Viva Lewes Issue #126 March 2017
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ON THIS MONTH: ART<br />
FOCUS ON: Presumptuous Views<br />
Work in progress, mixed media, Nikki Davidson-Bowman<br />
It looks like lots of photos, stitched together…<br />
It’s the transparancies from a number of slides.<br />
Where did you get them? From a house clearance<br />
company. The person who took them died,<br />
with no relatives, and the slides were otherwise<br />
destined for the skip. They were taken between<br />
the 60s and the 2000s, and mostly they are of landscapes,<br />
or of buildings. A lot of them were taken<br />
around Sussex.<br />
Are they good pictures? Not particularly. They<br />
are very… ordinary. There are rarely any people<br />
in them. It’s the world seen through someone<br />
else’s eyes, re-catalogued by me. I have to be very<br />
meticulous and rather anal, but reorganising things<br />
helps me find a pathway through it. It’s my way of<br />
dealing with chaos.<br />
What other media are involved in the piece?<br />
There was also a box full of love letters. These<br />
were as personal as the photos were impersonal.<br />
I’ll be using them in the work. And there will be<br />
sound involved, too.<br />
You like working with found objects… I do. I<br />
also like working with found words. Words I find<br />
in magazines and books, mostly. I find it difficult to<br />
read, without thinking ‘where’s that scalpel?’<br />
Who have you been influenced by? People who<br />
tell stories. Cornelia Parker. Mary Kelly. David<br />
Bowie - he wrote some of his songs using a ‘cutups’<br />
technique.<br />
You’ve got a lot of space to display the work.<br />
The whole of the gallery. I’ll have Monday to<br />
Friday to set up the work, and over the weekend<br />
it will be on display. I like what’s being done with<br />
this space. It’s all about experimentation, and<br />
experimentation is a good thing, in life as in art.<br />
What artwork would you hang from your<br />
desert island palm tree? Witness by Susan Hiller<br />
- not sure how the technicalities of the installation<br />
would work on my island but there's always a<br />
way! I remember when I first saw this piece at Tate<br />
Britain how it blew me away - intrigue, confusion,<br />
technically amazing - I left wanting to know more.<br />
It would mean I was always surrounded by other<br />
people's stories and their versions of reality. AL<br />
Martyrs’ Gallery (formerly Hop), Sat 4th, Sun 5th.<br />
Two other artists have week-long residencies culminating<br />
in shows at the gallery, Alex Julyan (11th,<br />
12th) and Francesca Duffield (18th, 19th).<br />
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