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The Art of Hungary

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Figure 19<br />

raphy and a desire to learn from the progressive<br />

masters tended to move to Germany, <strong>of</strong>ten<br />

attending courses at the Bauhaus. In general, however,<br />

at this time the prevailing mainstream art in<br />

<strong>Hungary</strong> was averse to modernism. Concurrently,<br />

those photographers who had left <strong>Hungary</strong> found<br />

particular success in various German newspapers<br />

and magazines.<br />

<strong>The</strong> photographs in the exhibition represent the<br />

best and most intriguing period <strong>of</strong> Hungarian<br />

photography and were selected to complement the<br />

important paintings included in the neighboring<br />

exhibition, Hungarian <strong>Art</strong>: A Century <strong>of</strong> Rebellion<br />

and Revival. <strong>The</strong>se photographers played a crucial<br />

role between the World Wars and later in the<br />

development <strong>of</strong> Hungarian photographic art. Of<br />

particular note is that the exhibition includes works<br />

by both Hungarian photographers who chose to<br />

stay in <strong>Hungary</strong> and who–unlike those who went<br />

abroad–are still almost unknown to researchers <strong>of</strong><br />

international photography.<br />

Dr. Péter Baki<br />

Guest Curator and Director,<br />

Hungarian Museum <strong>of</strong> Photography

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