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JEFF MILLS - Julie Tippex

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<strong>JEFF</strong> <strong>MILLS</strong> BIOGRAPHY<br />

Mills is part of the glorious history of electronic music. Born in June 1963 in<br />

Detroit (the historic capital of today’s techno), Jeff has built his early reputation<br />

there hosting his own radio show on local WDRQ and WJLB radios. With<br />

six shows a week, the young Jeff (under twenty years old at this point) was so<br />

talented on the turntables that he was rapidly nicknamed ‘The Wizard’. But it<br />

wasn’t until 1988 that Jeff got into music production as Final Cut, which was<br />

originally a house duo that soon evolved into a more industrial sound. In 1990,<br />

Jeff left Final Cut to found Underground Resistance with Mike Banks and<br />

created one of the most mythical of all techno collectives. In 1992 Mills left<br />

Detroit for New York and then created his own label, Axis Records. And so he<br />

commences his rapid conquest of the global techno planet, thanks to powerful<br />

music and a mixing technique as fast as it is ingenious.<br />

This former architecture student is also a film buff, ‘2001, A Space Odyssey’<br />

remains for Mills a model of the total work of art. In 2000, he embarked on the<br />

composition of a new score for Fritz Lang’s ‘Metropolis’ and admits attempting,<br />

by all means possible, to flee his ‘techno wizard’ image to return to his first<br />

motivation which feeds off utopia, futuristic thought and a real passion for the<br />

worlds and ‘extraordinary scenarios’ of science fiction. A year later, he signs<br />

‘Mono’, a sculpture-installation dedicated to Kubrick’s film, which is exhibited<br />

at the Sonar Festival at Barcelona.<br />

In 2005, at the request of MK2 he composes a new soundtrack for ‘Three Ages’,<br />

the silent masterpiece by Buster Keaton. In the same year, he remains receptive<br />

to new experiences, like the concert alongside the Montpellier National Orchestra,<br />

directed by composer René Koering on the 20th anniversary of Unesco’s<br />

classification of the Pont de Gard as part of Humanity’s World Heritage. In 2007,<br />

he was invited by the movie director Claire Denis to create the sound environment<br />

of the exhibition « Diaspora » at the musée du quai Branly in Paris. That<br />

same year, Jeff Mills received the title of « Chevalier des Arts et des Lettres»<br />

from the French ministry of Culture.<br />

While DJing at about 100 events a year all around the world, Jeff Mills is<br />

involved in numerous projects at this time, including several film soundtracks<br />

collaborating with Cinematheque and Cite de la Musique in Paris, the ongoing<br />

exhibition at the Pompidou Centre, “Danser Sa Vie”.

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