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<strong>SCOTLAND</strong>


<strong>SCOTLAND</strong><br />

THE FINE ART SOCIETY<br />

148 NEW BOND STREET<br />

17 OCTOBER - 3 NOVEMBER<br />

The Fine Art Society<br />

148 New Bond Street<br />

London W1S 2JT<br />

+44 (0)20 7629 5116<br />

art@thefineartsociety.com<br />

Mon-Sat 10am-6pm<br />

The Fine Art Society in Edinburgh<br />

6 Dundas Street<br />

Edinburgh EH3 6HZ<br />

+44 (0)131 557 4050<br />

art@fasedinburgh.com<br />

Mon-Sat 10am-6pm, Sun 11am-2pm


Henry Ferguson (c.1655-1730)<br />

1. Temple Ruins<br />

oil on canvas | 44 1/2 x 50 inches<br />

provenance: 2nd Marquess of Tweeddale, Yester House, East Lothian<br />

literature: Country Life, Alistair Rowan, 9 August 1973; Apollo, Martin Eidelberg, September 2000


James Norie snr (1684-1757)<br />

2. Arcadian Landscape<br />

Oil on canvas | 43 x 54 inches<br />

provenance: Private Collection since 1960


Alexander Carse (c.1770-1843)<br />

3. Scotch Country Fair<br />

signed ‘A. Carse, Limner’<br />

oil on canvas | 36 x 54 inches<br />

exhibited: The British Institution, 1818, No. 284<br />

literature: Errington, Dr Lindsay, Alexander Carse, National Gallery of Scotland, 1987


Sir David Wilkie ra hrsa (1785-1841)<br />

4. A sketch for ‘The Chelsea Pensioners<br />

reading the Waterloo Dispatch’<br />

ink on paper | 4 3/4 x 4 1/2 inches<br />

provenance: Collection of Thomas Esmond Lowinsky


William Kidd hrsa (1790-1863)<br />

5. The Cook and the Gamekeeper<br />

c.1830<br />

oil on panel | 12 x 10 inches


David Roberts ra (1796-1864)<br />

6. Interior of SS Giovanni e Paolo, Venice<br />

1861, signed and dated lower right, and inscribed verso ‘To my ever dear Christine on [her] birthday 1861’<br />

oil on canvas | 20 1/2 x 29 1/2 inches<br />

provenance: Christine Bicknell, the artist’s daughter. who was born on 4th June 1821; inherited by her husband Henry Bicknell in 1872, his sale at Christie’s 1881.<br />

exhibited: London, The Architectural Society’s Room, Conduit Street, February 1865, lent by Mrs Henry Bicknell.


Robert Scott Lauder (1803-1869)<br />

7. Study of a Huntsman<br />

oil on board | 8 1/4 x 6 3/4 inches<br />

provenance: Andrew McIntosh Patrick Collection


Alexander Johnston (1815-1891)<br />

8. A Stolen Glance<br />

signed<br />

oil on canvas | 30 1/4 x 25 inches


John Faed hrsa (1818-1902)<br />

9. The First Bloom of Youth<br />

c.1856-7, sketch for ‘The Soldier’s Return’ verso<br />

oil on board | 11 x 8 3/4 inches


Sir William Fettes Douglas prsa (1822-1891)<br />

10. On a House Top in Rome<br />

initialled and inscribed ‘Rome’, inscribed on contemporary label verso<br />

oil on canvas laid on board | 10 x 14 inches<br />

provenance: Collection of the Royal Bank of Scotland<br />

exhibited: Royal Scottish Academy 1874, no.154


Thomas Faed arsa ra (1826-1900)<br />

11. Croft Interior<br />

signed and dated 1865, titled on artist’s label verso<br />

oil on canvas | 20 1/2 x 26 inches


Robert Gavin rsa (1827-1883)<br />

12. Head of a Creole Woman<br />

oil on canvas board | 7 x 5 inches


Waller Hugh Paton rsa rsw (1828-1895)<br />

13. Upper Morelaggan, Loch Long<br />

signed and dated 1876, inscribed with title and ‘No. 5’ on label verso<br />

oil on canvas | 36 x 54 1/2 inches<br />

exhibited: Royal Scottish Academy, 1876. No. 219


William McTaggart rsa rsw (1835-1910)<br />

14. Chums<br />

oil on panel | 15 3/4 x 11 3/4 inches<br />

provenance: Connell’s Ltd., Glasgow; Mr Ivor McTaggart; Drambuie Collection<br />

