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<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />

<strong>Press</strong> <strong>release</strong><br />

(c) S. Henriques


SILENCE! creation 2017<br />

<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />

« a possessed trance toward an ultimate<br />

point : enjoying the silence »<br />

This is the silence before the storm. Who can explain this obscured<br />

horizon? Someone shouts Silence ! Time is suspended now, all is<br />

frozen. The slow muffled rolling of the drums rises from the depths<br />

becoming a deafening noise. A rain of metal fills the air, sheet<br />

lightning overwhelms the sky.<br />

Silence ! will be made of 2 parts, a procession and a final<br />

on a fixed set.<br />

« How to create when the world collapses around us and there is nothing left ? How can ingenuity be an<br />

answer to coercion? Our challenge is not to turn <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> into the first post-apocalyptic band of<br />

percussion but to go back to our basics : observing, recycling material and the sounds of the world to reinvent<br />

a lively and personified music.<br />

Then comes a reaction to the abundance of technology surrounding us and making us wonder what is the<br />

meaning of performing a live show with flesh and sweat? We always look for answers in fire because it is<br />

deeply linked to human beings history. Until now we had the feeling that our shows were asking “which side<br />

of fire are you on ?”. Today we are asking “where is fire going to?”.<br />

What we are looking for is an exhilarating wildness, a genuine and essential joy. »<br />

Raymond Gabriel - artistic director<br />

CREATION WORKSHOPS :<br />

16 to 27 January 2017 : Big Drum, Toulouse FR<br />

17 to 22 April 2017 : Festival International des<br />

arts de la rue de Chassepierre BE<br />

26 to 29 April 2017 : Le Rio Grande - Scène de<br />

Musiques Actuelles, Montauban FR<br />

To be confirmed ....<br />

Théâtre le Liburnia - Fest’Arts / « L’Abattoir » à Chalon-sur-<br />

Saône - Festival Chalon dans la Rue.<br />

Dressed up with metal, musicians move forward amongst a blinding<br />

din. Coloured bodies and layered pieces of metal form a moving<br />

shape with sharp angles forcing itself into the audience.<br />

Powerful rhythms intersperse with silence creating a tension that<br />

will not fade. Along the path, procession will stop to create collective<br />

sculptures forms which spring lights and sounds before moving<br />

forward again in a relentless move. Nothing will stop this oscillating<br />

human machine, bodies progressing in unison with the rhythms<br />

At the end of the route musicians and pyrotechnicians will reach<br />

a fixed set evoking a mountain of metal. Viewing angle from the<br />

audience is wide, almost circular around the stage. Characters<br />

invade this strange space as one exploring a new territory, covered<br />

with metals and items that endlessly need to be pushed away,<br />

reorganised, transformed. Anything is good for action. The limit<br />

between chaos and music is thin.<br />

What seems to be a countdown, or maybe a clock telling hours,<br />

creates a spiral of tension and surprises.<br />

Objects and fire manipulation, percussion playing on and on,<br />

exploring what appears to be a gigantic musical instruments creating<br />

a possessed trance toward an ultimate point : enjoying the silence.<br />

A dazzling finale <strong>release</strong>s accumulated tensions with an astounding<br />

wave of energy. The mountain became a volcano, a huge bonfire.<br />

Now characters are liberated as well, like miners, cleared out from<br />

their metal constraint, sharing the silence, coming back, as one<br />

comes back to the light.<br />

TECHNICAL SPECIFICATIONS :<br />

> outdoor - night time<br />

> team of 7 artists and 2 technicians<br />

> procession followed by a final on a fixed set<br />

> duration about 40-45 min<br />

> audience : several thousand people<br />

> technical rider being created currently : 2 options will be<br />

offered with an acoustic set or a full sound and light system<br />

> fireworks safety area is located near the rear area of the stage


<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> & Deabru Beltzak<br />

DANBOR TALKA<br />

Clash of Drums<br />

Danbor Talka - Festival Chalon dans la Rue Clash of Drums - Rugby World Cup UK Technical rider (pdf)<br />

