellevue<br />
Toulouse - FRANCE<br />
Contacts<br />
« Coming from the beginning of time and from the future, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> remind us that we live<br />
on a ball of fire and that there is no greater sorcery than this fusion of the circle of fire, which removes<br />
the shadows and brings men closer. Giddiness, fireworks of emotions, immediate feelings of touching<br />
the essence of humanity, the spectacles of <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> are a kind of initiation into our human<br />
condition in its terrible and elementary beauty. » GIL PRESSNITZER<br />
(c) D. Saint Léger<br />
LES COMMANDOS PERCU<br />
Mise en scène : Raymond Gabriel<br />
Music - Pyrotechnics : Stéphane Augier, Metty<br />
Bénistant, Raymond Gabriel, Bernard Graell, William<br />
Perez, Ruddy Thery<br />
Tour manager : Vincent Gonzalez<br />
Sound : François Hourtané<br />
Lights : Michel Pradillon<br />
Production : Chloé Aubin, Lisa Trouilhet<br />
+33 (0)5 61 35 00 77<br />
contact@commandospercu.com<br />
INTERNATIONAL BOOKING PARTNERS :<br />
HH Producties - Amsterdam<br />
Tanja Ruiter - +31 616 078 534 /+31 204 082 504<br />
tanja@hhproducties.nl<br />
MUSIC FESTIVALS BOOKING :<br />
Base Productions<br />
Fabristi - +33 608 815 807<br />
fabristi@base-productions.com
unes<br />
onne<br />
ourg<br />
757<br />
CRÉDIT PHOTO DANIEL SAINT LÉGER<br />
MUSICIENS ARTIFICIERS Stéphane Augier, Metty Bénistant, Raymond Gabriel, Bernard Graell, William Perez, Ruddy Thery<br />
MISE EN SCÈNE Raymond Gabriel LUMIÈRES Michel Pradillon SON François Hourtané<br />
RÉGIE GÉNÉRALE Vincent Gonzalez PRODUCTION Chloé Aubin, Lisa Trouilhet<br />
<strong>Press</strong> review<br />
DRUMS AT NIGHT, FIRE IN THE SKY.<br />
« An ending with a bang, certainly not a whimper, as fireworks and drumbeats signal a fitting farewell to this year’s Arts Festival.<br />
Concert of Fire, by French group <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong>, combined wild percussion and pyrotechnics to provide a fitting end as the<br />
Arts Festival’s closing event. The performers underscored the visual experience with steady and furious percussion. With all kinds of<br />
fireworks shooting every which way above the stage, it was a light show that certainly delighted. ” I’ve never seen anything like it.<br />
It’s really wonderful, it’s better than the National Day !” »<br />
ART AS AN AGENT OF CHANGE FOR DEMOCRACY AND A RISER FOR THE GROUP.<br />
« Four years after their noticed appearance in the official line up of Chalon dans la Rue festival, les <strong>Commandos</strong> <strong>Percu</strong> will come back<br />
next summer on 20th-23th July 2011. They were in residence this week in L’Abattoir / International Street Art Center for the creation<br />
of a new show, entitled Destruction! Don’t worry, behind this terrible word hides a pacifist message : “Let’s not close our senses or<br />
our heart, let’s open ourselves to what surrounds us, let’s break all the Berlin Walls that grow around us everyday.” »<br />
PERCUSSION AND FIREWORKS.<br />
« “It’s very simple, why we do this », said artistic director Raymond Gabriel, ” <strong>Percu</strong>ssion makes boom, fireworks make boom too ! ”<br />
Each musician pounds away on specially designed drum sets that can spew sparks. But despite the blinding show of light, Raymond<br />
Gabriel stresses that the music comes first. ” The fireworks must be justified by the music.” said Mr Gabriel. ” We are a musical band<br />
first of all, and our music is the common thing that reaches out to everyone.” »<br />
VISUAL TAPESTRY OF LIGHT AND SOUNDS OF DELICATE BEAUTY<br />
« The Bombs per Minute is a french show and its set stood high and proud like a relic from our industrial past set against the night<br />
sky. As the darkness fell, Bombs per Minute began, lightly and softly with an evocative soundscape and beautiful firework display.<br />
I was standing and positioned near the front in full view of the group of burly Frenchmen pounding hand crafted drum kits. With<br />
the utmost precision and timing, they moved through a series of drumming based musical sets integrated with fireworks emitting<br />
from the stage, dustbins, and their drum kits. Mesmerizing and sonically and visually hard core, they took the audience on a journey<br />
driven by the force of pure masculine energy.<br />
Bombs per Minute is for the most part a violent and aggressive spectacle reminiscent of the works of Bow Gamelan, Test Department<br />
and Archaos. This is spectacle for the techo and BPM generation. The show is pure velocity. The genius of Bombs per Minute<br />
was the mirror it holds up to humanity – its revels in our love of aggression and ability to enact violence yet at the same time presents<br />
us with other parts of human nature through its visual tapestry of light and sounds of delicate beauty.»<br />
Medias<br />
DEBBIE LANDER’s blog,<br />
programme director of WE PLAY<br />
the Northwest’s cultural legacy project UK<br />
WWW.COMMANDOSPERCU.COM<br />
CD<br />
Contacts<br />
@<strong>Commandos</strong><strong>Percu</strong><br />
BPM BOMBS PER MINUTE<br />
TEASER ON LINE<br />
raell<br />
riel --<br />
rtané<br />
aume<br />
LE CONCERT DE FEU live<br />
LE CONCERT<br />
DE FEU<br />
live<br />
<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />
COMMANDOS<br />
PERCU<br />
LES<br />
DVD<br />
LE CONCERT DE FEU<br />
Live au festival Ça bouge encore<br />
Toulouse - September 2002<br />
Content: Le Concert de Feu - film<br />
31’20; Making of 4’27; Clip 4’27;<br />
Album photos 3’14<br />
TEASER ON LINE<br />
DVD BPM Bombs per Minute<br />
TRÈS MÉCHANT(S)<br />
Live au festival Chalon dans la rue<br />
et festival de rue de Ramonville<br />
July - September 2007<br />
Content:Très méchant(s) - film<br />
21’50; Clip 4’06; Diaporama 0’46<br />
TEASER ON LINE<br />
WWW.COMMANDOSPERCU.COM<br />
Graphisme Camille Médus / Impression Loading Zone / Licence : 2-1068757<br />
/ Licence 2-10504 0<br />
POSTER<br />
Dimensions 60 x 40<br />
8 route de Saint Loup<br />
31180 St Geniès Bellevue<br />
Toulouse - FRANCE<br />
+33 (0)5 61 35 00 77<br />
contact@commandospercu.com<br />
INTERNATIONAL BOOKING PARTNERS :<br />
HH Producties - Amsterdam<br />
Tanja Ruiter - +31 616 078 534 /+31 204 082 504<br />
tanja@hhproducties.nl<br />
MUSIC FESTIVALS BOOKING :<br />
Base Productions<br />
Fabristi - +33 608 815 807<br />
fabristi@base-productions.com