PARIS PHOTO 2016

CARLOS CARVALHO
ARTE CONTEMPORÂNEA

CARLOS CARVALHO
ARTE CONTEMPORÂNEA
Nov ATÉ 10 - 06/06 13 2016 2014 | ON DISPLAY UNTIL 06/06 2015

Imagens do stand Exhibition Views

Imagens do stand

Exhibition Views

Imagens do stand Exhibition Views

Imagens do stand Exhibition Views

Imagens do stand Exhibition Views

Imagens do stand Exhibition Views

Imagens do stand Exhibition Views

Imagens do stand Exhibition Views

Imagens do stand Exhibition Views

Noé Sendas
In photography, sculpture and collages, the artist uses
assembly strategies such as removing, filling,
tampering or duplication and sequence. Through this
small deviations the image real sense is changed,
because the context its nullified. This technique allows
him to create an unique form of visual writing and
creative play of hues between blind, suggestion and
revelation. Always creating enigmatic and amazing
works.
Noé Sendas (b. 1972, Brussels). He’s currently living
between Madrid and Berlin.
Noé Sendas started exhibiting his works regularly and
internationally by the end of the 90’s in various
institutions that we highlight:
Yerba Buena for the Arts, S. Francisco. VAC-Visual Arts
Center at the University of Texas,
USA; Kunsthalle Bonn e Akademie der Kunst Berlin -
Alemanha; Frankendael Foundation e TENT- Holanda;
Le Plateau, Paris; Espace Photographique Contretype
Centre d`Art Contemporain pour la Photographie,
Bruxelas; MEIAC, MUSAC, Fundación Botin, Fundación
ICO e Casa America - Espanha; Fundação Calouste
Gulbenkian, Fundação EDP, Museu Berardo, Culturgest,
Porto & MNAC. Museu Nacional de arte
contemporânea - Portugal.
We can also mention the following exhibitions that
were held in 2015-2016:
ALLURE [Photographs from the Susanne von Meiss
Collection] C/O, BERLIN, ALEMANHA, 2016.
MATERIAIS TRANSITÓRIOS, [Sculptures from the PLMJ
Foundation Collection], Sociedade Nacional de Belas-
Artes (SNBA), Lisbon, 2016. H.D. BUTTERCUP’S
APARTMENT, [group show by Michael Fuchs Galerie],
Los Angeles, California, United States, 2016, ESTADO
DE ALERTA, [Screening], Fundação Calouste
Gulbenkian, Lisbon, 2016, FOUNDATION, [group
show], Maus Hábitos- Espaço de intervenção Cultural,
Porto, Portugal, 2016. ENTRE OUTROS, [gallery show],
Galeria Presença, Porto, Portugal, 2016. AFINIDADES
SELECTIVAS [Julião Sarmento Collection], Museu da
Eletricidade, Lisbon, 2016. TWIST THE REAL, [group
show], Plataforma Revolver, Lisbon, 2015. MEIAC. 20
AÑOS, [MEIAC Collection], CEART de Fuenlabrada,
Madrid, 2015, ME & THE OTHERS - Alberto Caetano
Collection, MNAC The National Museum of
Contemporary Art - Museu do Chiado, Lisbon. 2015.
DEAR DARKNESS, Michael Fuchs Galerie, BERLIN,
2015, 25 YEARS, [Pedro Oliveira Collection], Galeria
Pedro Oliveira, Porto, Portugal, 2015, NOÉ SENDAS,
SET Espai d árt, Valencia, Espanha, 2015, FUGITIVA,
Galeria Juan Silió, Santander, Spain, 2015, THE LADY
VANISHES, Michael Hoppen Gallery, London, 2015
His work is represented in many public and private
collections such as:
Antonio Cachola Collection, Museu Elvas, Portugal.
Ar.Co (Centro de Arte e Comunicação) Collection,
Lisbon, Arts Council of Haarlemmermeer, Amsterdam.
BESart – Banco Espírito Santo - NOVO BANCO
Collection, Lisbon, Fundação Calouste Gulbenkian,
Lisbon. CAV Foundation Collection, Coimbra, Portugal.
Caixa Geral Depósitos/ Culturgest Collection, Lisbon.
Charlotte Olympia, London. Contretype Centre d`Art
Contemporain pour la Photographie Collection,
Bruxelas. DGARTES Instituto das Artes Collection,
Portugal. EDP Foundation Collection, Lisbon. D. Luís I
Foundation Collection, Cascais, Portugal. Leal Rios
Foundation Collection, Lisbon. Luís Serpa Projects
Collection, Lisbon. L’Wren Scott Collection, London.
MEIAC Museum Collection, Badajoz, Spain. MAR -
Museu de Arte do Rio, Rio de Janeiro, Brazil. PLMJ
Collection, Lisbon, Madrid, Susanne von Meiss
Collection,Switzerland.
Also Belgium, Brazil, Germany, Holand, Italy, Libya,
Mexico, Peru, Portugal, Spain, Switzerland, Turkey,
United States e United Kingdom.