After many years spent traveling the world with their amazing drum and firework shows, the Basque company DEABRU BELTZAK<br />

and the French company LES COMMANDOS PERCU combine their talents and know-how with a clear objective: to reclaim the<br />

streets.<br />

Movement, rhythm, fire. These three words indicate the common background of the two companies, each revealing their culture<br />

and their history. Approximation does not eliminate differences; on the contrary : symbolic confrontation becomes shared energy.<br />

Aesthetic of form, the art of surprise, fireworks, proximity in motion: contact with the public is total.<br />

Collision, friction, percussion. There are many ways to make fire: the clash of drums produces sparks, communicative warmth, a wild<br />

whirlwind of colours & aromas.<br />

« The two tribes meet in a cataclysmic collision of<br />

fast and frenzied drumming. »<br />

MILTON KEYNES CITIZEN<br />

This show evokes the clash of cultures, the need to talk, a common song invented. A warm-hearted show of interaction and sharing.<br />

• • • REFERENCES : Rendez-vous étudiants in Aurillac • Luton Arts in Luton (UK) • CAST à Doncaster (UK) • Grande Marée in St Nazaire •<br />

Greenwich & Dockland International Festival in London (UK) • River of Light in Liverpool (UK) • Fest’Arts in Libourne • Festival Bilboko Kalealdia in<br />

Bilbao (ES) • Rugby World Cup in Milton Keynes & Newcastle (UK) • Festival Chalon dans la Rue in Chalon sur Saône • Paléo Festival in Nyon (SZ) • Viva<br />

Cité in Sotteville les Rouen • Festival Toulouse d’Eté in Toulouse • Centre culturel de Warande in Turnhout (BE) • Festival Cour et Jardin in Champigny<br />

• Festival la Sarre à Contes in Sarralbe • Derby Festé in Derby (UK) • Festival des Arts de la Rue Orly in Fête • <strong>Les</strong> Antoniades in Flobecq (BE) • • •<br />

Night-time - outdoor<br />

Duration : 50 min<br />

Audience : several thousand people<br />

(c) www.eventdigital.co.uk<br />

• Parade : 20 min<br />

Out of nowhere, drummers march towards each other pounding<br />

stretched skins. Street to street, their drumsticks twirl, their<br />

colourful faces sizing each other up for a confrontation of rhythm<br />

and light. What will be the outcome of the clash? The sole purpose<br />

of this symbolic confrontation is to turn collision into interaction,<br />

to sublimate fury into language, to light the unifying fire that<br />

brings hearts together.<br />

• Fixed set : 30 min<br />

At the end of this wild parade through crowded streets, the<br />

blazing musicians climb onto the stage for a clash of drums. They<br />

light a huge fire that seems to burst from their instruments, as if<br />

every percussion note sparks an explosion in the starry sky. But<br />

this is just a transition point. The black and yellow devils again<br />

take to the street and disappear just as they came : surrounded<br />

by fire.<br />

DANBOR TALKA / Le Choc des Tambours is a coproduction : Production Big Drum, Dis Dis<br />

Producciones, Mairie de Libourne – Service Festivités et Actions Culturelles et le festival<br />

Fest’Arts, L’Abattoir – Centre National des Arts de la Rue – Ville de Chalon sur Saône,<br />