literature: Caw, Sir James L., William McTaggart RSA (1917), p.278


William McTaggart rsa rsw (1835-1910)<br />

15. Fishing from the Rocks<br />

signed and dated 1891, inscribed on label ‘in their natural habitat’<br />

oil on panel | 7 x 10 inches<br />

provenance: Galloway collection; Dowell’s, Edinburgh, 7 March 1914; John Duncan Jr., Edinburgh;<br />

George Proudfoot, Edinburgh; Aitken Dott & Son, Edinburgh; Private collection<br />

exhibited: Glasgow, Alexander Reid, Pictures and Drawings of William McTaggart RSA, 1906


William McTaggart rsa rsw (1835-1910)<br />

16. Broken Weather - Changing to Fine, Machrihanish, 1904<br />

painted 1904, signed and dated 1908<br />

oil on canvas | 25 x 40 inches<br />

provenance: P.McOmish Dott, Colinton; E.R. Robertson, Guildford<br />

exhibited: The Fine Art Society, London, November 1969, No.4218 and August 1991, No.11693<br />

literature: Caw, Sir James L., William McTaggart RSA (1917), p.139


Joseph Denovan Adam rsa rsw (1842-1896)<br />

17. Evening, Strathspey (or The Glory of the Dying Day)<br />

c.1891, signed<br />

watercolour on paper | 19 1/4 x 29 1/4 inches<br />

provenance: Private Collection, Edinburgh


William Heath Wilson (1849-1927)<br />

18. Goats on a Headland, Palermo<br />

signed, inscribed and dated 1888 verso<br />

oil on panel | 4 3/4 x 8 inches


Arthur Melville arsa rsw (1855-1904)<br />

19. After the Storm<br />

c.1899<br />

oil on canvas | 33 1/2 x 36 1/2 inches<br />

exhibited: Newcastle, Laing Art Gallery ‘Arthur Melville Memorial Exhibition’ 1906<br />

(11); Glasgow, RGIFA ‘Arthur Melville Memorial Exhibition’ 1907 (107); Nottingham,<br />

Nottingham Art Gallery ‘Arthur Melville Memorial Exhibition’ 1907 (64).


William York Macgregor rsa rsw (1855-1923)<br />

20. The Harvest Moon<br />

1882, signed<br />

oil on canvas | 13 x 26 1/4 inches<br />

provenance: From the collection of Hamish Paterson, son of James Paterson<br />

exhibited: Royal Glasgow Institute, 1883, No. 378


Louis Bosworth Hurt (1856-1929)<br />

21. Cliffs of St Kilda<br />

1910, signed<br />

oil on panel (pair) | 5 x 8 1/2 inches


Edward Arthur Walton rsa prsw (1860-1922)<br />

22. Pastoral<br />

1891, signed<br />

oil on canvas | 16 x 20 inches<br />

provenance: Bequeathed by Walton to his son-in-law, the painter Sir William Oliphant Hutchison,<br />

thence by family descent<br />

exhibited: Glasgow, Scottish Arts Council, Kelvingrove Art Gallery, The Glasgow Boys 1880-1900,<br />

July-September 1968, cat. no. 112 (loaned by Sir William Oliphant Hutchison, London)


