ORACLE XIV
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SPECIAL THANKS<br />
This year, Oracle staff members sifted through record-number<br />
submissions, which gave us a collection of excellent art and writing.<br />
The Oracle staff would like to thank our advisors, Ellen Harrington<br />
and diane gibbs, for their support and guidance in the production<br />
of this issue. We would also like to extend a sincere thanks to the<br />
previous editor in chief, Karie Fugett, for her foresight in ameliorating<br />
some organizational headaches in addition to her general advice and<br />
support. Last, but most certainly not least, the staff must recognize<br />
Louise King for her dedication and generosity. Her ideas, combined<br />
with her incredible work ethic, are what made this process a seamless<br />
one. Without these women, this issue would not have come together.<br />
Additionally, the staff would like to remember an important figure<br />
in the Oracle community. Bobby Holmes was a poet, writer, and<br />
student at the University of South Alabama. In honor of his memory,<br />
his friends and family, including Dr. Larry Holmes, Bobby’s father<br />
and history professor emeritus at USA, generously established the<br />
Bobby Holmes Scholarship. Each year, this scholarship is awarded<br />
to the editor in chief of Oracle Fine Arts Review.<br />
Other thanks:<br />
USA Student Government Association (SGA)<br />
USA College of Arts and Sciences<br />
Andrzej Wierzbicki, Dean, College of Arts and Sciences<br />
Steven Trout, Chair, English Department<br />
Jason Guynes, Chair, Visual Arts Department<br />
Ellen Burton Harrington, Faculty Advisor, English Department<br />
diane gibbs, Faculty Advisor, Visual Arts Department<br />
Mira Rosenthal, Director of Creative Writing<br />
EDITOR’S NOTE<br />
This year’s issue of Oracle considers the structures and<br />
spaces (both abstract and literal) that humans create<br />
for themselves, identify themselves by, and push each<br />
other into. Luckily, one place we are not as limited by is<br />
the creative outlet present in journals such as this one.<br />
The themed work in this issue, those pieces specifically<br />
connected with structures and spaces, is meant to enrich<br />
reader experience with the piece; to highlight just how<br />
frequently people are changing and adapting to new<br />
environments and situations, whatever they may be.<br />
Themed work features the symbol found at the bottom of<br />
this note. The design of this issue and theme symbol were<br />
inspired by the artwork of Piet Mondrian, an artist who<br />
challenged traditional notions of space and liminality.<br />
Enjoy the read, and enjoy the ride. I know I did.<br />
Best,<br />
Aryn Sojung Bradley<br />
Editor in Chief<br />
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