NOÉ SENDAS | Peep series, 2016 - inkjet print (pigmented inks) on Luster paper, 17 x 12 cm [24 x 18 (with vintage frame)]

Crystal Girl 45 2016 - inkjet print
40 x 30 cm [

(pigmented inks) on Luster paper
28 x 20 cm]

NOÉ SENDAS | Peep series, 2009 - 2016 - inkjet print (pigmented inks) on Luster paper, 17 x 12 cm [24 x 18 (with vintage frame)]

NOÉ SENDAS | Peep series, 2009 - 2016 - inkjet print (pigmented inks) on Luster paper, 17 x 12 cm [24 x 18 (with vintage frame)]

NOÉ SENDAS | Sprezzatura (studied carelessness), 2016 - inkjet print on Luster paper, 45 x 80 cm

NOÉ SENDAS | Sprezzatura (studied carelessness), 2016 - inkjet print on Luster paper, 45 x 80 cm

NOÉ SENDAS | Sprezzatura (studied carelessness), 2016 -inkjet print on Luster paper, 45 x 80 cm

NOÉ SENDAS | Sprezzatura (studied carelessness), 2016 - inkjet print on Luster paper, 45 x 80 cm

Daniel Blaufuks
Daniel Blaufuks uses mainly photography and video,
presenting his work through books, installations and films. He
has a predilection for issues such as the connection between
time and space and the intersection between private and
public memory.
Solo shows (selection) Prece Geral, Fundação Eugénio de
Almeida, Évora, 2015 (curated by Filipa Oliveira)
Toda a memória do mundo, parte um / All the Memory of
the World, Part One, Museu Nacional de Arte
Contemporânea, Lisboa, 2014 (curated by David Santos)
Fábrica, Usina Cultural, João Pessoa, 2014, Fábrica, CAAA,
Guimarães, 2013Utz, (Vera Cortes, Lisboa, 2012), Works on
Memory, (curated by David Drake and Filipa Oliveira,
Ffotogallery, Cardiff, 2012), Três quartos de memória
(Fundação Eva Klabin, Rio de Janeiro, Brasil, 2011), Hoje é
sempre ontem (curated by Luiz Camillo Osório, MAM,
Museu de Arte Moderna, Rio de Janeiro, Brazil, 2011),
Perecs Büro (curated by Sérgio Mah, Kunstverein Ruhr,
Essen, Germany, 2010), A memória da memória, (Carpe
Diem, Lisboa, 2010), O ofício de viver, Galeria Carlos
Carvalho, Lisboa, 2010, Viagens com a minha tia / Travels
with my Aunt, Solar - Galeria de Arte Cinemática, Vila do
Conde, 2009 Album (Centro Cultural Vila Flor. Guimarães,
Portugal, 2008), O Arquivo, Agencia Vera Cortes, Lisboa,
2008 Terezin, Galeria Manoel Macedo, Belo Horizonte,
2007, Blaufuks, Galeria La Caja Negra, Madrid, 2007,
Cinema Motel, (Elga Wimmer PCC, New York City, 2006),
No Próximo Sábado, (Gallery Carlos Carvalho Arte
Contemporânea, Lisbon, 2006), A Perfect Day, (Museu do
Chiado, Lisbon, 2005), Collected Short Stories, (Centro de
Arte Moderna, Fund. Calouste Gulbenkian, Lisbon, 2003),
Exile, Image Galery, Aarhus, 2001, Lisboa, Pessoa, Exílio,
Saramago, Galeria Luís Serpa, Lisboa, 2001, Fotografias
Recentes, Galeria Maria Martin, Madrid, 2000, andorra,
Galeria André Viana, Porto, 2000, Uma viagem a São
Petersburgo, Encontros de Fotografia, Coimbra, 1998,
Flores para Walt e otras historias, Galeria Maria Martin,
Madrid, 1998, The White Sands Project/ion Room, Project
Room, ARCO, Madrid, 1998, O Livro do Desassossego,
Galeria Luis Serpa, Lisboa, 1997, Tasso, Mois de la Photo,
Paris, 1996, Ein Tag in Mostar, Haus der Kulturen der Welt,
Berlin, Goethe-Institut, Madrid, 1996, London Diaries,