Edward Arthur Walton rsa prsw (1860-1922)<br />

23. The Uplands of Ceres<br />

c.1918, signed<br />

oil on canvas | 25 x 31 3/4 inches


James Whitelaw Hamilton rsa rsw (1860-1932)<br />

24. Autumn Reverie<br />

signed and dated 95; signed and titled on labels verso<br />

oil on canvas | 38 1/4 x 60 1/2 inches<br />

provenance: Private Collection, Italy; Robert McIndoe, Glasgow<br />

exhibited: Munich Secession, 1895


John Quinton Pringle (1864-1925)<br />

25. Tending the Ducks<br />

c.1908<br />

oil on canvas | 10 1/4 x 12 1/4 inches<br />

provenance: Private Collection, Scotland


Constance Walton rsw (1865-1960)<br />

26. Pink and Yellow Flowers<br />

signed<br />

watercolour on paper | 10 3/4 x 13 1/2 inches<br />

provenance: Private Collection, Scotland


Sir George Pirie prsa hrsw (1866-1940)<br />

27. A Khaki Campbell Duck<br />

signed<br />

oil on canvas | 29 1/2 x 19 3/4 inches<br />

provenance: Private Collection, Scotland


Sir George Pirie prsa hrsw (1866-1940)<br />

28. Mountain Sheep<br />

oil on canvas | 20 x 30 inches<br />

exhibited: Glasgow, RGIFA 1913


Charles Rennie Mackintosh rsw (1868-1928)<br />

Knockaloe Camp, Isle of Man (Maker)<br />

29. Washstand<br />

1917<br />

mahogany, mother-of-pearl, glass, mirror, erinoid handles<br />

67 3/4 x 46 1/4 x 20 1/4 inches<br />

provenance: Probably designed for W. J. Bassett-Lowke; Mr Ling,<br />

Guildford; The Fine Art Society; Private Collection


Charles Rennie Mackintosh rsw (1868-1928)<br />

Knockaloe Camp, Isle of Man (Maker)<br />

30. Dining Table<br />

c.1918-19<br />

american red walnut inlaid mother-of-pearl | 28 3/4 x 72 x 47 1/4 inches<br />

provenance: Harry F.R. Franklin (1874-1965) purchase; Mrs H.F.R. Franklin, Northampton and Radwell, to 1980; Private Collection.


Edwin Alexander rsa rsw (1870-1926)<br />

31. Blackcock Laid Over a Shooting Bag<br />

initialled<br />

watercolour and bodycolour on paper | 17 1/2 x 24 inches


John Duncan Fergusson (1874-1961)<br />

32. Paris Flats Through The Trees<br />

c.1910, Inscribed verso: “9 5/10 x 7 5/10 Paris c.1910<br />

/ Paris Flats through Trees‚ by J.D.FERGUSSON c.1910 /<br />

found in painting table in Paris Studio / 1961 - Margaret<br />

Morris Fergusson”<br />

oil on board | 9 1/2 x 7 1/2 inches<br />

provenance: Sir William Younger, bt., 1905-1992


John Duncan Fergusson (1874-1961)<br />

33. Cassis from the West<br />

c.1930, signed verso<br />

oil on canvas | 21 x 25 1/2 inches<br />

exhibited: London, J.D.Fergusson Painting and Sculpture, Alex Reid & Lefevre, 1939; New York,<br />

Beadleston Gallery, The Scottish Colourists, 1998


John Duncan Fergusson (1874-1961)<br />

34. The Quay at Dinard<br />

c.1930, signed ‘J.D Fergusson’, verso<br />

oil on canvas | 25 1/2 x 21 1/4 inches<br />

Provenance: Alex Reid & Lefevre, Glasgow; Private Collection;<br />

Christie’s, 19 April 1974 (63); The Fine Art Society; Mr and Mrs<br />

Alan Fortunoff<br />

exhibited: Edinburgh, National Galleries of Scotland, J.D.<br />

Fergusson, 2013 (70)


