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4.52am Issue: 016 - 8th January 2017

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THEATRE OF HATE<br />

Whatever Happened to the Westworld?<br />

I never got to see Theatre of Hate during<br />

the two years that should have been their<br />

glory days, in fact I never got to see Kirk<br />

Brandon at all until much later, fronting<br />

Spear of Destiny in a Hockey Stadium<br />

somewhere in Milton Keynes. It doesn’t<br />

get more New Wave Punk than that, let’s<br />

face it.<br />

Although whilst I loved Spear of Destiny,<br />

I never feel that you can beat what an<br />

artist’s first real band is doing as like<br />

authors and painters, first time around<br />

you get their art in the purest form,<br />

before the real world gets in the way.<br />

With novels you often get them of the<br />

kitchen sink variety where every possible<br />

plot twist and detail is included that has<br />

ever popped up in the author’s brain, and<br />

it is the same with bands and song<br />

writers, it is why there are so many onehitters<br />

out there.<br />

All of which I couldn’t help but think of<br />

when I got the rather brilliant compilation<br />

of Theatre of Hate from those cool chaps<br />

at Cherry Red Records. As they do so<br />

often they have taken something<br />

shortlived but special, and gathered all<br />

the parts that maybe dropped to the side<br />

– live performances, demos, unreleased<br />

tracks – and opulently packaged it for<br />

my delectation. (OK, anybody that<br />

wants it, not just me, but you know.<br />

I’m nothing if not ego-laden.)<br />

Listening to the band now, I have to<br />

say I really can’t understand how it did<br />

go wrong, but like many before them<br />

and since, a little bad luck here and a<br />

bad break there was enough to change<br />

what should have been into another<br />

tale of woe.<br />

The story started earlier of course, but<br />

the first time I remember seeing ToH<br />

was on Top of the pops. It was the only<br />

place you used to see any band of<br />

course, but I can vividly remember the<br />

strutting, spitting rockabilly punks with<br />

the monotonous beats and screaming<br />

guitars, they were like nothing else<br />

around and totally fascinating. Then<br />

there was the saxophone. Man, it was<br />

definitely a good time for music and I<br />

can’t help but wonder how all those sax<br />

players have eaten over the decades<br />

since.<br />

The single that day was of course their<br />

only real hit ‘Do You Believe In The<br />

Westworld’, and the thumping drums

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