Primavera Foto, Barcelona, Centro Cultural de Belém,
Lisboa, The Akehurst Gallery, London,1994, A Terra é azul
como uma laranja, Galeria Cómicos, Lisboa 1992, Fund.
Athos Bulcão, Brasilía, 1995, Cinema Paraíso, Cinema
Eden, Lisboa, 1991, My Tangier, Ministério das Finanças,
Lisboa, 1991, Para mais tarde recordar, Galeria Ether,
Lisboa, 1990
Group exhibitions (selection) [7] Places, [7] Precarious
Fields, Fotofestival Mannheim, Ludwigshafen, Heidelberg,
2015 (curated by Urs Stahel), Usine de Rêve, Centro de
Artes Visuais,Coimbra, 2015 (curated by Ana Anacleto)
Visitação (Corte), Igreja de São Roque, Lisboa, 2014
(curated by Paulo Pires do Vale), Photobienanale Logos,
Museum of Photography, Thessaloniki, 2014, Entre
Memória e Arquivo, Museu Coleção Berardo, Lisboa, 2013
(curated by Ruth Rosengarten), Territórios de Transição #11
- A Experiência do Silêncio, BES, Lisboa, 2013 (curated by
Luís Serpa), Tarefas Infinitas, Fundação Calouste
Gulbenkian, Lisboa, 2012 (curated by Paulo Pires do Vale)
Between Times, Instants, intervals, durations
(Photoespaña.Teatro Fernán Gómez, Centro de Arte .
Madrid, Spain, 2010), Da outra margem do Atlântico,
alguns exemplos da fotografia e do vídeo português
(curated by Paulo Reis, Centro de Artes Hélio Oiticica . Rio
de Janeiro, Brazil), Parangolé: Fragmentos desde los 90 en
Brasil, Portugal y España Patio Herreriano - Museo de Arte
Contemporáneo Español, Valladolid (curated by Paulo Reis
and David Barro), 2008, 50 Anos de Arte Portuguesa,
(Fundação Calouste Gulbenkian, Lisbon, 2007), BES Photo,
(Centro Cultural de Belem, Lisbon, 2007), Del Zero al 2005,
(Fundacion Marcelino Botin, Santander, 2005), Erich Kahn,
(Museu de Arte Moderna – Colecção Berardo, Sintra,
2005), 20 + 1, (Centro Galego de Arte Contemporânea,
Santiago de Compostela, 2004), We Are The World,
(Chelsea Art Museum, New York City, 2004), RE-Location
Shake, (National Museum of Contemporary Art, Bucharest,
2004), Pallazzo delle Libertà, Palazzo delle Papesse, Siena,
2003, Arquivo e Simulação - Archive and Simulation,
(LisbonPhoto, Centro Cultural de Belém, Lisbon, 2003),
Artists in Residence 2002-2003, (Location One, New York,
2003), Open Studios, (International Studio and Curatorial
Program, New York, 2002), London Art Biennale,
(Shoreditch Town Hall, London, 2000), O Autoretrato na
Colecção, (Fundação Calouste Gulbenkian, Lisbon, 1999),
Linha de Sombra, (Centro de Arte Moderna, Lisbon, 1999),
Biennale Internazionale di Fotografia, (Palazzo Bricherasio,
Torino, 1997), En la piel de Toro, (Centro de Arte Reina
Sofia, Madrid, 1997), Imagens para os Anos 90, (Fundação
d e Serralves, Porto, Culturgest Lisbon, 1993).
Collections (selection) Byrd Hoffman Foundation, New
York, Centro de Arte Moderna da Fundação Calouste
Gulbenkian, Lisbon, Centro Cultural de Belém, Lisbon,
Centro Galego de Arte Contemporânea, Santiago de
Compostela, Colecção BES, Lisbon, Fundação PLMJ,
Lisbon, MEIAC, Badajoz, Museu de Arte Contemporânea,
Funchal, Museu de Arte Contemporânea - Colecção
Berardo, Sintra, Palazzo delle Papesse, Siena, Sagamore Art,
Miami, The Progressive Collection, Ohio