Sir Muirhead Bone hrsa hrws (1876-1953)<br />

35. From an Adelphi Flat - Charing Cross<br />

pencil | 6 3/4 x 9 3/4 inches


Sir Muirhead Bone hrsa hrws (1876-1953)<br />

36. The Chamber of Commerce, Dieppe<br />

signed in pencil ‘Muirhead Bone’, lower right<br />

watercolour | 9 1/4 x 13 1/2 inches


Sir Muirhead Bone hrsa hrws (1876-1953)<br />

37. The Port of Genoa<br />

pencil | 7 1/2 x 10 3/4 inches


Sir Muirhead Bone hrsa hrws (1876-1953)<br />

38. Old Port from Hotel de Geneve, Marseille<br />

pen and watercolour | 10 x 13 1/4 inches


George Leslie Hunter (1879-1931)<br />

39. Still Life with Lobster<br />

signed<br />

watercolour on paper | 12 3/4 x 14 3/4 inches


William Caldwell Crawford (1879-1960)<br />

40. From the Croft Window, Mull with Iona<br />

Abbey in the Distance<br />

signed and dated 1933<br />

oil on canvas | 30 x 25 inches<br />

provenance: Aitken Dott, Edinburgh; Private Collection,<br />

Ontario, Canada


Sir William Russell Flint ra rsw (1880-1969)<br />

41. Homer’s Odyssey No. 13, Book XVIII<br />

signed and dated 1914<br />

watercolour on paper | 11 1/2 x 8 3/4 inches


Francis Campbell Boileau Cadell ra rsw (1883-1937)<br />

42. Iona (White Sands Looking East)<br />

signed; inscribed with title and ‘absorbent ground - NEVER varnish, F.C.B.C.’ on board verso<br />

oil on board | 15 x 18 inches<br />

provenance: purchased directly from the artist by Andrew Kain, Glasgow and thence by descent


Alick Riddell Sturrock rsa (1885-1953)<br />

43. Challow Farm, Dorset<br />

signed<br />

oil on canvas | 25 x 30 inches<br />

provenance: Anthony Woodd Gallery<br />

exhibited: Royal Scottish Academy 1932, no. 427


Alick Riddell Sturrock rsa (1885-1953)<br />

44. Little Woolgarston Farm<br />

signed<br />

oil on canvas board | 10 1/2 x 13 3/4 inches<br />

provenance: Kemplay and Robertson, Edinburgh


James Cowie rsa (1886-1956)<br />

45. Studio Interior<br />

1946, signed<br />

oil on canvas | 28 x 36 inches<br />

provenance: Bartholomew Collection; The Artist’s Estate; Private Collection, Scotland<br />

exhibited: Royal Scottish Academy No 206, 1947 and No 353, 1952; The Arts Council Scottish Committee,<br />

Trustees of the Late Dr James Cowie, James Cowie Memorial Exhibition 1957, No 34; Aspects of Scottish<br />

Contemporary Painting, London


James Cowie rsa (1886-1956)<br />

46. Portrait of Agnes Docherty<br />

c.1938, signed<br />

oil on canvas | 9 3/4 x 7 3/4 inches<br />

provenance: A gift from the artist to the sitter,<br />

thence by family descent


Sir William Oliphant Hutchison prsa (1889-1970)<br />

47. Arthur Walton Under the Oak Tree<br />

signed; signed, dated 1914<br />

and inscribed ‘The Oak’ on board verso<br />

oil on canvas laid on board | 36 x 32 inches


Sir Herbert James Gunn ra (1893-1965)<br />

48. Seville<br />

1914, Signed and inscribed Sevilla 1914 bottom right hand side.<br />

oil on board | 10 x 14 inches


Sir Herbert James Gunn ra (1893-1965)<br />

49. The Garden of the Villa D’Este<br />

oil on canvas | 23 1/2 x 17 1/2 inches


Anne Redpath obe ara rsa (1895-1965)<br />

50. The White Azalea<br />

1951, signed<br />

oil on canvas | 20 x 30 inches<br />

exhibited: Edinburgh, RSA, 1952 (344)


Anne Redpath obe ara rsa (1895-1965)<br />

51. A Town in Spain<br />

c.1963, signed<br />

watercolour on paper | 21 3/4 x 39 3/4 inches<br />

exhibited: London, Royal Academy, 1963, no.888;<br />

Kingston Upon Hull, Ferens Art Gallery, Collector’s Choice, 1970, cat.no.157


Anne Redpath obe ara rsa (1895-1965)<br />

52. The Old Harbour, Bastia<br />

c.1955, signed<br />

oil on board | 23 3/4 x 29 1/2 inches<br />

provenance: Aitken Dott & Son, Edinburgh<br />

exhibited: Alexander Reid and Lefevre; Redpath 2014


Anne Redpath obe ara rsa (1895-1965)<br />

53. St Paul de Vence<br />

c.1955, signed, lower left<br />

watercolour, gouache and pastel | 32 x 38 3/4 inches


Sir William Gillies ra rsa psrw (1898-1973)<br />

54. Still Life, Lamplights<br />

signed, titled on label verso<br />

oil on canvas | 18 x 24 inches


James McIntosh Patrick rsa (1907-1998)<br />

55. Unthank Farm<br />

signed and dated 39<br />

oil on board | 18 x 24 inches<br />

provenance: Private collection, South Africa<br />

exhibited: The Fine Art Society, January 1941


Robert Macbryde (1913-1966)<br />

56. Still Life with Bones<br />

c.1959, signed, inscribed with title verso<br />

oil on canvas | 18 x 20 inches<br />

provenance: Museum Street Gallery, London, where purchased by Oliver Luard, circa 1961-62