Lekeitio Festival Internacional de Teatro de Calle, Le Fourneau – Centre National des Arts<br />

de la Rue – Brest.<br />

Funded by : L’Institut Français, la Ville de Toulouse, le Conseil Général de la Haute Garonne<br />

et la Région Midi-Pyrénées.<br />

(c) www.eventdigital.co.uk


Le Concert de Feu<br />

Neither a firework display nor a concert, Le Concert de Feu places the element of fire at the centre of artistic<br />

expression. <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have travelled the world and discovered that there is a common rhythmical<br />

language through all cultures, a universal music felt in the gut. Driven onward by the drums and the<br />

clamour of the audience it becomes a huge fire.<br />

A wave of sparkles spreads amongst the audience.<br />

Fire sharing is one of the great moments of the show. <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> distribute hundreds of magic<br />

sparklers to the audience, each one becoming a star. Depending on the project, it is also possible to involve people from the community<br />

in this set.<br />

“Let the fire burn, let the bodies dance.”<br />

Dance has always been a core part of <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong>’s work. We often invite professional dancers to take part in special versions<br />

of Le Concert de Feu.<br />

Le Concert de Feu in Heerlen NL<br />

Reportage<br />

Technical rider (pdf)<br />

« Steady and furious percussion ! »<br />

THE STRAIGHT TIMES, SINGAPORE<br />

Night-time - outdoor or indoor<br />

Duration : 45 or 60 min<br />

Duration : several thousand people<br />

• Parade : 15 to 25 mn depending on the final project<br />

Le Concert de Feu is firstly a drum performance : fire enters the<br />

music, sometimes massive and powerful, sometimes delicate<br />

and subtle. <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> come out from amongst the<br />

audience with their big drums, surrounded by pyrotechnics and<br />

lights effects.<br />

• • • REFERENCES : Singapore Arts Festival (SIN) • Toronto<br />

Winter City Festival (CAN) • Festival les Années Joué • Festival les<br />

Accroche-Coeurs d’Anger • Festival les Virevoltés à Vire • Chelmsford<br />

Festival (UK) • Festival Échappée Belle de Blanquefort • Mot Festival<br />

(MK) • Festival <strong>Les</strong> Flambarts à Dreux • Festival <strong>Les</strong> Chromatiques à Fos<br />

sur Mer • Fête des Lumières à Lyon • Festival les Zaccros d’ma Rue à<br />

Nevers • Festival Internacional de Teatro Belo Horizonte (BR) • Salisbury<br />

International Arts Festival (UK) • Festival les Affranchis à La Flèche • • •<br />

(c) K. de Clerck<br />

• Fixed set : 35 min<br />

Coming from amongst the audience, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> take<br />

the stage and begin an exhilarating rhythmical dialogue with fire.<br />

Shouts from the audience accompany the Big Drum rhythm in an<br />

astonishing final volcanic set.<br />

(c) K. de Clerck


B.P.M. Bombs per Minute<br />

Is destruction a creation?<br />

As an answer to the violence of the world, ‘Bombs per Minute’ attempts to drown the audience in noise and rage with the intention<br />

of reaching peace and silence in the end. A delightful show, a great moment of crushing pyrotechnics.<br />

A clock ticks. Bells toll. Fireworks erupt into the night sky in a continuous, hypnotic flow. The tempo quickens and a torrent of light and<br />

sound is unleashed - a furious and beautiful explosion of energy that sets your pulse racing. As well as being a jaw-dropping display of<br />

pyrotechnic skill, this beautiful choreographed show questions the relationship between violence and creation, and asks us where can<br />