DANIEL BLAUFUKS | All the memory of the world, part one series, 2014, C-Print, 100 x 160 cm

DANIEL BLAUFUKS, All the memory of the world, part one series, 2014, C-Print, 100 x 160 cm

DANIEL BLAUFUKS, All the memory of the world, part one series, 2014, C-Print, 100 x 160 cm

Roland Fischer
Presented at this art fair, Roland Fischer’s Cathedrals and
Palaces series uses a technical procedure to emphasize the
composition obtained by the mixture of formal elements of
architecture and nature. This composition is made
simultaneously from many vantage points and is placed in
different frames in order to bring out the subject’s essence. A
delicate and disturbing composition of lines, textures,
rhythms is placed into a twodimensional image and makes
our perception altered as we find ourselves in a nebulous
zone, lacking in certainties.
“Old Palm Tree” is an example of the mystery and
strangeness of nature as well as the idea of unexplored
territory.
[Solo shows (selection/most recent)]
From Granada to Shanghai (Carlos Carvalho Arte
Contemporânea, Lisboa, 2016), Israeli Collective Portrait
(Eretz Israel Museum, Tel Aviv, 2016), … And There was time
(curadoria de Maria Jesus Àvila, Centro de Artes Visuales
Helga de Avelar, Cáceres, Espanha, 2015), Façades (Walter
Stormes Gallery . Munique, Alemanha, 2015), Retrospective
Roland Fischer (Saarlandmuseum Saarbruecken, 2012),
Roland Fischer and Flatz (FLATZ Museum, Dornbirn, 2012),
Retrospective Roland Fischer (Centro de Arte La Regenta,
Las Palmas, 2011), Retrospective Roland Fischer (Museo
Domus Artium DA2, Salamanca, 2011) Roland Fischer.
Portraits and Architecture (Galeria Michael Schultz, Beijing,
China, 2010), Roland Fischer (Von Lintel Gallery, New York,
2011), Roland Fischer (Walter Storms Galerie, Munich,
2010), Roland Fischer (Musée d'Art Moderne de la Ville de
Paris, 2010), Roland Fischer (Pinakothek der Moderne,
Munich, 2009), Roland Fischer (Goethe Institut Hong Kong
Art Center, 2008), Workshow (Carlos Carvalho Arte
Contemporânea, Lisboa, 2008)
[Group shows (selection/most recent)]
Architectures And Spaces in the collection RAC (Centro
Cibeles, Madrid, Spain, 2015), Arco Madrid (Carlos Carvalho
Arte Contemporânea, Madrid, Espanha, 2015) (Daimler Art
Collection (Daimler AG . Estugarda, Alemanha,
2015), Reproductibilitat 1.0 (Es Baluard - Museu d'art
Modern i Contemporani de Palma . Palma, Espanha, 2014),
2000+ Neu im Saarlandmuseum (Saarlandmuseum .
Saarbrucken, Alemanha, 2014), The Human Touch (SMoCA,
Scottsdale Museum of Contemporary Art . Estados Unidos,
USA, 2013), The Edge of Vision (Louisiana Art & Science
Museum . Estados Unidos, USA, 2013), Language Games
(Centro de Artes Visuales Helga de Avelar . Cáceres,
Espanha, 2013), Babel (Palais de Beaux-Arts de Lille . Lille,
França, 2012), Paisagem Humana - Exposição #15 (BES Arte
& Finança . Lisboa, Portugal, 2012), The Human Touch (RBC
Wealth Management Art Collection . Nevada Museum of
Art, USA, 2010), Exposição #07 Arquite(x)turas (curated by
Sara Antónia Matos, BES Art & Finança . Lisboa, Portugal,
2010), Pasions Privadas, Visions Publicas (MARCO . Museo
de Arte Contemporánea de Vigo, Vigo, Espanha, 2008),
Mixed Emotions. Apuntes para una colección del siglo XXI
(DA2, Domus Artium, Salamanca, Espanha, 2008), X mal ICH
(Städtische Galerie . Fruchthalle Rastatt, Rastatt, 2007), Grey
Water (IMA Institute of Modern Art, Brisbane, 2007),
Existencias (MUSAC, León, Espanha, 2007), Expansiones
implosivas. Derivas de la escultura en la Colección Caja de
Burgos (Centro Cultural de la Villa, Colección Caja de
Burgos . Madrid, Espanha, 2007), Surrounding Matta-Clark
(Carlos Carvalho Arte Contemporânea. Lisboa, 2006),
Outras Arquitecturas, Outros Artistas...Outras Alternativas
(Carlos Carvalho Arte Contemporânea . Lisboa, Portugal,
2005), Abstraction in Photography (Von Lintel Gallery New
York, NY, 2003), Impressions of a Revolution: New Prints
(Elias Fine Art Allston, MA, 2003), Gotische Reflecties
(Stadsgalerij Heerlen, Netherlands, 2001), Fotografie und
Archiv (Stadthaus Ulm, 2001), Dans le bain (Institut d'art
contemporain Villerbanne, 2001), Haus Huth Berlin (Das
Gedächtnis öffnet seine Tore - Kunst der Gegenwart im
Lenbachhaus, Städtische Galerie im Lenbachhaus,
München, 2001) T'es toi quand tu te regardes (Musée Géo-
Charles, 2001), Echirolles (Im Spiegel der Zeit, Portait and
Selbstportrait, Kunstverein Schloß Plön, 2001), Regards
croises (Forum Culturel du Blanc-Mesnil, 2001), Faith: The
Impact of Judeo-Christian Religion on Art at the Millennium
(the Aldrich Musuem of Contemporary Art, Ridgefield,
Connecticut, 2000), Faces, entre Portait et Anonymat
( Maison de la Culture Namur. Belgium1999)
[Colections (selection)]
Artium, Centro-Museo Vasco de Arte Contemporáneo,
Vitoria-Gasteiz, Ayuntamiento de Santander Colleccion,
Bibliotheque National, Paris, CAB Centro de Arte Caja de
Burgos, Burgos, CGAC, Centro Galego de Arte
Contemporánea, Santiago de Compostela, DA2, Fondacion
Salamanca Ciudad de Cultura, Salamanca, The European
Central Bank, Frankfurt, Fondació Rafael Tous d'art
Contemporani, Barcelona, Fundación Ordoñez, San
Sebastian, Fondation La Maison Rouge - Collection Antoine
de Galbert, Paris, FRAC Basse-Normandie, Caen, FNAC
Paris, FRAC Lyon, Frac Bretagne, Helga de Alvear
Colleccion, Madrid, IVAM (Institut Valencià d'Art Modern),
Valencia, Musée d'art Moderne de la ville de Paris, Paris,
MuHKA, MUSAC, Leon, Musée d'Art Moderne, Pinakothek
der Moderne Munich, Saarland Museum Saarbrücken,
Städtische Galerie, Rastatt, Tichy Foundation, Zürich, The
Thyssen-Bornemisza Art Contemporary, Vienna, Bank of
America, New York, BESart, Lissabon, Baker Botts LLP, New
York, Dain Rauscher Corporation, Minneapolis, Dow Jones
and Co, New York City, Merril Lynch London, Microsoft
Seattle, Pfizer Inc. New York.

