24.02.2017 Views

Viva Lewes Issue #126 March 2017

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ON THIS MONTH: ART<br />

FOCUS ON: Presumptuous Views<br />

Work in progress, mixed media, Nikki Davidson-Bowman<br />

It looks like lots of photos, stitched together…<br />

It’s the transparancies from a number of slides.<br />

Where did you get them? From a house clearance<br />

company. The person who took them died,<br />

with no relatives, and the slides were otherwise<br />

destined for the skip. They were taken between<br />

the 60s and the 2000s, and mostly they are of landscapes,<br />

or of buildings. A lot of them were taken<br />

around Sussex.<br />

Are they good pictures? Not particularly. They<br />

are very… ordinary. There are rarely any people<br />

in them. It’s the world seen through someone<br />

else’s eyes, re-catalogued by me. I have to be very<br />

meticulous and rather anal, but reorganising things<br />

helps me find a pathway through it. It’s my way of<br />

dealing with chaos.<br />

What other media are involved in the piece?<br />

There was also a box full of love letters. These<br />

were as personal as the photos were impersonal.<br />

I’ll be using them in the work. And there will be<br />

sound involved, too.<br />

You like working with found objects… I do. I<br />

also like working with found words. Words I find<br />

in magazines and books, mostly. I find it difficult to<br />

read, without thinking ‘where’s that scalpel?’<br />

Who have you been influenced by? People who<br />

tell stories. Cornelia Parker. Mary Kelly. David<br />

Bowie - he wrote some of his songs using a ‘cutups’<br />

technique.<br />

You’ve got a lot of space to display the work.<br />

The whole of the gallery. I’ll have Monday to<br />

Friday to set up the work, and over the weekend<br />

it will be on display. I like what’s being done with<br />

this space. It’s all about experimentation, and<br />

experimentation is a good thing, in life as in art.<br />

What artwork would you hang from your<br />

desert island palm tree? Witness by Susan Hiller<br />

- not sure how the technicalities of the installation<br />

would work on my island but there's always a<br />

way! I remember when I first saw this piece at Tate<br />

Britain how it blew me away - intrigue, confusion,<br />

technically amazing - I left wanting to know more.<br />

It would mean I was always surrounded by other<br />

people's stories and their versions of reality. AL<br />

Martyrs’ Gallery (formerly Hop), Sat 4th, Sun 5th.<br />

Two other artists have week-long residencies culminating<br />

in shows at the gallery, Alex Julyan (11th,<br />

12th) and Francesca Duffield (18th, 19th).<br />

51

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