we look to find peace in an increasingly angry world.<br />

BPM in Perth Australie<br />

Reportage in Strasbourg<br />

Technical rider (pdf)<br />

Night-time - outdoor<br />

Duration : 35 min<br />

Duration : several thousand people<br />

« The audience electrified by so much energy spread<br />

out asks for more, a truly heroic performance.»<br />

THE GUARDIAN<br />

(c) MIAIvana Batev<br />

• An apocalyptic opening scene :<br />

The first part of the show starts with a visual and sonorous countdown:<br />

the fireworks clock. The audience feels as if the show has always been<br />

there. With a ticking rhythm, the pyrotechnic effects rise into the sky in<br />

a continuous and hypnotic flow. Hypnotic bells build the pressure. The<br />

tempo goes up minute by minute and leads to an apocalyptic opening<br />

scene.<br />

• The music pulsates a communicative heat :<br />

The second part of the show consists of a series of short but effective<br />

scenes in which the four percussionists turn fire into rhythm and vice<br />

versa. They answer to the crackers (the soloist fire), they make bursting<br />

bangs with the rhythm of sticks, a wha wha pedal of fire plays with<br />

crackling sparks, cymbals explode in the musicians/vulcanologists’ faces.<br />

Violence is only an appearance. The music beats an infectious heat.<br />

The final part confirms that all the fury is a cathartic moment full of<br />

exultation. All this is just a game, the cry of children making fun of an<br />

angry game. After the breaking of sounds and blinding lights, a strange<br />

calm befalls.<br />

• • • REFERENCES : Perth International Arts Festival (AUS)<br />

• Festival Chalon dans la Rue in Chalon sur Saône (FR) • Fest’Arts in<br />

Libourne (FR) • Stockton International Riverside Festival (UK) • Exposition<br />

Internationale Zaragoza (ES) • Ansan Street Arts Festival à Ansansi (KS) •<br />

Festival Internacional de las Artes de Salamanca (ES) • Festival Z’ArtsUp in<br />

Béthune (FR) • Festival des Arts dans la Rue in Strasbourg (FR) • <strong>Les</strong> Contre-<br />

Plongées de l’Eté in Clermont Ferrand (FR) • Festival de rue de Ramonville<br />

(FR) • Sorties de Bain in Granville (FR) • • •<br />

(c) M. Le Fournier


<strong>Les</strong> Interventions Mobiles - Annonay France - (c) QuelquespArts<br />

• • • REFERENCES : Goyang Lake-park Arts<br />

Festival (KS) • Lightpool in Blackpool (UK) • Inauguration du<br />

Musée d’Ethnographie in Genève (CH) • Parc Préhistorique<br />

de Tarascon (FR) • Kervénanec : faites le quartier! in Lorient<br />

(FR) • Temps fort de l’APSOAR in Annonay (FR) • Château<br />

de Saint Priest (FR) • Olympiade des métiers de Clermont-<br />

Ferrand (FR) • Le Mans fait son Cirque (FR) • Bodega de<br />

Saint Alban (FR) • Ouverture de saison à La Tranche sur Mer<br />

(FR)• <strong>Les</strong> Givrés de la Rue à Orcière (FR) • Boules de Notes<br />

aux Ménuires (FR) • Carnaval de Tonneins (FR) • • •<br />

LES INTERVENTIONS MOBILES<br />

ACOUSTIC SHOW<br />

They play everywhere.<br />

The choice is clear: they will go closer to their audience, abolish the stage or, more precisely, use the whole space as a space of<br />

creation.<br />

<strong>Les</strong> Interventions Mobiles laid the foundation for the company’s history: being an interventionist band, able to surround the public<br />

area no matter what its shape. The choice is clear: they will go closer to their audience, abolish the stage or, more precisely, use the<br />

whole space as a space of creation.<br />

(c) QuelquespArts<br />

(c) X. Boymond<br />

Technical rider (pdf)<br />

Night-time - outdoor or indoor<br />

Duration : up to 50 min<br />

Duration : several thousand people<br />

EXTREME INTERVENTIONS MOBILES<br />

• Illuminated water at the Parc de la préhistoire in Tarascon (FR)<br />

• Official opening of Albi Theater (indoor-outdoor) (FR)<br />

• «Human rafts » at the Perth International Arts Festival (AUS)<br />

• Rappel down in Madrid (SP)<br />

• Show on snow in the French Alps<br />

• Official opening of an industrial site in Trento (IT)<br />

(c) <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />

• Parade : from 25 to 45 min depending on the project<br />

From direct contact with the public to big parades in the city, the huge sound box drives across the city. This human<br />

machine shows off its rhythm and drags the audience along a path punctuated with pyro surprises.<br />

Shouts, drums, sparkles : an exhilarating spiral!<br />

• Fixed set (optional) : 25 min<br />

Absolutely unique, rhythms and pyrotechnics arise with incredible strength blowing the audience away.


