- Page 1: how to do creative placemaking Nati
- Page 4 and 5: Table of Contents VIII How This Boo
- Page 6 and 7: 90 Art: A Way of Life in Native Com
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- Page 10 and 11: How This Book Is Organized THE BOOK
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- Page 14 and 15: WHERE DID CREATIVE PLACEMAKING COME
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- Page 20 and 21: community. For the most part, citie
- Page 22 and 23: Equity in Practice: Strategies from
- Page 24 and 25: have accepted the role and responsi
- Page 26 and 27: Centering cultural practices in the
- Page 28 and 29: Understanding Arts and Culture in E
- Page 30 and 31: that describes what is and what cou
- Page 32: Stitching It Together: Community Pl
- Page 35 and 36: creative problem-solving across rac
- Page 37 and 38: In downtown Minneapolis, Minnesota,
- Page 39 and 40: HOW TO DO CREATIVE PLACEMAKING •
- Page 41 and 42: etween audiences and place. As such
- Page 43 and 44: 5. While performances are oftentime
- Page 46 and 47: ecognized method for giving and rec
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- Page 50 and 51: Bringing Back Main Street: How Comm
- Page 52 and 53: in artists have not succeeded in sh
- Page 54 and 55: CASE STUDY Our Town Project Using E
- Page 56 and 57: DACT has approached the project met
- Page 58 and 59: The Human-Scale Spark BY ESTHER ROB
- Page 60 and 61: Economic growth is part of the pict
- Page 62 and 63: Strategic Planning for Arts, Cultur
- Page 64 and 65: For those interested in building an
- Page 66 and 67: For more information on art, cultur
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CASE STUDY Our Town Project Creatin
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(-^) Opening night dance performanc
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Can Arts Drive Rural Economic Devel
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So, given a combination of extraord
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And here are a few examples of rura
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Eastport, Maine. Dealing with a dec
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CASE STUDY Our Town Project Reimagi
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design options helped to unify the
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72 • NATIONAL ENDOWMENT FOR THE A
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Building Economy and Community with
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growers, chefs, tech companies, hea
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Ethics of Development: A Shared Sen
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As the dialogue of creative placema
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CASE STUDY Our Town Project Underst
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interviews with community members a
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How Artists Share (in) Place: A Jou
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I was reminded of the myriad ways a
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Art: A Way of Life in Native Commun
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NEW WAYS OF CREATIVITY & RESILIENCY
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HOW TO DO CREATIVE PLACEMAKING •
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Their collective vision was to crea
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100 • NATIONAL ENDOWMENT FOR THE
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How Can a Planning Authority Work w
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WHAT THE ARTIST DID Brookner led a
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CASE STUDY Our Town Project Connect
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HOW TO DO CREATIVE PLACEMAKING •
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ADOPT AN “OPT-IN” APPROACH Many
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AIM HIGH Our pilot for Boston AIR w
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Recognizing the tension between the
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Recognizing the police department
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Much to my delight, the police chie
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Cultural Roots, Regrowth, and Resil
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Outreach offers both logistical and
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CASE STUDY Our Town Project Connect
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As a true public/private partnershi
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titled Confluence of Time and Place
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4. Public art can act as an economi
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and how arts and culture play a cen
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the target audience, you might choo
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Chapter 5 arts + physical infrastru
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to manage after it was complete. Ge
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In conclusion, cultural building pr
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MMA, City of Jackson, and Downtown
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HOW TO DO CREATIVE PLACEMAKING •
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Typically, while working in the fie
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5. Controversies are Opportunities:
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From the beginning, job training in
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HOW TO DO CREATIVE PLACEMAKING •
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Successful artist housing is not ju
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CASE STUDY Our Town Project Bringin
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In April 2013, property was acquire
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Artisan Businesses and Equitable Ne
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Economic Resiliency Cities with a d
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Success in equitable neighborhood r
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170 • NATIONAL ENDOWMENT FOR THE
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Building through the Arts: With, fo
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projects aimed at increasing access
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PPC’s collaborative of ex-offende
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How Can a CDC (or the City) Effecti
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LESSONS LEARNED We quickly learned
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CASE STUDY Our Town Project Embraci
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As with any successful urban initia
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Developing Communities through Crea
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FINANCIAL DISPLACEMENT Community de
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CASE STUDY Our Town Project Reimagi
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Overall, Cultural Connections in ta
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Moving from Theory to Practice: Exp
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WHAT DO COMMUNITY PLANNING AND DEVE
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partners for community development
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Creative Placemaking: Toward a Sust
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A significant part of the work ahea
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Credits November 2016 National Endo
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About the NEA THE NATIONAL ENDOWMEN