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Literature & Trade Catalogue 2016–17

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BIOGRAPHIES & MEMOIRS<br />

FILM & MEDIA STUDIES<br />

2-vol. box set<br />

The Feringhees<br />

Sir Robert and Sir William—Two Europeans in India<br />

Elizabeth Hamilton<br />

Popular imagination often pictures the English imperialist as<br />

coldhearted. Drawing from memoirs, commentaries, and family<br />

letters, Elizabeth Hamilton brings forth in two volumes an alternative<br />

portrayal of her ancestors, Sir Robert Hamilton and Sir William Barton.<br />

She traces their careers in India to present a different side of the<br />

colonialists—of a quiet people, dedicated to upholding the law and<br />

avoiding conflict. These two volumes help see the ‘arrogant<br />

imperialist’ in a new light.<br />

While Sir Hamilton encouraged good governance and deescalated<br />

tensions, Sir Barton worked for reducing corruption in the<br />

administration. Volume 1, The Proud Empire, traces the life of Sir Robert<br />

Hamilton, from the beginning of his career under the watchful eye of<br />

his father, up until his retirement. Volume 2, The Straight Race, tracks<br />

Sir William Barton’s career in the early twentieth century. With three<br />

books and many articles for newspapers and journals on the subject,<br />

India remained an integral part of his life.<br />

9780199457465 | HB | 2016 | `1,695<br />

Elizabeth Hamilton, an independent researcher, was a lecturer for London University Tutorials Committee and<br />

other extramural boards.<br />

16<br />

SRK and Global Bollywood<br />

Fingerprinting Popular Culture<br />

The Mythic and the Iconic in Indian Cinema<br />

Vinay Lal and Ashis Nandy (eds)<br />

9780195692679 | OIP | 2007 | `350<br />

Popular cinema, in recent times, has become for the middle class both an ideological<br />

phalanx and a major vehicle of self-expression. The media-exposed public has in turn<br />

become more accessible through the mythic structures and larger-than-life figures of popular<br />

cinema. The medium has become a new, more powerful language of public discourse.<br />

Fingerprinting Popular Culture is a product of this awareness. It uses Indian popular cinema to reexamine<br />

the relationship between society, politics, and culture.<br />

‘... it makes for some interesting reading, especially if one is looking for some serious and academic discourse on cinema’s<br />

impact on Indian society and vice versa.’ —Deccan Herald<br />

‘The contributors to this volume are known for their erudition on the subject. ... [T]he anthology is not without insights.’<br />

—The Hindu<br />

Rajinder Dudrah, Elke Mader, and Berhard Fuchs (eds)<br />

The past few decades of accelerated globalization has revealed a strong preoccupation<br />

with film stars and celebrity culture in India, and in this context Shah Rukh Khan, aka SRK,<br />

has emerged as an important figure. As an actor, entrepreneur, and icon for India and<br />

‘Indianness’, his appeal cuts across regional, linguistic, and national boundaries.<br />

This collection of essays draws attention to the ways in which SRK’s stardom acts as an<br />

emblem for diasporic and transnational desires in modern India and beyond.<br />

Rajinder Dudrah<br />

Elke Mader<br />

Bernhard Fuchs<br />

Austria.<br />

17<br />

s<br />

is enior lecturer in Screen Studies at the University of Manchester, UK.<br />

is professor of Social and Cultural Anthropology, University of Vienna, Austria.<br />

is faculty with the Department of European Ethnology, University of Vienna,<br />

9780199460472 | HB | 2015 | `995

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