Robert Macbryde (1913-1966)<br />

57. Still Life with a Mandolin<br />

signed<br />

oil on canvas | 24 1/4 x 30 inches<br />

exhibited: Norwich Castle Museum, Music and Painting Exhibition, 1961


Robert Colquhoun (1914-1962)<br />

58. Head of a Man in Profile<br />

c.1959, signed<br />

charcoal and chalk on paper | 19 3/4 x 15 3/4 inches<br />

provenance: Sold to Jeffrey Bernard by the artist and thence to<br />

Nicholas and Elisabeth Luard


Alberto Morrocco obe rsa rsw (1917-1998)<br />

59. Still Life with Melon<br />

c.1968, signed and titled on label verso<br />

wood relief and gesso paint on board | 36 1/2 x 36 3/4 inches<br />

provenance: Property of the Artist’s Children Dec. 1990;<br />

The artist’s studio, His sale; Christie’s London ‘A Celebration: The Studio of Alberto Morrocco<br />

& Binrock House, Dundee’, 11 July 2012, lot 13, where acquired by the past owner<br />

exhibited: Compass Gallery, Glasgow, ‘Alberto Morrocco’, 1969


Joan Kathleen Harding Eardley rsa (1921-1963)<br />

60. Girl Nursing a Baby<br />

titled verso<br />

pastel on paper | 14 1/4 x 11 1/4 inches<br />

provenance: Collection of Bet Low ARSA RSW RGI; Roger Bilcliffe Gallery<br />

exhibited: Talbot Rice Gallery, Joan Eardley Retrospective 1988


Oscar Marzaroli (1933-1988)<br />

61. The Barrows<br />

1968, edition of 3 original prints; also available in a new edition of 20<br />

photograph | 10 x 14 inches


Oscar Marzaroli (1933-1988)<br />

62. Football, Forth and Clyde Canal, Near Pinkston<br />

1962, edition of 4 original prints<br />

photograph | 11 x 13 1/4 inches


John Boyd (1940-2001)<br />

63. Three Men and a Boat<br />

signed<br />

oil on canvas | 20 x 15 inches<br />

exhibited: Richmond Hill Gallery


John Byrne rsa (b.1940)<br />

64. Robbie Coltrane as Danny McGlone on the TV<br />

1987<br />

watercolour, pen and ink | 5 x 5 inches


John Byrne rsa (b.1940)<br />

65. Girl with Poppies<br />

signed ‘Patrick’, lower right<br />

watercolour on paper | 9 x 12 inches<br />

provenance: John Cox Esq; private collection, Scotland<br />

exhibited: Rex Irwin Art Dealer, New South Wales, Australia;<br />

William Hardie Limited, The Washington Gallery, Glasgow


John Byrne rsa (b.1940)<br />

66. White Rose<br />

signed, lower left<br />

mixed media on paper | 22 1/4 x 15 1/2 inches


John Byrne rsa (b.1940)<br />

67. Portrait of Tilda Swinton<br />

c.2000, signed, lower left<br />

oil on canvas | 34 1/2 x 26 inches


Published online for the exhibition<br />

<strong>SCOTLAND</strong><br />

17 October - 3 November 2016<br />

The Fine Art Society<br />

148 New Bond Street • London<br />

The Fine Art Society<br />

London & Edinburgh<br />

148 New Bond Street<br />

London W1S 2JT<br />

+44(0)20 7629 5116<br />

art@thefineartsociety.com<br />

Mon-Sat 10am-6pm<br />

6 Dundas Street<br />

Edinburgh EH3 6HZ<br />

+44(0)131 557 4050<br />

art@fasedinburgh.com<br />

Mon-Sat 10am-6pm, Sun 11am-2pm


The Fine Art Society<br />

London & Edinburgh

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