A play by: IRAN SAYE THEATRE GROUP Writer & Director: Mehdi Mashhour Document Name Your Company Name (C) Copyright (Print Date) All Rights Reserved 2
1 About Iran Saye Theatre Iran Saye Theatre group is a vibrant, not for profit, theatrical group whose aim is to explore, and promote new methods of performance. This group focuses on the issues that today in modern age and tries to share its experiences internationally. The group formed in 2001 by renowned director, Mr. Mehdi Mashhour, and is comprised of renowned and respected Actors, Musicians, and theatre supporting crew. . They’d come together with different cultures from different parts of Iran. Under the cultural diversity, they share their thoughts and ideas in attempt to find understanding or commonality among them and also among other people all over the world. Iran Saye Theatre group hopes to display a new visionary of experimental theatre and share the joy of this experience. Armenia, Belarus, Canada, Italy, Lithuania, Germany, France, Sweden and United States. • HIGH FEST International Theatre Festival, Armenia,Erevan, 2008 • Koufar International Student Theatre Festival , Belarus , Minsk, 2009 • Liverpool International Theatre Festival, Canada, Nova Scotia, 2010 • ROSSOBASTARDO LIVE, International Theatre Festival, Italy, Spoleto, 2010 • FORUM International Theatre Festival, Lithuania, Vilnius,2011 • Times Square International Theatre Festival, USA, New York, 2011 • Donzdorf International Theatre Festival, Germany, Donzdorf,2012 • Comte international theatre festival, France, Besancon 2012 • Midtown Theatre, USA, New York, OCT 2014 • Donzdorf International Theatre Festival, Germany, Donzdorf, May 2015 Experiences The Group has presented approximately a dozen productions nationally in Iran, as well as internationally, including festivals in Document Name Your Company Name (C) Copyright (Print Date) All Rights Reserved • 20 th international New York fringe festival, USA, New York, 2016 • 7 th international theatre Stockholm fringe festival, Sweden, Stockholm, 2016 3