White shirt moment
published by PAS | Performance Art Studies, 2012 http://pas.bbbjohannesdeimling.de
published by PAS | Performance Art Studies, 2012
http://pas.bbbjohannesdeimling.de
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Michelle Isava [tt/ve]<br />
PAS #20 | “In Context”<br />
Berlin, Germany 2011<br />
40<br />
Why did you go so far? / 10 minutes<br />
I conceived of my performance with three basic elements; a cage, feathers and a childish<br />
dress. The process of finding these items also directed the action. The cage became<br />
more symbolic and so I decided to use a metal fold up bed as a substitute. The dictated<br />
that the bed would have to be hung instead of on the ground if it was a cage. The bed only<br />
covers one side, so I had it suspended in front of a window sill. On that window sill I stood<br />
behind the bed waiting to start the performance. Like caged birds at night, the front bars<br />
of my cage-bed were covered with a sheet. The audience met me hidden in this way.<br />
I started slowly to struggle behind the sheet making sounds hitting the bars to brake<br />
free. Eventually the sheet fell down. At this point I stood still and repeated the word<br />
‘emergency’ like a lullaby. When I stopped I found a simple way to gain freedom<br />
from my cage and I merely crawled out. On the ground were many feathers on which<br />
I started to move but could never get away from as they moved with me, made me slip<br />
and even got into my mouth. I struggled in this way for several minutes until I slowed<br />
down and stopped. Slowly I crawled under the feathers to hide again.