WORKSHOPS AND SPECIAL CREATIONS.<br />

The point of doing workshops is to create a large scale performance. The volunteers are trained by <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> to develop<br />

a project from its composition to its concrete fulfillment.<br />

Special creations, original scenographies and specific circumstances are as many parameters that become creative challenges.<br />

• • • REFERENCES • • •<br />

• RUGBY WORLD CUP, Milton Keynes UK, October 2015.<br />

<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have been joined by a team of eight UK and Milton Keynes based pyrotechnic artists. With the help of Festive Road,<br />

they have been trained to perform in the Clash of Drums, otherwise known as Danbor Talka.<br />

• COAL CHILDREN, Forbach France, 2013, 2014 & 2015.<br />

Gueules Noires : le peuple fier > This performance is an exceptional journey through the life of coal miners and their families in the French area of<br />

Moselle. Former miners participate in this unique show. Artistic direction : Laurent-Guillaume Dehlinger (cie Deracinemoa).<br />

• LA FÊTE DE LA SAINT PAUL, Sarreguemines France, June 2014.<br />

(c) Ville de Noisy le Grand<br />

(c) eventdigital.co.uk<br />

(c) eventdigital.co.uk<br />

Writing with amateurs is an adventurous creation. Through the sharing of expertise and ideas, fire workshops<br />

become an imaginative laboratory. The meeting between artists and the professionals supervising the project<br />

creates an environment in which the sharing of experiences is a priority.<br />

>> FULL INFORMATION PACK TO DOWNLOAD


LES COMMANDOS PERCU<br />

International Street Arts Company<br />

By creating our own instruments, we’re building a proper identity.<br />

After their first performances about 20 years ago with no actual musical instruments, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> wanted to keep<br />

their mobility and to create a musical repertory that would not borrow other cultures rhythms. Creating their own folklore,<br />

rituals, a language, as if they came from another land.<br />

It’s been more than 10 years now that <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have been working with Claude Walter from Rythmes & Sons –<br />

Strasbourg through a permanent partnership, a sound laboratory, in order to develop unique and original musical instruments.<br />

The show “On the Night Shift” was a commission for the London 2012 Festival. It presented an original musical composition<br />

played on drums specially drawn and created for this show: the “Satellidrum”.<br />

Energy in motion.<br />

RHYTHM - FIRE - MOTION<br />

Music that speaks to the guts. For more than 20 years, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> have been creating a new and ancestral language,<br />

that speaks through cultures and genres. They traveled the world with their innovative percussion work and specialized<br />

knowledge of fireworks.<br />

The essential sparkle to the fusion between music and fireworks is movement: street to street, amongst the public, the pyromusicians<br />

enlighten the sky with their rhythms.<br />

«Tchernobyl - an hymn to life made of screams, drums, sparkles and explosions.<br />

Tchernobyl - turning the memory of an absurd disaster into a hymn of life made of screams, drums, sparkles and explosions.<br />

It was a day in April 1986, I had created a nice rhythm by shaking a box of matches when suddenly the disaster was announced on<br />