ROLAND FISCHER | Old Palm Tree,1896, 2012, C-print/Diasec, 254 x 180 cm

ROLAND FISCHER | Garden in Sevilla, 2009, C-print/Diasec, 171 x 122 cm

https://collectordaily.com/every-booth-at-paris-photo-2016-part-3-of-5/
http://www.spiegel.de/fotostrecke/paris-photo-2016-das-sind-dieinteressantesten-aufnahmen-fotostrecke-142525-10.html
http://balthazare-magazine.com/paris-photo-2016-coups-de-coeur-de-laredaction-tendances/

Rua Joly Braga Santos, Lote F R/C | 1600 – 123 Lisboa Portugal
Tel.+(351) 217 261 831
carloscarvalho-ac@carloscarvalho-ac.com
www.carloscarvalho-ac.com
Artistas / Artists: Ricardo Angélico | JJessica Backhaus | José Bechara | Isidro Blasco | Daniel Blaufuks
Isabel Brison | Carla Cabanas | Manuel Caeiro | Mónica Capucho | Paulo Catrica
Roland Fischer | Javier Núñez Gasco | Susana Gaudêncio | Anthony Goicolea | Catarina Leitão
José Lourenço | José Batista Marques | Mónica de Miranda | Antía Moure | Luís Nobre | Noé Sendas
Eurico Lino do Vale | Manuel Vilariño
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