The Art of Hungary
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Figure 19<br />
raphy and a desire to learn from the progressive<br />
masters tended to move to Germany, <strong>of</strong>ten<br />
attending courses at the Bauhaus. In general, however,<br />
at this time the prevailing mainstream art in<br />
<strong>Hungary</strong> was averse to modernism. Concurrently,<br />
those photographers who had left <strong>Hungary</strong> found<br />
particular success in various German newspapers<br />
and magazines.<br />
<strong>The</strong> photographs in the exhibition represent the<br />
best and most intriguing period <strong>of</strong> Hungarian<br />
photography and were selected to complement the<br />
important paintings included in the neighboring<br />
exhibition, Hungarian <strong>Art</strong>: A Century <strong>of</strong> Rebellion<br />
and Revival. <strong>The</strong>se photographers played a crucial<br />
role between the World Wars and later in the<br />
development <strong>of</strong> Hungarian photographic art. Of<br />
particular note is that the exhibition includes works<br />
by both Hungarian photographers who chose to<br />
stay in <strong>Hungary</strong> and who–unlike those who went<br />
abroad–are still almost unknown to researchers <strong>of</strong><br />
international photography.<br />
Dr. Péter Baki<br />
Guest Curator and Director,<br />
Hungarian Museum <strong>of</strong> Photography