TV. The next day, this innocent rhythm produced by a box of matches became a massive sound of drums accelerating, culminating<br />

in a final explosion. I wanted to describe a fine and complex molecule of life, when accelerating it became overheated, it turned<br />

into an absurd and destructive smash, then it became deathly quiet. Tchernobyl became a part of <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong>’s<br />

repertoire.<br />

Curiously, the outcome is cheerful, lively and pressurized by a tuneful tempo;<br />

almost a love spasm… Besides, in the version of « Le Concert de feu », it is a<br />

great moment of fireworks where we have deployed many strategies to create<br />

“astronomical scenes”, plenty of circles, spirals and trajectories, like a painting<br />

of the starlit sky.<br />

I even believe that we could play this partition… in reverse order! Then, it would<br />

suggest a kind of Big Bang in which the elementary base gets organized round a<br />

pulsation, to end in this fine molecule of life.»<br />

Raymond Gabriel is LCP’s artistic director<br />

Drummer, composer, pyrotechnician, he created the company in 1994.<br />

8 route de Saint Loup<br />

31180 St Geniès Bellevue<br />

Toulouse - FRANCE<br />

Contacts<br />

« Coming from the beginning of time and from the future, <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> remind us that we live<br />

on a ball of fire and that there is no greater sorcery than this fusion of the circle of fire, which removes<br />

the shadows and brings men closer. Giddiness, fireworks of emotions, immediate feelings of touching<br />

the essence of humanity, the spectacles of <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong> are a kind of initiation into our human<br />

condition in its terrible and elementary beauty. » GIL PRESSNITZER<br />

(c) D. Saint Léger<br />

LES COMMANDOS PERCU<br />

Mise en scène : Raymond Gabriel<br />

Music - Pyrotechnics : Stéphane Augier, Metty<br />

Bénistant, Raymond Gabriel, Bernard Graell, William<br />

Perez, Ruddy Thery<br />

Tour manager : Vincent Gonzalez<br />

Sound : François Hourtané<br />

Lights : Michel Pradillon<br />

Production : Chloé Aubin, Lisa Trouilhet<br />

+33 (0)5 61 35 00 77<br />

contact@commandospercu.com<br />

INTERNATIONAL BOOKING PARTNERS :<br />

HH Producties - Amsterdam<br />

Tanja Ruiter - +31 616 078 534 /+31 204 082 504<br />

tanja@hhproducties.nl<br />

MUSIC FESTIVALS BOOKING :<br />

Base Productions<br />

Fabristi - +33 608 815 807<br />

fabristi@base-productions.com


unes<br />

onne<br />

ourg<br />

757<br />

CRÉDIT PHOTO DANIEL SAINT LÉGER<br />

MUSICIENS ARTIFICIERS Stéphane Augier, Metty Bénistant, Raymond Gabriel, Bernard Graell, William Perez, Ruddy Thery<br />

MISE EN SCÈNE Raymond Gabriel LUMIÈRES Michel Pradillon SON François Hourtané<br />

RÉGIE GÉNÉRALE Vincent Gonzalez PRODUCTION Chloé Aubin, Lisa Trouilhet<br />

<strong>Press</strong> review<br />

DRUMS AT NIGHT, FIRE IN THE SKY.<br />

« An ending with a bang, certainly not a whimper, as fireworks and drumbeats signal a fitting farewell to this year’s Arts Festival.<br />

Concert of Fire, by French group <strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong>, combined wild percussion and pyrotechnics to provide a fitting end as the<br />

Arts Festival’s closing event. The performers underscored the visual experience with steady and furious percussion. With all kinds of<br />

fireworks shooting every which way above the stage, it was a light show that certainly delighted. ” I’ve never seen anything like it.<br />

It’s really wonderful, it’s better than the National Day !” »<br />

ART AS AN AGENT OF CHANGE FOR DEMOCRACY AND A RISER FOR THE GROUP.<br />

« Four years after their noticed appearance in the official line up of Chalon dans la Rue festival, les <strong>Commandos</strong> <strong>Percu</strong> will come back<br />

next summer on 20th-23th July 2011. They were in residence this week in L’Abattoir / International Street Art Center for the creation<br />

of a new show, entitled Destruction! Don’t worry, behind this terrible word hides a pacifist message : “Let’s not close our senses or<br />

our heart, let’s open ourselves to what surrounds us, let’s break all the Berlin Walls that grow around us everyday.” »<br />

