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ARRIRAW: FOR
ULTIMATE
QUALITY AND FLEXIBILITY
For major feature films and other productions requiring uncompromised
image quality, ARRIRAW is the best digital alternative to 35 mm film.
Unlike other camera formats, ARRIRAW delivers raw, uncompressed,
unencrypted data and does not ‘bake in’ any camera settings, allowing
maximum flexibility in post.
Lawless
Cinematographer Benoit Delhomme, AFC
Photo courtesy of Richard Foreman, Jr., SMPSP and The Weinstein Company
The ARRIRAW image is recorded using ARRI’s T-link interface to a certified re-
corder such as the Codex Onboard. By following a traditional, film-like workflow,
ARRIRAW makes the transition from film to digital a much more transparent
process.
“IN TESTS ARRIRAW WON OUT
OVER 35 MM FILM. I FELT SO
SAFE WITH IT THAT I BECAME
A MORE INTUITIVE DP, FREE TO
FOCUS ON ARTISTIC RATHER
THAN TECHNICAL CONCERNS.”
Cinematographer Benoit Delhomme, AFC
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