PERCUSSION AND FIREWORKS.<br />

« “It’s very simple, why we do this », said artistic director Raymond Gabriel, ” <strong>Percu</strong>ssion makes boom, fireworks make boom too ! ”<br />

Each musician pounds away on specially designed drum sets that can spew sparks. But despite the blinding show of light, Raymond<br />

Gabriel stresses that the music comes first. ” The fireworks must be justified by the music.” said Mr Gabriel. ” We are a musical band<br />

first of all, and our music is the common thing that reaches out to everyone.” »<br />

VISUAL TAPESTRY OF LIGHT AND SOUNDS OF DELICATE BEAUTY<br />

« The Bombs per Minute is a french show and its set stood high and proud like a relic from our industrial past set against the night<br />

sky. As the darkness fell, Bombs per Minute began, lightly and softly with an evocative soundscape and beautiful firework display.<br />

I was standing and positioned near the front in full view of the group of burly Frenchmen pounding hand crafted drum kits. With<br />

the utmost precision and timing, they moved through a series of drumming based musical sets integrated with fireworks emitting<br />

from the stage, dustbins, and their drum kits. Mesmerizing and sonically and visually hard core, they took the audience on a journey<br />

driven by the force of pure masculine energy.<br />

Bombs per Minute is for the most part a violent and aggressive spectacle reminiscent of the works of Bow Gamelan, Test Department<br />

and Archaos. This is spectacle for the techo and BPM generation. The show is pure velocity. The genius of Bombs per Minute<br />

was the mirror it holds up to humanity – its revels in our love of aggression and ability to enact violence yet at the same time presents<br />

us with other parts of human nature through its visual tapestry of light and sounds of delicate beauty.»<br />

Medias<br />

DEBBIE LANDER’s blog,<br />

programme director of WE PLAY<br />

the Northwest’s cultural legacy project UK<br />

WWW.COMMANDOSPERCU.COM<br />

CD<br />

Contacts<br />

@<strong>Commandos</strong><strong>Percu</strong><br />

BPM BOMBS PER MINUTE<br />

TEASER ON LINE<br />

raell<br />

riel --<br />

rtané<br />

aume<br />

LE CONCERT DE FEU live<br />

LE CONCERT<br />

DE FEU<br />

live<br />

<strong>Les</strong> <strong>Commandos</strong> <strong>Percu</strong><br />

COMMANDOS<br />

PERCU<br />

LES<br />

DVD<br />

LE CONCERT DE FEU<br />

Live au festival Ça bouge encore<br />

Toulouse - September 2002<br />

Content: Le Concert de Feu - film<br />

31’20; Making of 4’27; Clip 4’27;<br />

Album photos 3’14<br />

TEASER ON LINE<br />

DVD BPM Bombs per Minute<br />

TRÈS MÉCHANT(S)<br />

Live au festival Chalon dans la rue<br />

et festival de rue de Ramonville<br />

July - September 2007<br />

Content:Très méchant(s) - film<br />

21’50; Clip 4’06; Diaporama 0’46<br />

TEASER ON LINE<br />

WWW.COMMANDOSPERCU.COM<br />

Graphisme Camille Médus / Impression Loading Zone / Licence : 2-1068757<br />

/ Licence 2-10504 0<br />

POSTER<br />

Dimensions 60 x 40<br />

8 route de Saint Loup<br />

31180 St Geniès Bellevue<br />

Toulouse - FRANCE<br />

+33 (0)5 61 35 00 77<br />

contact@commandospercu.com<br />

INTERNATIONAL BOOKING PARTNERS :<br />

HH Producties - Amsterdam<br />

Tanja Ruiter - +31 616 078 534 /+31 204 082 504<br />

tanja@hhproducties.nl<br />

MUSIC FESTIVALS BOOKING :<br />

Base Productions<br />

Fabristi - +33 608 815 807<br />

fabristi@base-productions.com

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